Sir Neville Marriner Conducts Bach

~ Release by Johann Sebastian Bach & Sir Neville Marriner (see all versions of this release, 1 available)

Annotation

Copyright: A Warner Classics release, © 2024 Parlophone Records Limited
A Warner Classics release, ℗ 2024 Parlophone Records Limited

Annotation last modified on 2025-01-08 12:38 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden"
producer:
John Fraser (UK producer)
organ:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
arranger and orchestrator:
Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (orchestrated by Marriner) (from 1983-06-27 until 1983-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:39
2Piano Concerto no. 5 in F minor, BWV 1056: I.
producer:
John Fraser (UK producer)
piano:
Andrei Gavrilov (pianist) (in 1986-04)
orchestra:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: I. Allegro (in 1986-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:31
3Piano Concerto no. 5 in F minor, BWV 1056: II. Largo
producer:
John Fraser (UK producer)
piano:
Andrei Gavrilov (pianist) (in 1986-04)
orchestra:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1986-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:28
4Piano Concerto no. 5 in F minor, BWV 1056: III. Presto
producer:
John Fraser (UK producer)
piano:
Andrei Gavrilov (pianist) (in 1986-04)
orchestra:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: III. Presto (in 1986-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:07
5Brandenburg Concerto no. 3 in G major, BWV 1048: I.
producer:
John Fraser (UK producer)
harpsichord [harpsichord continuo]:
John Constable (pianist) and George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recorder:
Catherine Latham (Classical oboe and recorder player) and Philip Pickett (musician)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:26
6Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio
producer:
John Fraser (UK producer)
solo harpsichord:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (catch-all for longer versions (i.e. not just the original one-measure cadence)) (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (catch-all for longer versions (i.e. not just the original one-measure cadence)) (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part)
Johann Sebastian Bach1:29
7Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro
producer:
John Fraser (UK producer)
harpsichord [harpsichord continuo]:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:46
8Herz und Mund und Tat und Leben, BWV 147: Chorale. "Jesu, Joy of Man's Desiring" (instrumental version)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
instrumental recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach2:53
9Orchestral Suite no. 3 in D major, BWV 1068: I. Ouverture
producer:
John Fraser (UK producer)
cello [cello continuo]:
Denis Vigay (cellist) (from 1984-11-03 until 1984-11-08)
harpsichord [harpsichord continuo]:
Alastair Ross (organist and harpsichordist) (from 1984-11-03 until 1984-11-08)
oboe:
Barry Davis (classical oboist) (from 1984-11-03 until 1984-11-08) and Celia Nicklin (oboist) (from 1984-11-03 until 1984-11-08)
trumpet:
Simon Ferguson (from 1984-11-03 until 1984-11-08), William Houghton (classical trumpet player) (from 1984-11-03 until 1984-11-08) and Michael Laird (classical trumpeter) (from 1984-11-03 until 1984-11-08)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1984-11-03 until 1984-11-08)
orchestra:
Academy of St Martin in the Fields (from 1984-11-03 until 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (from 1984-11-03 until 1984-11-08)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1984-11-03 until 1984-11-08)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture (from 1984-11-03 until 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach7:54
10Orchestral Suite no. 3 in D major, BWV 1068: II. Air
producer:
John Fraser (UK producer)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
harpsichord [harpsichord continuo] and organ [organ continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
oboe:
Barry Davis (classical oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Celia Nicklin (oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
trumpet:
Simon Ferguson (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08), William Houghton (classical trumpet player) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Michael Laird (classical trumpeter) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:57
11Orchestral Suite no. 3 in D major, BWV 1068: III. Gavottes I & II
producer:
John Fraser (UK producer)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
harpsichord [harpsichord continuo] and organ [organ continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
oboe:
Barry Davis (classical oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Celia Nicklin (oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
trumpet:
Simon Ferguson (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08), William Houghton (classical trumpet player) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Michael Laird (classical trumpeter) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:20
12Orchestral Suite no. 3 in D major, BWV 1068: IV. Bourrée
producer:
John Fraser (UK producer)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
harpsichord [harpsichord continuo] and organ [organ continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
oboe:
Barry Davis (classical oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Celia Nicklin (oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
trumpet:
Simon Ferguson (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08), William Houghton (classical trumpet player) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Michael Laird (classical trumpeter) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach1:20
13Orchestral Suite no. 3 in D major, BWV 1068: V. Gigue
producer:
John Fraser (UK producer)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
harpsichord [harpsichord continuo] and organ [organ continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
oboe:
Barry Davis (classical oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Celia Nicklin (oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
trumpet:
Simon Ferguson (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08), William Houghton (classical trumpet player) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Michael Laird (classical trumpeter) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach2:59
14Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro
producer:
John Fraser (UK producer)
flute:
William Bennett (flautist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
harpsichord:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach10:24
15Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso
producer:
John Fraser (UK producer)
flute:
William Bennett (flautist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
harpsichord:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:43
16Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro
producer:
John Fraser (UK producer)
flute:
William Bennett (flautist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
harpsichord:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:19
17Piano Concerto no. 1 in D minor, BWV 1052: I. Allegro
producer:
John Fraser (UK producer)
piano:
Andrei Gavrilov (pianist) (in 1986-04)
orchestra:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-04)
recording of:
Keyboard Concerto in D minor, BWV 1052: I. Allegro (in 1986-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Harpsichord Concerto No.1 in D minor, BWV 1052a: I. Allegro (early version of BWV 1052)
part of:
Keyboard Concerto in D minor, BWV 1052
Johann Sebastian Bach7:54
18Piano Concerto no. 1 in D minor, BWV 1052: II. Adagio
producer:
John Fraser (UK producer)
piano:
Andrei Gavrilov (pianist) (in 1986-04)
orchestra:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-04)
recording of:
Keyboard Concerto in D minor, BWV 1052: II. Adagio (in 1986-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Keyboard Concerto in D minor, BWV 1052a: II. Adagio (early version of BWV 1052)
part of:
Keyboard Concerto in D minor, BWV 1052
Johann Sebastian Bach8:46
19Piano Concerto no. 1 in D minor, BWV 1052: III. Allegro
producer:
John Fraser (UK producer)
piano:
Andrei Gavrilov (pianist) (in 1986-04)
orchestra:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-04)
recording of:
Keyboard Concerto in D minor, BWV 1052: III. Allegro (in 1986-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Keyboard Concerto in D minor, BWV 1052a: III. Allegro (early version of BWV 1052)
part of:
Keyboard Concerto in D minor, BWV 1052
Johann Sebastian Bach7:52
20Magnificat in D major, BWV 243: I. Chorus. "Magnificat anima mea Dominum"
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
performer:
Academy of St Martin in the Fields and Sir Neville Marriner (conductor)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat Es-Dur, BWV 243a: I. Coro "Magnificat anima mea Dominum"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:42
21Magnificat in D major, BWV 243: II. Aria. "Et exsultavit spiritus meus in Deo"
producer:
David Groves (classical music producer at EMI)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (from 1990-10-05 until 1990-10-07)
vocals:
Ann Murray (Irish mezzo-soprano)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:19
22Magnificat in D major, BWV 243: III. Aria. "Quia respexit humilitatem"
producer:
David Groves (classical music producer at EMI)
oboe d'amore:
Celia Nicklin (oboist) (from 1990-10-05 until 1990-10-07)
soprano vocals:
Barbara Hendricks (soprano) (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:47
23Magnificat in D major, BWV 243: IV. Chorus. "Omnes generationes"
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:16
24Magnificat in D major, BWV 243: V. Aria. "Quia fecit mihi magna"
producer:
David Groves (classical music producer at EMI)
bass vocals:
Jorma Hynninen (baritone) (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:11
25Magnificat in D major, BWV 243: VI. Duet. "Et misericordia"
producer:
David Groves (classical music producer at EMI)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (from 1990-10-05 until 1990-10-07)
tenor vocals:
Uwe Heilmann (tenor) (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:22
26Magnificat in D major, BWV 243: VII. Chorus. "Fecit potentiam in brachio suo"
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:47
27Magnificat in D major, BWV 243: VIII. Aria. "Deposuit potentes de sede"
producer:
David Groves (classical music producer at EMI)
tenor vocals:
Uwe Heilmann (tenor) (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:56
28Magnificat in D major, BWV 243: IX. Aria. "Esurientes implevit bonis"
producer:
David Groves (classical music producer at EMI)
flute:
Christine Messiter (flutist) (from 1990-10-05 until 1990-10-07) and Lenore Smith (flutist) (from 1990-10-05 until 1990-10-07)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:45
29Magnificat in D major, BWV 243: X. Terzetto. "Suscepit Israel puerum suum"
producer:
David Groves (classical music producer at EMI)
contralto vocals:
Jean Rigby (mezzo-soprano) (from 1990-10-05 until 1990-10-07)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (from 1990-10-05 until 1990-10-07)
soprano vocals:
Barbara Hendricks (soprano) (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:02
30Magnificat in D major, BWV 243: XI. Chorus. "Sicut locutus est ad patres nostros"
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:35
31Magnificat in D major, BWV 243: XII. Chorus. "Gloria Patri, gloria filio"
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:15
32Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture
producer:
John Fraser (UK producer)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
flute:
William Bennett (flautist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
harpsichord [harpsichord continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture (Orchestral Suite no. 2 in B minor, BWV 1067: I. Overture) (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture (orch. Stokowski)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture (Orchestral Suite no. 2 in B minor, BWV 1067: I. Overture) (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture (orch. Stokowski)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture (Orchestral Suite no. 2 in B minor, BWV 1067: I. Overture) (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture (orch. Stokowski)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach7:15
33Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau
producer:
John Fraser (UK producer)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
flute:
William Bennett (flautist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
harpsichord [harpsichord continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
performer:
Academy of St Martin in the Fields and Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: II. Rondeau (Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau) (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: II. Rondeau (Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau) (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: II. Rondeau (Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau) (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:54
34Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande
producer:
John Fraser (UK producer)
cello [cell continuo]:
Denis Vigay (cellist)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
flute:
William Bennett (flautist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
harpsichord [harpsichord continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande) (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande) (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande) (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach3:21
35Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrées I & II
producer:
John Fraser (UK producer)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
flute:
William Bennett (flautist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
harpsichord [harpsichord continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée I & II) (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée I & II) (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée I & II) (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach2:20
36Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise & Double
producer:
John Fraser (UK producer)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
flute:
William Bennett (flautist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
harpsichord [harpsichord continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double (Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise & Double) (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double (Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise & Double) (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double (Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise & Double) (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach3:32
37Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet
producer:
John Fraser (UK producer)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
flute:
William Bennett (flautist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
harpsichord [harpsichord continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
performer:
Academy of St Martin in the Fields and Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:12
38Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie
producer:
John Fraser (UK producer)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
flute:
William Bennett (flautist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
harpsichord [harpsichord continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:26
39Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 1, Aria. "Weichet nur, betrübte Schatten"
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Elly Ameling (soprano) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (conductor) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (on 1972-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (from 1972-06-05 until 1972-06-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach7:12
40Weihnachtsoratorium, BWV 248: Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben"
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (on 1975-10-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:08
41Johannes-Passion, BWV 245: Pt. 2: No. 30, Aria. "Es ist vollbracht"
producer:
Christopher Bishop (conductor/producer)
viola da gamba:
Jane Ryan (British classical viol player) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach5:38
42Easter Oratorio, BWV 249: No. 9, Aria. "Saget, saget mir geschwinde"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach6:49
43Piano Concerto no. 6 in F major, BWV 1057: I.
producer:
John Fraser (UK producer)
flute:
Susan Milan (English flutist) and Lenore Smith (flutist)
piano:
Andrei Gavrilov (pianist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-04)
recording of:
Keyboard Concerto no. 6 in F major, BWV 1057: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Keyboard Concerto no. 6 in F major, BWV 1057
Johann Sebastian Bach7:59
44Piano Concerto no. 6 in F major, BWV 1057: II. Andante
producer:
John Fraser (UK producer)
flute:
Susan Milan (English flutist) and Lenore Smith (flutist)
piano:
Andrei Gavrilov (pianist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-04)
recording of:
Keyboard Concerto no. 6 in F major, BWV 1057: II. Andante
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Keyboard Concerto no. 6 in F major, BWV 1057
Johann Sebastian Bach4:11
45Piano Concerto no. 6 in F major, BWV 1057: III. Allegro assai
producer:
John Fraser (UK producer)
flute:
Susan Milan (English flutist) and Lenore Smith (flutist)
piano:
Andrei Gavrilov (pianist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-04)
recording of:
Keyboard Concerto no. 6 in F major, BWV 1057: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Keyboard Concerto no. 6 in F major, BWV 1057
Johann Sebastian Bach5:15
46Weihnachtsoratorium, BWV 248: Pt. 2: No. 10, Sinfonia
producer:
John Fraser (UK producer)
harpsichord:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (from 1983-06-27 until 1983-06-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:01