Now That’s What I Call Reggae Party

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1CD
#TitleArtistRatingLength
1It Wasn’t Me
recording engineer and mixer:
Shaun Pizzonia
producer:
Sting International
brass:
Kevin Bachelor and Jerry Johnson (saxophonist with roots reggae band Steel Pulse)
guitar:
Robert Zapata
keyboard:
Nigel Staff
membranophone:
Shaun Pizzonia
violin:
Gwen Laster
background vocals:
Brian & Tony Gold and Shaun Pizzonia
vocals and performer:
Ricardo “Rik Rok” Ducent
recording of:
It Wasn’t Me
writer:
Brian Thompson, Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Shaun Pizzonia and Ricardo Ducent
publisher:
Livingsting Music
is based on:
Smile Happy
Shaggy feat. Ricardo “Rik Rok” Ducent?:??
2Red Red Wine
producer:
Ray “Pablo” Falconer and UB40
arranger:
UB40
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983) and DEP International (UB40) (in 1983)
cover recording of:
Red Red Wine
lyricist and composer:
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Bang Records (Bert Berns label) (in 1968)
UB403.8?:??
3Cheerleader
part of:
Billboard Year-End Hot 100 singles of 2015 (number: 11)
recording of:
Cheerleader
writer:
Mark Bradford (member of Ray), Mark Bradford (songwriter, Cheerleader), Clifton Dillon, Ryan Dillon, Omar Samuel Pasley ("Cheerleader", Jamaican reggae/pop artist Omar Samuel Pasley) and Sly Dunbar
part of:
Matuschkes Lieblinge 2015
Omi?:??
4The Tide Is High
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
background vocals:
Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) and Frank Infante (in 1980)
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) and Chrysalis Records, Inc. (not for release label use!) (in 1980)
recorded at:
United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett (in 1967) and Tyrone Evans (in 1967)
writer:
John Holt (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
Blondie4.45?:??
5Our Day Will Come
recording engineer:
Gleyder “Gee” Disla (in 2002-05) and Gary Noble (in 2002-05)
assistant engineer:
Shomari “Sho” Dillon and Neil Dyer
producer:
Salaam Remi
assistant mixer:
Ben Baptie and Xavier Stephenson (engineer)
mixer:
Gary Noble
drums (drum set):
Troy Auxilly-Wilson (in 2002-05)
flute, guitar and horn:
Vincent Henry (in 2002-05)
Rhodes piano, bass guitar, drums (drum set), guitar, organ and piano:
Salaam Remi (in 2002-05)
trumpet:
Bruce Purse (brass) (in 2002-05)
background vocals:
Heshima Thompson (in 2002-05) and Zalon Thompson (in 2002-05)
horn arranger:
Vincent Henry
arranger:
Salaam Remi
background vocals arranger:
Heshima Thompson and Zalon Thompson
phonographic copyright (℗) by:
Universal Island Records (not for release label use; a division of Universal Music Operations Limited) (in 2011)
recorded at:
Creative Space in Miami, Florida, United States (in 2002-05) and Instrument Zoo in Miami, Florida, United States (in 2002-05)
cover recording of:
Our Day Will Come (in 2002-05)
lyricist:
Bob Hilliard
composer:
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Francis, Day & Hunter (publisher), Leeds Music Corp., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Amy Winehouse2.65?:??
6No Woman, No Cry
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
cover recording of:
No Woman, No Cry
lyricist and composer:
Vincent Ford
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Global Musikverlag (Global Musik GmbH & Co. KG), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) and Global (publisher) (in 1976)
Fugees?:??
7Show Me
recording engineer:
Ari Levine
additional engineer:
Charles Moniz
producer:
Dwayne "Supa Dups" Chin-Quee (reggae dancehall) and The Smeezingtons
mixer:
Manny Marroquin
vocals:
Bruno Mars (US singer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2012) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2012)
produced for:
Black Chiney Music, Inc.
mixed at:
Larrabee Studio in Los Angeles, California, United States
engineered at:
Levcon Studios in Hollywood, Los Angeles, California, United States
recording of:
Show Me
writer:
Mitchum Chin, Dwayne Chin-Quee (reggae dancehall), Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Ari Levine and Peter Hernandez (Bruno Mars, US singer)
publisher:
Black Chiney Music (ASCAP), EMI Music Publishing Ltd. (PRS‐affiliated), Mars Force Music, Roc Nation Music and Sony/ATV Tunes LLC (ASCAP)
Bruno Mars3?:??
8RudeMAGIC!4.35?:??
9Wake Me Up (Reggae mix)Avicii?:??
10Antenna
recording of:
Antenna
lyricist and composer:
Nana Abiona
Fuse ODG2?:??
11Tease Me
Chaka Demus & Pliers?:??
12Don’t Turn Around
cover recording of:
Don’t Turn Around
lyricist and composer:
Albert Hammond and Diane Warren (US songwriter)
publisher:
Albert Hammond Music, BMG Music, Edition Sunset Publishing, EMI Music (do not use as release label! this is a music publisher), Empire Music Ltd., Intersong Music Ltd., Realsongs and Warner Chappell
Aswad2.5?:??
13Wild World
phonographic copyright (℗) by:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1988)
cover recording of:
Wild World
