La Divina: Maria Callas in All Her Roles

~ Release by Maria Callas (see all versions of this release, 3 available)

Annotation

The complete collection of Warner Classics (EMI) recordings by Maria Callas. Includes all her studio and live recordings on 131 CDs, 3 Blu-Rays of concert videos, a DVD-ROM (libretti, texts, recording sheets, interviews), a 148-page hardcover book, and an NFT with digital content.

The CDs also include studio alternate takes and working sessions from the 1960s (previously unreleased), and Julliard Master classes.

Annotation last modified on 2025-01-14 10:48 UTC.

Tracklist

1CD: Vincenzo Bellini: Norma (Act 1, Scene 1) (Studio, Recorded 1954)
2CD: Vincenzo Bellini: Norma (Act 1, Scene 2) (Studio, Recorded 1954)
3CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1954)
4CD: Vincenzo Bellini: Norma (Act 1 beginning) (Studio, Recorded 1960)
5CD: Vincenzo Bellini: Norma (Act 1 conclusion) (Studio, Recorded 1960)
6CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1960)
7CD: Vincenzo Bellini: I puritani (Act 1) (Studio, Recorded 1953)
8CD: Vincenzo Bellini: I puritani (Acts 2 & 3) (Studio, Recorded 1953)
9CD: Vincenzo Bellini: La sonnambula (Act 1) (Studio, Recorded 1957)
10CD: Vincenzo Bellini: La sonnambula (Act 2) (Studio, Recorded 1957)
11CD: Georges Bizet: Carmen (Act 1, Act 2 beginning) (Studio, Recorded 1964)
12CD: Georges Bizet: Carmen (Act 2 conclusion, Acts 3 & 4) (Studio, Recorded 1964)
13CD: Luigi Cherubini: Medea (Act 1) (Studio, Recorded 1957)
14CD: Luigi Cherubini: Medea (Acts 2 & 3) (Studio, Recorded 1957)
15CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1953)
16CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1953)
17CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1959)
18CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1959)
19CD: Ruggero Leoncavallo: I pagliacci (Studio, Recorded 1954)
20CD: Pietro Mascagni: Cavalleria rusticana (Studio, Recorded 1953)
21CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1952)
22CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1952)
23CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1952)
24CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1959)
25CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1959)
26CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1959)
27CD: Giacomo Puccini: La bohème (Acts 1 & 2) (Studio, Recorded 1956)
28CD: Giacomo Puccini: La bohème (Acts 3 & 4) (Studio, Recorded 1956)
29CD: Giacomo Puccini: Madama Butterfly (Act 1, Act 2 beginning) (Studio, Recorded 1955)
30CD: Giacomo Puccini: Madama Butterfly (Act 2 conclusion) (Studio, Recorded 1955)
31CD: Giacomo Puccini: Manon Lescaut (Acts 1 & 2) (Studio, Recorded 1957)
32CD: Giacomo Puccini: Manon Lescaut (Acts 3 & 4) (Studio, Recorded 1957)
33CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1953)
34CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1953)
35CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1964 & 1965)
36CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1964 & 1965)
37CD: Giacomo Puccini: Turandot (Acts 1 & 2) (Studio, Recorded 1957)
38CD: Giacomo Puccini: Turandot (Acts 3) (Studio, Recorded 1957)
39CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 beginning) (Studio, Recorded 1957)
40CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 conclusion, Act 2) (Studio, Recorded 1957)
41CD: Gioachino Rossini: Il turco in Italia (Act 1) (Studio, Recorded 1954)
42CD: Gioachino Rossini: Il turco in Italia (Act 2) (Studio, Recorded 1954)
43CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Studio, Recorded 1955)
44CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Studio, Recorded 1955)
45CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Studio, Recorded 1956)
#TitleArtistRatingLength
1Un ballo in maschera: Preludio (Orchestra)
producer:
Walter Jellinek (British classical producer)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Nº 1. Preludio (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera
Giuseppe Verdi4:18
2Un ballo in maschera: Act I, Scene 1. “Posa in pace, a'bei sogni ristora” (Coro, Samuel, Tom)
producer:
Walter Jellinek (British classical producer)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 2 “Posa in pace, a' bei sogni ristora” (Samuel, Tom, Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi1:35
3Un ballo in maschera: Act I, Scene 1. “S'avanza il Conte” (Oscar, Riccardo)
producer:
Walter Jellinek (British classical producer)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 3a Scena “S'avanza il conte” (Oscar, Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi1:38
4Un ballo in maschera: Act I, Scene 1. “La rivedrà nell'estasi” (Riccardo, Oscar, Coro, Samuel, Tom)
producer:
Walter Jellinek (British classical producer)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 3b Sortita di Riccardo “La rivedrà nell'estasi” (Riccardo, Samuel, Tom, Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi1:56
5Un ballo in maschera: Act I, Scene 1. “Il cenno mio di là con essi attendi” (Riccardo, Oscar, Renato)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 4a Scena “Il cenno mio di là con essi attendi” (Riccardo, Oscar, Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi2:33
6Un ballo in maschera: Act I, Scene 1. “Alla vita che t'arride” (Renato)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 4b Cantabile “Alla vita che t'arride” (Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi2:50
7Un ballo in maschera: Act I, Scene 1. “Il primo giudice” (Oscar, Riccardo, Giudice)
producer:
Walter Jellinek (British classical producer)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
tenor vocals [Un giudice]:
Renato Ercolani (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 5a Scena “Il primo Giudice - S'avanzi” (Oscar, Riccardo, Giudice) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi1:31
8Un ballo in maschera: Act I, Scene 1. “Volta la terrea” (Oscar, Riccardo, Giudice, Renato, Samuel, Tom, Coro)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 5b Ballata “Volta la terrea fronte alle stelle” (Oscar, Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi2:37
9Un ballo in maschera: Act I, Scene 1. “Ogni cura si doni al diletto” (Riccardo, Renato, Oscar, Samuel, Tom, Coro)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 6b “Ogni cura si doni al diletto” (Riccardo, Renato, Oscar, Samuel, Tom, Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi2:14
10Un ballo in maschera: Act I, Scene 2. “Zitti…l'incanto non dessi turbare…Re dell'abisso, affrettati” (Coro, Ulrica)
producer:
Walter Jellinek (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
mezzo-soprano vocals [Ulrica]:
Fedora Barbieri (mezzo-soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 7a Scena “Zitti … l'incanto non dèssi turbare” (Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi4:01
11Un ballo in maschera: Act I, Scene 2. “Arrivo il primo!…È lui, è lui!” (Riccardo, Coro, Ulrica)
producer:
Walter Jellinek (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
mezzo-soprano vocals [Ulrica]:
Fedora Barbieri (mezzo-soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 7c Scena “Arrivo il primo!” (Riccardo, Ulrica, Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi2:29
12Un ballo in maschera: Act I, Scene 2. “Su, fatemi largo, sapere vo' il mio fato” (Silvano, Ulrica, Riccardo)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Silvano]:
Ezio Giordano (italian baritone) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
mezzo-soprano vocals [Ulrica]:
Fedora Barbieri (mezzo-soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 7d Scena “Su, fatemi largo, saper vo' il mio fato” (Silvano, Ulrica, Riccardo, Servo, Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi1:03
13Un ballo in maschera: Act I, Scene 2. “Rallegrati omai” (Ulrica, Silvano, Riccardo, Coro, Servo)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Silvano]:
Ezio Giordano (italian baritone) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
mezzo-soprano vocals [Ulrica]:
Fedora Barbieri (mezzo-soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
tenor vocals [Un servo]:
Renato Ercolani (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 7d “Rallegrati omai” (Silvano, Ulrica, Riccardo, Servo, coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi2:22
14Un ballo in maschera: Act I, Scene 2. “Che v'agita così?” (Ulrica, Amelia, Riccardo)
producer:
Walter Jellinek (British classical producer)
mezzo-soprano vocals [Ulrica]:
Fedora Barbieri (mezzo-soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 8a Scena “Che v'agita così?” (Ulrica, Amelia, Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi1:26
15Un ballo in maschera: Act I, Scene 2. “Della città all'occaso” (Ulrica, Amelia, Riccardo)
producer:
Walter Jellinek (British classical producer)
mezzo-soprano vocals [Ulrica]:
Fedora Barbieri (mezzo-soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 8b Terzetto “Della città all'occaso” (Ulrica, Amelia, Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi1:30
16Un ballo in maschera: Act I, Scene 2. “Consentimi, o Signore” (Ulrica, Amelia, Riccardo)
producer:
Walter Jellinek (British classical producer)
mezzo-soprano vocals [Ulrica]:
Fedora Barbieri (mezzo-soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 8c “Consentimi, o signore” (Ulrica, Amelia, Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi2:00
17Un ballo in maschera: Act I, Scene 2. “Figlia d'averno, schiudi la chiostra” (Coro, Ulrica, Amelia, Riccardo)
producer:
Walter Jellinek (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
mezzo-soprano vocals [Ulrica]:
Fedora Barbieri (mezzo-soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 8c “Figlia d'averno, schiudi la chiostra” (Coro, Ulrica, Amelia, Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi0:26
18Un ballo in maschera: Act I, Scene 2. “Su, profetessa, monta il treppiè” (Coro, Oscar, Riccardo)
producer:
Walter Jellinek (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9a Scena “Su, profetessa, monta il treppiè” (Coro, Oscar, Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi0:57
19Un ballo in maschera: Act I, Scene 2. “Di' tu se fedele” (Riccardo, Coro)
producer:
Walter Jellinek (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9b Canzone “Di’ tu se fedele il flutto m’aspetta” (Riccardo, Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1859)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi3:13
20Un ballo in maschera: Act I, Scene 2. “Chi voi siate, l'audace parola” (Ulrica, Riccardo, Samuel, Oscar, Coro)
producer:
Walter Jellinek (British classical producer)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
mezzo-soprano vocals [Ulrica]:
Fedora Barbieri (mezzo-soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 10a Scena “Chi voi siate, l'audace parola” (Ulrica, Riccardo, Samuel, Oscar, Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi2:32
21Un ballo in maschera: Act I, Scene 2. “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, Coro)
producer:
Walter Jellinek (British classical producer)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
mezzo-soprano vocals [Ulrica]:
Fedora Barbieri (mezzo-soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 10b Quintetto “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi3:20
22Un ballo in maschera: Act I, Scene 2. “Finisci il vaticinio” (Riccardo, Ulrica, Coro, Samuel, Tom, Silvano, Oscar, Renato)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
baritone vocals [Silvano]:
Ezio Giordano (italian baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
mezzo-soprano vocals [Ulrica]:
Fedora Barbieri (mezzo-soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 11a Scena “Finisci 'l vaticinio” (Riccardo, Ulrica, Samuel, Tom, Renato, Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi4:26
