Six Classic Albums

~ Veröffentlichung von Mel Tormé (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: It's a Blue World / Mel Tormé and the Marty Paich Dek-Tette
2▼CD: Mel Tormé and the Marty Paich Dek-Tette (cont.) / Mel Tormé Sings Fred Astaire
Nr.TitelKünstlerBewertungLänge
1The Lady Is a Tramp
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-20)
alto saxophone:
Bud Shank (am 1956-01-20)
baritone saxophone:
Jack Dulong (am 1956-01-20)
Klavier:
Marty Paich (am 1956-01-20)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1956-01-20)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1956-01-20)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-01-20) und Jack Montrose (am 1956-01-20)
Trompete:
Pete Candoli (am 1956-01-20) und Don Fagerquist (am 1956-01-20)
Tuba:
Al Pollan (am 1956-01-20)
Ventilposaune:
Bob Enevoldsen (am 1956-01-20)
Waldhorn:
John Cave (french horn) (am 1956-01-20) und Vince de Rosa (am 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (am 1956-01-20)
Orchester:
The Marty Paich Dek‐Tette (am 1956-01-20)
Mel Tormé with The Marty Paich Dek‐Tette2:47
2I Like to Recognize the Tune
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-20)
alto saxophone:
Bud Shank (am 1956-01-20)
baritone saxophone:
Jack Dulong (am 1956-01-20)
Klavier:
Marty Paich (am 1956-01-20)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1956-01-20)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1956-01-20)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-01-20) und Jack Montrose (am 1956-01-20)
Trompete:
Pete Candoli (am 1956-01-20) und Don Fagerquist (am 1956-01-20)
Tuba:
Al Pollan (am 1956-01-20)
Ventilposaune:
Bob Enevoldsen (am 1956-01-20)
Waldhorn:
John Cave (french horn) (am 1956-01-20) und Vince de Rosa (am 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (am 1956-01-20)
Orchester:
The Marty Paich Dek‐Tette (am 1956-01-20)
recording of:
I Like to Recognize the Tune
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
Mel Tormé with The Marty Paich Dek‐Tette3:14
3Keeping Myself for You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-20)
alto saxophone:
Bud Shank (am 1956-01-20)
baritone saxophone:
Jack Dulong (am 1956-01-20)
Klavier:
Marty Paich (am 1956-01-20)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1956-01-20)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1956-01-20)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-01-20) und Jack Montrose (am 1956-01-20)
Trompete:
Pete Candoli (am 1956-01-20) und Don Fagerquist (am 1956-01-20)
Tuba:
Al Pollan (am 1956-01-20)
Ventilposaune:
Bob Enevoldsen (am 1956-01-20)
Waldhorn:
John Cave (french horn) (am 1956-01-20) und Vince de Rosa (am 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (am 1956-01-20)
Orchester:
The Marty Paich Dek‐Tette (am 1956-01-20)
recording of:
Keepin’ Myself for You
Texter:
Sidney Clare
Komponist(in):
Vincent Youmans
Teil von:
Hit the Deck (1955 movie)
Mel Tormé with The Marty Paich Dek‐Tette3:42
4Lullaby of Birdland
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-20)
alto saxophone:
Bud Shank (am 1956-01-20)
baritone saxophone:
Jack Dulong (am 1956-01-20)
Klavier:
Marty Paich (am 1956-01-20)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1956-01-20)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1956-01-20)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-01-20) und Jack Montrose (am 1956-01-20)
Trompete:
Pete Candoli (am 1956-01-20) und Don Fagerquist (am 1956-01-20)
Tuba:
Al Pollan (am 1956-01-20)
Ventilposaune:
Bob Enevoldsen (am 1956-01-20)
Waldhorn:
John Cave (french horn) (am 1956-01-20) und Vince de Rosa (am 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (am 1956-01-20)
Orchester:
The Marty Paich Dek‐Tette (am 1956-01-20)
Mel Tormé with The Marty Paich Dek‐Tette4:49
5When April Comes Again
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-20)
alto saxophone:
Bud Shank (am 1956-01-20)
baritone saxophone:
Jack Dulong (am 1956-01-20)
Klavier:
Marty Paich (am 1956-01-20)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1956-01-20)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1956-01-20)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-01-20) und Jack Montrose (am 1956-01-20)
Trompete:
Pete Candoli (am 1956-01-20) und Don Fagerquist (am 1956-01-20)
Tuba:
Al Pollan (am 1956-01-20)
Ventilposaune:
Bob Enevoldsen (am 1956-01-20)
Waldhorn:
John Cave (french horn) (am 1956-01-20) und Vince de Rosa (am 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (am 1956-01-20)
Orchester:
The Marty Paich Dek‐Tette (am 1956-01-20)
Mel Tormé with The Marty Paich Dek‐Tette2:57
6Sing for Your Supper
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-20)
alto saxophone:
Bud Shank (am 1956-01-20)
baritone saxophone:
Jack Dulong (am 1956-01-20)
Klavier:
Marty Paich (am 1956-01-20)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1956-01-20)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1956-01-20)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-01-20) und Jack Montrose (am 1956-01-20)
Trompete:
Pete Candoli (am 1956-01-20) und Don Fagerquist (am 1956-01-20)
Tuba:
Al Pollan (am 1956-01-20)
Ventilposaune:
Bob Enevoldsen (am 1956-01-20)
Waldhorn:
John Cave (french horn) (am 1956-01-20) und Vince de Rosa (am 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (am 1956-01-20)
Orchester:
The Marty Paich Dek‐Tette (am 1956-01-20)
Mel Tormé with The Marty Paich Dek‐Tette2:24
7Nice Work If You Can Get It
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
Bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
