Kantaten = Cantatas = Cantates

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
2-1Cantate pour le 15ème dimanche après la trinité (BWV 51) 1. Arie : Jauchzet gott in allen landen
recording engineer:
Klaus Scheibe (editor/engineer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (in 1971-12, in 1972-01)
cello:
Johannes Fink (cellist and viola da gamba player) (in 1971-12, in 1972-01)
double bass:
Herbert Duft (double bass player) (in 1971-12, in 1972-01)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1971-12, in 1972-01)
trumpet:
Pierre Thibaud (French trumpeter) (in 1971-12, in 1972-01)
violin:
Kurt Guntner (violinist) (in 1971-12, in 1972-01) and Christa Zecherle (violinist) (in 1971-12, in 1972-01)
soprano vocals:
Edith Mathis (soprano) (in 1971-12, in 1972-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1971-12, in 1972-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1971-12, in 1972-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1971-12, in 1972-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
4:35
2-2Cantate pour le 15ème dimanche après la trinité (BWV 51) 2. Rezitativ : Wir beten zu dem tempel an
recording engineer:
Klaus Scheibe (editor/engineer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (in 1971-12, in 1972-01)
cello:
Johannes Fink (cellist and viola da gamba player) (in 1971-12, in 1972-01)
double bass:
Herbert Duft (double bass player) (in 1971-12, in 1972-01)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1971-12, in 1972-01)
trumpet:
Pierre Thibaud (French trumpeter) (in 1971-12, in 1972-01)
violin:
Kurt Guntner (violinist) (in 1971-12, in 1972-01) and Christa Zecherle (violinist) (in 1971-12, in 1972-01)
soprano vocals:
Edith Mathis (soprano) (in 1971-12, in 1972-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1971-12, in 1972-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1971-12, in 1972-01)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1971-12, in 1972-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": II. Recitativo "Wir beten zu dem Tempel an" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
2:45
2-3Cantate pour le 15ème dimanche après la trinité (BWV 51) 3. Arie : Höchster, mache deine güte
recording engineer:
Klaus Scheibe (editor/engineer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (in 1971-12, in 1972-01)
cello:
Johannes Fink (cellist and viola da gamba player) (in 1971-12, in 1972-01)
double bass:
Herbert Duft (double bass player) (in 1971-12, in 1972-01)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1971-12, in 1972-01)
trumpet:
Pierre Thibaud (French trumpeter) (in 1971-12, in 1972-01)
violin:
Kurt Guntner (violinist) (in 1971-12, in 1972-01) and Christa Zecherle (violinist) (in 1971-12, in 1972-01)
soprano vocals:
Edith Mathis (soprano) (in 1971-12, in 1972-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1971-12, in 1972-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1971-12, in 1972-01)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1971-12, in 1972-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": III. Aria "Höchster, mache deine Güte" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
4:48
2-4Cantate pour le 15ème dimanche après la trinité (BWV 51) 4. Choral : Sei lob und preis mit ehren
recording engineer:
Klaus Scheibe (editor/engineer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (in 1971-12, in 1972-01)
cello:
Johannes Fink (cellist and viola da gamba player) (in 1971-12, in 1972-01)
double bass:
Herbert Duft (double bass player) (in 1971-12, in 1972-01)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1971-12, in 1972-01)
trumpet:
Pierre Thibaud (French trumpeter) (in 1971-12, in 1972-01)
violin:
Kurt Guntner (violinist) (in 1971-12, in 1972-01) and Christa Zecherle (violinist) (in 1971-12, in 1972-01)
soprano vocals:
Edith Mathis (soprano) (in 1971-12, in 1972-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1971-12, in 1972-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1971-12, in 1972-01)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1971-12, in 1972-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": IV. Chorale "Sei Lob und Preis mit Ehren" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
3:26
2-5Cantate pour le 15ème dimanche après la trinité (BWV 51) 5. Arie : Alleluja
recording engineer:
Klaus Scheibe (editor/engineer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (in 1971-12, in 1972-01)
cello:
Johannes Fink (cellist and viola da gamba player) (in 1971-12, in 1972-01)
double bass:
Herbert Duft (double bass player) (in 1971-12, in 1972-01)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1971-12, in 1972-01)
trumpet:
Pierre Thibaud (French trumpeter) (in 1971-12, in 1972-01)
violin:
Kurt Guntner (violinist) (in 1971-12, in 1972-01) and Christa Zecherle (violinist) (in 1971-12, in 1972-01)
soprano vocals:
Edith Mathis (soprano) (in 1971-12, in 1972-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1971-12, in 1972-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1971-12, in 1972-01)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1971-12, in 1972-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
2:13
2-6Gottes zeit ist die allerbeste zeit »Actus tragicus« (BWV 106) 1. Sonatina. Molto adagio
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
2:47
2-7Gottes zeit ist die allerbeste zeit »Actus tragicus« (BWV 106) 2a. Chor : Gottes zeit ist die allerbeste zeit
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
2:23
2-8Gottes zeit ist die allerbeste zeit »Actus tragicus« (BWV 106) 2b. Arioso (Tenor) : Ach, herr, lehre uns bedenken
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
tenor vocals:
Ernst Haefliger (tenor) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
3:17
2-9Gottes zeit ist die allerbeste zeit »Actus tragicus« (BWV 106) 2c. Arie (Bass) : Bestelle dein haus
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
1:19
2-10Gottes zeit ist die allerbeste zeit »Actus tragicus« (BWV 106) 2d. Chor und arioso (Chor-sopran) mit instrumentalem choral (Blockflöten) : Es ist der alte bund
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
3:26
2-11Gottes zeit ist die allerbeste zeit »Actus tragicus« (BWV 106) 3a. Arie (Alt) : In deine hände befehl ich meinen geist
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
2:11
2-12Gottes zeit ist die allerbeste zeit »Actus tragicus« (BWV 106) 3b. Arioso (Bass) mit choral (Chor-alt) : Heute wirst du mit mir im paradies sein
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1966-10)
contralto vocals:
Hertha Töpper (mezzo soprano) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
partial recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
1:10
2-13Gottes zeit ist die allerbeste zeit »Actus tragicus« (BWV 106) mit fried und freud ich fahr daheim
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1966-10)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
partial recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
2:44
2-14Gottes zeit ist die allerbeste zeit »Actus tragicus« (BWV 106) 4. Chor : Glorie, lob, ehr und herrlichkeit
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
2:57
2-15Cantate pour le 24ème dimanche après la trinité (BWV 26) 1. Chor : Ach wie flüchtig, ach wie nichtig
recording engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (in 1978-03)
cello:
Fritz Kiskalt (cellist) (in 1978-03)
double bass:
Herbert Duft (double bass player) (in 1978-03)
flute:
Peter-Lukas Graf (flutist) (in 1978-03)
oboe:
Manfred Clement (oboist) (in 1978-03)
oboe [oboe II]:
Robert Eliscú (in 1978-03)
oboe [oboe III]:
Susan Goetting (oboist and french horn player) (in 1978-03)
organ:
Elmar Schloter (organist) (in 1978-03) and Elfriede Singheiser (organist) (in 1978-03)
violin:
Kurt Guntner (violinist) (in 1978-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1978-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1978-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1978-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1978-03)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": I. Choral "Ach wie flüchtig, ach wie nichtig" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Michael Franck (German hymn writer)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
3:19
2-16Cantate pour le 24ème dimanche après la trinité (BWV 26) 2. Arie (Tenor) : So schnell ein rauschend wasser schiesst
recording engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (in 1978-03)
cello:
Fritz Kiskalt (cellist) (in 1978-03)
double bass:
Herbert Duft (double bass player) (in 1978-03)
flute:
Peter-Lukas Graf (flutist) (in 1978-03)
oboe:
Manfred Clement (oboist) (in 1978-03)
oboe [oboe II]:
Robert Eliscú (in 1978-03)
oboe [oboe III]:
Susan Goetting (oboist and french horn player) (in 1978-03)
organ:
Elmar Schloter (organist) (in 1978-03) and Elfriede Singheiser (organist) (in 1978-03)
violin:
Kurt Guntner (violinist) (in 1978-03)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1978-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1978-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1978-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1978-03)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": II. Aria (Tenore) "So schnell ein rauschend Wasser schießt" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
6:55
2-17Cantate pour le 24ème dimanche après la trinité (BWV 26) 3. Rezitativ (Alt) : Die freude wird zur traurigkeit
recording engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (in 1978-03)
cello:
Fritz Kiskalt (cellist) (in 1978-03)
double bass:
Herbert Duft (double bass player) (in 1978-03)
flute:
Peter-Lukas Graf (flutist) (in 1978-03)
oboe:
Manfred Clement (oboist) (in 1978-03)
oboe [oboe II]:
Robert Eliscú (in 1978-03)
oboe [oboe III]:
Susan Goetting (oboist and french horn player) (in 1978-03)
organ:
Elmar Schloter (organist) (in 1978-03) and Elfriede Singheiser (organist) (in 1978-03)
violin:
Kurt Guntner (violinist) (in 1978-03)
alto vocals:
Trudeliese Schmidt (mezzo-soprano) (in 1978-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1978-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1978-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1978-03)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": III. Recitativo (Alto) "Die Freude wird zur Traurigkeit" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
1:08
2-18Cantate pour le 24ème dimanche après la trinité (BWV 26) 4. Arie (Bass) : An irdische schätze das herze zu hängen
recording engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (in 1978-03)
cello:
Fritz Kiskalt (cellist) (in 1978-03)
double bass:
Herbert Duft (double bass player) (in 1978-03)
flute:
Peter-Lukas Graf (flutist) (in 1978-03)
oboe:
Manfred Clement (oboist) (in 1978-03)
oboe [oboe II]:
Robert Eliscú (in 1978-03)
oboe [oboe III]:
Susan Goetting (oboist and french horn player) (in 1978-03)
organ:
Elmar Schloter (organist) (in 1978-03) and Elfriede Singheiser (organist) (in 1978-03)
violin:
Kurt Guntner (violinist) (in 1978-03)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1978-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1978-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1978-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1978-03)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": IV. Aria (Basso) "An irdische Schätze das Herze zu hängen" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
4:44
2-19Cantate pour le 24ème dimanche après la trinité (BWV 26) 5. Rezitativ (Sopran) : Die höchste herrlichkeit und pracht
recording engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (in 1978-03)
cello:
Fritz Kiskalt (cellist) (in 1978-03)
double bass:
Herbert Duft (double bass player) (in 1978-03)
flute:
Peter-Lukas Graf (flutist) (in 1978-03)
oboe:
Manfred Clement (oboist) (in 1978-03)
oboe [oboe II]:
Robert Eliscú (in 1978-03)
oboe [oboe III]:
Susan Goetting (oboist and french horn player) (in 1978-03)
organ:
Elmar Schloter (organist) (in 1978-03) and Elfriede Singheiser (organist) (in 1978-03)
violin:
Kurt Guntner (violinist) (in 1978-03)
soprano vocals:
Edith Mathis (soprano) (in 1978-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1978-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1978-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1978-03)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": V. Recitativo (Soprano) "Die höchste Herrlichkeit und Pracht" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
0:46
2-20Cantate pour le 24ème dimanche après la trinité (BWV 26) 6. Choral : Ach wie flüchtig, ach wie nichtig
recording engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (in 1978-03)
cello:
Fritz Kiskalt (cellist) (in 1978-03)
double bass:
Herbert Duft (double bass player) (in 1978-03)
flute:
Peter-Lukas Graf (flutist) (in 1978-03)
oboe:
Manfred Clement (oboist) (in 1978-03)
oboe [oboe II]:
Robert Eliscú (in 1978-03)
oboe [oboe III]:
Susan Goetting (oboist and french horn player) (in 1978-03)
organ:
Elmar Schloter (organist) (in 1978-03) and Elfriede Singheiser (organist) (in 1978-03)
violin:
Kurt Guntner (violinist) (in 1978-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1978-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1978-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1978-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1978-03)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": VI. Choral "Ach wie flüchtig, ach wie nichtig" (in 1978-03)
lyricist and librettist:
Michael Franck (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 11)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
0:49
3▶CD