V.S.O.P. Vol. 7/8

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Vinyl
Nr.TitelBewertungLänge
1Body and Soul
alto saxophone:
Les Hite (am 1930-10-09) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-10-09)
Banjo:
Bill Perkins (jazz guitar and banjo) (am 1930-10-09)
Klavier:
Henry Prince (am 1930-10-09)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-10-09)
Posaune:
Luther Craven (am 1930-10-09)
Schlagzeug:
Lionel Hampton (am 1930-10-09)
Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-10-09)
Trompete:
Louis Armstrong (am 1930-10-09), George Orendorff (am 1930-10-09) und Harold Scott (am 1930-10-09)
recording of:
Body and Soul (am 1930-10-09)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
2Memories of You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-10-16)
alto saxophone:
Les Hite (am 1930-10-16) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-10-16)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-10-16)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-10-16)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-10-16) und Henry Prince (am 1930-10-16)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-10-16)
Posaune:
Luther Craven (am 1930-10-16)
Schlagzeug und Vibraphon:
Lionel Hampton (am 1930-10-16)
Trompete:
Louis Armstrong (am 1930-10-16), George Orendorff (am 1930-10-16) und Harold Scott (am 1930-10-16)
vocals:
Louis Armstrong (am 1930-10-16)
conductor:
Les Hite (am 1930-10-16)
recording of:
Memories of You (am 1930-10-16)
Texter:
Andy Razaf (in 1930)
Komponist(in):
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
?:??
3You’re Lucky to Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-10-16)
alto saxophone:
Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-10-16)
baritone saxophone:
Les Hite (am 1930-10-16)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-10-16)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-10-16)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-10-16) und Henry Prince (am 1930-10-16)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-10-16)
Posaune:
Luther Craven (am 1930-10-16)
Schlagzeug:
Lionel Hampton (am 1930-10-16)
Trompete:
Louis Armstrong (am 1930-10-16), George Orendorff (am 1930-10-16) und Harold Scott (am 1930-10-16)
vocals:
Louis Armstrong (am 1930-10-16)
conductor:
Les Hite (am 1930-10-16)
recording of:
You’re Lucky to Me (am 1930-10-16)
Texter:
Andy Razaf
Komponist(in):
Eubie Blake
?:??
4Sweethearts on Parade
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-12-23)
alto saxophone:
Les Hite (am 1930-12-23) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-12-23)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-12-23)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-12-23)
Klavier:
Henry Prince (am 1930-12-23)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-12-23)
Posaune:
Luther Craven (am 1930-12-23)
Schlagzeug:
Lionel Hampton (am 1930-12-23)
Trompete:
Louis Armstrong (am 1930-12-23), McClure Morris (am 1930-12-23) und Harold Scott (am 1930-12-23)
vocals:
Louis Armstrong (am 1930-12-23)
conductor:
Les Hite (am 1930-12-23)
recording of:
Sweethearts on Parade (am 1930-12-23)
Texter:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
Komponist(in):
Carmen Lombardo (in 1928)
?:??
5You're Drivin' Me Crazy
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-12-23)
alto saxophone:
Les Hite (am 1930-12-23) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-12-23)
Banjo:
Bill Perkins (jazz guitar and banjo) (am 1930-12-23)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-12-23)
Klavier:
Henry Prince (am 1930-12-23)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-12-23)
Posaune:
Luther Craven (am 1930-12-23)
Schlagzeug und Sprecher:
Lionel Hampton (am 1930-12-23)
Trompete:
Louis Armstrong (am 1930-12-23), McClure Morris (am 1930-12-23) und Harold Scott (am 1930-12-23)
vocals:
Louis Armstrong (am 1930-12-23)
conductor:
Les Hite (am 1930-12-23)
recording of:
You’re Driving Me Crazy (am 1930-12-23)
Texter:
Walter Donaldson
Komponist(in):
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC und Tobago Music Co.
?:??
