The Art Of Fugue, BWV 1080

~ Veröffentlichung von Johann Sebastian Bach; Sergei Dijour (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Nr.TitelKünstlerBewertungLänge
1The Art of Fugue, BWV 1080: Canon Alla Ottava
Sound-Engineering:
Vladimir Koptsov
Techniker(in):
Igor Solovyov und Vitaly Ivanov (Russion Sound Engineer)
Editing:
Natalia Meerzon (Russion Sound Engineer)
Orgel:
Sergei Dijour (Sergey Dizhur, organist, harpsichordist)
recording of:
Die Kunst der Fuge, BWV 1080: XV. Canon alla Ottava (or "Canon in Hypodiapason" (1742 manuscript))
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 1080/15)
Teil von:
Die Kunst der Fuge, BWV 1080
Teil von:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach4:30
2The Art of Fugue, BWV 1080: Canon Alla Duodecima In Contrapuncto Alla Quinta
Sound-Engineering:
Vladimir Koptsov
Techniker(in):
Igor Solovyov und Vitaly Ivanov (Russion Sound Engineer)
Editing:
Natalia Meerzon (Russion Sound Engineer)
Orgel:
Sergei Dijour (Sergey Dizhur, organist, harpsichordist)
recording of:
Die Kunst der Fuge, BWV 1080: XVII. Canon alla Duodecima in Contrapunto alla Quinta
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 1080/17)
Teil von:
Die Kunst der Fuge, BWV 1080
Johann Sebastian Bach4:02
3The Art of Fugue, BWV 1080: Canon Alia Decima. Contrapuncto Alla Terza
Sound-Engineering:
Vladimir Koptsov
Techniker(in):
Igor Solovyov und Vitaly Ivanov (Russion Sound Engineer)
Editing:
Natalia Meerzon (Russion Sound Engineer) und Vladimir Koptsov
Orgel:
Sergei Dijour (Sergey Dizhur, organist, harpsichordist)
recording of:
Die Kunst der Fuge, BWV 1080: XVI. Canon alla Decima in Contrapunto alla Terza
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 1080/16)
Teil von:
Die Kunst der Fuge, BWV 1080
Johann Sebastian Bach5:07
4The Art of Fugue, BWV 1080: Canon Per Augmentationem In Contrario Motu
Sound-Engineering:
Vladimir Koptsov
Techniker(in):
Igor Solovyov und Vitaly Ivanov (Russion Sound Engineer)
Editing:
Natalia Meerzon (Russion Sound Engineer) und Vladimir Koptsov
Orgel:
Sergei Dijour (Sergey Dizhur, organist, harpsichordist)
recording of:
Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 1080/14)
Version von:
Die Kunst der Fuge, BWV 1080.1: Canon al roverscio et per augmentationem (1742 autograph, early version)
Version von:
Die Kunst der Fuge, BWV 1080.1: Canon in Hypodiateßeron al roverscio e per augmentationem, perpetuus (1742 autograph, early version)
Teil von:
Die Kunst der Fuge, BWV 1080
Revision von:
Canon in Hypodiatesseron, al roversio [sic] e per augmentationem (supplementation to 1742 autograph)
Johann Sebastian Bach4:20
5The Art of Fugue, BWV 1080: Contrapunctus XII, A 4 [Rectus]
Sound-Engineering:
Vladimir Koptsov
Techniker(in):
Igor Solovyov und Vitaly Ivanov (Russion Sound Engineer)
Editing:
Natalia Meerzon (Russion Sound Engineer)
Orgel:
Sergei Dijour (Sergey Dizhur, organist, harpsichordist)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 1080/12,1)
Teil von:
Die Kunst der Fuge, BWV 1080
Teil von:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 2. Contrapunctus inversus 12 a 4 (Forma inversa)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 1080/12,2)
Teil von:
Die Kunst der Fuge, BWV 1080
Teil von:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach4:25
6The Art of Fugue, BWV 1080: Contrapunctus XII, A 4 [Inversus]
Sound-Engineering:
Vladimir Koptsov
Techniker(in):
Igor Solovyov und Vitaly Ivanov (Russion Sound Engineer)
Editing:
Natalia Meerzon (Russion Sound Engineer)
Orgel:
Sergei Dijour (Sergey Dizhur, organist, harpsichordist)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 2. Contrapunctus inversus 12 a 4 (Forma inversa)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 1080/12,2)
Teil von:
Die Kunst der Fuge, BWV 1080
Teil von:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach4:19
7The Art of Fugue, BWV 1080: Contrapunctus XIII, A 3 [Rectus]
Sound-Engineering:
Vladimir Koptsov
Techniker(in):
Igor Solovyov und Vitaly Ivanov (Russion Sound Engineer)
Editing:
Natalia Meerzon (Russion Sound Engineer)
Orgel:
Sergei Dijour (Sergey Dizhur, organist, harpsichordist)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 1080/13,1)
Teil von:
Die Kunst der Fuge, BWV 1080
Teil von:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 1080/13,2)
Teil von:
Die Kunst der Fuge, BWV 1080
Teil von:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:04
8The Art of Fugue, BWV 1080: Contrapunctus XIII, A 3 [Inversus]
Sound-Engineering:
Vladimir Koptsov
Techniker(in):
Igor Solovyov und Vitaly Ivanov (Russion Sound Engineer)
Editing:
Natalia Meerzon (Russion Sound Engineer)
Orgel:
Sergei Dijour (Sergey Dizhur, organist, harpsichordist)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 1080/13,2)
Teil von:
Die Kunst der Fuge, BWV 1080
Teil von:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:07
9The Art of Fugue, BWV 1080: Fuga A 3 Soggetti
Sound-Engineering:
Vladimir Koptsov
Techniker(in):
Igor Solovyov und Vitaly Ivanov (Russion Sound Engineer)
Editing:
Natalia Meerzon (Russion Sound Engineer)
Orgel:
Sergei Dijour (Sergey Dizhur, organist, harpsichordist)
recording of:
Die Kunst der Fuge, BWV 1080: XIX. Fuga a 3 [4] Soggetti
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 1080/19)
Teil von:
Die Kunst der Fuge, BWV 1080
Johann Sebastian Bach11:05
10Choral «Vor Deinen Thron Tret’ Ich Hiermit», BWV 668
Sound-Engineering:
Vladimir Koptsov
Techniker(in):
Igor Solovyov und Vitaly Ivanov (Russion Sound Engineer)
Editing:
Natalia Meerzon (Russion Sound Engineer)
Orgel:
Sergei Dijour (Sergey Dizhur, organist, harpsichordist)
recording of:
Vor deinen Thron tret ich hiermit, BWV 668.2 (former BWV 668, fragment)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Choräle von Verschiedener Art (Leipzig-Choräle) (Nummer: 18), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (Nummer: BWV 668.2) und Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV 668)
Revision von:
Wenn wir in höchsten Nöten sein, BWV 668.1 (former BWV 668a, published in Art of the Fugue)
Johann Sebastian Bach5:31

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