Laser Test - Musique Baroque

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1CD
#TitleArtistRatingLength
1"Les Quatre Saisons", op. 8 : Concerto n° 1 en mi majeur "Le Printemps", RV 269 - 1. Allegro
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
editor:
Albert Kos (engineer/editor)
cello [violoncello]:
Christoph Marks (cellist) (in 1987-02)
harpsichord:
Robert Aldwinckle (in 1987-02)
violin:
Viktoria Mullova (violinist) (in 1987-02)
orchestra:
Chamber Orchestra of Europe (in 1987-02)
conductor:
Claudio Abbado (conductor) (in 1987-02)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1987-02) and Onno Scholtze (sound engineer) (in 1987-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1987)
recorded at:
Théâtre et Salle de musique in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1987-02)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (in 1987-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:22
2"Les Quatre Saisons", op. 8 : Concerto n° 1 en mi majeur "Le Printemps", RV 269 - 2. Largo
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
editor:
Albert Kos (engineer/editor)
cello [violoncello]:
Christoph Marks (cellist) (in 1987-02)
harpsichord:
Robert Aldwinckle (in 1987-02)
violin:
Viktoria Mullova (violinist) (in 1987-02)
orchestra:
Chamber Orchestra of Europe (in 1987-02)
conductor:
Claudio Abbado (conductor) (in 1987-02)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1987-02) and Onno Scholtze (sound engineer) (in 1987-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1987)
recorded at:
Théâtre et Salle de musique in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1987-02)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo (in 1987-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:01
3"Les Quatre Saisons", op. 8 : Concerto n° 1 en mi majeur "Le Printemps", RV 269 - 3. Allegro (Danza pastorale)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
editor:
Albert Kos (engineer/editor)
cello [violoncello]:
Christoph Marks (cellist) (in 1987-02)
harpsichord:
Robert Aldwinckle (in 1987-02)
violin:
Viktoria Mullova (violinist) (in 1987-02)
orchestra:
Chamber Orchestra of Europe (in 1987-02)
conductor:
Claudio Abbado (conductor) (in 1987-02)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1987-02) and Onno Scholtze (sound engineer) (in 1987-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1987)
recorded at:
Théâtre et Salle de musique in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1987-02)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale (in 1987-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi4:05
4CanonJohann Pachelbel4:47
5Concerto Brandebourgeois n° 2 en fa majeur, BWV 1047 - 1. -
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 1984-07-23 until 1984-08-04)
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (from 1984-07-23 until 1984-08-04)
recorder:
Michael Copley (from 1984-07-23 until 1984-08-04)
trumpet:
Guy Touvron (trumpet player) (from 1984-07-23 until 1984-08-04)
violin:
Pina Carmirelli (violinist) (from 1984-07-23 until 1984-08-04), Italo Colandrea (violinist) (from 1984-07-23 until 1984-08-04) and Antonio Perez Ruiz (violinist) (from 1984-07-23 until 1984-08-04)
recorded at:
Théâtre et Salle de musique in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 1984-07-23 until 1984-08-04)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (from 1984-07-23 until 1984-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach4:55
6Concerto Brandebourgeois n° 2 en fa majeur, BWV 1047 - 2. Andante
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (from 1984-07-23 until 1984-08-04)
recorder:
Michael Copley (from 1984-07-23 until 1984-08-04)
trumpet:
Guy Touvron (trumpet player) (from 1984-07-23 until 1984-08-04)
violin:
Pina Carmirelli (violinist) (from 1984-07-23 until 1984-08-04), Italo Colandrea (violinist) (from 1984-07-23 until 1984-08-04) and Antonio Perez Ruiz (violinist) (from 1984-07-23 until 1984-08-04)
recorded at:
Théâtre et Salle de musique in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 1984-07-23 until 1984-08-04)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) (from 1984-07-23 until 1984-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:30
