KulturSPIEGEL - My Generation, CD 14: Styling & Wave 1981 (Die Ära der Synthiepopper 1980-1992)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

LC 10879

Anmerkung zuletzt geändert am 2024-03-26 05:22 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Say Hello, Wave Goodbye
Techniker(in):
Don Wershba (engineer)
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
aufgenommen bei:
Camden Cell Studios
recording of:
Say Hello, Wave Goodbye
Texter:
Marc Almond (English pop singer and songwriter)
Komponist(in):
Dave Ball (UK electronic musician, part of Soft Cell)
publisher:
Metropolis Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und WB Music Corp. (1929–2019)
Soft Cell55:25
2Temptation
recording of:
Temptation
Verfasser(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 173:33
3Don’t Go
Techniker(in):
John Fryer (British producer and engineer) und Eric Radcliffe (UK producer / engineer / musician)
Produzent(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) und Daniel Miller (British music producer and founder of Mute Records)
vocals:
Alison Moyet
phonographisches Urheberrecht (℗) von:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1982)
Samples von:
Hot Dance Classics, Volume 2 von Various Artists (Diverse Interpreten, add compilations to this artist)
recording of:
Don’t Go
Texter und Komponist(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Mega Music Ltd., Musical Moments Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing Scandinavia KB
Yazoo4.63:06
4I Ran
recording engineer:
Mike Score
Techniker(in):
Mike Shipley (audio engineer, mixer, producer)
Produzent(in):
Mike Howlett
Bassgitarre und Hintergrundgesang:
Frank Maudsley
Gitarre:
Paul Reynolds (UK guitarist, in A Flock of Seagulls) und Mike Score
Keyboard und Sologesang:
Mike Score
Schlagzeug:
Ali Score
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982), Zomba Productions Limited (in 1982) und Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
I Ran von A Flock of Seagulls
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 55)
recording of:
I Ran
Verfasser(in):
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score und Mike Score
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls4.355:04
5Love on Your Side
recording of:
Love on Your Side
Verfasser(in):
Tom Bailey (Thompson Twins), Alannah Currie und Joe Leeway
Thompson Twins3:57
6Living on the Ceiling
Produzent(in):
Mike Howlett
Sitar:
Deepak
tabla:
Dinesh
remixer:
John Williams (English A&R executive, producer, songwriter...) und Dennis Weinreich
phonographisches Urheberrecht (℗) von:
London Records Ltd. (not release label) (in 1982)
recording of:
Living on the Ceiling
Verfasser(in):
Neil Arthur (singer, songwriter, producer) und Stephen Luscombe
publisher:
Complete Music Ltd.
Blancmange54:01
7Such a Shame
Produzent(in):
Tim Friese‐Greene
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
Such a Shame
Texter und Komponist(in):
Mark Hollis
publisher:
Hollis Songs Ltd., Island Music (Island Music Ltd.), Island Music Ltd., Universal Music Ltd. (Hong Kong holding company - do not use as imprint. Legal name of Universal Music Hong Kong.), Universal–Songs of PolyGram International, Inc. und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Talk Talk44:26
8Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Sologesang:
Nik Kershaw (in 1983)
Horn arranger:
Jerry Hey und Nik Kershaw
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 88)
recording of:
Wouldn’t It Be Good (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Teil von:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:28
9(Feels Like) Heaven
Produzent(in):
Peter Wilson (UK Producer)
arranger:
Chic Medley und Kevin Patterson (songwriter)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1983)
recording of:
(Feels Like) Heaven
Texter und Komponist(in):
Eddie Jordan (songwriter) und Kevin Patterson (songwriter)
publisher:
Carlin Music Corp.
Fiction Factory43:31
10What Is Love?
Techniker(in):
Stephen W. Tayler (UK engineer)
Produzent(in):
Rupert Hine
Sologesang:
Howard Jones (English singer, songwriter)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
What Is Love?
Texter:
William Bryant (UK lyricist, writer and speaker) und Howard Jones (English singer, songwriter)
Komponist(in):
Howard Jones (English singer, songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Howard Jones Music Ltd., Kobalt Music Group und Warner Chappell Publishing
Howard Jones4.53:41
11Come Back and Stay
Produzent(in):
Laurie Latham
Bassgitarre:
Pino Palladino
Gitarre:
Paul Young (English pop singer and musician)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) und Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (in 2002)
cover recording of:
Come Back and Stay
Texter und Komponist(in):
Jack Lee (US songwriter and musician)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Chrysalis Songs
Paul Young4.54:20
12Sounds Like a Melody
recording engineer und Mix:
Wolfgang Loos (von 1984-07 bis 1984-08)
assistierende Programmierung:
Boris Balin und Thomas Beck (technical assistant, likely German)
Programmierung:
Wolfgang Loos
Produzent(in):
Andreas Budde, Wolfgang Loos und Colin Pearson (producer and violinist)
drum machine:
Bernhard Lloyd (von 1984-07 bis 1984-08)
Keyboard:
Bernhard Lloyd (von 1984-07 bis 1984-08) und Frank Mertens (German synthpop keyboardist Frank Sorgatz) (von 1984-07 bis 1984-08)
Saiteninstrumente:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (von 1984-07 bis 1984-08)
zusätzlich Keyboard:
Wolfgang Loos (von 1984-07 bis 1984-08)
Sologesang:
Marian Gold (von 1984-07 bis 1984-08)
arranger:
Alphaville (German synth pop band) und Wolfgang Loos
aufgenommen bei und mixed at:
Studio 54 (Berlin recording studio) in Deutschland (von 1984-07 bis 1984-08)
recording of:
Sounds Like a Melody (von 1984-07 bis 1984-08)
Texter:
Marian Gold
Komponist(in):
Marian Gold, Bernhard Lloyd und Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville54:46
13The Reflex
recording of:
The Reflex
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
Beechwood de México, S.A. de C.V., EMI Music Publishing (do not use as a release label!) und Gloucester Place Music Ltd.
Duran Duran4:22
14Cars and Girls
Produzent(in):
Jon Kelly (engineer at Air London Studios) und Paddy McAloon
Mix:
Richard Moakes
Keyboard:
Gary Moberley, Prefab Sprout und Paul Wickens
Perkussion:
Luís Jardim
Sologesang:
Paddy McAloon
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 53)
recording of:
Cars and Girls
Texter und Komponist(in):
Paddy McAloon
publisher:
EMI Songs Ltd.
Prefab Sprout44:28
15Love & Pride
recording of:
Love & Pride
Verfasser(in):
Paul King (British-Irish singer/musician/VJ) und Mick Roberts
publisher:
EMI Songs Ltd. und King Songs
Paul King3:21
16True
recording of:
True
Texter und Komponist(in):
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. und Reformation Publishing Inc.
Spandau Ballet4:20
17Dancing With Tears in My Eyes
recording of:
Dancing With Tears in My Eyes
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) und Sing Sing Songs Ltd.
Ultravox44:10
18Fade to Grey
Techniker(in):
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Midge Ure und Visage (new romantic band from London)
Interpret(in):
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) und Midge Ure
arranger:
Visage (new romantic band from London)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich
mixed at:
Mayfair Sound (England) in London (Greater London), England, Vereinigtes Königreich
recording of:
Fade to Grey
Verfasser(in):
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) und Midge Ure
publisher:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) und Performance Music Ltd
Visage4.13:51
19Temple of Love
recording of:
Temple of Love
Texter und Komponist(in):
Andrew Eldritch
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sisters of Mercy4:40

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Veröffentlichungsgruppe

Teil von:KulturSPIEGEL - My Generation (Nummer: 14) (Reihenfolge: 4)