Golden Records, Volume 1

~ Veröffentlichung von Harry Belafonte (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Banana Boat (Day-O)
Produzent(in):
Herman Diaz, Jr.
Conga:
Alexander Cambrelen (am 1955-10-20) und Mario Castillo (am 1955-10-20)
flute:
Herbert Levy (am 1955-10-20)
Gitarre:
Millard Thomas (am 1955-10-20)
Kontrabass:
Milt Hinton (am 1955-10-20)
Schlagzeug:
Osie Johnson (am 1955-10-20)
Chorgesang:
Charles Colman (am 1955-10-20), J. Hamilton Grandison (am 1955-10-20), Herbert L. Stubbs (am 1955-10-20), Joseph Lewis (am 1955-10-20), Lord Burgess (am 1955-10-20), Brock Peters (am 1955-10-20), Sherman Sneed (am 1955-10-20), John White (50s US vocalist) (am 1955-10-20) und Gloria Wynder (am 1955-10-20)
Sologesang:
Harry Belafonte (am 1955-10-20)
vocals:
Harry Belafonte
Orchester:
Tony Scott's Orchestra & Chorus (am 1955-10-20)
conductor:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1955-10-20)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1955-10-20)
recording of:
Day‐O (The Banana Boat Song) (Burgess/Attaway arrangement made famous by Harry Belafonte) (am 1955-10-20)
zusätzlicher Texter:
William Attaway (in 1955) und Irving Burgie (in 1955)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Caribe Music Corp., Cherry Lane Music Ltd., Cherry Lane Music Publishing Ltd, EMI Songs Ltd., Garber Music Ltd., Lord Burgess Music Publishing Co., Music Sales Corp (American copyright holder in both popular and classical music) und Reservoir Media Music
Version von:
Day‐O (The Banana Boat Song) (original folk song)
4.653:05
2Jump in the Line
Techniker(in):
Bob Sirapson
Produzent(in):
Bob Bollard
Bass:
Norman Keenan
Cuatro:
Ernest Calabria
Gitarre:
Ernest Calabria und Millard Thomas
vocals:
Harry Belafonte (in 1961)
conductor und chorus master:
Ralph Hunter
Interpret(in):
Trinidad Steel Drum Band (Trinidad Steel-Band)
phonographisches Urheberrecht (℗) von:
BMG Music (vom 1961 bis heute)
recording of:
Jump in the Line (in 1961)
Texter:
Stephen Somvel
Verfasser(in):
Raymond Bell
Komponist(in):
Lord Kitchener
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
basiert auf:
Jump in the Line
basiert auf:
Shake Shake Sonora
43:44
3Mama Look a Boo-Boo
recording of:
Mama Look a Boo Boo
Verfasser(in):
Harry Belafonte, Lord Burgess und Lord Melody
2:56
4Cocoanut Woman
Produzent(in):
Joe Carlton und Edward O. Welker
Bongos:
Noah Rodriguez (am 1957-01-26)
Conga:
Daniel Barrajanos (am 1957-01-26)
flute:
Paige Brook (flautist) (am 1957-01-26) und Harold M. Jones (50s US flautist) (am 1957-01-26)
Gitarre:
Frantz Casséus (am 1957-01-26), Victor Messer (am 1957-01-26) und Millard Thomas (am 1957-01-26)
Kontrabass:
Norman Keenan (am 1957-01-26)
Marimba:
George Devens (am 1957-01-26)
Trompete:
Joseph B. Wilder (am 1957-01-26)
Chorgesang:
Gilbert E. Adkins (am 1957-01-26), Irving D. Barnes (am 1957-01-26), Leon Bibb (am 1957-01-26), Charles Colman (am 1957-01-26), Stephen Harbachick (baritone) (am 1957-01-26), Marvin Hayes (bass-baritone) (am 1957-01-26), Herbert L. Stubbs (am 1957-01-26), Irving Burgie (am 1957-01-26), Joe N. Kenyon (am 1957-01-26), Leroy B. Thompson (am 1957-01-26), Samuel R. McCurry (am 1957-01-26), John Nielsen (am 1957-01-26), Brock Peters (am 1957-01-26), Howard A. Roberts (founder of the Howard Roberts Chorale) (am 1957-01-26), Rodester Timmons (am 1957-01-26) und William Stewart (choral vocals in Harry Belafonte recordings) (am 1957-01-26)
Sologesang:
Harry Belafonte (am 1957-01-26)
conductor:
Robert DeCormier (American composer and conductor) (am 1957-01-26)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1957-01-26)
recording of:
Cocoanut Woman (am 1957-01-26)
Verfasser(in):
Harry Belafonte und Irving Burgie
publisher:
Caribe Music Corp., Clara Music Publ. Corp. und Reservoir Media Music
2:53
5Jamaica Farewell
vocals:
Harry Belafonte
recording of:
Jamaica Farewell (in 1956)
Texter und Komponist(in):
Irving Burgie
publisher:
Cherry Lane Music Ltd.
