100 Meisterwerke der klassischen Musik

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD: Die vier Jahreszeiten - Meisterwerke des Barock
2CD: Eine kleine Nachtmusik - Mozart-Meisterwerke
3CD: Für Elise - Meisterwerke der Klaviermusik
4CD: Aus einer neuen Welt - Die großen Symphonien
5CD: Schwanensee - Zauber des Ballett
6CD: Liebestraum - Romantische Miniaturen
7CD: Zigeunerweisen - Virtuose Violine
8CD: Die Moldau - Meisterwerke symphonischer Dichtung
9CD: Die Himmel rühmen - Berühmte Chöre
10CD: Walkürenritt - Meisterwerke der Oper
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1Carmen: Les Toréadors
orchestra:
Budapest Philharmonic Orchestra
conductor:
János Sándor
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet2:20
2Nabucco: Va, pensiero, sull’ali dorat "Gefangenenchor"
choir vocals:
Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”) and Chorus of the Munich State Opera (Alfred Scholz related)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym) and Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Emil Tabakov (conductor), Georgi Robev (conductor) and Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi5:22
3Der Barbier von Sevilla: Ouvertüre
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie‐Orchester Graunke), Philharmonia Slavonica (Alfred Scholz pseudonym), Plovdid Philharmonic Orchestra (Plovdiv Philharmonic Orchestra), Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Anton Nanut (conductor), Rouslan Raychev (Rouslan Raichev, conductor) and Alfred Scholz
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989)
recording of:
Il barbiere di Siviglia: Sinfonia
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini47:48
4Die Puritaner: Cinta di fiori
bass vocals:
Michele Pertusi (operatic bass)
choir vocals:
Bulgarischer Nationalchor (National Philharmonic Choir “Svetoslav Obretenov”)
orchestra:
Sofia Symphony Orchestra
recording of:
I puritani: Atto II. N°14 Romanza "Cinta di fiori" (Giorgio, Coro)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto II
Vincenzo Bellini5:24
5Aida: Gloria all’ Egitto "Triumphmarsch"
choir vocals:
Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”) and Chor Ljubljana (RTV Slovenia Chamber Choir)
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Georgi Robev (conductor) and Marko Munih (conductor)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Gloria all’Egitto (Chor) (for undetermined recordings, could be either of two with this title in Act II)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
part of:
Aida: Atto II
Giuseppe Verdi12:52
6La Baheme: Musette - Walzer
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Emil Tabakov (conductor)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini6:55
7Eugen Onegin: 3. Akt, Ein jeder kennt die Lieb’ auf Erden
bass vocals:
Nicolaï Ghiaurov (operatic bass)
conductor:
Васил Стефанов (Vassil Stefanov, Bulgarian conductor)
performer:
Bulgarian Radio Symphony Orchestra
recording of:
Евгений Онегин, op. 24: Действие III, картина 1, no. 20a. Ария князя Гремина “Любви все возрасты покорны” (Prince Gremin’s Aria “Lyubvi vse vozrasty pokorny”)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Евгений Онегин, op. 24: Действие третье (Eugene Onegin, op. 24: Act III)
Peter Iljitsch Tschaikowski6:03
8Zar und Zimmermann: VIII.I Greifet an und rührt die Hände, VIII.II Holzschuhtanz
baritone vocals:
Hermann Prey (baritone)
choir vocals:
Chor der Philharmonie Bratislava (Alfred Scholz related)
orchestra:
Philharmonie Bratislava (Slovak Philharmonic)
conductor:
Kurt Wöss (conductor)
recording of:
Zar und Zimmermann: Akt I. Nr. 1 Introduktion und Zimmermannslied „Greifet an und rührt die Hände“ … „Auf Gesellen, greift zur Axt“ (Iwanow, Peter I., Chor)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt I
recording of:
Zar und Zimmermann: Akt III. Nr. 16 Holzschuhtanz (Zar und Zimmermann, LoWV 38: Act III. Clog Dance)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt III
recording of:
Zar und Zimmermann: Akt III. Nr. 16 Holzschuhtanz (Zar und Zimmermann, LoWV 38: Act III. Clog Dance)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt III
Albert Lortzing10:04
9Lohengrin: Treulich geführt ziehet dahin
choir vocals:
Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Georgi Robev (conductor)
recording of:
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) (Lohengrin: Act III, Scene I. Bridal Chorus (Choir))
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner9:26
10Die Walküre: Walkürenritt
orchestra:
Budapest Symphony Orchestra (unspecified orchestra, probably Alfred Scholz related)
conductor:
György Lehel (conductor)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner5:21