Lady Sings the Blues

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼Supporto
#TitoloArtistaValutazioneDurata
1Don’t Know Why
assistente tecnico:
Mark Birkey
tecnico:
Jay Newland (producer, engineer and mixer)
produttore:
Norah Jones e Jay Newland (producer, engineer and mixer)
produttore aggiunto:
Arif Mardin
tecnico di missaggio:
Arif Mardin e Jay Newland (producer, engineer and mixer)
batteria :
Dan Rieser (nel 2000-10)
chitarra acustica e chitarra elettrica :
Jesse Harris (nel 2000-10)
chitarra basso :
Lee Alexander (US bassist, songwriter & producer) (nel 2000-10)
pianoforte e voce principale:
Norah Jones (nel 2000-10)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2002)
registrata presso:
Allaire Studios in Bearsville, New York, Stati Uniti (nel 2000-10) e Sorcerer Sound in New York, New York, Stati Uniti (nel 2000-10)
mixata presso:
Sear Sound in New York, New York, Stati Uniti
registrazione cover di:
Don’t Know Why (nel 2000-10)
paroliere e compositore:
Jesse Harris
editore:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Norah Jones3.453:05
2The Look of Love
registrazione di:
The Look of Love
paroliere:
Hal David
autore:
Burt Bacharach e Hal David
compositore:
Burt Bacharach
editore:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
The 40th Academy Award for Best Original Song (numero: 2)
Dusty Springfield53:30
3New York Minute
percussione :
Don Alias
tromba :
Randy Brecker
voce di accompagnamento:
Kenny Lübcke (Danish singer) e Peter Busborg
diritti fonografici (℗) detenuti da:
Virgin Records Denmark ApS (not for release label use, for company relationships only) (nel 1998)
registrazione cover di:
New York Minute
autore:
Don Henley, Danny Kortchmar (Danny Kootch) e Jai Winding (pianist, composer, vocal)
Sanne Salomonsen6:48
4Cry Me a River
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
chitarra :
Barney Kessel
contrabbasso [bass] :
Ray Leatherwood
voce:
Julie London (nel 1955-08)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1957)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 15)
registrazione di:
Cry Me a River (nel 1955-08)
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:48
5I’ll Be Seeing You
Søs Fenger4:20
6My Funny Valentine
pianoforte :
André Previn (pianist, conductor, composer, arranger)
voce:
Dinah Shore
esecutore:
André Previn (pianist, conductor, composer, arranger)
registrazione di:
My Funny Valentine (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
parte di:
Waiting to Exhale (1995 film)
Dinah Shore3:34
7Call Me Irresponsible
registrazione cover di:
Call Me Irresponsible
paroliere:
Sammy Cahn
compositore:
Jimmy Van Heusen
editore:
Paramount Music Corporation
parte di:
The 36th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1963 winner)
Dinah Washington2:19
8What Do You See in Her
batteria :
Jeff Boudreaux (Musician - Drummer)
contrabbasso :
Lars Danielsson (Swedish jazz bassist, composer and producer)
pianoforte :
Lars Jansson (keyboards, composer)
voce di accompagnamento e voce principale:
Cæcilie Norby (Danish jazz and rock singer)
registrazione di:
What Do You See in Her
autore:
Hal David e Frank Weldon
Cæcilie Norby3:10
9Fever
batteria :
Shelly Manne (US jazz drummer) (il 1958-05-19)
contrabbasso [bass] :
Joe Mondragon (il 1958-05-19)
schiocchi di dita :
Peggy Lee (jazz vocalist) (il 1958-05-19) e Howard Roberts (jazz guitarist, educator, session musician and producer) (il 1958-05-19)
voce:
Peggy Lee (jazz vocalist) (il 1958-05-19)
direttore d'orchestra:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1958-05-19)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1958)
registrazione cover di:
Fever (il 1958-05-19)
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
Peggy Lee4.253:23
10I’m So Lonesome I Could Cry
tecnico e tecnico di missaggio:
Danny Kopelson
produttore:
Craig Street
basso :
Lonnie Plaxico
batteria :
Dougie Bowne
bouzouki irlandese :
Kevin Breit
chitarra acustica :
Brandon Ross
violino :
Charles Burnham (violinist)
voce:
Cassandra Wilson
arrangiatore:
Cassandra Wilson
editing effettuato presso:
Sear Sound in New York, New York, Stati Uniti
registrazione cover di:
I’m So Lonesome I Could Cry
paroliere e compositore:
Hank Williams (country music legend)
editore:
Sony/ATV Music Publishing (Germany) GmbH (2002–today), Acuff-Rose Publications, Inc. (BMI) (il 1949-10-31) e Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) (dal 2002 a oggi)
Cassandra Wilson4:49
11’Round Midnight
registrazione cover di:
’Round Midnight
paroliere:
Bernie Hanighen
compositore:
Thelonious Monk e Cootie Williams
editore:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
si basa su:
I Need You So
Sarah Vaughan2:52
12Wives and Lovers
registrazione cover di:
Wives and Lovers
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
10 Music Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e Virgin Music (Publishers) Ltd.
Nancy Wilson41:58
13How Many More Times
pianoforte :
Mathias Algotsson (Musician)
trombone :
Olle Holmquist
registrazione cover di:
How Many More Times
paroliere e compositore:
Salvadore Poe
Lisa Ekdahl3:27
14Midnight Train to Georgia
esecutore:
The Pips
registrazione di:
Midnight Train to Georgia
paroliere e compositore:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4:32
15(If Loving You Is Wrong) I Don’t Want to Be Right
diritti fonografici (℗) detenuti da:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1974)
Millie Jackson3:57
16In Love in Vain
registrazione cover di:
In Love in Vain
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Jerome Kern
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e PolyGram International Music B.V. (not for release label use!)
Lena Horne2:30
17I’d Rather Go Blind
registrazione cover di:
I’d Rather Go Blind
paroliere:
Billy Foster (American singer, member of The Medallions and songwriter)
compositore:
Ellington Jordan
editore:
The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Ruby Turner6:33
18Wild Is the Wind
produttore:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") e Jack Gold
basso :
Jimmy Bond (nel 1959-10)
batteria :
Albert “Tootie” Heath (nel 1959-10)
pianoforte e voce principale:
Nina Simone (nel 1959-10)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1959)
registrazione cover di:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”) (nel 1959-10)
paroliere:
Ned Washington
compositore:
Dimitri Tiomkin
editore:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (nel 1957, nel 1985), Catharine Hinen Music (nel 1957, nel 1985), Chappell & Co., Inc. (USA) (nel 1957), Largo Music Inc. (nel 1957, nel 1985) e Patti Washington Music (nel 1957, nel 1985)
parte di:
The 30th Academy Award for Best Original Song (numero: 2)
Nina Simone3:26
19Lady Sings the Blues
registrata a:
New York, New York, Stati Uniti (il 1956-06-06)
batteria :
Lenny McBrowne (US jazz drummer) (il 1956-06-06)
chitarra :
Kenny Burrell (il 1956-06-06)
clarinetto :
Tony Scott (bop/jazz clarinetist, arranger & conductor) (il 1956-06-06)
contrabbasso :
Aaron Bell (jazz double bassist) (il 1956-06-06)
pianoforte :
Wynton Kelly (il 1956-06-06)
sassofono tenore :
Paul Quinichette (il 1956-06-06)
tromba :
Charlie Shavers (il 1956-06-06)
voce:
Billie Holiday (il 1954-06-06)
registrata presso:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Stati Uniti
registrazione di:
Lady Sings the Blues (il 1956-06-06)
paroliere:
Billie Holiday
compositore:
Herbie Nichols (jazz pianist and composer)
editore:
Northern Music Company
Billie Holiday43:45
20Night Time Is the Right Time
registrazione cover di:
Night Time Is the Right Time
compositore:
Lew Herman
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Planemar Music, Screen Gems–EMI Music Ltd. e Tro-Essex Music
Tina Turner3:29
21I’ve Been Loving You Too Long
registrazione cover di:
I’ve Been Loving You Too Long
autore:
Jerry Butler (soul singer) (nel 1965) e Otis Redding (nel 1965)
editore:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) e Wildwood Music Ltd.
Irma Thomas3:00