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Sony Tunes, Inc. (ended), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Salafa Ltd., Freshwater Music Ltd. (from 1970 to present) and Irving Music, Inc. (from 1970 to present)
Maxi Priest3.5?:??
14Baby, I Love Your Way
recording engineer and producer:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
additional programming:
Erik Hansen
programming:
Aaron Zigman (American score composer)
executive producer:
Jeff Aldrich (A&R)
assistant mixer:
Dave Betancourt (engineer)
mixer:
Tom Lord Alge
acoustic guitar:
John Goux
bass guitar:
Abraham Laboriel
drums (drum set):
Abraham Laboriel Jr. and John Robinson (session drummer)
flute and tenor saxophone:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
guitar [“Duane Eddy” guitar]:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
guitar [skank guitar]:
Tony Chin
keyboard:
Aaron Zigman (American score composer)
percussion:
Steve Forman (US percussionist)
solo alto saxophone:
Warren Hill
trombone:
Bill Reichenbach (jazz trombonist)
trumpet:
Jerry Hey
background vocals:
James McWhinney
background vocals and lead vocals:
Quino (of Big Mountain)
arranger:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter) and Aaron Zigman (American score composer)
phonographic copyright (℗) by:
Giant Records ("a division of Warner Music Sweden AB", not for release label use! use “Giant”) (in 1994)
mixed at:
Encore Recording Studios in Burbank, California, United States
cover recording of:
Baby, I Love Your Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
Big Mountain?:??
15LDN
engineer:
Darren Lewis, Iyiola Babalola (drum n bass producer Iyiola Babalola) and Mike Pelanconi
producer:
Darren Lewis, Future Cut and Iyiola Babalola (drum n bass producer Iyiola Babalola)
assistant mixer:
Dan Porter
mixer:
Future Cut and Mike Pelanconi
bass guitar:
Clive Hunte
guitar:
Paul Farr
keyboard:
Darren Lewis, John Ellis (UK session bassist/keyboardist/vocalist/producer) and Iyiola Babalola (drum n bass producer Iyiola Babalola)
saxophone:
Michael Rose (Saxophonist)
trombone:
Trevor Edwards
trumpet:
Eddie Thornton
lead vocals:
Lily Allen
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
mixed at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
samples:
Reggae Meringue by Tommy McCook
recording of:
LDN
writer:
Lily Allen, Darren Lewis, Iyiola Babalola (drum n bass producer Iyiola Babalola) and Duke Reid (Jamaican producer and label owner)
Lily Allen3.95?:??
16Uptown Top Ranking
Althea & Donna?:??
17Pass the Dutchie
producer:
Peter Collins (producer)
bass guitar:
Patrick
drums (drum set):
Junior
guitar:
Kelvin
keyboard:
Michael (Keyboard player for Musical Youth)
vocals:
Dennis
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 25)
cover recording of:
Pass the Kouchie
writer:
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) and Fitzroy “Bunny” Simpson
part of:
My Kind of People
Musical Youth4?:??
18Boom Shack-A-LakApache Indian?:??
19King of the Dancehall
producer:
Tony Kelly (reggae producer)
recording of:
King of the Dancehall
writer:
Anthony Moses Davis (Jamaican dancehall artist), Maurice Gregory (reggae artist) and Tony Kelly (reggae producer)
Beenie Man3.5?:??
20Mr. Loverman
guest vocals and guest performer:
Chevelle Franklyn
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
recording of:
Mr. Loverman
writer:
Mikey Bennett, Hopeton Lindo and Shabba Ranks
publisher:
Greensleeves Publishing Ltd.
Shabba Ranks feat. Chevelle Franklyn2.5?:??
21I Got You Babe
producer:
Ray “Pablo” Falconer and UB40
guest vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
performer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and UB40
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 2000)
produced at:
The Abattoir in Birmingham, West Midlands, England, United Kingdom
cover recording of:
I Got You Babe
lyricist and composer:
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) and Warner/Chappell Music Ltd. (1996–2019)
UB40 feat. Chrissie Hynde2.75?:??
22Dreadlock Holiday
engineer:
Keith Bessey, Eric Stewart and Tony Spath
producer:
Graham Gouldman and Eric Stewart
mixer:
Eric Stewart
agogô, congas, cowbell, marimba, timbales and triangle:
Paul Burgess (UK rock drummer)
bass guitar, cabasa and background vocals and lead vocals:
Graham Gouldman
drums (drum set) and tambourine:
Stuart Tosh
electric guitar:
Rick Fenn and Graham Gouldman
electric piano and maracas:
Eric Stewart
organ:
Rick Fenn and Eric Stewart
synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
background vocals:
Rick Fenn, Eric Stewart and Stuart Tosh
arranger:
10cc
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1978) and Phonogram Ltd. (not for release label use!) (in 1978)
recorded at and mixed at:
Strawberry Studios South in Dorking, Surrey, England, United Kingdom
music videos:
Dreadlock Holiday by 10cc
recording of:
Dreadlock Holiday
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Man-Ken Music Ltd.
10cc4.65?:??
2CD
3CD

Credits

Release group

part of:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (order: 63)