23Un ballo in maschera: Act II. Preludio (Orchestra)
producer:
Walter Jellinek (British classical producer)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 12a. Preludio (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi2:25
24Un ballo in maschera: Act II. “Ecco l'orrido campo ove s'accoppia” (Amelia)
producer:
Walter Jellinek (British classical producer)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 12b. Scena “Ecco l'orrido campo ove s'accoppia” (Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi1:30
25Un ballo in maschera: Act II. “Ma dall'arido stelo divulsa” (Amelia)
producer:
Walter Jellinek (British classical producer)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 12c. Aria “Ma dall'arido stelo divulsa” (Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi5:12
26Un ballo in maschera: Act II. “Teco io sto” (Riccardo, Amelia)
producer:
Walter Jellinek (British classical producer)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 13a. Scena "Teco io sto - Gran Dio!" (Riccardo, Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi1:32
27Un ballo in maschera: Act II. “Non sai tu che se l'anima mia” (Riccardo, Amelia)
producer:
Walter Jellinek (British classical producer)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 13b. Duetto "Non sai tu che se l'anima mia" (Riccardo, Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi4:13
28Un ballo in maschera: Act II. “Oh, qual soave brivido” (Riccardo, Amelia)
producer:
Walter Jellinek (British classical producer)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 13d. Cabaletta "Oh, qual soave brivido" (Riccardo, Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi3:48
46CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Studio, Recorded 1956)
47CD: Giuseppe Verdi: La forza del destino (Acts 1 & 2) (Studio, Recorded 1954)
48CD: Giuseppe Verdi: La forza del destino (Act 3) (Studio, Recorded 1954)
49CD: Giuseppe Verdi: La forza del destino (Act 4) (Studio, Recorded 1954)
50CD: Giuseppe Verdi: Rigoletto (Act 1) (Studio, Recorded 1955)
51CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Studio, Recorded 1955)
52CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Studio, Recorded 1953)
53CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Studio, Recorded 1953)
54CD: Giuseppe Verdi: Il trovatore (Acts 1 & 2) (Studio, Recorded 1956)
55CD: Giuseppe Verdi: Il trovatore (Acts 3 & 4) (Studio, Recorded 1956)
56CD: The First Recordings (1949) (Studio, Recorded 1949)
57CD: The Callas Rarities (1953-1969) (Studio, Recorded 1953, 1958, 1960 & 1961)
58CD: The Callas Rarities (1953-1969) (Studio, Recorded 1962, 1964, 1965 & 1969)
59CD: Operatic Arias by Puccini (Studio, Recorded 1954)
60CD: Lyric and Coloratura Arias (Studio, Recorded 1954)
61CD: Callas at La Scala (Studio, Recorded 1955)
62CD: Callas Portrays Verdi Heroines (Verdi Arias I) (Studio, Recorded 1958)
63CD: Mad Scenes (Studio, Recorded 1958)
64CD: Great Arias from French Opera (Callas à Paris I) (Studio, Recorded 1961)
65CD: More Arias from French Opera (Callas à Paris II) (Studio, Recorded 1963)
66CD: Rossini & Donizetti Arias (Studio, Recorded 1963 & 1964)
67CD: Mozart, Beethoven, Weber Recital (Studio, Recorded 1963 & 1964)
68CD: Verdi Arias II (Studio, Recorded 1963 & 1964)
69CD: Verdi Arias III (Studio, Recorded 1965 & 1969)
70CD: Vincenzo Bellini: Norma (Act 1, Scene 1 • Act 1, Scene 2 beginning) (Live, Recorded 1952)
71CD: Vincenzo Bellini: Norma (Act 1, Scene 2 conclusion • Act 2) (Live, Recorded 1952)
72CD: Vincenzo Bellini: Il pirata (Act 1) (Live, Recorded 1959)
73CD: Vincenzo Bellini: Il pirata (Act 2) (Live, Recorded 1959)
74CD: Vincenzo Bellini: La sonnambula (Act 1 beginning) (Live, Recorded 1955)
75CD: Vincenzo Bellini: La sonnambula (Act 1 conclusion • Act 2) (Live, Recorded 1955)
76CD: Vincenzo Bellini: La sonnambula (Act 1) (Live, Recorded 1957)
77CD: Vincenzo Bellini: La sonnambula (Act 2) (Live, Recorded 1957)
