Bach 333: Sacred & secular vocal (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Cantatas 207, 204, 216a (1726-1728)
2▶CD: Cantatas 198, 201 (1727-1729)
3▶CD: Cantatas 213, 214 (1733)
4▶CD: Cantatas 211, 215 (1734)
5▶CD: Cantatas 206, 30a (1736-1737)
6▶CD: Cantatas 209, 210, 212 (1730s-1740s)
7▶CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
8▶CD: Cantatas 56, 82, 4
9▶CD: Cantatas 31, 104, 57
10▶CD: Cantatas 199, 173, 74, 151
11▶CD: Easter Oratorio / Cantata 140
12▶CD: Cantatas 170, 159, 102
13▶CD: Cantatas 80, 52, 84, 209
14▶CD: Cantatas 82, 158, 56
15▶CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
16▶CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
17▶CD: Cantatas 92, 126, 182 (Easter)
18▶CD: Cantatas 1, 4, 67, 104 (Easter)
19▶CD: Cantatas 34, 68, 39 (Whitsun)
20▶CD: Cantatas 30, 147 (Whitsun)
21▶CD: Cantatas 76, 21 (Trinity)
22▶CD: Cantatas 135, 10, 45, 105 (Trinity)
23▶CD: Cantatas 51, 78, 8, 130 (Trinity)
24▶CD: Cantatas 27, 5, 60, 26 (Trinity)
25▶CD: St. Matthew Passion (1 Richter)
26▶CD: St. Matthew Passion (2 Richter)
27▼CD: St. Matthew Passion (3 Richter)
#TitleRatingLength
1St. Matthew Passion, BWV 244: Part II. Jesus before Pilate: 49. Aria: "Aus Liebe will mein Heiland sterben"
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
soprano vocals:
Irmgard Seefried (soprano) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
4:31
2St. Matthew Passion, BWV 244: Part II. Jesus before Pilate: 50a. "Sie schreien aber noch mehr"/ 50b. Chorus: "Lass ihn kreuzigen" / 50c. Recitative: "Da aber Pilatus sahe" / 50d. Chorus: "Sein Blut komme über uns" / 50e. Recitative: "Da gab er ihnen Barrabarn los"
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Pilate]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:09
3St. Matthew Passion, BWV 244: Part II. Scourging of Jesus: 51. Recitative: "Erbarm es Gott!"
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:01
4St. Matthew Passion, BWV 244: Part II. Scourging of Jesus: 52. Aria: "Können Tränen meiner Wangen"
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
8:03
5St. Matthew Passion, BWV 244: Part II. Scourging of Jesus: 53a. Recitative: "Da nahmen die Kriegesknechte" / 53b. Chorus: "Gegrüßet seist du, Jüdenkönig" / 53c. Recitative: "Und speieten ihn an"
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:17
6St. Matthew Passion, BWV 244: Part II. Scourging of Jesus: 54. Chorale: "O Haupt voll Blut und Wunden"
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1958-06 until 1958-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
2:59
7St. Matthew Passion, BWV 244: Part II. Simon of Cyrene: 55. Recitative: "Und da sie ihn verspottet hatten"
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:12
8St. Matthew Passion, BWV 244: Part II. Simon of Cyrene: 56. Recitative: "Ja freilich will in uns das Fleisch und Blut"
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:41
9St. Matthew Passion, BWV 244: Part II. Simon of Cyrene: 57. Aria: "Komm, süßes Kreuz, so will ich sagen"
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:26
10St. Matthew Passion, BWV 244: Part II. Crucifixion: 58a. Recitative: "Und da sie an die Stätte kamen" / 58b. Chorus: "Der du den Tempel Gottes zerbrichst" / 58c. Recitative: "Desgleichen auch die Hohenpriester" / 58d. Chorus: "Andern hat er geholfen"
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie and die Stätte kamen" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIb. "Der du den Tempel Gottes zerbrichst" (Chori) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIId. "Andern hat er geholfen" (Chori) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
3:38
11St. Matthew Passion, BWV 244: Part II. Crucifixion: 58e. Recitative: "Desgleichen schmähteten ihn auch die Mörder"
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
0:20
12St. Matthew Passion, BWV 244: Part II. Crucifixion: 59. Recitative: "Ach, Golgatha"
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:42
13St. Matthew Passion, BWV 244: Part II. Crucifixion: 60. Aria: "Sehet, Jesus hat die Hand"
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
3:51
14St. Matthew Passion, BWV 244: Part II. Crucifixion: 61a. Recitative: "Und von der sechsten Stunde an" / 61b. Chorus: "Des rufet dem Elias!" / 61c. Recitative: "Und bald lief einer unter ihnen" / 61d. Chorus: "Halt! lass sehen" / 61e. Recitative: "Aber Jesus schriee abermals laut"
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (operatic bass) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
2:59
15St. Matthew Passion, BWV 244: Part II. Crucifixion: 62. Chorale: "Wenn ich einmal soll scheiden"
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (from 1958-06 until 1958-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
2:02
16St. Matthew Passion, BWV 244: Part II. Crucifixion: 63a. Recitative: "Und siehe da, der Vorhang im Tempel zerriss" / 63b. Chorus: "Wahrlich, dieser is Gottes Sohn gewesen"
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIb. "Wahrlich, dieser ist Gottes Sohn gewesen" (Chori in unisono) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
2:34
17St. Matthew Passion, BWV 244: Part II. Crucifixion: 63c. Recitative: "Und es waren viel Weiber da"
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIc. "Und es waren viel Weiber da" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
1:33
18St. Matthew Passion, BWV 244: Part II. Descent from the Cross: 64. Recitative: "Am Abend, da es kühle war"
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:15
19St. Matthew Passion, BWV 244: Part II. Descent from the Cross: 65. Aria: "Mache dich, mein Herze, rein"
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
7:08
20St. Matthew Passion, BWV 244: Part II. Burial: 66a. Recitative: "Und Joseph nahm den Leib" / 66b. Chorus: "Herr, wir haben gedacht" / 66c. Recitative: "Pilatus sprach zu ihnen"
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Pilate]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:54
21St. Matthew Passion, BWV 244: Part II. Burial: 67. Recitative: "Nun ist der Herr zur Ruh gebracht" / Chorus: "Mein Jesu, gute Nacht!"
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
soprano vocals:
Irmgard Seefried (soprano) (from 1958-06 until 1958-08)
tenor vocals:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:30
22St. Matthew Passion, BWV 244: Part II. Burial: 68. Chorus: "Wir setzen uns mit Tränen nieder"
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:26
28▶CD: Great Singers (1952-1965)
29▶CD: Great Singers (1967-2011)
30▶CD: Great Singers (Period Instruments)

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]