Music of the Millennium II

~ Release by Various Artists (see all versions of this release, 6 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Woman
engineer:
Lee DeCarlo
producer:
Jack Douglas, John Lennon (The Beatles) and Yoko Ono (Japanese‐American musician and artist)
lead vocals:
John Lennon (The Beatles)
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records) (in 1980) and Calderstone Productions Limited (in 2016)
music videos:
Woman by John Lennon (The Beatles)
recording of:
Woman
lyricist and composer:
John Lennon (The Beatles)
publisher:
Geffen/Kaye Music, Lenono Music and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
John Lennon43:32
2Every Breath You Take
engineer:
Hugh Padgham
producer:
Hugh Padgham and The Police (British rock band)
drums (drum set):
Stewart Copeland (in 1983)
electric bass guitar and lead vocals:
Sting (singer, songwriter & member of The Police) (in 1983)
electric guitar:
Andy Summers (in 1983)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1981, in 2003), A&M Records (in 1983, in 2016), A&M Records Limited (in 1983), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1983) and A&M Records, Inc. (in 1997)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1983) and Le Studio in Morin‐Heights, Québec (Quebec), Canada (in 1983)
music videos:
Every Breath You Take by The Police (British rock band)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 35), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 84), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 287) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 305)
recording of:
Every Breath You Take (in 1983)
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. (BMI) and Virgin Music (Publishers) Ltd.
sub-publisher:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Police4.14:12
3Nothing Compares to You
engineer:
Chris Birkett
producer:
Nellee Hooper and Sinéad O’Connor (Irish singer‐songwriter)
mixer:
Chris Birkett, Fachtna Ó Ceallaigh and Sinéad O’Connor (Irish singer‐songwriter)
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1990) and Ensign Records Ltd. (company; do NOT use as release label) (in 1990)
music videos:
Nothing Compares 2 U (music video) by Sinéad O’Connor (Irish singer‐songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 184) and Indie 88: Top 500 Indie Rock Songs (number: 413)
cover recording of:
Nothing Compares 2 U
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing and Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:08
4That's the Way Love Goes
assistant recording engineer:
Tim Summerhayes (from 1977-08-09 until 1977-10)
recording engineer:
Geoff Emerick (British recording engineer) (from 1977-08-09 until 1977-10)
producer:
Paul McCartney (The Beatles)
mixer:
Geoff Emerick (British recording engineer)
acoustic bass guitar and lead vocals:
Paul McCartney (The Beatles) (from 1977-08-09 until 1977-10)
acoustic guitar:
Denny Laine (from 1977-08-09 until 1977-10) and Paul McCartney (The Beatles) (from 1977-08-09 until 1977-10)
bagpipe:
John Lang Brown (from 1977-08-09 until 1977-10), Campbelltown Pipe Band (from 1977-08-09 until 1977-10), Archie Coffield (from 1977-08-09 until 1977-10), Dougie Lang (from 1977-08-09 until 1977-10), John McGeachy (from 1977-08-09 until 1977-10), Ian McKerral (from 1977-08-09 until 1977-10) and Tony Wilson (bagpipes) (from 1977-08-09 until 1977-10)
drums (drum set):
Tommy Blue (from 1977-08-09 until 1977-10), Joe English (from 1977-08-09 until 1977-10), Campbell Maloney (from 1977-08-09 until 1977-10) and Jimmy McGeachy (from 1977-08-09 until 1977-10)
electric guitar:
Denny Laine (from 1977-08-09 until 1977-10)
percussion:
Linda McCartney (from 1977-08-09 until 1977-10)
background vocals:
Denny Laine (from 1977-08-09 until 1977-10), Linda McCartney (from 1977-08-09 until 1977-10), Paul McCartney (The Beatles) (from 1977-08-09 until 1977-10), Ian McKerral (from 1977-08-09 until 1977-10) and Dave Paton (from 1977-08-09 until 1977-10)
phonographic copyright (℗) by:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
recorded at:
Spirit of Ranachan Studio in Scotland, United Kingdom (on 1977-08-09) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1977-10)
