Australian Legends II

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Cheap Wine
engineer:
Mark Opitz and Neil Rawle
producer:
Cold Chisel
bass:
Phil Small
drums (drum set):
Steve Prestwich
guitar:
Ian Moss
piano:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
vocals:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel) and Ian Moss
phonographic copyright (℗) by:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1999) and Cold Chisel Pty Ltd (in 2011)
recording of:
Cheap Wine
lyricist and composer:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor and Rondor Music (Australia) Pty Ltd
Cold Chisel33:22
2Girls on the Avenue
phonographic copyright (℗) by:
Festival Records (Australian) (in 1974), Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1975) and Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1999)
recording of:
Girls on the Avenue (Richard Clapton song)
writer:
Richard Clapton
publisher:
Festival Music, Festival Music Pty, Ltd., Festival Music Publishing (APRA-affiliated), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Richard Clapton3:10
3Things Don't Seem
engineer:
Dave Marett (engineer)
producer:
Peter Dawkins
acoustic guitar, electric guitar and slide guitar:
Simon Binks (from 1981-03 until 1981-04)
bass:
Paul Williams (bassist in 'Australian Crawl') (from 1981-03 until 1981-04)
drums (drum set) and percussion:
Bill McDonough (from 1981-03 until 1981-04)
guitar:
Guy McDonough (from 1981-03 until 1981-04) and Brad Robinson (from 1981-03 until 1981-04)
piano and lead vocals:
James Reyne (from 1981-03 until 1981-04)
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 1981, in 1998) and Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 1981)
recorded at and mixed at:
Studios 301 (301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australia (from 1981-03 until 1981-04)
recording of:
Things Don't Seem (from 1981-03 until 1981-04)
composer:
Sean Higgins and Guy McDonough
publisher:
Warner/Chappell Pty. Ltd.
Australian Crawl3:56
4Better Be Home Soon
recording engineer:
Tchad Blake
producer:
Mitchell Froom
mixer:
Bob Clearmountain
drums (drum set):
Paul Hester (Australian drummer for Crowded House/Split Enz)
electric bass guitar [bass]:
Nick Seymour (Nicholas More Seymour)
guitar and lead vocals:
Neil Finn
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1988)
mixed for:
Fast Forward Productions, Ltd.
part of:
triple j’s Hottest 100 of Australian Songs (number: 38)
recording of:
Better Be Home Soon
lyricist and composer:
Neil Finn
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Australia P/L, Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., Mushroom Music Publishing and Roundhead Music (BMI) (Neil Finn)
Crowded House3.53:08
5To Her Door
part of:
triple j’s Hottest 100 of Australian Songs (number: 22)
recording of:
To Her Door
lyricist and composer:
Paul Kelly (Australian singer/songwriter)
publisher:
Mushroom Music Publishing and Sony/ATV Music Publishing
Paul Kelly and the Coloured Girls33:15
6Chain Reaction
assistant engineer:
Mat Thomas
engineer:
Doug Brady (engineer)
producer:
Ross Fraser
acoustic guitar and additional vocals:
Ross Fraser
drums (drum set):
Angus Burchall
guitar:
Phil Buckle, Ross Fraser and Brett Garsed
harmonica [harp]:
Steve Williams (Australian saxophone and harmonica player)
keyboard:
David Hirschfelder (Australian score composer)
vocals:
Lindsay Field and Venetta Fields
arranger:
John Farnham, Ross Fraser and David Hirschfelder (Australian score composer)
vocals arranger:
John Farnham, Lindsay Field and Venetta Fields
phonographic copyright (℗) by:
BMG Arista / Ariola Limited (not for release label use! manufacters and distributors operating in Australasia) (in 1990) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1990)
recorded at:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australia
recording of:
Chain Reaction
writer:
Siobhan Fahey and David Stewart (english singer-songwriter)
publisher:
BMG Music, BMG Music Publishing Australia Pty Ltd and Warner Chappell Music (publisher as Warner/Chappell Music)
John Farnham43:13
7Friday on My Mind
producer:
Shel Talmy
phonographic copyright (℗) by:
Albert Productions (in 1966, in 1967)
produced for:
Albert Productions
recording of:
Friday on My Mind
writer:
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. and Unart Music Corporation (in 1973)
The Easybeats3.52:40
8Reminiscing
recorded in:
Australia (in 1978-03)
produced in:
Australia
producer:
John Boylan and Little River Band
bass:
George McArdle (in 1978-03)
drums (drum set):
Derek Pellicci (in 1978-03)
electric guitar:
Beeb Birtles (in 1978-03), David Briggs (producer, guitarist of Little River Band) (in 1978-03) and Graham Goble (in 1978-03)
guest electric piano:
Peter Jones (Australian pianist/composer) (in 1978-03)
solo flugelhorn:
Bob Venier (brass) (in 1978-03)
solo trumpet:
Bill Harrower (in 1978-03)
strings:
Rick Formosa (in 1978-03)
vocals:
Beeb Birtles (in 1978-03), Graham Goble (in 1978-03) and Glenn Shorrock (in 1978-03)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1978), EMI Music Australia Pty. Limited (not for release label use!) (in 1978, in 2002), EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1978) and EMI Music Australia (defunct holding company, not for release label use!) (in 2002)
produced for:
Tumbleweed Productions
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 17) and Billboard Year-End Hot 100 singles of 1978 (number: 65)
recording of:
Reminiscing (in 1978-03)
lyricist and composer:
Graeham Goble
publisher:
American Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019), Wheatley Music Pty Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Little River Band54:09
9I Touch Myself
assistant engineer:
Chris Albert (US engineer) and Vince Caro (engineer, music editor, producer)
producer:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) and David Tickle
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989, in 1990) and Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1990)
recorded at:
BMG Recording Studios in Theater District, New York, New York, United States
remixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 54) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 326)
recording of:
I Touch Myself
lyricist and composer:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) and William Steinberg
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:46
10Who Can It Be Now?
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Colin Hay and Ron Strykert
saxophone:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1996)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
recording of:
Who Can It Be Now?
lyricist and composer:
Colin Hay
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Men at Work4.43:20
11I Don't Want to Be With Nobody but You
phonographic copyright (℗) by:
rooART Pty Ltd (in 1989) and Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1990)
cover recording of:
I Don’t Want to Be With Nobody but My Baby
writer:
Eddie Floyd and Joe Shamwell (Soul singer, songwriter, producer and radio deejay)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (Australia) P/L and Rondor Music (Australia) Pty Ltd
recording of:
I Don’t Want to Be With Nobody but My Baby
writer:
Eddie Floyd and Joe Shamwell (Soul singer, songwriter, producer and radio deejay)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (Australia) P/L and Rondor Music (Australia) Pty Ltd
Absent Friends4:46
12Under the Milky Way
assistant engineer:
Duane Seykora
engineer:
Shep Lonsdale
producer:
The Church, Greg Ladanyi and Waddy Wachtel
mixer:
Greg Ladanyi, Shep Lonsdale and Waddy Wachtel
bass and lead vocals:
Steve Kilbey
drums (drum set):
Richard Ploog
guitar:
Peter Koppes and Marty Willson-Piper
keyboard:
Greg Kuehn
synclavier:
Awesome Welles
phonographic copyright (℗) by:
The Church (in 2009)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987, in 1988) and The Church Pty Limited (in 1988, in 2005)
part of:
triple j’s Hottest 100 of Australian Songs (number: 29) and VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 84)
recording of:
Under the Milky Way
writer:
Karin Jansson and Steve Kilbey
publisher:
Campbell Connelly (Australia) P/L, Funzalo Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music Sales Corporation (American copyright holder in both popular and classical music) and Universal/MCA Music Publishing Pty Ltd
The Church4.354:57
13Chains
mixer:
Chris Lord‐Alge
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1994), Sony Music Productions (for copyrights use only) (in 1994) and Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1998)
recording of:
Chains
writer:
Tina Arena (in 1993-10), Pam Reswick (American songwriter) (in 1993-10) and Steve Werfel (in 1993-10)
publisher:
Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Orient Pacific Music Pty. Ltd., PolyGram Music Publishing Australia Pty. Ltd., Standard Music Ltd. (publishing company associated with David Platz and Howard S. Richmond), Standard Music Publishing Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tina Arena4:01
14Electric Blue
phonographic copyright (℗) by:
Warner Music Australia (AU subsidiary of Warner Music International since 1988) (in 1998)
recording of:
Electric Blue
writer:
Iva Davies and John Oates
publisher:
BMG Music, EMI Songs, EMI Songs Australia Pty. Ltd., Kobalt Music Publishing Australia P/L and Universal Music Publishing MGB Australia
Icehouse4:18
15Torn
producer:
Phil Thornalley
mixer:
Nigel Godrich (English record producer)
lead vocals:
Natalie Imbruglia
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (from 1997 to present) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1997)
part of:
triple j’s Hottest 100 of Australian Songs (number: 32), Cachitos Nochevieja 2022 (number: 60) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 333)
cover recording of:
Torn
lyricist:
Anne Preven
composer:
Scott Cutler, Anne Preven and Phil Thornalley
publisher:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia4.14:04
16Cool World
bass:
Paul Christie
drums (drum set):
Gil Matthews
guitar:
James Black (Australian guitarist and keyboard), Eric McCusker and Ross Wilson (Australian singer-songwriter, guitarist and producer)
keyboard:
James Black (Australian guitarist and keyboard)
vocals:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
phonographic copyright (℗) by:
Fable Records (in 1980, in 1981) and Avenue Records (Australian record label) (in 1981)
recording of:
Cool World
lyricist and composer:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
publisher:
Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd. and Mushroom Music Publishing
Mondo Rock3:34
17Man Overboard
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 1985) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Man Overboard (Do-Ré-Mi song)
writer:
Dorland Bray, Helen Carter (country singer), Deborah Conway and Stephen Philip (member of Do-Ré-Mi, Thought Criminals)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs, Mushroom Music Pty. Ltd. and Mushroom Music Publishing
Do-Ré-Mi34:10
18The Horses
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1990), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1990), Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1990) and Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1991)
part of:
triple j’s Hottest 100 of Australian Songs (number: 30)
cover recording of:
The Horses
writer:
Walter Becker and Rickie Lee Jones
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Australia Pty Ltd, Mushroom Music Pty. Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd and Universal/MCA Music Publishing Pty Ltd
Daryl Braithwaite4:13
19Brave
engineer:
Mark Forrester
co-producer:
Ashley Cadell
producer and mixer:
Nick Launay
arranger:
Ashley Cadell
phonographic copyright (℗) by:
Kate Ceberano (in 1989)
phonographic copyright (℗) by:
Regular Records Pty. Ltd.
engineered at:
Platinum Studios in Melbourne, Victoria, Australia
recording of:
Brave
lyricist and composer:
Kate Ceberano
publisher:
Warner Chappell and Warner/Chappell Music Ltd. (1996–2019)
Kate Ceberano5:33
20One Perfect Day
bass:
Peter Leslie (bassist)
drums (drum set):
Alan "Clutch" Robertson
keyboard:
Martin Fisher (keyboards, in Dear Enemy)
vocals:
Roger Hart (Australian guitarist, vocalist, songwriter)
phonographic copyright (℗) by:
EMI Music Australia (defunct holding company, not for release label use!) (in 1982) and EMI Music Australia Pty. Limited (not for release label use!) (in 1982)
recording of:
One Perfect Day (Little Heroes song)
writer:
Roger Wells (Roger Garfield Ferrier)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Orient Pacific Music Pty. Ltd.
The Little Heroes3:40
2▶CD

Credits

Release

manufactured in:Australia
printed in:Australia
liner notes:Liam Teer
compiler:Liam Teer
copyrighted (©) by:EMI Music Australia Pty. Limited (not for release label use!) (in 2006)
licensed to:EMI Music Australia Pty. Limited (not for release label use!)
Liberation Music (Australian, big L logo or “Liberation” on one line)
marketed by:EMI Music Australia Pty. Limited (not for release label use!)
Discogs:https://www.discogs.com/release/12781009 [info]