6The Peanut Vendor
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-12-23)
alto saxophone:
Les Hite (am 1930-12-23) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-12-23)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-12-23)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-12-23)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-12-23)
Perkussion:
Henry Prince (am 1930-12-23)
Posaune:
Luther Craven (am 1930-12-23)
Schlagzeug:
Lionel Hampton (am 1930-12-23)
Trompete:
Louis Armstrong (am 1930-12-23), McClure Morris (am 1930-12-23) und Harold Scott (am 1930-12-23)
vocals:
Louis Armstrong (am 1930-12-23)
conductor:
Les Hite (am 1930-12-23)
recording of:
The Peanut Vendor (am 1930-12-23)
Texter:
L. Wolfe Gilbert und Marion Sunshine
Komponist(in):
Moisés Simons
übersetzte Version von:
El manisero
?:??
7Just a Gigolo
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1931-03-09)
Celesta [celeste] und Klavier:
Henry Prince (am 1931-03-09)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1931-03-09)
Klarinette:
Les Hite (am 1931-03-09) und Charlie Jones (jazz clarinet/sax) (am 1931-03-09)
Kontrabass und Tuba:
Joe Bailey (US double bassist and songwriter) (am 1931-03-09)
Posaune:
Luther Craven (am 1931-03-09)
Schlagzeug und Vibraphon:
Lionel Hampton (am 1931-03-09)
Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1931-03-09)
Trompete:
Louis Armstrong (am 1931-03-09), McClure Morris (am 1931-03-09) und Harold Scott (am 1931-03-09)
vocals:
Louis Armstrong (am 1931-03-09)
conductor:
Les Hite (am 1931-03-09)
recording of:
Just a Gigolo (English version) (am 1931-03-09)
Texter:
Julius Brammer
Komponist(in):
Leonello Casucci
Übersetzer:
Irving Caesar
übersetzte Version von:
Schöner Gigolo
?:??
8Shine
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1931-03-09)
alto saxophone [alto sax]:
Les Hite (am 1931-03-09) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1931-03-09)
Banjo:
Bill Perkins (jazz guitar and banjo) (am 1931-03-09)
Klarinette und Tenorsaxophon [tenor sax]:
Charlie Jones (jazz clarinet/sax) (am 1931-03-09)
Klavier:
Henry Prince (am 1931-03-09)
Kontrabass [bass] und Tuba:
Joe Bailey (US double bassist and songwriter) (am 1931-03-09)
Posaune:
Luther Craven (am 1931-03-09)
Schlagzeug:
Lionel Hampton (am 1931-03-09)
Trompete:
Louis Armstrong (am 1931-03-09), McLure "Red Mac" Morris (am 1931-03-09) und Harold Scott (am 1931-03-09)
vocals:
Louis Armstrong (am 1931-03-09)
recording of:
Shine (am 1931-03-09)
Texter:
Lew Brown (in 1910) und Cecil Mack (in 1910)
Komponist(in):
Ford Dabney (in 1910)
?:??
9Walkin' My Baby Back Home
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-04-20)
alto saxophone:
Lester Boone (am 1931-04-20)
baritone saxophone:
George James (US jazz saxophonist) (am 1931-04-20)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-04-20)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-04-20)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-04-20)
Schlagzeug:
Tubby Hall (am 1931-04-20)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-04-20)
Trompete:
Louis Armstrong (am 1931-04-20)
vocals:
Louis Armstrong (am 1931-04-20)
recording of:
Walkin’ My Baby Back Home (am 1931-04-20)
Texter:
Roy Turk (in 1930)
Komponist(in):
Fred Ahlert (in 1930)
publisher:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
?:??
10I Surrender Dear
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-04-20)
alto saxophone:
Lester Boone (am 1931-04-20)
baritone saxophone:
George James (US jazz saxophonist) (am 1931-04-20)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-04-20)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-04-20)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-04-20)
Schlagzeug:
Tubby Hall (am 1931-04-20)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-04-20)
Trompete:
Louis Armstrong (am 1931-04-20)
vocals:
Louis Armstrong (am 1931-04-20)
recording of:
I Surrender Dear (am 1931-04-20)
Texter:
Gordon Clifford (in 1931)
Komponist(in):
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
?:??
