100 Piano Masterworks

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Suite bergamasque, L. 75: 3. Clair de lune
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl Faust (producer) and Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1969-04)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) (in 1969-04)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy55:19
224 Préludes, op. 28: 15. in D-flat major
piano:
Seong‐Jin Cho (pianist) (in 2015-10)
recorded at:
XVII International Chopin Piano Competition: Stage III, 1st day (2015-10-14)
phonographic copyright (℗) by:
Polish Radio Channel 2 (in 2015) and The Fryderyk Chopin Institute (in 2015)
recorded at:
Warsaw Philharmonic Concert Hall in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (on 2015-10-14)
live recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto (on 2015-10-14)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin5:49
3Lieder ohne Worte, op. 19: No. 1 in E (Andante con moto) "Sweet Romance"
recording engineer:
Hans‐Rudolf Müller (engineer)
executive producer:
Günther Breest (producer for classical music)
producer:
Cord Garben (pianist and conductor)
piano:
Daniel Barenboim (pianist and conductor) (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1973-06)
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1973-06)
recording of:
Lied ohne Worte E-Dur, op. 19b Nr. 1 (Song Without Words in E major, Op. 19b No. 1) (in 1973-06)
composer:
Felix Mendelssohn (composer) (from 1829 until 1830)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 86)
part of:
Lieder ohne Worte, op. 19b (Songs Without Words, op. 19b)
Felix Mendelssohn3:08
4Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": 1. Adagio sostenuto
piano:
Elena Gilels (pianist) and Emil Gilels (pianist) (from 1980-09-09 until 1980-09-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1980-09-09 until 1980-09-17)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (from 1980-09-09 until 1980-09-17)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:06
53 Etudes de Concer, S. 144: No. 3 in D-flat major "Un sospiro"
recording engineer:
Marcus Herzog (engineer)
producer:
Sid McLauchlan (engineer/producer)
piano:
Daniil Trifonov (pianist) (in 2015-09)
piano technician:
Serge Poulain (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2016)
recorded at:
Siemens‐Villa in Berlin, Germany (in 2015-09)
recording of:
Trois études de concert, S. 144: III. "Un sospiro" in D-flat major (in 2015-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Trois études de concert, S. 144
Franz Liszt5:17
6Pour le piano, L. 95: 2. Sarabande
recording engineer:
Rainer Maillard
producer:
Arend Prohmann (producer / editor)
piano:
Rafał Blechacz (Polish pianist) (in 2011-01)
piano technician:
Jan Höppner (piano tuner)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2012)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2011-01)
recording of:
Pour le piano, L. 95, CD 95: II. Sarabande. À Madame E. Rouart (née Y. Lerolle). Avec une élégance grave et lente (in 2011-01)
composer:
Claude Debussy (French composer) (from 1894 until 1901)
dedicated to:
Yvonne Lerolle
is based on:
Images oubliées, L. 87, CD 94 : II. Dans le mouvement d’une ‘Sarabande’, c’est-à-dire avec une élégance grâve et lente, même un peu vieux portrait, souvenir du Louvre, etc. (for piano)
part of:
Pour le piano, L. 95, CD 95
Claude Debussy4:13
7Kinderszenen, op. 15: 7. Träumerei
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann3:02
8Prelude & Fugue in C major (Well-Tempered Clavier, Book I, no. 1), BWV 846: 1. Prelude
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 2014-03)
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (in 2014-03)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 2014-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach2:19
9Lyric Pieces Book V, op. 54: 4. Notturno
recording engineer:
Wolf‐Dieter Karwatky
producer:
Günther Breest (producer for classical music)
piano:
Emil Gilels (pianist) (in 1974-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1974-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1974-06)
recording of:
Lyriske stykker, hefte V, op. 54: No. 4: Notturno (Lyric Pieces, Book V, op. 54 no. 4: Nocturne, original for piano) (in 1974-06)
composer:
Edvard Grieg (composer) (in 1891)
part of:
Lyriske stykker, hefte V, op. 54
Edvard Grieg4:09
103 Romanzen, op. 28: No. 2 in F-sharp (Einfach)
producer:
Sid McLauchlan (engineer/producer)
piano:
Jan Lisiecki (pianist) (in 2015-09)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 2015-09)
recording of:
Drei Romanzen für Pianoforte, op. 28: II. Einfach (in 2015-09)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Drei Romanzen für Pianoforte, op. 28
Robert Schumann3:40
11Schwanengesang, S. 560: No. 4. Ständchen
recorded in:
New York, New York, United States (from 1986-02-14 until 1986-03-06)
executive producer:
Günther Breest (producer for classical music)
producer:
Thomas Frost (classical music producer)
piano:
Vladimir Horowitz (Ukrainian‐American pianist and composer) (from 1986-02-14 until 1986-03-06)
balance engineer:
Paul Goodman (engineer) and Tom Lazarus
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1986-02-14 until 1986-03-06)
recording of:
Schwanengesang, S. 560: No. 7. Ständchen (for solo piano, Liszt) (from 1986-02-14 until 1986-03-06)
composer:
Franz Schubert (composer)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1838 until 1839)
arrangement of:
Schwanengesang, D. 957: IV. Ständchen (Leise flehen meine Lieder) (for voice and piano)
part of:
Schwanengesang, S. 560 (for solo piano, Liszt)
Franz Liszt5:42
12Gnossiennes: No. 1. Lento (Jeanne Moreau version)
producer:
Arend Prohmann (producer / editor) and Roger Wright (pianist)
piano:
Jean‐Marc Luisada (pianist) (in 1994-07)
spoken vocals:
Jeanne Moreau (in 1994-07)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1994-07: piano)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1994-07)
recording of:
Gnossienne no. 1 (in 1994-07)
composer:
Erik Satie (French composer) (in 1890)
part of:
Trois Gnossiennes
Erik Satie3:13
13Liebestraum no. 3 in A-flat, S. 541 no. 3
producer:
Christian Gansch (conductor)
piano:
Yundi Li (pianist) (in 2002-10)
balance engineer:
Rainer Maillard (in 2002-10: piano)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2002-10)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano) (in 2002-10)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt4:34
14Deux Arabesques, L. 66: No. 1. Andante con moto
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl Faust (producer)
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal (Plenarsaal der Akademie der Künste in Berlin) in Berlin, Germany (in 1969-04) and Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1969-04)
recording of:
Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (for piano) (in 1969-04)
composer:
Claude Debussy (French composer) (from 1890 until 1891)
part of:
Deux arabesques, L. 66, CD 74 (for piano)
Claude Debussy3:47
15Vladimir's Blues
recording engineer:
Steve Parr
producer and mixer:
Max Richter (German pianist and score composer)
piano:
Max Richter (German pianist and score composer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recording of:
Vladimir’s Blues
composer:
Max Richter (German pianist and score composer) (, in 2004)
arranger:
Max Richter (German pianist and score composer)
Max Richter1:25
16Dolce Droga
recording engineer:
Ludovico Einaudi (Italian composer and pianist) and Michael Seberich (Italian engineer and producer)
producer:
Ludovico Einaudi (Italian composer and pianist)
mixer:
Michael Seberich (Italian engineer and producer)
piano:
Ludovico Einaudi (Italian composer and pianist) (in 2004-06)
recorded at:
Piccolo Teatro in Milano (Milan), Milano, Lombardia, Italy (in 2004-06)
produced at:
Piccolo Teatro Milan in Milano (Milan), Milano, Lombardia, Italy (in 2004-06)
recording of:
Dolce droga (in 2004-06)
composer:
Ludovico Einaudi (Italian composer and pianist)
Ludovico Einaudi3:40
17Préludes Book 1, L. 117: 8. La fille aux cheveux de lin
audio engineer:
Klaus Behrens (engineer)
executive producer:
Franz Christian Wulff
producer:
Cord Garben (pianist and conductor)
piano:
Dino Ciani (Italian pianist) (in 1972-04)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1972-04: piano) and Hans‐Peter Schweigmann (engineer) (in 1972-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1972-04)
engineered at:
Plenarsaal (Plenarsaal der Akademie der Künste in Berlin) in Berlin, Germany (in 1972-04)
recording of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair) (in 1972-04)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-06-02)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy3:08
184 Impromptus, op. 90, D. 899: No. 3 in G-flat major (Andante)
producer:
Helmut Burk
piano:
Maria João Pires (pianist) (in 1996-07)
recorded at:
Philharmonie Haarlem in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-07)
recording of:
Impromptu in G‐flat major, op. 90, D. 899: No. 3. Andante (in 1996-07)
composer:
Franz Schubert (composer) (in 1827)
part of:
Classic 100: Piano (2004) (number: 6)
part of:
4 Impromptus, op. 90, D. 899
Franz Schubert5:44
19French Suite no. 6 in E, BWV 817: 3. Sarabande
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
piano:
Murray Perahia (pianist and conductor) (in 2013-07)
balance engineer:
Martin Nagorni
piano technician:
Ulrich Gerhartz
recorded at:
Funkhaus Nalepastraße, Saal 1 in Berlin, Germany (in 2013-07)
recording of:
French Suite no. 6 in E major, BWV 817: III. Sarabande (in 2013-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 6 E-dur, BWV 817 (French Suite No. 6 in E major, BWV 817)
Johann Sebastian Bach3:17
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Credits

Release group

part of:100 Masterworks (Deutsche Grammophon) (order: 1)
Allmusic:https://www.allmusic.com/album/mw0003031605 [info]