Golden Oldies, Volume 1

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Annotation last modified on 2017-07-26 16:42 UTC.

Tracklist

1CD
#TitleArtistRatingLength
1Wonderful World
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 374)
recording of:
Wonderful World
writer:
Lou Adler, Herb Alpert and Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Ardmore and Beechwood Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Ltd. and 日本アブコ音楽出版 (ABKCO Japan Publishing)
Sam Cooke3:01
2Only the Lonely
recorded in:
Nashville, Tennessee, United States (on 1960-03-26)
producer:
Fred Foster
double bass [bass]:
Bob Moore (U.S. bassist and bandleader) (on 1960-03-26)
drums (drum set) [drums]:
Buddy Harman (Session drummer and songwriter) (on 1960-03-26)
guitar:
Hank Garland (on 1960-03-26) and Harold Bradley (on 1960-03-26)
piano:
Floyd Cramer (on 1960-03-26)
background vocals:
Joe Melson (on 1960-03-26) and The Anita Kerr Singers (mixed vocal group) (on 1960-03-26)
vocals:
Roy Orbison (on 1960-03-26)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 2) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Only the Lonely (Know the Way I Feel) (on 1960-03-26)
writer:
Joe Melson and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK) and Acuff-Rose Publications, Inc. (BMI) (on 1960-05-04)
was commissioned by:
Rondor Music (London) Ltd.
Roy Orbison4.72:26
3Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.653:00
4Bye, Bye LoveThe Everly Brothers2:25
5Reet PetiteJackie Wilson42:44
6Love Letters in the Sand
producer:
Randy Wood (producer)
bass:
Larry Breen (on 1956-11-24)
clarinet:
Ryland Weston (on 1956-11-24)
drums (drum set):
Dick Shanahan (on 1956-11-24)
guitar:
Barney Kessel (on 1956-11-24) and Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-11-24)
piano:
Milt Rogers (bandleader, arranger and composer) (on 1956-11-24)
saxophone:
Babe Russin (on 1956-11-24) and Justin Gordon (on 1956-11-24)
vibraphone:
Bernie Mattinson (on 1956-11-24)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-11-24)
vocals:
Pat Boone (on 1956-11-24)
conductor:
Billy Vaughn (on 1956-11-24)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-24)
cover recording of:
Love Letters in the Sand (on 1956-11-24)
lyricist:
Charles Kenny (songwriter, violinist) and Nick Kenny
composer:
J. Fred Coots, Charles Kenny (songwriter, violinist) and Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. and Francis, Day & Hunter Ltd.
Pat Boone2:09
7Diana
vocals:
Paul Anka (Canadian singer, songwriter and actor)
conductor:
Don Costa (US pop music arranger & producer)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 26)
recording of:
Diana (on 1957-05-20)
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Pamco Music Inc. (ended), Epa Publishing and Warner Chappell Music (publisher as Warner/Chappell Music)
Paul Anka4.752:20
8True Love
vocals:
Bing Crosby and Grace Kelly (US film actress)
orchestra:
MGM Studio Orchestra
conductor:
Johnny Green (composer and conductor, often credited as John Green)
recording of:
True Love (High Society) (on 1956-02-02)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
part of:
The 29th Academy Award for Best Original Song (number: 2)
part of:
High Society (stage musical)
part of:
High Society (1956 film)
B. Crosby & G. Kelly3:05
9Blueberry Hill
producer:
Dave Bartholomew
phonographic copyright (℗) by:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States
edit of:
Blueberry Hill (Imperial) by Fats Domino
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 81) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 147)
cover recording of:
Blueberry Hill (on 1956-06-27)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Fats Domino4.652:22
10La Bamba
recording engineer:
Larry Levine and Stan Ross (recording engineer, mixer & producer)
producer:
Bob Keane
phonographic copyright (℗) by:
Del-Fi Records Inc. (in 1958)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 142) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 346)
recording of:
La bamba (additional lyrics by Ritchie Valens) (on 1958-11-17)
additional lyricist:
Ritchie Valens
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music and M.P.A. (M.P.A.)
version of:
La bamba
Ritchie Valens4.752:05
11Only You
piano:
Buck Ram (on 1955-04-26)
lead vocals:
Tony Williams (lead singer for The Platters) (on 1955-04-26)
spoken vocals [dialogue]:
Wolfman Jack (US disc jockey) (on 1955-04-26)
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1955), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1955) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1957)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 10)
recording of:
Only You (on 1955-04-26)
lyricist, writer and composer:
Buck Ram and Ande Rand
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music and Sherwin Music (publisher) (in 1973)
The Platters2:36
12I Put a Spell on You
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (on 1965-01-15)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
Nina Simone4.32:35
13Sealed With a Kiss
vocals:
Brian Hyland
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1962)
cover recording of:
Sealed With a Kiss
writer:
Gary Geld and Peter Udell
premiered by:
The Four Voices (in 1960-05)
publisher:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) and Pogo Music Corp. (in 1962)
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Brian Hyland42:42
14Sweet Little Sixteen
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (from 1957-12-29 until 1957-12-30)
drums (drum set):
Jasper Thomas (from 1957-12-29 until 1957-12-30)
electric guitar and lead vocals:
Chuck Berry (from 1957-12-29 until 1957-12-30)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1957-12-29 until 1957-12-30)
phonographic copyright (℗) by:
Geffen Records Ltd. (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (from 1957-12-29 until 1957-12-30)
recording of:
Sweet Little Sixteen (from 1957-12-09 until 1957-12-30)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry43:01
15I'm Sorry
background vocals:
Anita Kerr Singers (mixed vocal group)
vocals:
Brenda Lee (1960s American singer)
conductor:
Owen Bradley
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 28) and Rolling Stone: The 200 Greatest Country Songs of All Time (number: 168)
recording of:
I’m Sorry (Brenda Lee song, 1960)
writer:
Dub Albritton and Ronnie Self (rockabilly singer and songwriter)
publisher:
Songs of Universal (SOCAN)
Brenda Lee3.52:41
16Blue Suede Shoes
double bass:
Clayton Perkins (in 1955-12)
drums (drum set):
W.S. Holland (in 1955-12)
guitar:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12) and Jay Perkins (in 1955-12)
vocals:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12)
phonographic copyright (℗) by:
Sun (US label founded in 1952) (in 1955, from 1956 to present)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 5) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 95)
recording of:
Blue Suede Shoes (in 1955-12)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:13