2:51
6Come Back Lisa
3:09
7Island in the Sun
Produzent(in):
Joe Carlton
Bongos:
Noah Rodriguez (am 1957-01-27)
Conga:
Daniel Barrajanos (am 1957-01-27)
flute:
James N. DeMeo (am 1957-01-27) und Harold M. Jones (50s US flautist) (am 1957-01-27)
Gitarre:
Frantz Casséus (am 1957-01-27), Victor Messer (am 1957-01-27) und Millard Thomas (am 1957-01-27)
Kontrabass:
Norman Keenan (am 1957-01-27)
Marimba:
Joe Venuto (am 1957-01-27)
Trompete:
Joseph B. Wilder (am 1957-01-27)
Chorgesang:
Gilbert E. Adkins (am 1957-01-27), Irving D. Barnes (am 1957-01-27), Leon Bibb (am 1957-01-27), Charles Colman (am 1957-01-27), Stephen Harbachick (baritone) (am 1957-01-27), Marvin Hayes (bass-baritone) (am 1957-01-27), Herbert L. Stubbs (am 1957-01-27), Irving Burgie (am 1957-01-27), Joe N. Kenyon (am 1957-01-27), Leroy B. Thompson (am 1957-01-27), Samuel R. McCurry (am 1957-01-27), John Nielsen (am 1957-01-27), Brock Peters (am 1957-01-27), Howard A. Roberts (founder of the Howard Roberts Chorale) (am 1957-01-27), Rodester Timmons (am 1957-01-27) und William Stewart (choral vocals in Harry Belafonte recordings) (am 1957-01-27)
Sologesang:
Harry Belafonte (am 1957-01-27)
vocals:
Harry Belafonte
conductor:
Robert DeCormier (American composer and conductor) (am 1957-01-27)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1957-01-27)
recording of:
Island in the Sun (am 1957-01-27)
Verfasser(in):
Harry Belafonte und Lord Burgess
publisher:
Caribe Music Corp., Cherry Lane Music Publishing und Clara Music Publ. Corp.
3:25
8Matilda, Matilda
3:41
9Round the Bay of Mexico
vocals:
Harry Belafonte
recording of:
Round the Bay of Mexico
Texter und Komponist(in):
Lord Burgess
2:57
10The Marching Saints
3:00
11Angelina
Techniker(in):
Bob Sirapson
Produzent(in):
Bob Bollard
Bass:
Norman Keenan
Cuatro:
Ernest Calabria
Gitarre:
Ernest Calabria und Millard Thomas
vocals:
Harry Belafonte (in 1961)
conductor und chorus master:
Ralph Hunter
Interpret(in):
Trinidad Steel Drum Band (Trinidad Steel-Band)
phonographisches Urheberrecht (℗) von:
BMG Music (vom 1961 bis heute)
recording of:
Angelina (in 1961)
Verfasser(in):
Irving Burgie
publisher:
Cherry Lane Music Co.
