Sony Music 100 Years: Soundtrack for a Century

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1▶CD: Pop Music: The Early Years 1890–1950, Disc 1
2▶CD: Pop Music: The Early Years 1890–1950, Disc 2
3▶CD: Sony Classical: Great Performances: 1903–1998, Disc 1
4▶CD: Sony Classical: Great Performances: 1903–1998, Disc 2
5▶CD: Sony Classical: Great Performances: 1903–1998, Disc 3
6▶CD: Sony Classical: Great Performances: 1903–1998, Disc 4
7▶CD: Jazz: The Definitive Performances, Disc 1
8▶CD: Jazz: The Definitive Performances, Disc 2
9▶CD: Folk, Gospel & Blues: Will the Circle Be Unbroken, Disc 1
10▶CD: Folk, Gospel & Blues: Will the Circle Be Unbroken, Disc 2
11▶CD: Country: The American Tradition, Disc 1
12▶CD: Country: The American Tradition, Disc 2
13▶CD: Movie Music: The Definitive Performances, Disc 1
14▶CD: Movie Music: The Definitive Performances, Disc 2
15▶CD: Broadway: The Great Original Cast Recordings, Disc 1
16▶CD: Broadway: The Great Original Cast Recordings, Disc 2
17▼CD: Pop Music: The Golden Era: 1951–1975, Disc 1
#TitoloArtistaValutazioneDurata
1The Birth of the Blues
voce principale:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1952-06-03)
arrangiatore:
Heine Beau
registrazione di:
Birth of the Blues (il 1952-06-03)
paroliere:
Lew Brown e Buddy DeSylva
compositore:
Ray Henderson
Frank Sinatra3:28
2Because of You
voce:
Tony Bennett (US jazz/standards vocalist)
direttore d'orchestra:
Percy Faith
registrazione cover di:
Because of You (il 1951-04-04)
autore:
Arthur Hammerstein e Dudley Wilkinson
editore:
Julian Stearns Arena Music, Inc
Tony Bennett42:56
3Jezebel
registrazione di:
Jezebel
paroliere e compositore:
Wayne Shanklin
editore:
Anne-Rachel Music Corp. e Domino Publishing Co. Ltd.
Frankie Laine3:10
4Come On‐A My House
registrata a:
New York, New York, Stati Uniti (il 1951-06-06)
produttore:
Al Ham e Mitch Miller
batteria :
Jimmy Crawford (US swing-era jazz drummer) (il 1951-06-06)
chitarra :
Mundell Lowe (il 1951-06-06)
clavicembalo :
Stan Freeman (il 1951-06-06)
contrabbasso :
Frank Carroll (US bass player) (il 1951-06-06)
voce:
Rosemary Clooney (il 1951-06-06)
arrangiatore:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
registrazione cover di:
Come On‐a My House (il 1951-06-06)
autore:
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks) e William Saroyan
editore:
Adam Bagdasarian Music, Bagdasarian Productions, Carol Bagdasarian Music, EMI Music Publishing France, Peter Maurice Music, Ross Bagdasarian Music, Stanford University Library for Saroyan, The Saroyan Company, Universal Duchess Music Corp., Universal MCA Music Publishing (France), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH e シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
Rosemary Clooney41:57
5Cry
registrata a:
New York, New York, Stati Uniti (il 1951-10-16)
esecutore:
The Four Lads (il 1951-10-16)
registrazione cover di:
Cry (il 1951-10-16)
paroliere e compositore:
Churchill Kohlman
Johnnie Ray, The Four Lads43:02
6You Belong to Me
registrazione cover di:
You Belong to Me
autore:
Pee Wee King, Chilton Price e Redd Stewart
editore:
Hill & Range Inc. (publisher) e Ridgeway Music Co, Inc.
Jo Stafford43:04
7The Yellow Rose of Texas
registrazione di:
The Yellow Rose of Texas (il 1955-06-10)
paroliere:
[traditional] (special purpose artist) e Don George (US songwriter/composer, 1909–1987)
compositore:
[traditional] (special purpose artist)
editore:
EMI Full Keel Music
Mitch Miller3:01
8Mack the Knife
basso :
Arvell Shaw (nel 1955)
batteria :
Barrett Deems (nel 1955)
clarinetto :
Barney Bigard (nel 1955)
pianoforte :
Billy Kyle (nel 1955)
tromba e voce principale:
Louis Armstrong (nel 1955)
trombone :
Trummy Young (nel 1955)
registrazione di:
Mack the Knife (1954 Blitzstein translation) (il 1955-09-28)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (American composer) (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3.53:21
9Standing on the Corner
registrazione di:
Standing on the Corner (The Most Happy Fella)
paroliere e compositore:
Frank Loesser
parte di:
The Most Happy Fella (full musical)
The Four Lads2:51
10Whatever Will Be, Will Be (Que sera, sera)
voce:
Doris Day (il 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (il 1956-02-24)
direttore d'orchestra:
Frank De Vol (il 1956-02-24)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (dal 1956 a oggi)
registrazione cover di:
Que será, será (Whatever Will Be, Will Be) (il 1956-02-24)
paroliere:
Ray Evans (American songwriter)
compositore:
Jay Livingston
editore:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Chappell Music (publisher as Warner/Chappell Music)
parte di:
The 29th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1956 winner)
Doris Day2:05
11Singing the Blues
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 37)
registrazione cover di:
Singing the Blues
paroliere e compositore:
Melvin Endsley (nel 1956)
editore:
Acuff Rose Opryland Ltd. (UK) e Acuff-Rose Music Limited (UK)
Guy Mitchell2:26
12Chances Are
produttore:
Al Ham e Mitch Miller
produttore esecutivo:
Michael Berniker e Jerry Shulman
voce:
Johnny Mathis (US pop/soul singer) (nel 1957)
orchestra:
Ray Conniff and His Orchestra
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1957)
parte di:
Grammy Hall of Fame (numero: 1998)
registrazione di:
Chances Are (nel 1957)
paroliere:
Al Stillman
compositore:
Robert Allen (US songwriter/arranger/pianist)
editore:
