| # | Title | Artist | Rating | Length |
|---|
| 1 | (Sittin’ on) The Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- WEA International Inc. and Atlantic Recording Corporation (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music , Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. , Warner Bros. Music Ltd. , Warner Chappell Music , Warner/Chappell Music Japan, Synch division , Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
- recording of:
- (Sittin’ on) The Dock of the Bay
- composer:
- Steve Cropper and Otis Redding
- arranger:
- Oliver Lake
- arrangement of:
- (Sittin’ on) the Dock of the Bay
| Otis Redding | 4.45 | 2:44 |
| 2 | Sunny Afternoon | The Kinks | | 3:33 |
| 3 | The 59th St Bridge Song (Feelin’ Groovy) | Simon & Garfunkel | 3.65 | 1:41 |
| 4 | Let’s Go to San Francisco | The Flower Pot Men | 5 | 3:34 |
| 5 | Do It Again | The Beach Boys | | 2:18 |
| 6 | Happy Together | The Turtles | 4.35 | 2:55 |
| 7 | Itchycoo Park | Small Faces | 3.65 | 2:45 |
| 8 | See Emily Play- recording engineer:
- Peter Bown (on 1967-05-21)
- engineer:
- John Woods
- producer and phonographic copyright (℗) by:
- Norman Smith (in 1967)
- bass guitar:
- Roger Waters (on 1967-05-21)
- drums (drum set):
- Nick Mason (on 1967-05-21)
- electric guitar, slide guitar and lead vocals:
- Syd Barrett (on 1967-05-21)
- farfisa, harpsichord [Baldwin Spinet electric harpsichord], piano and tack piano:
- Richard Wright (on 1967-05-21)
- background vocals:
- Roger Waters (on 1967-05-21) and Richard Wright (on 1967-05-21)
- conductor:
- Norman Smith
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1967, in 1974, in 2007)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (on 1967-05-21) and Sound Techniques in Chelsea, Kensington and Chelsea, London , England, United Kingdom (on 1967-05-21)
- recording of:
- See Emily Play (on 1967-05-21)
- lyricist and composer:
- Syd Barrett
- publisher:
- Essex Music International, Essex Music, Inc., Magdalene Music, TRO-Essex Music, Inc. and Westminster Music Ltd.
| Pink Floyd | 4 | 2:53 |
| 9 | Summer in the City- additional electric piano:
- Artie Schroeck
- lead vocals:
- John Sebastian
- conductor:
- Michael Kamen
- phonographic copyright (℗) by:
- Buddah Records (in 1966), Kama Sutra (in 1966), Sony Music Entertainment (in 1966) and Sony Music Entertainment Inc. (in 1966)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 393)
- recording of:
- Summer in the City
- writer:
- Steve Boone, John Sebastian and Mark Sebastian
- publisher:
- Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. , Bug Music , Copyright Control , EMI Music Publishing , EMI Music Publishing Ltd. , Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., Trio Music and Trio Music Co., Inc.