53:59
12Mary’s Boy Child
Produzent(in):
Dennis Farnon und Henri René (producer, composer, conductor and arranger)
Bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (am 1956-07-20)
Bassklarinette:
Antonio Villa (am 1956-07-20)
Bratsche / Viola:
Joseph Reilich (am 1956-07-20)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-07-20)
Conga:
Wally Fernez (am 1956-07-20)
Geige / Violine:
Israel Baker (American violinist) (am 1956-07-20), Jerome G. Kasin (am 1956-07-20), Robert Levine (violist, violinist) (am 1956-07-20), Gustave Rosseels (am 1956-07-20), Myron Sandler (am 1956-07-20) und Marshall Sosson (am 1956-07-20)
Gitarre:
Frantz Casséus (am 1956-07-20)
guitar family:
Millard Thomas (am 1956-07-20)
Harfe:
Marjorie Call (am 1956-07-20)
Klavier:
Hal Hidey (am 1956-07-20)
Perkussion:
Arnold Manchester (am 1956-07-20) und Louis Singer (percussionist) (am 1956-07-20)
Saxophon:
Victor Garber (50s US saxophonist) (am 1956-07-20), Jules Jacob (US jazz woodwind player) (am 1956-07-20), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-07-20) und Wilbur Schwartz (am 1956-07-20)
Waldhorn:
Attilo DePalma (am 1956-07-20)
vocals:
Harry Belafonte (am 1956-07-20)
conductor:
Will Lorin (am 1956-07-20)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-07-20)
recording of:
Mary’s Boy Child (am 1956-07-20)
Texter und Komponist(in):
Jester Hairston
publisher:
Bourne Music Ltd. und J. Albert & Son Pty. Ltd.
33:01
13Haiti chérie
Produzent(in):
Joe Carlton
Bongos:
Noah Rodriguez (am 1957-01-27)
Conga:
Daniel Barrajanos (am 1957-01-27)
flute:
James N. DeMeo (am 1957-01-27) und Harold M. Jones (50s US flautist) (am 1957-01-27)
Gitarre:
Frantz Casséus (am 1957-01-27), Victor Messer (am 1957-01-27) und Millard Thomas (am 1957-01-27)
Kontrabass:
Norman Keenan (am 1957-01-27)
Marimba:
Joe Venuto (am 1957-01-27)
Trompete:
Joseph B. Wilder (am 1957-01-27)
Chorgesang:
Gilbert E. Adkins (am 1957-01-27), Irving D. Barnes (am 1957-01-27), Leon Bibb (am 1957-01-27), Charles Colman (am 1957-01-27), Stephen Harbachick (baritone) (am 1957-01-27), Marvin Hayes (bass-baritone) (am 1957-01-27), Herbert L. Stubbs (am 1957-01-27), Irving Burgie (am 1957-01-27), Joe N. Kenyon (am 1957-01-27), Leroy B. Thompson (am 1957-01-27), Samuel R. McCurry (am 1957-01-27), John Nielsen (am 1957-01-27), Brock Peters (am 1957-01-27), Howard A. Roberts (founder of the Howard Roberts Chorale) (am 1957-01-27), Rodester Timmons (am 1957-01-27) und William Stewart (choral vocals in Harry Belafonte recordings) (am 1957-01-27)
Sologesang:
Harry Belafonte (am 1957-01-27)
conductor:
Robert DeCormier (American composer and conductor) (am 1957-01-27)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1957-01-27)
recording of:
Haiti Cherie (am 1957-01-27)
Texter und Komponist(in):
Harry Belafonte und Lord Burgess
3:20
14Star‐O
vocals:
Harry Belafonte
arranger:
Tony Scott (bop/jazz clarinetist, arranger & conductor)
recording of:
Star‐o (am 1955-10-20)
Verfasser(in):
William Attaway, Harry Belafonte und Lord Burgess
2:03