Tom Waits' Jukebox: The Songs That Inspired the Man

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Hound Dog
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-08-13)
recording engineer und Mix:
Joel Moss
assistierende(r) Techniker(in):
Tom Hardisty (film score engineer), Brandon Harris (US engineer) und Sue McLean
Produzent(in):
Hummie Mann, Johnny Otis und Marc Shaiman (American score composer and lyricist)
Editing:
Curtis Roush
Gitarre:
Pete Lewis (am 1952-08-13)
Klavier:
Devonia Williams (US R&B pianist/singer) (am 1952-08-13)
Kontrabass [bass]:
Albert Winston (R&B bassist) (am 1952-08-13)
Schlagzeug:
Leard Bell (R&B drummer) (am 1952-08-13)
Vibraphon [vibes]:
Johnny Otis (am 1952-08-13)
vocals:
Big Mama Thornton (am 1952-08-13)
Orchester:
Johnny Otis & His Orchestra (am 1952-08-13)
conductor:
Artie Kane
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2006)
recording of:
Hound Dog (am 1952-08-13)
Texter:
Jerry Leiber (am 1952-08-12)
Komponist(in):
Mike Stoller (am 1952-08-12)
vorher zugeschrieben zu:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company und Williamson Music, Inc.
Big Mama Thornton4.652:51
2It Should Have Been Me
recording of:
It Should Have Been Me
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
Ray Charles2:45
3Strange Fruit
recording of:
Strange Fruit
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
Billie Holiday3:11
4'round Midnight
recording engineer:
Ray Moore (engineer, 1957–1995) (am 1956-09-10)
Produzent(in):
George Avakian (US 1940-90s record producer)
Klavier:
Red Garland (am 1956-09-10)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1956-09-10)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1956-09-10)
Tenorsaxophon:
John Coltrane (am 1956-09-10)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1956-09-10)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1956-09-10)
instrumental cover recording of:
’Round Midnight (am 1956-09-10)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
Miles Davis3.656:01
5Abilene
Lightnin’ Hopkins2:28
6Pretty Boy Floyd
Ramblin’ Jack Elliott3:12
7Straight, No Chaser
alto saxophone:
Sahib Shihab (American jazz musician) (am 1951-07-23)
Klavier:
Thelonious Monk (am 1951-07-23)
Kontrabass:
Al McKibbon (double bassist) (am 1951-07-23)
Schlagzeug:
Art Blakey (am 1951-07-23)
Vibraphon:
Milt Jackson (am 1951-07-23)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1951-07-23)
recording of:
Straight, No Chaser (am 1951-07-23)
Komponist(in):
Thelonious Monk
publisher:
Thelonious Music
Thelonious Monk2:59
8The Street
Harry Partch2:46
9On the Road
Jack Kerouac2:20
10A Supermarket in California
Allen Ginsberg2:22
11Ice Cream Man
Gitarre:
John Brim (blues performer and songwriter) (am 1953-05-04) und Eddie Taylor (electric blues guitarist and singer) (am 1953-05-04)
membranophone:
Elgin Evans (am 1953-05-04)
Mundharmonika:
Little Walter (blues performer and songwriter) (am 1953-05-04)
vocals:
John Brim (blues performer and songwriter) (am 1953-05-04)
recording of:
Ice Cream Man (am 1953-05-04)
Texter und Komponist(in):
John Brim (blues performer and songwriter)
John Brim42:49
12One for My Baby (And One More for the Road)
Frank Sinatra3:08
13Ring Around the World: Phase One
Harry Partch2:48
14Gee Baby, Ain't I Good to You
Gitarre:
Oscar Moore (am 1943-11-30)
Klavier:
Nat King Cole (am 1943-11-30)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1943-11-30)
vocals:
Nat King Cole (am 1943-11-30)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-11-30)
cover recording of:
Gee, Baby Ain’t I Good to You (am 1943-11-30)
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
Nat King Cole2:59
15Mack the Knife
Bass:
Arvell Shaw (in 1955)
Klarinette:
Barney Bigard (in 1955)
Klavier:
Billy Kyle (in 1955)
Posaune:
Trummy Young (in 1955)
Schlagzeug:
Barrett Deems (in 1955)
Trompete und Sologesang:
Louis Armstrong (in 1955)
recording of:
Mack the Knife (1954 Blitzstein translation) (am 1955-09-28)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3.53:25
16Last Days of the Suicide Kid
Charles Bukowski2:47
17Evil (Is Goin' On)
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1954-05-25)
Gitarre:
Hubert Sumlin (Chicago blues guitarist and singer) (am 1954-05-25) und Jody Williams (blues guitarist/singer) (am 1954-05-25)
Klavier:
Otis Spann (am 1954-05-25)
Kontrabass:
Willie Dixon (am 1954-05-25)
Mundharmonika und Sologesang:
Howlin’ Wolf (am 1954-05-25)
Schlagzeug:
Earl Phillips (am 1954-05-25)
vocals:
Howlin’ Wolf (am 1954-05-25)
recording of:
Evil (aka “Evil Is Going On”) (am 1954-05-25)
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Hoochie Coochie Music
Howlin’ Wolf52:55
18Dark Was the Night, Cold Was the Ground
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1927-12-03)
Gitarre und sonstiger Gesang [humming and moaning]:
Blind Willie Johnson (am 1927-12-03)
vocals:
Blind Willie Johnson (am 1927-12-03)
Herausgeber:
Harmony (20s/30s US)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1999)
recording of:
Dark Was the Night, Cold Was the Ground (am 1927-12-03)
Verfasser(in):
[traditional] (special purpose artist)
Komponist(in) und arranger:
Blind Willie Johnson
Blind Willie Johnson3.753:24
19Nobody's Fault but Mine
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1927-12-03)
Gitarre:
Blind Willie Johnson (am 1927-12-03)
vocals:
Blind Willie Johnson (am 1927-12-03)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
It’s Nobody’s Fault but Mine (Blind Willie Johnson song) (am 1927-12-03)
Texter, Komponist(in) und arranger:
Blind Willie Johnson
vorher zugeschrieben zu:
[traditional] (special purpose artist)
publisher:
Filmtrax Mogull (publisher; do NOT use as release label)
Blind Willie Johnson53:12
20Ring Around the World: Phase Four
Harry Partch1:32
21Embraceable You
recording engineer:
Doug Hawkins (sound engineer) (am 1947-10-28)
Produzent(in):
Ross Russell (US jazz producer 1940's-)
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1947-10-28)
Klavier:
Duke Jordan (am 1947-10-28)
Kontrabass:
Tommy Potter (am 1947-10-28)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1947-10-28)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1947-10-28)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1947-10-28)
instrumental recording of:
Embraceable You (am 1947-10-28)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Charlie Parker3:26
22Leavin' Town
Jack Kerouac3:07
23The Train
Lord Buckley2:28
24Goodnight Irene
recording of:
Goodnight Irene
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Ledbetter und John A. Lomax
publisher:
Lodlow Music, Spencer Music Corp., TRO-Ludlow Music, Inc. und Tyler Music Ltd.
Teil von:
Roud Folk Song Index (Nummer: 11681)
übersetzte Version von:
Godnatt Irene
Johnny Cash2:40
25Black Betty
recording of:
Black Betty
Texter und Komponist(in):
[traditional] (special purpose artist) und Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (vom 1977 bis heute) und TRO (publisher) (vom 1977 bis heute)
Lead Belly1:55

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