Kitty Anne Music Co., Inc. (conclusa), Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., EMI Music Publishing (do not use as a release label!), Music Sales Corporation (American copyright holder in both popular and classical music) e Warner Chappell Music (publisher as Warner/Chappell Music)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis3:01
13Summertime, Summertime
registrazione di:
Summertime, Summertime
autore:
Sherman Feller (radio DJ, artist manager and songwriter.) e Thomas Earl Jameson
editore:
Music Sales Shawnee, Templeton Publishing Co., Inc. e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Jamies1:59
14Theme From “A Summer Place”
registrazione di:
Theme from “A Summer Place” (original instrumental version)
compositore:
Max Steiner (nel 1959)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America
Percy Faith & His Orchestra2:24
15Moon River
produttore:
Robert Mersey
direttore d'orchestra:
Robert Mersey (il 1962-01-04)
esecutore:
Andy Williams (US pop/jazz vocalist) (il 1962-01-04)
arrangiatore:
Robert Mersey
registrazione cover di:
Moon River (il 1962-01-04)
paroliere:
Johnny Mercer
compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1961) e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1989)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The 34th Academy Award for Best Original Song (numero: 1), Grammy Award: Song of the Year nominees (numero: 1962 winner) e Academy Award for Best Original Song (numero: 1961 winner)
Andy Williams2:45
16Bless You
registrazione di:
Bless You
autore:
Barry Mann e Cynthia Weil
editore:
Dyad Music Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Tony Orlando2:07
17(I Left My Heart in) San Francisco
produttore:
Ernie Altschuler
voce:
Tony Bennett (US jazz/standards vocalist) (il 1962-01-23)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1962)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 485)
registrazione cover di:
I Left My Heart in San Francisco (il 1962-01-23)
paroliere:
Douglass Cross (US songwriter)
compositore:
George Cory
editore:
Colgems-EMI Music Inc., Dash Music Co. Ltd. e EMI April Music Inc.
Tony Bennett32:50
18Blue Velvet
produttore:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
registrazione cover di:
Blue Velvet
autore:
Lee Morris (US songwriter) e Bernie Wayne
editore:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:48
19People
registrazione di:
People (Funny Girl)
paroliere:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (nel 1963)
compositore:
Jule Styne (nel 1963)
editore:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Funny Girl (Broadway musical)
Barbra Streisand3:40
20Ruby Baby
registrazione di:
Ruby Baby
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Carlin Music Corp., Jerry Leiber Music, Sony/ATV Songs LLC e Stoller Music (ASCAP)
Dion2:35
21The Monkey Time
registrazione di:
The Monkey Time
paroliere e compositore:
Curtis Mayfield
editore:
EMI Waterford Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Major Lance2:46
22Hey Little Cobra
registrazione di:
Hey Little Cobra
autore:
Carol Connors e Marshall Howard Connors
The Rip Chords1:59
23Before and After
Chad & Jeremy2:41
24For Your Love
produttore:
Giorgio Gomelsky
basso :
Paul Samwell-Smith (il 1965-02-01)
basso [bowed bass] :
Ron Prentice (il 1965-02-01)
batteria :
Jim McCarty (UK drummer, Yardbirds member) (il 1965-02-01)
bonghi :
Denny Piercey (il 1965-02-01)
chitarra :
Eric Clapton (il 1965-02-01) e Chris Dreja (il 1965-02-01)
clavicembalo :
Brian Auger (il 1965-02-01)
voce:
Keith Relf (il 1965-02-01)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1965)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (il 1965-02-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 22)
registrazione di:
For Your Love (il 1965-02-01)
paroliere e compositore:
Graham Gouldman
editore:
EMI Blackwood Music Inc., Francis, Day & Hunter, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Screen Gems–EMI Music Ltd.
The Yardbirds4.552:28
25Down in the Boondocks
registrazione di:
Down in the Boondocks
paroliere e compositore:
Joe South
editore:
Bike Music, BMG Music Ltd., BMG Music Publishing Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Lowery Music Co. Inc. (nel 1965)
Billy Joe Royal2:33
26Kicks
registrazione di:
Kicks
paroliere:
Cynthia Weil
compositore:
Barry Mann
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Paul Revere & the Raiders2:27
27Like a Rolling Stone
registrata a:
New York, New York, Stati Uniti (il 1965-06-15)
produttore:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.) (dal 1965-07-15 al 1965-07-16)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 4) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 16)
registrazione di:
Like a Rolling Stone (il 1965-06-15)
paroliere e compositore:
Bob Dylan (nel 1965)
editore:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1965 al 1993) e Special Rider Music (dal 1993 a oggi)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bob Dylan4.456:08
18▶CD: Pop Music: The Golden Era: 1951–1975, Disc 2
19▶CD: Rock: The Train Kept a Rollin’, Disc 1
20▶CD: Rock: The Train Kept a Rollin’, Disc 2
21▶CD: R&B: From Doo‐Wop to Hip‐Hop, Disc 1
22▶CD: R&B: From Doo‐Wop to Hip‐Hop, Disc 2
23▶CD: International Music: Sony Music Around the World, Disc 1
24▶CD: International Music: Sony Music Around the World, Disc 2
25▶CD: Pop Music: The Modern Era: 1976–1999, Disc 1
26▶CD: Pop Music: The Modern Era: 1976–1999, Disc 2