Die kompletten Werke von Johann Sebastian Bach (Die Edition Bachakademie)

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

1▶CD: Vol 1. Kantaten - Cantatas
2▶CD: Vol 2. Kantaten - Cantatas
3▶CD: Vol 3. Kantaten - Cantatas
4▶CD: Vol 4. Kantaten - Cantatas
5▶CD: Vol 5. Kantaten - Cantatas
6▶CD: Vol 6. Kantaten - Cantatas
7▶CD: Vol 7. Kantaten - Cantatas
8▶CD: Vol 8. Kantaten - Cantatas
9▶CD: Vol 9. Kantaten - Cantatas
10▶CD: Vol 10. Kantaten - Cantatas
11▶CD: Vol 11. Kantaten - Cantatas
12▶CD: Vol 12. Kantaten - Cantatas
13▶CD: Vol 13. Kantaten - Cantatas
14▶CD: Vol 14. Kantaten - Cantatas
15▶CD: Vol 15. Kantaten - Cantatas
16▶CD: Vol 16. Kantaten - Cantatas
17▶CD: Vol 17. Kantaten - Cantatas
18▶CD: Vol 18. Kantaten - Cantatas
19▶CD: Vol 19. Kantaten - Cantatas
20▶CD: Vol 20. Kantaten - Cantatas
21▶CD: Vol 21. Kantaten - Cantatas
22▶CD: Vol 22. Kantaten - Cantatas
23▶CD: Vol 23. Kantaten - Cantatas
24▶CD: Vol 24. Kantaten - Cantatas
25▶CD: Vol 25. Kantaten - Cantatas
26▶CD: Vol 26. Kantaten - Cantatas
27▶CD: Vol 27. Kantaten - Cantatas
28▶CD: Vol 28. Kantaten - Cantatas
29▶CD: Vol 29. Kantaten - Cantatas
30▶CD: Vol 30. Kantaten - Cantatas
31▶CD: Vol 31. Kantaten - Cantatas
32▶CD: Vol 32. Kantaten - Cantatas
33▶CD: Vol 33. Kantaten - Cantatas
34▶CD: Vol 34. Kantaten - Cantatas
35▶CD: Vol 35. Kantaten - Cantatas
36▶CD: Vol 36. Kantaten - Cantatas
37▶CD: Vol 37. Kantaten - Cantatas
38▶CD: Vol 38. Kantaten - Cantatas
39▶CD: Vol 39. Kantaten - Cantatas
40▶CD: Vol 40. Kantaten - Cantatas
41▶CD: Vol 41. Kantaten - Cantatas
42▶CD: Vol 42. Kantaten - Cantatas
43▶CD: Vol 43. Kantaten - Cantatas
44▶CD: Vol 44. Kantaten - Cantatas
45▶CD: Vol 45. Kantaten - Cantatas
46▶CD: Vol 46. Kantaten - Cantatas
47▶CD: Vol 47. Kantaten - Cantatas
48▶CD: Vol 48. Kantaten - Cantatas
49▶CD: Vol 49. Kantaten - Cantatas
50▶CD: Vol 50. Kantaten - Cantatas
51▶CD: Vol 51. Kantaten - Cantatas
52▼CD: Vol 52. Kantaten - Cantatas
#TitleRatingLength
1Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": I. Coro "Erschallet, ihr Lieder, erklinget, ihr Saiten"
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": I. Coro "Erschallet, ihr Lieder, erklinget, ihr Saiten" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
4:10
2Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": II. Recitativo (Bass) "Wer mich liebet, der wird mein Wort halten"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": II. Recitativo (Bass) "Wer mich liebet, der wird mein Wort halten" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
0:55
3Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": III. Aria (Bass) "Heiligste Dreieinigkeit"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": III. Aria (Bass) "Heiligste Dreieinigkeit" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
1:59
4Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": IV. Aria (Tenor) "O Seelenparadies"
tenor vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": IV. Aria (Tenor) "O Seelenparadies" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
4:31
5Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": V. Aria (Duetto Sopran, Alt) "Komm, laß mich nicht länger warten"
alto vocals:
Doris Soffel (mezzo soprano)
soprano vocals:
Eva Csapó (soprano)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": V. Aria (Duetto Sopran, Alt) "Komm, laß mich nicht länger warten" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
3:36
6Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": VI. Choral "Von Gott kömmt mir ein Freudenschein"
choir vocals:
Frankfurter Kantorei
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": VI. Choral "Von Gott kömmt mir ein Freudenschein" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 376)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
1:30
7Kantate, BWV 173 "Erhöhtes Fleisch und Blut": I. Recitativo (Tenor) "Erhöhtes Fleisch und Blut"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": I. Recitativo (Tenor) "Erhöhtes Fleisch und Blut" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