11When It's Sleepy Time Down South
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-04-20)
alto saxophone:
George James (US jazz saxophonist) (am 1931-04-20)
alto saxophone [alto sax]:
Lester Boone (am 1931-04-20)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-04-20)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-04-20)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-04-20)
Schlagzeug:
Tubby Hall (am 1931-04-20)
Tenorsaxophon [tenor sax]:
Albert Washington (jazz tenor sax) (am 1931-04-20)
Trompete:
Louis Armstrong (am 1931-04-20)
Sprecher [speech]:
Charlie Alexander (US jazz pianist) (am 1931-04-20) und Louis Armstrong (am 1931-04-20)
vocals:
Louis Armstrong (am 1931-04-20)
recording of:
When It’s Sleepy Time Down South (am 1931-04-20)
Texter:
Leon René und Otis René
Komponist(in):
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication und Sherwin Music (publisher)
?:??
12Blue Again
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-04-20)
alto saxophone:
Lester Boone (am 1931-04-20)
baritone saxophone:
George James (US jazz saxophonist) (am 1931-04-20)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-04-20)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-04-20)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-04-20)
Schlagzeug:
Tubby Hall (am 1931-04-20)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-04-20)
Trompete:
Zilner Randolph und Louis Armstrong (am 1931-04-20)
vocals:
Louis Armstrong (am 1931-04-20)
recording of:
Blue Again (am 1931-04-20)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
?:??
13Little Joe
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-04-28)
alto saxophone und Klarinette:
Lester Boone (am 1931-04-28) und George James (US jazz saxophonist) (am 1931-04-28)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-04-28)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-04-28)
Kontrabass:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1931-04-28)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-04-28)
Schlagzeug:
Tubby Hall (am 1931-04-28)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-04-28)
Trompete:
Louis Armstrong (am 1931-04-28)
vocals:
Louis Armstrong (am 1931-04-28)
?:??
14You Rascal You
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-04-28)
alto saxophone und Klarinette:
Lester Boone (am 1931-04-28)
baritone saxophone:
George James (US jazz saxophonist) (am 1931-04-28)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-04-28)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-04-28)
Kontrabass:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1931-04-28)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-04-28)
Schlagzeug:
Tubby Hall (am 1931-04-28)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-04-28)
Trompete:
Louis Armstrong (am 1931-04-28)
vocals:
Louis Armstrong (am 1931-04-28)
recording of:
I’ll Be Glad When You’re Dead, You Rascal You (am 1931-04-28)
Texter und Komponist(in):
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
?:??
15Them There Eyes
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-04-29)
alto saxophone:
Lester Boone (am 1931-04-29) und George James (US jazz saxophonist) (am 1931-04-29)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-04-29)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-04-29)
Kontrabass:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1931-04-29)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-04-29)
Schlagzeug:
Tubby Hall (am 1931-04-29)
Sopransaxophon:
George James (US jazz saxophonist) (am 1931-04-29)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-04-29)
Trompete:
Louis Armstrong (am 1931-04-29)
vocals:
Louis Armstrong (am 1931-04-29)
recording of:
Them There Eyes (am 1931-04-29)
Texter:
William Tracey (in 1930)
Komponist(in):
Maceo Pinkard (in 1930) und Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) und Warner Chappell Music Limited (2019–present)
?:??
16When Your Lover Has Gone
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-04-29)
alto saxophone und Klarinette:
Lester Boone (am 1931-04-29) und George James (US jazz saxophonist) (am 1931-04-29)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-04-29)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-04-29)
Kontrabass:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1931-04-29)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-04-29)
Schlagzeug:
Tubby Hall (am 1931-04-29)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-04-29)
Trompete:
Louis Armstrong (am 1931-04-29)
vocals:
Louis Armstrong (am 1931-04-29)
recording of:
When Your Lover Has Gone (am 1931-04-29)
Texter und Komponist(in):
Einar Aaron Swan
publisher:
Remick Music Corp. und Warner Bros., Inc. (Warner Bros. Music Division)
?:??
