La gran música: Haydn: La Creación

~ Release by Haydn; Herbert von Karajan (see all versions of this release, 4 available)

Tracklist

1▼CD
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1La Creación. Arias y coros: 1. La representación del caos
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 1. Orchestervorspiel Die Vorstellung der Chaos (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn7:05
2La Creación. Arias y coros: 1. Recitativo y coro: “En el principio creo Dios el cielo y la Tierra”
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 2. Rezitativ und Chor "Im Anfange schuf Gott Himmel und Erde" (Raphael, Chor, Uriel) (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn2:58
3La Creación. Arias y coros: 2. Aria y coro: “Ante los rayos sagrados se desvanecieron las sombras”
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" (Uriel, Chor) (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:05
4La Creación. Arias y coros: 6. Aria: “Rodando en espumosas olas”
producer:
Hans Weber (producer/engineer)
bass vocals [Raphael]:
Walter Berry (bass‐baritone)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 7. Arie "Rollend in schäumenden Wellen" (Raphael) (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:17
5La Creación. Arias y coros: 8. Aria: “Entonces los prados mostraron el fresco verdor”
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: IX. Arie: Nun beut die Flur das frische Grün (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn5:41
6La Creación. Arias y coros: 12. Recitativo: “En todo su esplendor sale ahora el sol radiante”
producer:
Hans Weber (producer/engineer)
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn2:56
7La Creación. Arias y coros: 13. Coro y solistas: “Los cielos proclaman la gloria a Dios”
producer:
Hans Weber (producer/engineer)
bass vocals [Raphael]:
Walter Berry (bass‐baritone) (from 1966-02-22 until 1969-04-29)
choir vocals:
Wiener Singverein and Singverein der Gesellschaft der Musikfreunde in Wien (from 1966-02-22 until 1969-04-29)
soprano vocals [Gabriel]:
Gundula Janowitz (soprano) (from 1966-02-22 until 1969-04-29)
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor) (from 1966-02-22 until 1969-04-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (, from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:06
8La Creación. Arias y coros: 18. Trío: “Las onduladas colinas” - 19. Coro y solista: “El Señor es grande en su poder”
producer:
Hans Weber (producer/engineer)
bass vocals [Raphael]:
Walter Berry (bass‐baritone)
choir vocals:
Wiener Singverein
contralto vocals [Gabriel]:
Gundula Janowitz (soprano)
tenor vocals [Uriel]:
Werner Krenn (tenor) and Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
compilation of:
Die Schöpfung: Zweiter Teil. Der Fünfte Tag. 18. Rezitativ "In holder Anmut stehn" (Gabriel, Uriel, Raphael) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn7:41
9La Creación. Arias y coros: 21. Recitativo: “Entonces se abre el seno de la Tierra”
producer:
Hans Weber (producer/engineer)
bass vocals [Raphael]:
Walter Berry (bass‐baritone)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXI. Accompagnato-Rezitativ: Gleich öffnet sich der Erde Schoß (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn3:02
10La Creación. Arias y coros: 22. Aria: “Ahora el cielo brilla en todo su esplendor”
producer:
Hans Weber (producer/engineer)
bass vocals [Raphael]:
Walter Berry (bass‐baritone)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXII. Arie: Nun scheint in vollem Glanze der Himmel (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn3:49
11La Creación. Arias y coros: 24. Aria: “Colmado de nobleza y dignidad”
producer:
Hans Weber (producer/engineer)
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXIV. Arie: Mit Würd' und Hoheit angetan (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn4:02
12La Creación. Arias y coros: 26. Coro: “La gran obra ha sido acabada” - 27. Trío: “Todo te contempla, oh Señor” - 28. Coro: “Concluida está la magna obra”
producer:
Hans Weber (producer/engineer)
bass vocals [Raphael]:
Walter Berry (bass‐baritone)
choir vocals:
Wiener Singverein
contralto vocals [Gabriel]:
Gundula Janowitz (soprano)
tenor vocals [Uriel]:
Werner Krenn (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXVI. Chor und Terzett: Vollendet ist das große Werk - Zu dir, o Herr, blickt alles auf (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn9:10
13La Creación. Arias y coros: 32. Dúo: “Adorable esposa, a tu lado transcurren las horas dulcemente”
producer:
Hans Weber (producer/engineer)
baritone vocals [Adam]:
Dietrich Fischer‐Dieskau (baritone)
soprano vocals [Eva]:
Gundula Janowitz (soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXX. Duett: Holde Gattin, dir zur Seite (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III (The Creation, Hob. XXI:2: Part III)
Joseph Haydn7:11
14La Creación. Arias y coros: 34. Coro y solista: “¡Que todas las voces canten al Señor!”
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein
solo contralto vocals:
Christa Ludwig (mezzo-soprano)
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXXII. Chor: Singt dem Herren alle Stimmen (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III (The Creation, Hob. XXI:2: Part III)
Joseph Haydn4:02