| The Lovin’ Spoonful | 4.8 | 2:39 |
| 10 | Brown Eyed Girl- recording engineer:
- Brooks Arthur (on 1967-03-28)
- producer:
- Bert Russell Berns
- bass guitar:
- Eric Gale (on 1967-03-28)
- drums (drum set):
- Gary Chester (on 1967-03-28)
- guitar:
- Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
- organ:
- Garry Sherman (on 1967-03-28)
- background vocals:
- The Sweet Inspirations (on 1967-03-28)
- lead vocals:
- Van Morrison (on 1967-03-28)
- performer:
- Van Morrison (on 1967-03-28)
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (in 1973)
- recorded at:
- A&R Recording Studio A in New York, New York, United States (on 1967-03-28) and A&R Recording Studio in New York, New York, United States (on 1967-04-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (number: 109)
- recording of:
- Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
- lyricist and composer:
- Van Morrison
- publisher:
- Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing , Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
| Van Morrison | 3.25 | 3:02 |
| 11 | Got to Get You Into My Life | Cliff Bennett & the Rebel Rousers | | 2:32 |
| 12 | I Don’t Want Our Love to Die | The Herd | | 2:57 |
| 13 | Judy in Disguise | John Fred & His Playboy Band | 3.85 | 2:57 |
| 14 | Surf City | Jan & Dean | 3 | 2:27 |
| 15 | Mony Mony | Tommy James & the Shondells | | 2:53 |
| 16 | Respect- recording engineer:
- Tom Dowd (on 1967-02-14)
- producer:
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (on 1967-02-14)
- bass guitar:
- Tommy Cogbill (on 1967-02-14)
- cornet:
- Melvin Lastie (on 1967-02-14)
- drums (drum set):
- Roger Hawkins (on 1967-02-14)
- guitar:
- Jimmy Johnson (on 1967-02-14)
- organ:
- Spooner Oldham (on 1967-02-14)
- piano:
- Aretha Franklin (on 1967-02-14)
- tenor saxophone:
- Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
- background vocals:
- Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
- vocals:
- Aretha Franklin (on 1967-02-14)
- conductor:
- Tom Dowd (on 1967-02-14)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (on 1967-02-14)
- lyricist and composer:
- Otis Redding
- publisher:
- Cotillion Music Inc. , East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
| Aretha Franklin | 3.9 | 2:23 |
| 17 | Harlem Shuffle | Bob & Earl | 2 | 2:51 |
| 18 | Over Under Sideways Down | The Yardbirds | | 2:23 |
| 19 | Tobacco Road | The Nashville Teens | | 2:26 |
| 20 | Hi Ho Silver Lining | Jeff Beck | 2 | 2:54 |
| 21 | Bus Stop- producer:
- The Hollies and Ron Richards
- bass:
- Bernie Calvert (on 1966-05-18)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1966, in 2003) and Parlophone (in 1966)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (on 1966-05-18)
- recording of:
- Bus Stop (on 1966-05-18)
- lyricist and composer:
- Graham Gouldman
- publisher:
- Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control , Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited and Music Sales Corporation
| The Hollies | 4.65 | 2:54 |
| 22 | Pretty Flamingo | Manfred Mann | 5 | 2:34 |
| 23 | San Francisco | Scott McKenzie | 3.75 | 2:57 |
| 24 | Don’t Let the Sun Catch You Crying | Gerry & the Pacemakers | | 2:34 |
| 25 | The First Cut Is the Deepest | P.P. Arnold | 4 | 3:12 |
| 26 | Space Oddity- producer:
- Gus Dudgeon
- 12 string guitar and handclaps, Dubreq Stylophone, background vocals and lead vocals:
- David Bowie (in 1969-06)
- bass:
- Herbie Flowers (in 1969-06)
- cello:
- Paul Buckmaster (in 1969-06)
- drums (drum set):
- Terry Cox (in 1969-06)
- electric guitar:
- Mick Wayne (in 1969-06)
- mellotron:
- Rick Wakeman (in 1969-06)
- arranger:
- David Bowie and Paul Buckmaster
- phonographic copyright (℗) by:
- Jones/Tintoretto Entertainment Company LLC (in 1969, in 2009), Jones/Tintoretto Entertainment Co. LLC. (in 1976) and Valerian S.A.S. (in 2017)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1969-06)
- music videos:
- Space Oddity by David Bowie and Space Oddity by David Bowie
- a cappella versions:
- Space Oddity / Major Tom (Coming Home) by Tufts Beelzebubs
- part of:
- Helsingin Sanomat: 100 maailman parasta laulua (number: 42), Indie 88: Top 500 Indie Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 189)
- recording of:
- Space Oddity (in 1969-06)
- lyricist and composer:
- David Bowie
- publisher:
- Onward Music Ltd., TRO Essex Music International, Inc., Tro-Cromwell Music, Inc. and Westminster Music Ltd.
| David Bowie | 4.35 | 5:13 |
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