17Lazy River
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-03)
alto saxophone und Klarinette:
Lester Boone (am 1931-11-03) und George James (US jazz saxophonist) (am 1931-11-03)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-03)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-03)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-03)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-03)
Schlagzeug:
Tubby Hall (am 1931-11-03)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-03)
Trompete:
Louis Armstrong (am 1931-11-03) und Zilner Randolph (am 1931-11-03)
Sologesang:
Louis Armstrong (am 1931-11-03)
vocals:
Louis Armstrong (am 1931-11-03)
Orchester:
Louis Armstrong & His Orchestra (am 1931-11-03)
arranger:
Zilner Randolph
recording of:
Lazy River (am 1931-11-03)
Texter:
Hoagy Carmichael
Komponist(in):
Sidney Arodin und Hoagy Carmichael
?:??
18Georgia on My Mind
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-05)
alto saxophone:
Lester Boone (am 1931-11-05) und George James (US jazz saxophonist) (am 1931-11-05)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-05)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-05)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-05)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-05)
Schlagzeug:
Tubby Hall (am 1931-11-05)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-05)
Trompete:
Louis Armstrong (am 1931-11-05) und Zilner Randolph (am 1931-11-05)
Baritongesang:
Louis Armstrong
vocals:
Louis Armstrong (am 1931-11-05)
Orchester:
Louis Armstrong and His Orchestra (in 1931)
recording of:
Georgia on My Mind (am 1931-11-05)
Nationalhymne von:
Georgia, Vereinigte Staaten (vom 1979 bis heute)
Texter:
Stuart Gorrell (in 1930)
Komponist(in):
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (vom 1930 bis heute) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (vom 1930 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Arrangement von:
Georgia on My Mind (Solo piano arrangement)
?:??
19Chinatown My Chinatown
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-03)
alto saxophone:
Lester Boone (am 1931-11-03) und George James (US jazz saxophonist) (am 1931-11-03)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-03)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-03)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-03)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-03)
Schlagzeug:
Tubby Hall (am 1931-11-03)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-03)
Trompete:
Louis Armstrong (am 1931-11-03) und Zilner Randolph (am 1931-11-03)
vocals:
Louis Armstrong (am 1931-11-03)
recording of:
Chinatown, My Chinatown (am 1931-11-03)
Texter:
William Jerome (in 1910)
Komponist(in):
Jean Schwartz (in 1910)
publisher:
Beuscher und Sim (Related to Éditions Sim)
?:??
20I Got Rhythm
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-06)
alto saxophone:
Lester Boone (am 1931-11-06)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-06)
Klarinette und Sopransaxophon:
George James (US jazz saxophonist) (am 1931-11-06)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-06)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-06)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-06)
Schlagzeug:
Tubby Hall (am 1931-11-06)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-06)
Trompete:
Louis Armstrong (am 1931-11-06) und Zilner Randolph (am 1931-11-06)
vocals:
Louis Armstrong (am 1931-11-06)
recording of:
I Got Rhythm (am 1931-11-06)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV und New World Music Co. (in 1930)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
?:??
21Wrap Your Troubles in Dreams
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-04)
alto saxophone:
Lester Boone (am 1931-11-04)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-04)
Klarinette:
George James (US jazz saxophonist) (am 1931-11-04)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-04)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-04)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-04)
Schlagzeug:
Tubby Hall (am 1931-11-04)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-04)
Trompete:
Louis Armstrong (am 1931-11-04) und Zilner Randolph (am 1931-11-04)
vocals:
Louis Armstrong (am 1931-11-04)
recording of:
Wrap Your Troubles in Dreams (am 1931-11-04)
Texter:
Ted Koehler (in 1931) und Billy Moll (songwriter) (in 1931)
Komponist(in):
Harry Barris (in 1931)
publisher:
Campbell Connelly & Co. Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. und Ted Koehler Music Co.
4?:??
22Star Dust
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-04)
alto saxophone:
Lester Boone (am 1931-11-04) und George James (US jazz saxophonist) (am 1931-11-04)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-04)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-04)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-04)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-04)
Schlagzeug:
Tubby Hall (am 1931-11-04)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-04)
Trompete:
Louis Armstrong (am 1931-11-04) und Zilner Randolph (am 1931-11-04)
vocals:
Louis Armstrong (am 1931-11-04)
recording of:
Stardust (the jazz standard) (am 1931-11-04)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
?:??