7Concerto Brandebourgeois n° 2 en fa majeur, BWV 1047 - 3. Allegro assai
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (from 1984-07-23 until 1984-08-04)
recorder:
Michael Copley (from 1984-07-23 until 1984-08-04)
trumpet:
Guy Touvron (trumpet player) (from 1984-07-23 until 1984-08-04)
violin:
Pina Carmirelli (violinist) (from 1984-07-23 until 1984-08-04), Italo Colandrea (violinist) (from 1984-07-23 until 1984-08-04) and Antonio Perez Ruiz (violinist) (from 1984-07-23 until 1984-08-04)
recorded at:
Théâtre et Salle de musique in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 1984-07-23 until 1984-08-04)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (from 1984-07-23 until 1984-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:46
8Concerto en ut majeur, op. 3 n° 12 - 1. Largo (Pastorale per il Santissimo Natale)Francesco Onofrio Manfredini4:00
9Concerto en ut majeur, op. 3 n° 12 - 2. LargoFrancesco Onofrio Manfredini1:56
10Concerto en ut majeur, op. 3 n° 12 - 3. AllegroFrancesco Onofrio Manfredini2:33
11Adagio en sol mineur
Tomaso Giovanni Albinoni6:27
12Water music : 6. Allegro deciso (Alla hornpipe)
Georg Friedrich Händel3:13
13Quintette à cordes en mi majeur, op. 13 n° 5 - Menuet
Luigi Boccherini4:08
14Concerto en sol majeur pour 2 guitares (2 mandolines), cordes et basse continue, RV 532 - 1. Allegro
classical guitar:
Ángel Romero (guitarist/conductor) (in 1984-06) and Pepe Romero (classical and flamenco guitarist) (in 1984-06)
guitar:
Ángel Romero (guitarist/conductor) and Pepe Romero (classical and flamenco guitarist)
orchestra:
Academy of St Martin in the Fields (in 1984-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1984-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-06)
recording of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: I. Allegro (in 1984-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532
Antonio Vivaldi4:01
15Concerto en sol majeur pour 2 guitares (2 mandolines), cordes et basse continue, RV 532 - 2. Andante
guitar:
Ángel Romero (guitarist/conductor) (in 1984-06) and Pepe Romero (classical and flamenco guitarist) (in 1984-06)
orchestra:
Academy of St Martin in the Fields (in 1984-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1984-06)
arranger:
Pepe Romero (classical and flamenco guitarist)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-06)
recording of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: II. Andante (in 1984-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532
Antonio Vivaldi3:29
16Concerto en sol majeur pour 2 guitares (2 mandolines), cordes et basse continue, RV 532 - 3. Allegro
classical guitar:
Ángel Romero (guitarist/conductor) (in 1984-06) and Pepe Romero (classical and flamenco guitarist) (in 1984-06)
guitar:
Ángel Romero (guitarist/conductor) and Pepe Romero (classical and flamenco guitarist)
orchestra:
Academy of St Martin in the Fields (in 1984-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1984-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-06)
recording of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: III. Allegro (in 1984-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532
Antonio Vivaldi3:32
17Tambourin en fa majeur
François-Joseph Gossec1:20
18Musique pour les feux d'artifice royaux : Ouverture (Adagio - Allegro - Lentement - Allegro)
Georg Friedrich Händel7:38
19Équilibre des canaux, présentation
Yves Marzio0:17
20Canal gauche, signal à 1 kHz - 10 dB
Yves Marzio0:13
21Annonce
Yves Marzio0:05
22Canal droit, signal à 1 kHz - 10 dB
Yves Marzio0:12
23Test de phase, présentation
Yves Marzio0:10
24"En Phase"
Yves Marzio0:09
25"Hors Phase"
Yves Marzio0:27
26Commentaire
Yves Marzio0:23
27Signal au niveau maximum, présentation
Yves Marzio0:05
28Canal gauche, signal au niveau maximum, 1 kHz - 0 dB
Yves Marzio0:12
29Annonce
Yves Marzio0:05
30Canal droit, signal au niveau maximum, 1 kHz - 0 dB
Yves Marzio0:13
31Présentation de la fréquence glissante
Yves Marzio0:17
32Fréquence glissante de 20 Hz à 20 kHz - 20 dB
Yves Marzio0:52
33Conclusion
Yves Marzio0:14