Terry Wogan Presents The Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Always on My Mind
bass:
Emory Gordy (on 1972-03-29)
drums (drum set):
Ronnie Tutt (drummer) (on 1972-03-29)
guitar:
James Burton (guitarist) (on 1972-03-29), Charlie Hodge (on 1972-03-29), Dennis Linde (on 1972-03-29) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-03-29)
percussion:
Jerry Carrigan (US drummer) (on 1972-03-29)
piano:
Glen D. Hardin (on 1972-03-29)
background vocals:
J.D. Sumner & The Stamps (on 1972-03-29)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1972-03-29)
vocals:
J.D. Sumner & The Stamps
horn arranger and strings arranger:
Glen D. Hardin
phonographic copyright (℗) by:
BMG Music (in 1956), BMG Entertainment (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
RCA Victor, Studio C in Hollywood, Los Angeles, California, United States (on 1972-03-29)
cover recording of:
Always on My Mind (on 1972-03-29)
writer:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) and Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) and Screen Gems–EMI Music Ltd.
Elvis Presley3.653:39
2Did You Evah
recording of:
Well, Did You Evah! (High Society)
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Chappell & Co. (in 1956)
part of:
DuBarry Was a Lady (1939 stage musical)
part of:
High Society (stage musical)
part of:
High Society (1956 film)
Frank Sinatra and Bing Crosby3:48
3That’s Amore
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (on 1953-08-13)
conductor:
Dick Stabile (on 1953-08-13)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-13)
recording of:
That’s Amore (on 1953-08-13)
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) and Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) and BMG Unisongs Music Publishers BV
part of:
The 26th Academy Award for Best Original Song (number: 2)
part of:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.353:08
4The Folks Who Live on the Hill
cover recording of:
The Folks Who Live on the Hill
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
High, Wide and Handsome (1937 film)
Peggy Lee3:37
5Ode to Billy JoeBobbie Gentry54:14
6As Time Goes By
Jimmy Durante2:27
7Try a Little Tenderness
recording of:
Try a Little Tenderness
lyricist:
James Campbell (British songwriter and music publisher) and Reginald Connelly
composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell and Campbell Connelly & Co. Ltd. (on 1932-11-04)
Otis Redding3:19
8Lovely Day
producer:
Clarence McDonald and Bill Withers
bass guitar:
Jerry Knight (in 1977)
drums (drum set) and shakers:
Russell Kunkel (session drummer) (in 1977)
guitar:
Ray Parker (in 1977)
keyboard:
Clarence McDonald (in 1977)
percussion:
Ralph MacDonald (in 1977)
lead vocals:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographic copyright (℗) by:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 402)
recording of:
Lovely Day (in 1977)
writer:
Skip Scarborough and Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.64:13
9One Day I’ll Fly AwayRandy Crawford5:01
10Just the Two of Us
assistant recording engineer:
Ed Heath
recording engineer:
Richard Alderson (Producer and engineer) (from 1980-06 until 1980-07)
assistant engineer:
Eddie Heath, Jr.
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1980-06 until 1980-07)
drums (drum set):
Steve Gadd (drummer) (from 1980-06 until 1980-07)
guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Richard Tee (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
synthesizer:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
vocals and performer:
Bill Withers (from 1980-06 until 1980-07)
conductor:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
remixer:
Elliot Scheiner
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra Entertainment Company (validity of this label needs to be investigated…) (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
recorded at:
Rosebud Recording Studio in New York, New York, United States (from 1980-06 until 1980-07)
recording of:
Just the Two of Us (Bill Withers song) (from 1980-06 until 1980-07)
writer:
Ralph MacDonald, William Salter and Bill Withers
publisher:
Antisia Music Inc. and Bleunig Music
Grover Washington, Jr.57:20
11Arthur’s Theme
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
producer:
Michael Omartian
mixer:
Chet Himes
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager and Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
Christopher Cross53:53
12Baby I’m a Want You
lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
recording of:
Baby I’m‐a Want You
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher) and Screen Gems–EMI Music Ltd.