0:43
8Kantate, BWV 173 "Erhöhtes Fleisch und Blut": II. Aria (Tenor) "Ein geheiligtes Gemüte"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": II. Aria (Tenor) "Ein geheiligtes Gemüte" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
4:51
9Kantate, BWV 173 "Erhöhtes Fleisch und Blut": III. Aria (Alt) "Gott will, o! ihr Menschenkinder"
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": III. Aria (Alt) "Gott will, o! ihr Menschenkinder" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
1:48
10Kantate, BWV 173 "Erhöhtes Fleisch und Blut": IV. Aria (Duetto Bass, Sopran) "So hat Gott die Welt geliebt"
bass vocals:
Niklaus Tuller (bass-baritone)
soprano vocals:
Judith Beckman (American soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": IV. Aria (Duetto Bass, Sopran) "So hat Gott die Welt geliebt" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
4:29
11Kantate, BWV 173 "Erhöhtes Fleisch und Blut": V. Recitativo (Sopran, Tenor) "Unendlichster, den man doch Vater nennt"
soprano vocals:
Judith Beckman (American soprano)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": V. Recitativo (Sopran, Tenor) "Unendlichster, den man doch Vater nennt" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
1:22
12Kantate, BWV 173 "Erhöhtes Fleisch und Blut": VI. Coro "Rühre, Höchster, unsern Geist"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": VI. Coro "Rühre, Höchster, unsern Geist" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
2:35
13Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte": I. Sinfonia
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1984-02 until 1984-07)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: I. Sinfonia (from 1984-02 until 1984-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
is based on:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
6:27
14Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte": II. Aria (Alt) "Ich liebe den Höchsten von ganzem Gemüte"
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1984-02 until 1984-07)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: II. Aria (Alt) „Ich liebe den Höchsten von ganzem Gemüte“ (from 1984-02 until 1984-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
8:20
15Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte": III. Recitativo (Tenor) "O! Liebe, welche keiner gleich"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1984-02 until 1984-07)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: III. Recitativo (Tenor) „O! Liebe, welche keiner gleich“ (from 1984-02 until 1984-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
1:29
16Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte": IV. Aria (Bass) "Greifet zu!"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1984-02 until 1984-07)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: IV. Aria (Bass) „Greifet zu!“ (from 1984-02 until 1984-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
4:09
17Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte": V. Choral "Herzlich lieb hab ich dich, O Herr"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1984-02 until 1984-07)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: V. Choral „Herzlich lieb hab ich dich, O Herr“ (from 1984-02 until 1984-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Martin Schalling (in 1569)
part of:
Breitkopf 389 Choralgesänge (number: 153)
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
1:47
18Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": I. Recitativo (Tenor) "Er rufet seinen Schafen mit Namen"
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": I. Recitativo (Tenor) "Er rufet seinen Schafen mit Namen" (from 1981-05 until 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
0:26
19Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": II. Aria (Alt) "Komm, leite mich"