78CD: Luigi Cherubini: Medea (Act 1) (Live, Recorded 1953)
79CD: Luigi Cherubini: Medea (Acts 2 & 3) (Live, Recorded 1953)
80CD: Gaetano Donizetti: Anna Bolena (Act 1) (Live, Recorded 1957)
81CD: Gaetano Donizetti: Anna Bolena (Act 2) (Live, Recorded 1957)
82CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Live, Recorded 1955)
83CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Live, Recorded 1955)
84CD: Gaetano Donizetti: Poliuto (Act 1) (Live, Recorded 1960)
85CD: Gaetano Donizetti: Poliuto (Acts 2 & 3) (Live, Recorded 1960)
86CD: Umberto Giordano: Andrea Chénier (Acts 1 & 2) (Live, Recorded 1955)
87CD: Umberto Giordano: Andrea Chénier (Acts 3 & 4) (Live, Recorded 1955)
88CD: Christoph Willibald Gluck: Alceste (Act 1) (Live, Recorded 1954)
89CD: Christoph Willibald Gluck: Alceste (Acts 2 & 3) (Live, Recorded 1954)
90CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 1 & 2) (Live, Recorded 1957)
91CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 3 & 4) (Live, Recorded 1957)
92CD: Giacomo Puccini: Tosca (Act 1) (Live, Recorded 1964)
93CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Live, Recorded 1964)
94CD: Gioachino Rossini: Armida (Act 1) (Live, Recorded 1952)
95CD: Gioachino Rossini: Armida (Acts 2 & 3) (Live, Recorded 1952)
96CD: Gaspare Spontini: La vestale (Act 1) (Live, Recorded 1954)
97CD: Gaspare Spontini: La vestale (Acts 2 & 3) (Live, Recorded 1954)
98CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Live, Recorded 1951)
99CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Live, Recorded 1951)
100CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Live, Recorded 1957)
101CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Live, Recorded 1957)
102CD: Giuseppe Verdi: Macbeth (Acts 1 & 2) (Live, Recorded 1952)
103CD: Giuseppe Verdi: Macbeth (Acts 3 & 4) (Live, Recorded 1952)
104CD: Giuseppe Verdi: Nabucco (Parts 1 & 2) (Live, Recorded 1949)
105CD: Giuseppe Verdi: Nabucco (Parts 3 & 4) (Live, Recorded 1949)
106CD: Giuseppe Verdi: Rigoletto (Act 1) (Live, Recorded 1952)
107CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Live, Recorded 1952)
108CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1955)
109CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1955)
110CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1958)
111CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1958)
112CD: Giuseppe Verdi: I vespri siciliani (Acts 1 & 2) (Live, Recorded 1951)
113CD: Giuseppe Verdi: I vespri siciliani (Act 3) (Live, Recorded 1951)
114CD: Giuseppe Verdi: I vespri siciliani (Acts 4 & 5) (Live, Recorded 1951)
115CD: Richard Wagner: Parsifal (Act 1 beginning) (Live, Recorded 1950)
116CD: Richard Wagner: Parsifal (Act 1 conclusion • Act 2) (Live, Recorded 1950)
117CD: Richard Wagner: Parsifal (Act 3) (Live, Recorded 1950)
118CD: Live in Turin 1951 / Live in Rome 1952 / Live in San Remo 1954 (Live, Recorded 1951, 1952 & 1954)
119CD: Live in Milan 1956 / Live in Athens 1957 (Live, Recorded 1956 & 1957)
120CD: In Rehearsal Dallas 1957 (Live, Recorded 1957)
121CD: Live in London 1958 & 1959 (Live, Recorded 1958 & 1959)
122CD: Live in Paris 1958 (Live, Recorded 1958)
123CD: Live in Hamburg 1959 (Live, Recorded 1959)
124CD: Live in Stuttgart 1959 (Live, Recorded 1959)
125CD: Live in Amsterdam 1959 (Live, Recorded 1959)
126CD: Live in London 1961 & 1962 (Live, Recorded 1961 & 1962)
127CD: Live in Paris 1963 & 1976 (Live, Recorded 1963 & 1976)
128Blu-ray: La Callas…Toujours - Paris 1958 (Live, Recorded 1958)
129Blu-ray: Maria Callas in Concert - Hamburg 1959 & 1962 (Live, Recorded 1959 & 1962)
130Blu-ray: Maria Callas at Covent Garden 1962 & 1964 (Live, Recorded 1962 & 1964)
131CD: Bonus: Studio alternate takes and working sessions 1960-1964
132CD: Maria Callas at Julliard: the Master Classes - 1
133CD: Maria Callas at Julliard: the Master Classes - 2
134CD: Maria Callas at Julliard: the Master Classes - 3
135Data DVD-R: Libretti, Texts, Interviews, Recording sheets