23You Can Depend on Me
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-05)
alto saxophone:
Lester Boone (am 1931-11-05) und George James (US jazz saxophonist) (am 1931-11-05)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-05)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-05)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-05)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-05)
Schlagzeug:
Tubby Hall (am 1931-11-05)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-05)
Trompete:
Louis Armstrong (am 1931-11-05) und Zilner Randolph (am 1931-11-05)
vocals:
Louis Armstrong (am 1931-11-05)
recording of:
You Can Depend on Me (am 1931-11-05)
Komponist(in):
Charles Carpenter, Louis Dunlap und Earl Hines (jazz pianist and bandleader)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
?:??
24The Lonesome Road
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-06)
alto saxophone:
Lester Boone (am 1931-11-06) und George James (US jazz saxophonist) (am 1931-11-06)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-06)
Holzblock:
Joe Lindsay (US early jazz drummer) (am 1931-11-06)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-06)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-06)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-06)
Schlagzeug:
Tubby Hall (am 1931-11-06)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-06)
Trompete:
Louis Armstrong (am 1931-11-06) und Zilner Randolph (am 1931-11-06)
Sprecher:
Joe Lindsay (US early jazz drummer) (am 1931-11-06), Mike McKendrick (Jazz banjo and guitar) (am 1931-11-06) und Zilner Randolph (am 1931-11-06)
vocals:
Louis Armstrong (am 1931-11-06)
recording of:
Lonesome Road (am 1931-11-06)
Texter:
Gene Austin
Komponist(in):
Nathaniel Shilkret
publisher:
Campbell Connelly & Co. Ltd., Chappell’s • Sydney, Nathaniel Shilkret Music Corp., Paramount Music Corporation und Spier & Coslow Inc.
?:??
25Between the Devil and the Deep Blue Sea
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-01-25)
alto saxophone:
Lester Boone (am 1932-01-25) und George James (US jazz saxophonist) (am 1932-01-25)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1932-01-25)
Klavier:
Charlie Alexander (US jazz pianist) (am 1932-01-25)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1932-01-25)
Posaune:
Preston Jackson (jazz trombonist) (am 1932-01-25)
Schlagzeug:
Tubby Hall (am 1932-01-25)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1932-01-25)
Trompete:
Louis Armstrong (am 1932-01-25) und Zilner Randolph (am 1932-01-25)
vocals:
Louis Armstrong (am 1932-01-25)
recording of:
Between the Devil and the Deep Blue Sea (am 1932-01-25)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
publisher:
Mills Music, S.A. Music Co. und Ted Koehler Music Co.
?:??
26Kickin’ the Gong Around
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-01-25)
alto saxophone:
Lester Boone (am 1932-01-25) und George James (US jazz saxophonist) (am 1932-01-25)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1932-01-25)
Klavier:
Charlie Alexander (US jazz pianist) (am 1932-01-25)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1932-01-25)
Posaune:
Preston Jackson (jazz trombonist) (am 1932-01-25)
Schlagzeug:
Tubby Hall (am 1932-01-25)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1932-01-25)
Trompete:
Louis Armstrong (am 1932-01-25) und Zilner Randolph (am 1932-01-25)
vocals:
Louis Armstrong (am 1932-01-25)
recording of:
Kickin’ the Gong Around (am 1932-01-25)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
?:??
27Home
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-01-27)
alto saxophone:
Lester Boone (am 1932-01-27) und George James (US jazz saxophonist) (am 1932-01-27)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1932-01-27)
Klavier:
Charlie Alexander (US jazz pianist) (am 1932-01-27)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1932-01-27)
Posaune:
Preston Jackson (jazz trombonist) (am 1932-01-27)
Schlagzeug:
Tubby Hall (am 1932-01-27)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1932-01-27)
Trompete:
Louis Armstrong (am 1932-01-27) und Zilner Randolph (am 1932-01-27)
vocals:
Louis Armstrong (am 1932-01-27)
recording of:
Home (When Shadows Fall) (am 1932-01-27)
Verfasser(in):
Geoffrey Clarkson und Harry Clarkson
?:??
