20 Rock & Roll Classics Part 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Hound Dog
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-07-02)
batteria :
D.J. Fontana (il 1956-07-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-07-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-07-02)
voce:
The Jordanaires (southern gospel group) (il 1956-07-02)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
esecutore aggiunto:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956, nel 1972), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-07-02)
registrazione cover di:
Hound Dog (il 1956-07-02)
paroliere:
Jerry Leiber (il 1952-08-12)
compositore:
Mike Stoller (il 1952-08-12)
precedentemente attribuito a:
Johnny Otis
editore:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company e Williamson Music, Inc.
Elvis Presley3.82:16
2Blue Suede Shoes
batteria :
W.S. Holland (nel 1955-12)
chitarra :
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12) e Jay Perkins (nel 1955-12)
contrabbasso :
Clayton Perkins (nel 1955-12)
voce:
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12)
diritti fonografici (℗) detenuti da:
Sun (US label founded in 1952) (nel 1955, dal 1956 a oggi)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 5) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 95)
registrazione di:
Blue Suede Shoes (nel 1955-12)
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music) (nel 1955)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. e Wren Music Co.
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:15
3Great Balls Of Fire
Jerry Lee Lewis1:52
4Lucille
registrazione di:
Lucille
autore:
Albert Collins (US blues guitarist/vocalist/harmonica), Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”) e Richard Wayne Penniman
editore:
Leeds Music Ltd., MCA Music Inc. (Universal Music Philippines’ legal name), MCA Music Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Universal/MCA Music Ltd. (not for release label use!) e Venice Music
Little Richard2:23
5Jeanie, Jeanie, Jeanie
Eddie Cochran2:20
6King Creole
tecnico:
Thorne Nogar (dal 1958-01 al 1958-02) e Phil Wisdom (dal 1958-01 al 1958-02)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1958-01-15 al 1958-01-23), Neal Matthews (dal 1958-01-15 al 1958-01-23) e Ray Siegel (dal 1958-01-15 al 1958-01-23)
batteria :
D.J. Fontana (dal 1958-01-15 al 1958-01-23) e Bernie Mattinson (dal 1958-01-15 al 1958-01-23)
bonghi :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (dal 1958-01-15 al 1958-01-23)
chitarra :
Neal Matthews (dal 1958-01-15 al 1958-01-23), Scotty Moore (American guitarist and recording engineer) (dal 1958-01-15 al 1958-01-23) e Elvis Presley (“The King of Rock and Roll”) (dal 1958-01-15 al 1958-01-23)
clarinetto :
Mahlon Clark (dal 1958-01-15 al 1958-01-23)
pianoforte :
Dudley Brooks (dal 1958-01-15 al 1958-01-23)
piatti :
Hoyt Hawkins (dal 1958-01-15 al 1958-01-23)
sassofono :
Justin Gordon (dal 1958-01-15 al 1958-01-23)
tromba :
John Ed Buckner (dal 1958-01-15 al 1958-01-23)
trombone :
Elmer Schneider (dal 1958-01-15 al 1958-01-23) e Warren Smith (jazz trombonist) (dal 1958-01-15 al 1958-01-23)
tuba :
Ray Siegel (dal 1958-01-15 al 1958-01-23)
voce:
The Jordanaires (southern gospel group) (dal 1958-01-15 al 1958-01-23)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1958-01-23)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1958-01-23)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1958), BMG Music (nel 1958) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1958-01-15 al 1958-01-16, il 1958-01-23)
registrazione cover di:
King Creole (dal 1958-01-15 al 1958-01-23)
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Carlin Music Corporation, Cherry Lane Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP)
Elvis Presley4.72:09
7Let's Have A Part
registrazione di:
Let’s Have a Party
paroliere e compositore:
Jessie Mae Robinson
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gladys Music Inc., IQ Music Ltd., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Universal/MCA Music Ltd. (not for release label use!) e Universal/MCA Music Publishing Pty Ltd
Wanda Jackson2:01
8Sweet Little Sixteen
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Jasper Thomas (dal 1957-12-29 al 1957-12-30)
chitarra elettrica e voce principale:
Chuck Berry (dal 1957-12-29 al 1957-12-30)
contrabbasso :
Willie Dixon (dal 1957-12-29 al 1957-12-30)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (dal 1957-12-29 al 1957-12-30)
diritti fonografici (℗) detenuti da:
