Christmas Eve and Other Stories

~ Release by Trans‐Siberian Orchestra (see all versions of this release, 9 available)

Tracklist

1▶12" Vinyl
2▼12" Vinyl
#TitleRatingLength
C1Good King Joy
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, New York, United States and Studio 900 in New York, New York, United States
mixed at:
Sound Tracks in New York, New York, United States
recording of:
Good King Joy
lyricist:
Paul O’Neill (US rock producer)
composer:
Robert Kinkel and Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing (from 1997 to present), Robert Steller Publishing (from 1997 to present) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1997 to present)
is based on:
Good King Wenceslas
is based on:
Joy to the World (Christmas carol)
5?:??
C2Ornament
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, New York, United States and Studio 900 in New York, New York, United States
mixed at:
Sound Tracks in New York, New York, United States
recording of:
Ornament
lyricist:
Paul O’Neill (US rock producer)
composer:
Paul O’Neill (US rock producer) and Jon Oliva
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
4.5?:??
C3The First Noel (instrumental)
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, New York, United States and Studio 900 in New York, New York, United States
mixed at:
Sound Tracks in New York, New York, United States
recording of:
The First Noel (Trans‐Siberian Orchestra arrangement)
composer:
[traditional] (special purpose artist)
arranger:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
arrangement of:
The First Nowell
5?:??
C4Old City Bar
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, New York, United States and Studio 900 in New York, New York, United States
mixed at:
Sound Tracks in New York, New York, United States
recording of:
Old City Bar
lyricist and composer:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
5?:??
D1Promises to Keep
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, New York, United States and Studio 900 in New York, New York, United States
mixed at:
Sound Tracks in New York, New York, United States
recording of:
Promises to Keep
lyricist:
Paul O’Neill (US rock producer)
composer:
Robert Kinkel and Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing (from 1997 to present), Robert Steller Publishing (from 1997 to present) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1997 to present)
5?:??
D2This Christmas Day
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, New York, United States and Studio 900 in New York, New York, United States
mixed at:
Sound Tracks in New York, New York, United States
recording of:
This Christmas Day
lyricist:
Paul O’Neill (US rock producer)
composer:
Paul O’Neill (US rock producer) and Jon Oliva
publisher:
John Oliva Pub Designee (from 1997 to ????), Paul O’Neill Publishing (from 1997 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1997 to present) and WB Music Corp. (1929–2019) (from 1997 to present)
5?:??
D3An Angel Returned
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, New York, United States and Studio 900 in New York, New York, United States
mixed at:
Sound Tracks in New York, New York, United States
recording of:
An Angel Returned
lyricist:
Paul O’Neill (US rock producer)
composer:
Paul O’Neill (US rock producer) and Jon Oliva
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
4?:??
D4O’ Holy Night
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, New York, United States and Studio 900 in New York, New York, United States
mixed at:
Sound Tracks in New York, New York, United States
recording of:
O Holy Night (Trans‐Siberian Orchestra arrangement)
composer:
Adolphe Adam (French composer) (in 1847)
arranger:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
arrangement of:
O Holy Night
5?:??
D5God Rest Ye Merry Gentlemen
recording engineer and mixer:
Dave Whittman
additional engineer:
Dominick Barbera (engineer), Robert Kinkel, John Seymour and Steve Sola
assistant engineer:
Ben Arrindell (American engineer and mixer), James Carabello (engineer) and Matt Thrasher (engineer)
co-producer:
Robert Kinkel
producer:
Paul O’Neill (US rock producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1996) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recorded at:
Sound Tracks in New York, New York, United States and Studio 900 in New York, New York, United States
mixed at:
Sound Tracks in New York, New York, United States
recording of:
God Rest Ye Merry Gentlemen (Trans‐Siberian Orchestra arrangement)
composer:
[traditional] (special purpose artist)
arranger:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
arrangement of:
God Rest Ye Merry, Gentlemen (traditional, no arrangement credits here)
5?:??