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": II. Aria (Alt) "Komm, leite mich" (from 1981-05 until 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
4:05
20Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": III. Recitativo (Tenor) "Wo find ich dich"
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": III. Recitativo (Tenor) "Wo find ich dich" (from 1981-05 until 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
0:34
21Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": IV. Aria (Tenor) "Es dünket mich, ich seh dich kommen"
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": IV. Aria (Tenor) "Es dünket mich, ich seh dich kommen" (from 1981-05 until 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
3:21
22Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": V. Recitativo (Alt, Bass) "Sie vernahmen aber nicht"
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": V. Recitativo (Alt, Bass) "Sie vernahmen aber nicht" (from 1981-05 until 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
1:17
23Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": VI. Aria (Bass) "Öffnet euch, ihr beiden Ohren"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": VI. Aria (Bass) "Öffnet euch, ihr beiden Ohren" (from 1981-05 until 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
3:55
24Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": VII. Choral "Nun, werter Geist, ich folge dir"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": VII. Choral "Nun, werter Geist, ich folge dir" (from 1981-05 until 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Johann von Rist (in 1651)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
1:59
53▶CD: Vol 53. Kantaten - Cantatas
54▶CD: Vol 54. Kantaten - Cantatas
55▶CD: Vol 55. Kantaten - Cantatas
56▶CD: Vol 56. Kantaten - Cantatas
57▶CD: Vol 57. Kantaten - Cantatas
58▶CD: Vol 58. Kantaten - Cantatas
59▶CD: Vol 59. Kantaten - Cantatas
60▶CD: Vol 60. Kantaten - Cantatas
61▶CD: Vol. 61 Weltliche Kantaten - Secular Cantatas
62▶CD: Vol. 62 Weltliche Kantaten - Secular Cantatas
63▶CD: Vol. 63 Weltliche Kantaten - Secular Cantatas
64▶CD: Vol. 64 Weltliche Kantaten - Secular Cantatas
65▶CD: Vol. 65 Weltliche Kantaten - Secular Cantatas
66▶CD: Vol. 66 Weltliche Kantaten - Secular Cantatas
67▶CD: Vol. 67 Weltliche Kantaten - Secular Cantatas
68▶CD: Vol. 68 Weltliche Kantaten - Secular Cantatas
69▶CD: Vol 69 Motetten - Motets
70▶CD: Vol 69 Motetten - Motets
71▶CD: Vol. 70 h-Moll-Messe - Mass in B Minor
72▶CD: Vol. 70 h-Moll-Messe - Mass in B Minor
73▶CD: Vol. 71 Lateinische Kirchenmusik 1 - Sacred Music in Latin 1
74▶CD: Vol. 72 Lateinische Kirchenmusik 2 - Sacred Music in Latin 2
75▶CD: Vol. 73 Magnificat D-Dur - Magnificat D Major
76▶CD: Vol. 74 Matthäus-Passion - St. Matthew Passion
77▶CD: Vol. 74 Matthäus-Passion - St. Matthew Passion
78▶CD: Vol. 74 Matthäus-Passion - St. Matthew Passion
79▶CD: Vol. 75 Johannes-Passion - St. John Passion
80▶CD: Vol. 75 Johannes-Passion - St. John Passion
81▶CD: Vol. 76 Weihnachts-Oratorium - Christmas Oratorio
82▶CD: Vol. 76 Weihnachts-Oratorium - Christmas Oratorio
83▶CD: Vol. 76 Weihnachts-Oratorium - Christmas Oratorio
84▶CD: Vol. 77 Oster-Oratorium - Easter Oratorio - Himmelfahrts-Oratorium - Ascension Oratorio
85▶CD: Vol. 78 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
86▶CD: Vol. 79 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
87▶CD: Vol. 80 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
88▶CD: Vol. 81 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
89▶CD: Vol. 82 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
90▶CD: Vol. 83 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
91▶CD: Vol. 84 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
92▶CD: Vol. 85 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
93▶CD: Vol. 85 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
94▶CD: Vol. 86 Orgelwerke - Organ Works
95▶CD: Vol. 86 Orgelwerke - Organ Works