Geffen Records Ltd. (nel 1958) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrata presso:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Stati Uniti (dal 1957-12-29 al 1957-12-30)
registrazione di:
Sweet Little Sixteen (dal 1957-12-09 al 1957-12-30)
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry42:59
9Whole Lotta Shakin' Going On
produttore:
Jack Clement e Sam Phillips (founder of Sun Records) (nel 1957)
batteria :
Jimmy Van Eaton (il 1957-02-05)
chitarra :
Roland Janes (il 1957-02-05)
pianoforte :
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (il 1957-02-05)
voce:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (il 1957-02-05)
diritti fonografici (℗) detenuti da:
Sun (US label founded in 1952) (nel 1957), Sun Record Company (nel 1957) e Charly Records (dal 2008 a oggi)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 61)
registrazione cover di:
Whole Lotta Shakin’ Goin’ On (il 1957-02-05)
autore:
Roy Hall (US rockabilly pianist & songwriter) e Dave “Curly” Williams
editore:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) e Whole Lotta Shakin' Music
registrazione di:
Whole Lotta Shakin’ Goin’ On
autore:
Roy Hall (US rockabilly pianist & songwriter) e Dave “Curly” Williams
editore:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) e Whole Lotta Shakin' Music
Jerry Lee Lewis4.652:53
10Rebel Rouser
registrazione di:
Rebel‐’Rouser
compositore:
Duane Eddy e Lee Hazlewood
Duane Eddy2:14
11Ain't That A Shame
registrazione di:
Ain’t That a Shame
autore:
Antoine Domino (Fats Domino) e Dave Bartholomew
editore:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (nel 1955, nel 1983) e United Artists Music Ltd. (dal 1977 a oggi)
Fats Domino2:27
12Chantilly Lace
The Big Bopper2:24
13Bluejean Bop
Gene Vincent2:24
14The Girl Can't Help It
registrazione di:
The Girl Can’t Help It
paroliere e compositore:
Bobby Troup
editore:
Robbins Music Corp. e Twentieth Century Music Corp. (nel 1956)
Little Richard2:29
15I Got Stung
registrazione cover di:
I Got Stung
autore:
David Hill (US songwriter) e Aaron Schroeder (1950s~1960s US songwriter)
editore:
Carlin Music Corporation, Gladys Music, Gladys Music Inc., Minder Music Ltd. e Rachel’s Own Music
Elvis Presley1:49
16Rock Around The Clock
batteria :
Billy Gussak (il 1954-04-12)
chitarra elettrica [lead guitar] :
Danny Cedrone (il 1954-04-12)
chitarra elettrica [rhythm guitar] e voce principale:
Bill Haley (il 1954-04-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-04-12)
contrabbasso :
Marshall Lytle (il 1954-04-12)
pianoforte :
Johnny Grande (il 1954-04-12)
sassofono tenore :
Joey D'Ambrosio (il 1954-04-12)
diritti fonografici (℗) detenuti da:
Sonet Music AB (nel 1954) e MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (nel 1955)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1954-04-12)
registrazione di:
Rock Around the Clock (Bill Haley’s version) (il 1954-04-12)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets4.352:09
17Peggy Sue
produttore:
Norman Petty
basso :
Joe B. Mauldin (il 1957-07-01)
batteria :
Jerry Allison (il 1957-07-01)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01) e Niki Sullivan (il 1957-07-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-07-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 194) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 370)
registrazione di:
Peggy Sue (dal 1957-06-29 al 1957-07-01)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (UK) Limited, Southern Music (publisher) e Wren Music Co.
Buddy Holly4.52:31
18Red River Rock
registrazione cover di:
Red River Rock
compositore:
Tom King (50s & 60s songwriter), Ira Mack e Fred Mendelsohn
editore:
Burlington Music Co., Ltd. e Mole Hole Music
si basa su:
Red River Valley
Johnny and the Hurricanes2:09
19Sweet Nothings
registrazione di:
Sweet Nothin’s
paroliere e compositore:
Ronnie Self
editore:
Leeds Music Ltd.
Brenda Lee2:23
20Roll Over Beethoven
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Melvin Billups (il 1956-04-19)
chitarra e voce principale:
Chuck Berry (il 1956-04-19)
contrabbasso :
Willie Dixon (il 1956-04-19)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (il 1956-04-19)
sassofono tenore :
Leroy C. Davis (il 1956-04-19)
tromba :
Vincent Pitts (il 1956-04-19)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1956)
registrata presso:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (il 1956-04-19)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 97)
registrazione di:
Roll Over Beethoven (il 1956-04-19)
paroliere e compositore:
Chuck Berry (nel 1956-01)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-editore:
Fujipacific Music, Inc. e Rock ’n’ Roll Music
Chuck Berry4.152:22