Maria Callas: 90 Opera Arias (Remastered 2023)

~ Release by Maria Callas (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Carmen : « L’amour est un oiseau rebelle » (Habanera)
recorded in:
Paris, Île-de-France, France (in 1964)
soprano vocals [Carmen]:
Maria Callas (soprano) (in 1964)
orchestra:
Orchestre de l’Opéra national de Paris (in 1964)
conductor:
Georges Prêtre (French conductor) (in 1964)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (in 1964)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:17
2Carmen : « Près des remparts de Séville » (Séguedille)
recorded in:
Paris, Île-de-France, France (in 1964)
producer:
Michel Glotz
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals [Carmen]:
Maria Callas (soprano) (in 1964)
tenor vocals [Don José]:
Nicolai Gedda (tenor) (in 1964, from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre de l’Opéra national de Paris (in 1964) and Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (French conductor) (in 1964, from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (in 1964)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:30
3Lakmé: “Dov’è l’indiana bruna?”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1955)
soprano vocals [Lakmé]:
Maria Callas (soprano) (in 1955)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
recording of:
Lakmé: Atto II. "Dov’ è l’Indiana bruna?" (Lakmé) (in 1955)
composer:
Léo Delibes (French composer)
librettist:
Gille, Edmond Gondinet and Angelo Zanardini
translated version of:
Lakmé : Acte II. No. 10 Scène & légende de la fille du Paria (Air des clochettes) « Ah !… Par les dieux inspirée » … « Où va la jeune indoue » (Lakmé, Nilakantha)
Léo Delibes7:58
4Carmen : « Les tringles des sistres tintaient » (Chanson bohème)
recorded in:
Paris, Île-de-France, France (in 1964)
mezzo-soprano vocals [Mercédès]:
Jane Berbié (mezzo-soprano) (in 1964)
soprano vocals [Carmen]:
Maria Callas (soprano) (in 1964)
soprano vocals [Frasquita]:
Nadine Sautereau (French soprano) (in 1964)
orchestra:
Orchestre de l’Opéra national de Paris (in 1964)
conductor:
Georges Prêtre (French conductor) (in 1964)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (in 1964)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:15
5Gianni Schicchi: “O mio babbino caro”
recorded in:
London (Greater London), England, United Kingdom (in 1954)
soprano vocals [Lauretta]:
Maria Callas (soprano) (in 1954)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (in 1954)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:30
6Tosca: “Senti, l’ora è vicina”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1953)
soprano vocals [Tosca]:
Maria Callas (soprano) (in 1953)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (in 1953)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1953)
conductor:
Victor de Sabata (conductor and composer) (in 1953)
recording of:
Tosca: Atto III. “Senti, l’ora è vicina” (Tosca, Cavaradossi) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini5:22
7Tosca: “Vissi d’arte”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1953)
soprano vocals [Tosca]:
Maria Callas (soprano) (in 1953)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1953)
conductor:
Victor de Sabata (conductor and composer) (in 1953)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:15
8Tosca: “Mario! Mario! Mario!”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1953)
soprano vocals [Tosca]:
Maria Callas (soprano) (in 1953)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (in 1953)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1953)
conductor:
Victor de Sabata (conductor and composer) (in 1953)
recording of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini12:12
9Norma: “Casta Diva”
recorded in:
London (Greater London), England, United Kingdom (in 1954)
soprano vocals [Norma]:
Maria Callas (soprano) (in 1954)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (in 1954)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini7:17
10Norma: “Mira, o Norma”
recorded in:
London (Greater London), England, United Kingdom (in 1954)
mezzo-soprano vocals [Adalgisa]:
Ebe Stignani (mezzo soprano) (in 1954)
soprano vocals [Norma]:
Maria Callas (soprano) (in 1954)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Norma: Atto II, scena 1. Duetto “Mira, o Norma” (Norma, Adalgisa) (in 1954)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini7:11
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Credits