96▶CD: Vol. 87 Orgelwerke - Organ Works
97▶CD: Vol. 87 Orgelwerke - Organ Works
98▶CD: Vol. 88 Orgelwerke - Organ Works
99▶CD: Vol. 89 Orgelwerke - Organ Works
100▶CD: Vol. 90 Orgelwerke - Organ Works
101▶CD: Vol. 91 Orgelwerke - Organ Works
102▶CD: Vol. 92 Orgelwerke - Organ Works
103▶CD: Vol. 93 Orgelwerke - Organ Works
104▶CD: Vol. 94 Orgelwerke - Organ Works
105▶CD: Vol. 95 Orgelwerke - Organ Works
106▶CD: Vol. 96 Orgelwerke - Organ Works
107▶CD: Vol. 97 Orgelwerke - Organ Works
108▶CD: Vol. 97 Orgelwerke - Organ Works
109▶CD: Vol. 98 Orgelwerke - Organ Works
110▶CD: Vol. 99 Orgelwerke - Organ Works
111▶CD: Vol. 100 Orgelwerke - Organ Works
112▶CD: Vol. 101 Orgelwerke - Organ Works
113▶CD: Vol. 101 Orgelwerke - Organ Works
114▶CD: Vol. 102 Werke für Tasteninstrumente - Keyboard Works
115▶CD: Vol. 103 Werke für Tasteninstrumente - Keyboard Works
116▶CD: Vol. 103 Werke für Tasteninstrumente - Keyboard Works
117▶CD: Vol. 104 Werke für Tasteninstrumente - Keyboard Works
118▶CD: Vol. 105 Werke für Tasteninstrumente - Keyboard Works
119▶CD: Vol. 106 Werke für Tasteninstrumente - Keyboard Works
120▶CD: Vol. 107 Werke für Tasteninstrumente - Keyboard Works
121▶CD: Vol. 107 Werke für Tasteninstrumente - Keyboard Works
122▶CD: Vol. 108 Werke für Tasteninstrumente - Keyboard Works
123▶CD: Vol. 109 Werke für Tasteninstrumente - Keyboard Works
124▶CD: Vol. 110 Werke für Tasteninstrumente - Keyboard Works
125▶CD: Vol. 110 Werke für Tasteninstrumente - Keyboard Works
126▶CD: Vol. 111 Werke für Tasteninstrumente - Keyboard Works
127▶CD: Vol. 111 Werke für Tasteninstrumente - Keyboard Works
128▶CD: Vol. 112 Werke für Tasteninstrumente - Keyboard Works
129▶CD: Vol. 112 Werke für Tasteninstrumente - Keyboard Works
130▶CD: Vol. 113 Werke für Tasteninstrumente - Keyboard Works
131▶CD: Vol. 113 Werke für Tasteninstrumente - Keyboard Works
132▶CD: Vol. 114 Werke für Tasteninstrumente - Keyboard Works
133▶CD: Vol. 114 Werke für Tasteninstrumente - Keyboard Works
134▶CD: Vol. 115 Werke für Tasteninstrumente - Keyboard Works
135▶CD: Vol. 115 Werke für Tasteninstrumente - Keyboard Works
136▶CD: Vol. 116 Werke für Tasteninstrumente - Keyboard Works
137▶CD: Vol. 116 Werke für Tasteninstrumente - Keyboard Works
138▶CD: Vol. 117 Werke für Tasteninstrumente - Keyboard Works
139▶CD: Vol. 117 Werke für Tasteninstrumente - Keyboard Works
140▶CD: Vol. 118 Kammermusik - Chamber Music
141▶CD: Vol. 119 Kammermusik - Chamber Music
142▶CD: Vol. 119 Kammermusik - Chamber Music
143▶CD: Vol. 120 Kammermusik - Chamber Music
144▶CD: Vol. 120 Kammermusik - Chamber Music
145▶CD: Vol. 121 Kammermusik - Chamber Music
146▶CD: Vol. 121 Kammermusik - Chamber Music
147▶CD: Vol. 122 Kammermusik - Chamber Music
148▶CD: Vol. 123 Kammermusik - Chamber Music
149▶CD: Vol. 124 Kammermusik - Chamber Music
150▶CD: Vol. 125 Orchesterwerke - Orchestral Works
151▶CD: Vol. 126 Orchesterwerke - Orchestral Works
152▶CD: Vol. 126 Orchesterwerke - Orchestral Works
153▶CD: Vol. 127 Orchesterwerke - Orchestral Works
154▶CD: Vol. 128 Orchesterwerke - Orchestral Works
155▶CD: Vol. 129 Orchesterwerke - Orchestral Works
156▶CD: Vol. 130 Orchesterwerke - Orchestral Works
157▶CD: Vol. 131 Orchesterwerke - Orchestral Works
158▶CD: Vol. 132 Orchesterwerke - Orchestral Works
159▶CD: Vol. 132 Orchesterwerke - Orchestral Works
160▶CD: Vol. 133 Kammermusik - Chamber Music
161▶CD: Vol. 134 Werke für Tasteninstrumente - Keyboard Works
162▶CD: Vol. 134 Werke für Tasteninstrumente - Keyboard Works
163▶CD: Vol. 135 Werke für Tasteninstrumente - Keyboard Works
164▶CD: Vol. 136 Werke für Tasteninstrumente - Keyboard Works
165▶CD: Vol. 136 Werke für Tasteninstrumente - Keyboard Works
166▶CD: Vol. 137 Werke für Tasteninstrumente - Keyboard Works
167▶CD: Vol. 137 Werke für Tasteninstrumente - Keyboard Works
168▶CD: Vol. 138 Orchesterwerke - Orchestral Works
169▶CD: Vol. 139 Kantaten - Cantatas
170▶CD: Vol. 139 Kantaten - Cantatas
171▶CD: Vol. 140 Kantaten - Cantatas
172▶CD: Vol. 140 Kantaten - Cantatas