We Love the Sixties

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelKünstlerBewertungLänge
1It’s All Over Now, Baby Blue
Produzent(in):
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
Bassgitarre:
John Sebastian (in 1965-01)
Gitarre:
Bob Dylan (in 1965-01), Al Gorgoni (in 1965-01), John Hammond (blues singer and guitarist) (in 1965-01), Bruce Langhorne (in 1965-01) und Kenny Rankin (in 1965-01)
Keyboard:
Bob Dylan (in 1965-01) und Paul Griffin (American pianist, session musician) (in 1965-01)
Klavier:
Paul Griffin (American pianist, session musician) (in 1965-01) und Frank Owens (American pianist) (in 1965-01)
Mundharmonika:
Bob Dylan (in 1965-01)
Schlagzeug:
Bobby Gregg (in 1965-01)
vocals:
Bob Dylan (in 1965-01)
remixer:
Michael Brauer (engineer)
recording of:
It’s All Over Now, Baby Blue (am 1965-01-15)
Texter und Komponist(in):
Bob Dylan (in 1965-01)
publisher:
Blossom Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1965 bis 1993) und Special Rider Music (vom 1993 bis heute)
Bob Dylan4.54:16
2Brown Eyed Girl
recording engineer:
Brooks Arthur (am 1967-03-28)
Produzent(in):
Bert Russell Berns
Bassgitarre:
Eric Gale (am 1967-03-28)
Gitarre:
Al Gorgoni (am 1967-03-28), Hugh McCracken (am 1967-03-28) und Van Morrison (am 1967-03-28)
Orgel:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1967-03-28)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1967-03-28)
Hintergrundgesang:
The Sweet Inspirations (am 1967-03-28)
Sologesang:
Van Morrison (am 1967-03-28)
Interpret(in):
Van Morrison (am 1967-03-28)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) und Exile Productions Ltd. (not for Label Release) (in 1973)
aufgenommen bei:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-03-28) und A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-04-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 71) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 109)
recording of:
Brown Eyed Girl (Van Morrison song) (von 1967-03-28 bis 1967-04-07)
Texter und Komponist(in):
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) und Polygram Publishing AB (in 1992)
Van Morrison3.253:02
3Jingo
Techniker(in):
Bob Breault und Eric Prestidge
Produzent(in):
Brent Dangerfield und Carlos Santana
remixer:
Jim Gaines (in 1988-01)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
aufgenommen bei:
Pacific Recording Studio in San Mateo, California (Kalifornien), Vereinigte Staaten (in 1969)
remixed at:
The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten (in 1988-01)
cover recording of:
Jin‐go‐lo‐ba (Drums of Passion) (Jingo) (in 1969)
Texter und Komponist(in):
Babatunde Olatunji
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc. und EMI Songs Ltd.
Santana4.54:15
4Working in the Coalmine
recording of:
Working in the Coal Mine
Texter und Komponist(in):
Allen Toussaint
publisher:
Marsaint Music Inc. (publishing), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lee Dorsey52:50
5Tobacco Road
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 40)
cover recording of:
Tobacco Road
Texter und Komponist(in):
John D. Loudermilk
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Nashville Teens2:26
6On the Road Again
phonographisches Urheberrecht (℗) von:
Liberty Records, Inc. (in 1968)
aufgenommen bei:
Suffolk Meadows in Long Island, New York, Vereinigte Staaten (am 1979-09-08)
live recording of:
On the Road Again (am 1979-09-08)
Texter und Komponist(in):
Floyd Jones (blues performer and songwriter) und Alan Wilson (Canned Heat member)
publisher:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) und United Partnership Ltd.
Canned Heat3.353:24
7The Letter
Produzent(in):
Dan Penn (songwriter, soul singer)
phonographisches Urheberrecht (℗) von:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) und Atoll Music (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 357) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 364)
recording of:
The Letter (in 1967)
Texter und Komponist(in):
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.31:54
8A Boy Named Sue
Techniker(in):
Bob Breault und Neil Wilburn
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Gitarre:
Carl Perkins (American pioneer of rockabilly music)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1969) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
aufgenommen bei:
San Quentin State Prison in Marin County, California (Kalifornien), Vereinigte Staaten (am 1969-02-24)
live recording of:
A Boy Named Sue (am 1969-02-24)
Texter und Komponist(in):
Shel Silverstein
Johnny Cash4.43:44
9Summertime Blues
E-Bass:
Connie “Guybo” Smith (bass player) (am 1958-03-28)
Gitarre:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1958-03-28)
Schlagzeug:
Earl Palmer (am 1958-03-28)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1958-03-28)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1958)
aufgenommen bei:
Goldstar Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-03-28)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 11), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 73) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 432)
recording of:
Summertime Blues (in 1958-05)
Verfasser(in):
Jerry Capehart und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran3.751:59
10La Bamba (They Call Her)
The Crickets2:39
11The Lion Sleeps Tonight
recording of:
The Lion Sleeps Tonight (in 1961)
Texter:
George David Weiss (in 1961)
Verfasser(in):
Luigi Creatore, Hugo Peretti und Albert Stanton (pseudonym for Al Brackman)
Komponist(in):
Solomon Linda
publisher:
Abilene Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Luigi Creatore Music (ASCAP) und Memory Lane Music Ltd.
basiert auf:
Mbube
basiert auf:
Wimoweh
Version von:
Wimoweh
Teil von:
The Lion King (stage musical)
Teil von:
The Lion King (2019 film soundtrack)
The Tokens2:41
12Mrs. Robinson
recording engineer:
Roy Halee (am 1968-02-02)
assistierende(r) Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Produzent(in):
Art Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Gitarre:
Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1968-02-02)
vocals:
Art Garfunkel (am 1968-02-02) und Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 270)
recording of:
Mrs. Robinson (am 1968-02-02)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) und Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.254:04
13Yummy Yummy Yummy
Produzent(in):
Jerry Kasenetz, Jeff Katz (music producer), Joey Levine und Arthur Resnick (songwriter, producer)
Bassgitarre und Hintergrundgesang:
Dean Kastran (in 1968)
Sologesang:
Joey Levine (in 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 465)
recording of:
Yummy Yummy Yummy (in 1968)
Verfasser(in):
Joey Levine und Arthur Resnick (songwriter, producer)
publisher:
T. M. Music (publisher) (, in 1968)
Ohio Express3.82:21
14Aquarius/Let the Sun Shine
Sound-Engineering, Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Produzent(in):
Ann McClelland
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Interpret(in):
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo und Ron Townson
arranger:
Bill Holman, Bob Alcivar und Bones Howe
vocals arranger:
Bob Alcivar
phonographisches Urheberrecht (℗) von:
Arista (American label owned by Sony Music Entertainment) (in 1969)
Musikvideos:
Age of Aquarius / Let the Sunshine In von The 5th Dimension (1960’s group)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 435)
medley including a recording of:
Aquarius (from “Hair”)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI United Partnership Ltd. und United Artist Music Publishing
Teil von:
Hair (1967 musical)
recording of:
Aquarius / Let the Sunshine In (The Flesh Failures)
Verfasser(in):
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) und Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arranger:
Bill Holman, Bob Alcivar und Bones Howe
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc. und United Artists Music Co., Inc.
Medley von:
Aquarius (from “Hair”)
Medley von:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
medley including a recording of:
Let the Sunshine In
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Music Publishing Scandinavia AB und United Artists Music Co., Inc.
The Fifth Dimension4.154:48
15Oh Happy Day
recording of:
Oh Happy Day (Hawkins’ 1967 gospel arrangement) (in 1968)
Texter:
Philip Doddridge
Komponist(in):
Edward Francis Rimbault (in 1854)
arranger:
Edwin Hawkins (in 1967)
publisher:
Edwin R Hawkins Music Co, EMI U Catalog Inc. (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Arrangement von:
Oh Happy Day
Version von:
O Happy Day, That Fixed My Choice (mid‐19th century version, with new melody and a chorus by Rimbault)
Edwin Hawkins Singers5:06
16Green Tambourine
phonographisches Urheberrecht (℗) von:
Buddha Records (1998–2002, formerly known as Buddah Records) (in 1967)
recording of:
Green Tambourine
Verfasser(in):
Paul Leka und Shelley Pinz
publisher:
BMG Music Publishing Ltd. und Dominion Music Co. Ltd.
The Lemon Pipers3.652:24
17Cupid
Johnny Nash3:24
18Suzanne
Produzent(in):
John Simon (US producer, arranger, composer, songwriter and musician)
Sologesang:
Leonard Cohen (Canadian singer‐songwriter and poet)
conductor:
John Simon (US producer, arranger, composer, songwriter and musician)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 284)
recording of:
Suzanne (English original song by Leonard Cohen) (in 1967)
Texter:
Leonard Cohen (Canadian singer‐songwriter and poet) (in 1966)
Komponist(in):
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Ardmore & Beechwood Music Ltd., Project 7 Music, Sony/ATV Music Publishing LLC (1995–2020), Stranger Music Inc. und Writers Workshop Ltd.
übersetzte Version von:
Suzanne (German lyrics by Thomas Woitkewitsch)
Leonard Cohen4.153:48
19San Francisco
Produzent(in):
Lou Adler und John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) und Wingate Music Corp.
Scott McKenzie3.752:58
20Distant Drums
Techniker(in):
Jim Malloy
Produzent(in):
Chet Atkins
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1966)
recording of:
Distant Drums (1961 song) (am 1966-02-09)
Texter und Komponist(in):
Cindy Walker (US songwriter, singer and dancer)
Jim Reeves2:50

Nennungen

Veröffentlichung

ASIN:UK: B0012NKSC4 [Info]