The Best Movie Hits Album in the World Ever

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
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#TitoloArtistaValutazioneDurata
1My Heart Will Go On
tecnico di registrazione:
Humberto Gatica e David Gleeson
supporto a vario titolo:
Emilie Charlap (incarico: orchestratra contractor) e Dan Shea (incarico: sound design)
programmazione:
Dan Shea
programmazione degli strumenti:
Walter Afanasieff
programmazione degli strumenti aggiuntiva:
Dan Shea
assistente tecnico:
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer e Greg Thompson (engineer, mixer)
tecnico:
Humberto Gatica (voce principale) e Dan Shea
co-produttore:
James Horner (American score composer)
produttore:
Walter Afanasieff
tecnico di missaggio:
Humberto Gatica
chitarra :
Dann Huff
organo Hammond [Hammond B-3 organ] , sintetizzatore basso [synth bass] e tastiera :
Walter Afanasieff
tastiera aggiunto:
Dan Shea
tin whistle [pennywhistle/whistles] :
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
violino folk [Irish fiddle] :
Paul Peabody (violinist)
voce di accompagnamento:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens e Jeanie Tracy
direttore d'orchestra:
William Ross (composer, orchestrator, arranger, conductor)
arrangiatore:
Walter Afanasieff
orchestratore:
William Ross (composer, orchestrator, arranger, conductor)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti e Wallyworld in San Rafael, California, Stati Uniti
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
video musicali:
My Heart Will Go On (love theme from Titanic) di Céline Dion
versioni a cappella:
The music from that movie about the boat di David Thorne (designer)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 2) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 279)
registrazione di:
My Heart Will Go On
paroliere:
Will Jennings
compositore:
James Horner (American score composer)
editore:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
parte di:
The 70th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1997 winner)
parte di:
Titanic
Céline Dion4.354:40
2Endless Love
tecnico di registrazione:
Reggie Dozier
produttore:
Lionel Richie
tecnico di missaggio:
Guy Costa
esecutore ospite aggiunto:
Diana Ross
arrangiatore:
Gene Page
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1981)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 20)
registrazione di:
Endless Love
paroliere e compositore:
Lionel Richie
editore:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) e Warner/Chappell North America
parte di:
The 54th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1981 nominee)
Lionel Richie3.54:24
3Up Where We Belong
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Leon Ndugu Chancler
chitarra :
Louie Shelton
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Robbie Buchanan (Canadian producer) e Bobby Lyle
voce principale:
Joe Cocker e Jennifer Warnes
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1982) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1982)
registrazione di:
Up Where We Belong (An Officer and a Gentleman)
paroliere:
Will Jennings
compositore:
Jack Nitzsche (American musician and score composer) e Buffy Sainte‐Marie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 55th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1982 winner)
Joe Cocker & Jennifer Warnes3.553:54
4She's Like the Wind
assistente tecnico:
Dan Nebenzal
tecnico:
Carmine Rubino
produttore:
Michael Lloyd (US guitarist/singer producer)
voce:
Wendy Fraser
voce principale:
Patrick Swayze
orchestratore aggiunto:
John D’Andrea
diritti fonografici (℗) detenuti da:
Vestron Music Inc. (nel 1987)
è stato produttore per:
Mike Curb Productions
registrata presso:
Michael Lloyd Studio in Beverly Hills, California, Stati Uniti
mixata presso:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
video musicali:
She’s Like the Wind (music video) di Patrick Swayze
registrazione di:
She’s Like the Wind
autore:
Patrick Swayze (nel 1984) e Stacy Widelitz (nel 1984)
editore:
Plainview Diner Music, Very Tony Music, Strawberry Fork Music, Inc. (nel 1987) e Troph Productions, Inc. (nel 1987)
Patrick Swayze4.353:52
5Let's Hear It for the Boy
produttore:
George Duke
tecnico di missaggio:
Tom Perry (engineer), Tommy Vicari e Erik Zobler
batteria elettronica [Linn Drums] , minimoog [Mini-Moog] , moog [Memory Moog] e sintetizzatore analogico [Prophet V] :
George Duke
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussione :
Paulinho da Costa (Brazilian percussionist)
voce di accompagnamento:
George Merrill, Shannon Rubicam e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Let’s Hear It for the Boy
paroliere:
Dean Pitchford
compositore:
Thomas Snow (US keyboardist/songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Deniece Williams3.64:20
6Maniac
produttore:
Phil Ramone e Michael Sembello
voce:
Michael Sembello (nel 1983)
diritti fonografici (℗) detenuti da:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1983) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1983)
registrazione di:
Maniac (nel 1983)
autore:
Dennis Matkosky e Michael Sembello
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1983 nominee)
Michael Sembello4.153:59
7Body Rock
diritti fonografici (℗) detenuti da:
Capitol Records Ltd. (not for release label use; UK company)
registrazione di:
Body Rock
autore:
John Bettis e Sylvester Levay
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Maria Vidal23:42
8Breakin'... There's No Stopping Us
registrazione di:
Breakin’… There’s No Stopping Us
compositore:
Ollie E. Brown (US drummer, session musician & record producer) e Jerry Knight