28All of Me
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-01-27)
alto saxophone:
Lester Boone (am 1932-01-27) und George James (US jazz saxophonist) (am 1932-01-27)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1932-01-27)
Klavier:
Charlie Alexander (US jazz pianist) (am 1932-01-27)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1932-01-27)
Posaune:
Preston Jackson (jazz trombonist) (am 1932-01-27)
Schlagzeug:
Tubby Hall (am 1932-01-27)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1932-01-27)
Trompete:
Louis Armstrong (am 1932-01-27) und Zilner Randolph (am 1932-01-27)
vocals:
Louis Armstrong (am 1932-01-27)
recording of:
All of Me (am 1932-01-27)
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
?:??
29Love You Funny Thing
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-03-02)
alto saxophone:
Lester Boone (am 1932-03-02) und George James (US jazz saxophonist) (am 1932-03-02)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1932-03-02)
Klavier:
Charlie Alexander (US jazz pianist) (am 1932-03-02)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1932-03-02)
Posaune:
Preston Jackson (jazz trombonist) (am 1932-03-02)
Schlagzeug:
Tubby Hall (am 1932-03-02)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1932-03-02)
Trompete:
Louis Armstrong (am 1932-03-02) und Zilner Randolph (am 1932-03-02)
vocals:
Louis Armstrong (am 1932-03-02)
recording of:
Love, You Funny Thing (am 1932-03-02)
Verfasser(in):
Fred Ahlert und Roy Turk
?:??
30New Tiger Rag
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-03-11)
alto saxophone:
Lester Boone (am 1932-03-11)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1932-03-11)
Klarinette:
George James (US jazz saxophonist) (am 1932-03-11)
Klavier:
Charlie Alexander (US jazz pianist) (am 1932-03-11)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1932-03-11)
Posaune:
Preston Jackson (jazz trombonist) (am 1932-03-11)
Schlagzeug:
Tubby Hall (am 1932-03-11)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1932-03-11)
Trompete:
Louis Armstrong (am 1932-03-11) und Zilner Randolph (am 1932-03-11)
vocals:
Louis Armstrong (am 1932-03-11)
recording of:
Tiger Rag (original 1917 instrumental version) (am 1932-03-11)
Komponist(in):
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro und Larry Shields
publisher:
Leo Feist, Inc.
sub-publisher:
EMI Music Publishing France
?:??
31Keepin’ Out of Mischief Now
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-03-11)
alto saxophone:
Lester Boone (am 1932-03-11) und George James (US jazz saxophonist) (am 1932-03-11)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1932-03-11)
Klavier:
Charlie Alexander (US jazz pianist) (am 1932-03-11)
Kontrabass [bass]:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1932-03-11)
Posaune:
Preston Jackson (jazz trombonist) (am 1932-03-11)
Schlagzeug:
Tubby Hall (am 1932-03-11)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1932-03-11)
Trompete:
Louis Armstrong (am 1932-03-11) und Zilner Randolph (am 1932-03-11)
vocals:
Louis Armstrong (am 1932-03-11)
cover recording of:
Keepin’ Out of Mischief Now (am 1932-03-11)
Texter:
Andy Razaf
Komponist(in):
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Razaf Music
?:??
32Lawd, You Made the Night Too Long
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-03-11)
alto saxophone:
Lester Boone und George James (US jazz saxophonist)
Gitarre:
Mike McKendrick (Jazz banjo and guitar)
Klavier:
Charlie Alexander (US jazz pianist)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton)
Posaune:
Preston Jackson (jazz trombonist)
Schlagzeug:
Tubby Hall
Tenorsaxophon:
Albert Washington (jazz tenor sax)
Trompete:
Louis Armstrong und Zilner Randolph
vocals:
Louis Armstrong
recording of:
Lord, You Made the Night Too Long (am 1932-03-11)
Texter:
Sam M. Lewis (1930s lyricist) (in 1932)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
?:??

Nennungen