Bread42:29
13If You Leave Me Now
recording engineer:
Armin Steiner (from 1976-03 until 1976-04: strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (from 1976-03 until 1976-04)
lead vocals:
Peter Cetera (from 1976-03 until 1976-04)
French horn arranger and strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Rhino Entertainment Company (not for release label use!) (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings) and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
recording of:
If You Leave Me Now (from 1976-03 until 1976-04)
lyricist:
Peter Cetera
composer:
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
Chicago4.23:57
14Without You
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
acoustic guitar:
John Uribe (in 1971-06)
bass guitar:
Klaus Voormann (in 1971-06)
drums (drum set):
Jim Keltner (in 1971-06)
piano:
Gary Wright (US singer/keyboardist) (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster (in 1971-06)
brass and strings arranger:
Paul Buckmaster
phonographic copyright (℗) by:
BMG Music (in 1971, in 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972) and RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1989)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 496)
cover recording of:
Without You (in 1971-06)
writer:
Tom Evans (UK guitarist for Badfinger) and W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, from 1970 to present), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.33:18
15No Matter What
recording of:
No Matter What
lyricist:
Jim Steinman
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (ended), Universal–Songs of PolyGram International, Inc. (ended), Lost Boys Music Inc. (BMI affiliated) and The Really Useful Group Limited (not for release label use!)
part of:
Whistle Down the Wind (Andrew Lloyd Webber musical)
Boyzone4:34
16Island in the Stream
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
vocals:
Dolly Parton and Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983)
produced for:
Karlbhy Productions
recording of:
Islands in the Stream
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crompton Songs, Gibb Brothers Music, Screen Gems–EMI Music, Summerhill Songs, Unichappel Music, Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dolly Parton44:09
17Wild World
producer:
Paul Samwell-Smith
bass guitar:
John Ryan (producer a/k/a “The Chicago Kid”) (in 1970-07)
drums (drum set):
Harvey Burns (in 1970-07)
guitar and keyboard:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
guitar [2nd]:
Alun Davies (in 1970-07)
solo violin:
John Rostein (in 1970-07)
vocals:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
strings arranger:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1970), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970) and Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970)
recording of:
Wild World (in 1970-07)
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Sony Tunes, Inc. (ended), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Salafa Ltd., Freshwater Music Ltd. (from 1970 to present) and Irving Music, Inc. (from 1970 to present)
Cat Stevens3.93:20
18Grace Kelly
recording engineer:
Joe Chiccarelli
producer:
MIKA (Lebanese-born English pop singer) and Greg Wells
mixer:
Greg Wells
drums (drum set) and guitar:
Greg Wells
guitar:
Lyle Workman
keyboard and background vocals:
MIKA (Lebanese-born English pop singer)
recorded at:
Rocket Carousel Studio in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
Rocket Carousel Studio in Los Angeles, California, United States
music videos:
Grace Kelly by MIKA (Lebanese-born English pop singer)
recording of:
Grace Kelly
writer:
Jodi Marr (American songwriter and record producer), John Merchant, MIKA (Lebanese-born English pop singer) and Dan Warner (producer, writer and studio guitarist)
publisher:
Famous Publishing Co. Ltd., Rondor Music (London) Ltd., Sony/ATV Music Publishing (UK) Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
MIKA3.353:07
19I’m All Over It
recording of:
I'm All Over It
writer:
Jamie Cullum (pianist, jazz‐pop artist) and Ricky Ross (Scottish singer-songwriter)
Jamie Cullum3:40
20Kiss From a Rose
assistant producer:
Richard Lowe (UK producer/engineer)
producer:
Trevor Horn
assistant mixer:
Tom Elmhirst (mixing engineer)
mixer:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
lead vocals:
Seal (English‐born singer and songwriter)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1994), Warner Music Argentina S.A. (in 2009) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
produced for:
Horn Productions
recorded at and mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 308)
recording of:
Kiss From a Rose
lyricist and composer:
Seal (English‐born singer and songwriter) (in 1987)
publisher:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) and SPZ Music Incorporated (BMI affiliated)
Seal3.854:49