recording of:
Mull of Kintyre (from 1977-08-09 until 1977-10)
writer:
Denny Laine and Paul McCartney (The Beatles)
publisher:
ATV Music
Janet Jackson3.254:44
5Fast Love
engineer:
Paul Gomersall and Ren Swan
producer:
Jon Douglas and George Michael
keyboard:
Dave Clews, Jon Douglas and George Michael
saxophone:
Andrew Kevin Hamilton (British saxophonist, composer and producer)
arranger:
George Michael
samples:
Forget Me Nots by Patrice Rushen
recording of:
Fastlove
lyricist and composer:
George Michael
George Michael4.255:25
6Angels
programming:
Steve Power and Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
assistant engineer:
Jim Brumby (UK engineer) and Matt Hay
producer:
Guy Chambers (English songwriter and record producer) and Steve Power
mixer:
Steve Power
bass:
Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
drums (drum set) [drums]:
Chris Sharrock
guitar:
Andre Barreau, Chester Kamen and Gary Nuttall
keyboard [keyboards]:
Guy Chambers (English songwriter and record producer) and Steve Power
percussion:
Andy Duncan (UK drummer and producer)
background vocals:
Andre Barreau, Gary Nuttall and Nicole Patterson
lead vocals:
Robbie Williams
orchestra:
London Session Orchestra
arranger:
Guy Chambers (English songwriter and record producer)
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1997)
recorded at:
Matrix Maison Rouge Studios in London (Greater London), England, United Kingdom
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
part of:
The Co-Op: Top 10 British Funeral Songs (number: 5)
recording of:
Angels
writer:
Guy Chambers (English songwriter and record producer) and Robbie Williams
publisher:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), EMI Songs, EMI Virgin Music Ltd. (do not use this as a release label!) and Kobalt Music Publishing Ltd. (UK)
Robbie Williams3.654:24
7What’s Love Got to Do With It
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
drums (drum set):
Graham Jarvis (UK session drummer)
guitar:
Terry Britten
keyboard:
Nick Glennie‐Smith and Billy Livsey
percussion:
Simon Morton
background vocals:
Terry Britten and Tessa Niles
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 309)
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
recording of:
What’s Love Got to Do With It (Kygo version)
writer:
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) and Graham Lyle
publisher:
Kobalt Music (publisher) (from 2020 to present) and WC Music Corp. (from 2020 to present)
is based on:
What’s Love Got to Do With It
Tina Turner4.053:46
8You Wear It Well
producer:
Rod Stewart
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1972)
recording of:
You Wear It Well
writer:
Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), G.H. Music Ltd, Three Bridges Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Windswept Pacific Music Ltd. (publishing company)
Rod Stewart4.54:21
91999
recording engineer:
Peggy McCreary (from 1982-07 until 1982-08)
producer:
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
cowbell, cymbal, drum machine [Linn LM-1], electric bass guitar, electric guitar, electronic drum set [Pearl SY-1 Syncussion], handclaps, synthesizer [ARP Omni-2], synthesizer [Oberheim OB-Xa] and tambourine:
Prince (“The Artist Formerly Known as…”) (from 1982-07 until 1982-08)
background vocals:
Jesse Johnson (original guitarist for The Time) (from 1982-07 until 1982-08)
lead vocals:
Lisa Coleman (US pianist/keyboardist & composer) (from 1982-07 until 1982-08), Dez Dickerson (from 1982-07 until 1982-08), Jill Jones (American singer, songwriter, and actress) (from 1982-07 until 1982-08) and Prince (“The Artist Formerly Known as…”) (from 1982-07 until 1982-08)
arranger:
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
edit of:
1999 (album version) by Prince (“The Artist Formerly Known as…”)
music videos:
1999 by Prince (“The Artist Formerly Known as…”)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 212) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 339)
recording of:
1999 (from 1982-07 until 1982-08)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music, Warner Chappell Music (publisher as Warner/Chappell Music) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Prince43:37