Ollie & Jerry4:31
9Turn the Beat Around
voce:
Gloria Estefan
registrazione cover di:
Turn the Beat Around
autore:
Gerald Jackson (American pianist and singer with group Touch of Class) e Pete Jackson (US disco producer)
Gloria Estefan43:53
10Loco in Acapulco
tecnico di registrazione:
Rick Ruggieri
basso elettrico :
Freddie Washington (US session bassist)
batteria e voce di accompagnamento:
Phil Collins (of Genesis)
chitarra :
Michael Landau, Paul Jackson (bassist) e David Williams (folk guitarist)
tastiera :
Aaron Zigman (American score composer)
cori:
Four Tops (Motown)
arrangiatore chitarra e arrangiatore corno :
Paul Riser
arrangiatore percussione :
Aaron Zigman (American score composer)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1988)
registrazione di:
Loco in Acapulco
autore:
Phil Collins (of Genesis) e Lamont Dozier
editore:
Hit & Run Music (Publ) Ltd, Philip Collins Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Four Tops4.354:34
11Mrs. Robinson
tecnico di registrazione:
Roy Halee (il 1968-02-02)
assistente produttore:
Bob Johnston (US record producer and early rockebilly singer)
produttore:
Art Garfunkel, Roy Halee e Paul Simon (of Simon & Garfunkel)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1968-02-02)
chitarra :
Paul Simon (of Simon & Garfunkel) (il 1968-02-02)
voce:
Art Garfunkel (il 1968-02-02) e Paul Simon (of Simon & Garfunkel) (il 1968-02-02)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1968) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1968)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 270)
registrazione di:
Mrs. Robinson (il 1968-02-02)
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
editore:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) e Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.254:03
12Everybody's Talkin'
Harry Nilsson2:42
13Knockin' on Heaven's Door
registrazione di:
Knockin’ on Heaven’s Door
paroliere e compositore:
Bob Dylan
paroliere aggiunto:
Bob Dylan (il 1975-03-23)
editore:
Sony Music Publishers, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Ram’s Horn Music (nel 1973)
Bob Dylan2:31
14Blue Velvet
Bobby Vinton2:47
15The Crying Game
programmazione:
Pete Gleadall
tecnico:
Pete Schwier (producer, mixing and recording engineer)
produttore:
Pet Shop Boys
voce e esecutore:
Boy George
diritti fonografici (℗) detenuti da:
Spaghetti Recordings Ltd. (nel 1992)
registrazione cover di:
The Crying Game
paroliere e compositore:
Geoff Stephens
editore:
Peermusic (UK) Limited e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
registrazione di:
The Crying Game
paroliere e compositore:
Geoff Stephens
editore:
Peermusic (UK) Limited e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Boy George23:21
16Face to Face
produttore:
Stephen Hague
esecutore:
Siouxsie and the Banshees
registrazione di:
Face to Face (Batman Returns)
paroliere e compositore:
Danny Elfman (American singer and score composer) e Siouxsie and the Banshees
parte di:
Batman Returns
Siouxsie and the Banshees3.54:21
17Love Song for a Vampire
tecnico:
Heff Moraes
produttore:
Stephen Lipson
voce:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
direttore d'orchestra:
Anton Coppola (American conductor and composer)
registrazione di:
Love Song for a Vampire
compositore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
editore:
Universal Music Publishing International MGB Ltd.
parte di:
Bram Stoker’s Dracula
Annie Lennox24:20
18Everybody Wants to Rule the World
registrazione cover di:
Everybody Wants to Rule the World (nel 2013)
autore:
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Virgin Music (Publishers) Ltd.
sub-editore:
フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Lorde32:35
19Young and Beautiful
diritti fonografici (℗) detenuti da:
Lana Del Rey (nel 2013)
video musicali:
Young and Beautiful di Lana Del Rey
parte di:
BILLIONS CLUB
registrazione di:
Young and Beautiful
paroliere e compositore:
Elizabeth Grant e Rick Nowels
Lana Del Rey53:56
20Love Me Like You Do
programmazione e produttore:
Max Martin (Swedish record producer) (nel 2014) e Ali Payami (nel 2014)
tecnico:
John Hanes (audio engineer, mixer) (incarico: engineered for mix) e Sam Holland (sound engineer) (nel 2014)
tecnico di missaggio:
Serban Ghenea (nel 2014)
editor:
Peter Carlsson (engineer) (nel 2014)
archi :
Mattias Bylund (nel 2014)
basso , batteria , percussione e tastiera :
Max Martin (Swedish record producer) (nel 2014) e Ali Payami (nel 2014)
violino :
Mattias Johansson (violinist) (nel 2014)
violoncello :
David Bukovinszky (nel 2014)
voce di accompagnamento:
Peter Carlsson (engineer) (nel 2014), Robin Fredriksson (of Mattman & Robin) (nel 2014), Oscar Görres (nel 2014), Oscar Holter (nel 2014), ILYA (Swedish/Iranian songwriter, producer, and singer) (nel 2014), Mattias Larsson (Bass guitarist of Takida) (nel 2014), Max Martin (Swedish record producer) (nel 2014), Ali Payami (nel 2014) e Ludvig Söderberg (nel 2014)
arrangiatore archi :
Mattias Bylund (nel 2014)
registrata presso:
MXM Studios in Stockholm, Stockholms län (Stockholm county), Svezia (nel 2014)
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti (nel 2014)
parte di:
Billboard Year-End Hot 100 singles of 2015 (numero: 13)
registrazione di:
Love Me Like You Do (nel 2014)
autore:
Ilya Salmanzadeh (Swedish/Iranian songwriter, producer, and singer), Savan Kotecha, Max Martin (Swedish record producer), Ali Payami e Tove Lo
editore:
BMG Ruby Songs, MXM Music AB, Universal Pictures Music, Warner/Chappell Music Scandinavia AB e Wolf Cousins
Ellie Goulding4.054:13
3CD

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Pubblicazione

ASIN:UK: B07RBN9RTD [info]