Blasinstrumente [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
Schlagzeug:
Alvin Stoller (in 1956-11)
Tenorsaxophon:
Jack Montrose (in 1956-11)
Trompete:
Pete Candoli (in 1956-11) und Don Fagerquist (in 1956-11)
Tuba:
Albert Pollan (in 1956-11)
Waldhorn:
Vincent DeRosa (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé3:08
8Something's Gotta Give
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
Bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
Blasinstrumente [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
Schlagzeug:
Alvin Stoller (in 1956-11)
Tenorsaxophon:
Jack Montrose (in 1956-11)
Trompete:
Pete Candoli (in 1956-11) und Don Fagerquist (in 1956-11)
Tuba:
Albert Pollan (in 1956-11)
Waldhorn:
Vincent DeRosa (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé3:56
9A Foggy Day
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
Bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
Blasinstrumente [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
Schlagzeug:
Alvin Stoller (in 1956-11)
Tenorsaxophon:
Jack Montrose (in 1956-11)
Trompete:
Pete Candoli (in 1956-11) und Don Fagerquist (in 1956-11)
Tuba:
Albert Pollan (in 1956-11)
Waldhorn:
Vincent DeRosa (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé2:36
10A Fine Romance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
Bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
Blasinstrumente [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
Schlagzeug:
Alvin Stoller (in 1956-11)
Tenorsaxophon:
Jack Montrose (in 1956-11)
Trompete:
Pete Candoli (in 1956-11) und Don Fagerquist (in 1956-11)
Tuba:
Albert Pollan (in 1956-11)
Waldhorn:
Vincent DeRosa (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé3:01
11Let's Call the Whole Thing Off
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
Bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
Blasinstrumente [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
Schlagzeug:
Alvin Stoller (in 1956-11)
Tenorsaxophon:
Jack Montrose (in 1956-11)
Trompete:
Pete Candoli (in 1956-11) und Don Fagerquist (in 1956-11)
Tuba:
Albert Pollan (in 1956-11)
Waldhorn:
Vincent DeRosa (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé3:24
12Top Hat, White Tie and Tails
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
Bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
Blasinstrumente [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
Schlagzeug:
Alvin Stoller (in 1956-11)
Tenorsaxophon:
Jack Montrose (in 1956-11)
Trompete:
Pete Candoli (in 1956-11) und Don Fagerquist (in 1956-11)
Tuba:
Albert Pollan (in 1956-11)
Waldhorn:
Vincent DeRosa (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé3:09
13The Way You Look Tonight
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
Bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
Blasinstrumente [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
Schlagzeug:
Alvin Stoller (in 1956-11)
Tenorsaxophon:
Jack Montrose (in 1956-11)
Trompete:
Pete Candoli (in 1956-11) und Don Fagerquist (in 1956-11)
Tuba:
Albert Pollan (in 1956-11)
Waldhorn:
Vincent DeRosa (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé2:21
14The Piccolino
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
Bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
Blasinstrumente [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
Schlagzeug:
Alvin Stoller (in 1956-11)
Tenorsaxophon:
Jack Montrose (in 1956-11)
Trompete:
Pete Candoli (in 1956-11) und Don Fagerquist (in 1956-11)
Tuba:
Albert Pollan (in 1956-11)
Waldhorn:
Vincent DeRosa (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé2:34
15They Can't Take That Away From Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
Bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
Blasinstrumente [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
Schlagzeug:
Alvin Stoller (in 1956-11)
Tenorsaxophon:
Jack Montrose (in 1956-11)
Trompete:
Pete Candoli (in 1956-11) und Don Fagerquist (in 1956-11)
Tuba:
Albert Pollan (in 1956-11)
Waldhorn:
Vincent DeRosa (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé3:01
16Cheek to Cheek
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
Bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
Blasinstrumente [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
Schlagzeug:
Alvin Stoller (in 1956-11)
Tenorsaxophon:
Jack Montrose (in 1956-11)
Trompete:
Pete Candoli (in 1956-11) und Don Fagerquist (in 1956-11)
Tuba:
Albert Pollan (in 1956-11)
Waldhorn:
Vincent DeRosa (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé2:57
17Let's Face the Music and Dance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
Bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
Blasinstrumente [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
Schlagzeug:
Alvin Stoller (in 1956-11)
Tenorsaxophon:
Jack Montrose (in 1956-11)
Trompete:
Pete Candoli (in 1956-11) und Don Fagerquist (in 1956-11)
Tuba:
Albert Pollan (in 1956-11)
Waldhorn:
Vincent DeRosa (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé2:19
18They All Laughed
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
Bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
Blasinstrumente [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
Schlagzeug:
Alvin Stoller (in 1956-11)
Tenorsaxophon:
Jack Montrose (in 1956-11)
Trompete:
Pete Candoli (in 1956-11) und Don Fagerquist (in 1956-11)
Tuba:
Albert Pollan (in 1956-11)
Waldhorn:
Vincent DeRosa (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé2:30
3▶CD: Tormé / Olé Tormé
4▶CD: Olé Tormé (cont.) / Swingin' on the Moon