10Hot Stuff
producer:
Pete Bellotte (English lyricist and producer) and Giorgio Moroder
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
recording of:
Hot Stuff
writer:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
publisher:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer33:51
11Mamma Mia
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
additional guitar and guitar:
Janne Schaffer (on 1975-03-16)
bass guitar:
Mike Watson (English‐Swedish rock musician) (on 1975-03-12)
cello:
Kjell Bjurling (Swedish cellist) (on 1975-03-15) and Olle Gustafsson (cellist) (on 1975-03-15)
drums (drum set):
Roger Palm (on 1975-03-12)
electric guitar:
Finn Sjöberg (on 1975-03-12)
marimba:
Benny Andersson (ABBA) (in 1975-03)
oboe:
Lars-Erik Rönn (on 1975-03-15)
viola:
Nils Heie (on 1975-03-15) and Håkan Roos (Swedish violist) (on 1975-03-15)
violin:
Anders Dahl (Swedish media artist creates artworks and experimental sound) (on 1975-03-15), Inge Lindstedt (on 1975-03-15), Gunnar Michols (Swedish violinist) (on 1975-03-15), Sixten Strömvall (Swedish violinist) (on 1975-03-15), Harry Teike (on 1975-03-15) and Krzysztof Zdrzalka (Swedish violinist) (on 1975-03-15)
lead vocals:
Agnetha Fältskog (on 1975-03-12) and Frida (Swedish singer and member of ABBA) (on 1975-03-12)
cello, viola and violin arranger:
Sven-Olof Walldoff
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music AB (in 1975) and Polar Music International AB (in 2001, in 2014)
recorded at:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Sweden (on 1975-03-12, on 1975-03-15, on 1975-03-16)
mixed at:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Sweden
recording of:
Mamma Mia (from 1975-03-12 until 1975-03-16)
written in:
Lidingö municipality, Stockholms län (Stockholm county), Sweden
writer:
Stig Anderson (Stikkan), Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Polar Music AB (ended), Union Songs AB (publisher) (ended), EMI Grove Park Music, Inc., Universal–Songs of PolyGram International, Inc. and Universal/Union Songs Musikförlag AB
part of:
Mamma Mia! (1999 musical)
recording of:
Mamma Mia (Spanish version)
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
translator:
Buddy McCluskey (translator) and Mary McCluskey (translator)
translated version of:
Mamma Mia
ABBA3.83:32
12Chain Reaction
assistant engineer:
Scott Glasel and John Haig (engineer)
engineer:
Jack Joseph‐Puig, Karl Richardson and Brian Tench
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
mixer:
Jack Joseph‐Puig
phonographic copyright (℗) by:
Barry Gibb (in 1985), Maurice Gibb (in 1985) and Robin Gibb (in 1985)
recorded at:
Middle Ear Studio in Miami Beach, Florida, United States
recording of:
Chain Reaction
composer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music Publishing Ltd. and Gibb Brothers Music
Diana Ross4.353:47
13Get Up (I Feel Like Being a) Sex Machine
recording of:
Get Up (I Feel Like Being Like a) Sex Machine
writer:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) and Ron Lenhoff
publisher:
Dynatone Publishing Co. and Intersong Music Ltd.
James Brown2:48
14What's Going On
producer:
Marvin Gaye
mixer:
Lawrence Miles (on 1971-05-06)
instruments:
Detroit Symphony Orchestra (on 1971-05-06) and The Funk Brothers (on 1971-05-06)
percussion [box drum], piano and lead vocals:
Marvin Gaye (on 1971-05-06)
background vocals:
Lem Barney (on 1971-05-06), Mel Farr (on 1971-05-06) and Marvin Gaye (on 1971-05-06)
conductor:
David Van dePitte (on 1971-05-06)
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1971)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1971-05-06)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 4), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 102) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
What’s Going On (on 1971-05-06)
lyricist and composer:
Renaldo Benson, Al Cleveland (songwriter 1930-1996) and Marvin Gaye
publisher:
EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. and Stone Agate Music Corp.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Marvin Gaye4.25?:??
15Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:56
16(Sittin' on) The Dock of the Bay
recording of:
Dock of the bay
Otis Redding2:38
17Uptight (Everything’s Alright)
producer:
Henry Cosby and William Stevenson (Motown songwriter)
lead vocals:
Stevie Wonder (in 1965)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1965)
recording of:
Uptight (Everything’s Alright) (in 1965)
lyricist and composer:
Henry Cosby, Sylvia Moy and Stevie Wonder
publisher:
EMI April Music Inc., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music and Stone Agate Music
Stevie Wonder4.652:53
18Mrs. Robinson
recording engineer:
Roy Halee (on 1968-02-02)
assistant producer:
Bob Johnston (US record producer and early rockebilly singer)
producer:
Art Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1968-02-02)
guitar:
Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
vocals:
Art Garfunkel (on 1968-02-02) and Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 270)
recording of:
Mrs. Robinson (on 1968-02-02)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.254:01
19Mull of Kintyre
assistant recording engineer:
Tim Summerhayes (from 1977-08-09 until 1977-10)
recording engineer:
Geoff Emerick (British recording engineer) (from 1977-08-09 until 1977-10)
producer:
Paul McCartney (The Beatles)
mixer:
Geoff Emerick (British recording engineer)
acoustic bass guitar and lead vocals:
Paul McCartney (The Beatles) (from 1977-08-09 until 1977-10)
acoustic guitar:
Denny Laine (from 1977-08-09 until 1977-10) and Paul McCartney (The Beatles) (from 1977-08-09 until 1977-10)
bagpipe:
John Lang Brown (from 1977-08-09 until 1977-10), Campbelltown Pipe Band (from 1977-08-09 until 1977-10), Archie Coffield (from 1977-08-09 until 1977-10), Dougie Lang (from 1977-08-09 until 1977-10), John McGeachy (from 1977-08-09 until 1977-10), Ian McKerral (from 1977-08-09 until 1977-10) and Tony Wilson (bagpipes) (from 1977-08-09 until 1977-10)
drums (drum set):
Tommy Blue (from 1977-08-09 until 1977-10), Joe English (from 1977-08-09 until 1977-10), Campbell Maloney (from 1977-08-09 until 1977-10) and Jimmy McGeachy (from 1977-08-09 until 1977-10)
electric guitar:
Denny Laine (from 1977-08-09 until 1977-10)
percussion:
Linda McCartney (from 1977-08-09 until 1977-10)
background vocals:
Denny Laine (from 1977-08-09 until 1977-10), Linda McCartney (from 1977-08-09 until 1977-10), Paul McCartney (The Beatles) (from 1977-08-09 until 1977-10), Ian McKerral (from 1977-08-09 until 1977-10) and Dave Paton (from 1977-08-09 until 1977-10)
phonographic copyright (℗) by:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
recorded at:
Spirit of Ranachan Studio in Scotland, United Kingdom (on 1977-08-09) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1977-10)
recording of:
Mull of Kintyre (from 1977-08-09 until 1977-10)
writer:
Denny Laine and Paul McCartney (The Beatles)
publisher:
ATV Music
Wings3.25?:??
20American Pie
engineer:
Tom Flye
acoustic guitar and banjo:
Don McLean (on 1971-05-26)
bass:
Bob Rothstein (on 1971-05-26)
drums (drum set) and percussion:
Roy Markowitz (on 1971-05-26)
electric guitar:
David Spinozza (on 1971-05-26)
electric piano:
Ray Colcord (on 1971-05-26)
marimba and vibraphone:
Mike Mainieri (on 1971-05-26)
piano:
Paul Griffin (American pianist, session musician) (on 1971-05-26)
choir vocals:
West 44th Street Rhythm and Noise Choir (on 1971-05-26)
vocals:
Bob Rothstein (on 1971-05-26) and Don McLean (on 1971-05-26)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1971) and United Artists Records (for bootlegs and counterfeit) (in 1971)
partial recording of:
American Pie (on 1971-05-26)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:05