Don Giovanni

~ Release by Mozart; Eberhard Wächter, Joan Sutherland, Elisabeth Schwarzkopf, Graziella Sciutti, Giuseppe Taddei, Luigi Alva, Gottlob Frick, Philharmonia Orchestra, Carlo Maria Giulini (see all versions of this release, 12 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Don Giovanni, K. 527: Atto I, Scena IV. Recitativo "Masetto, senti un po'!" (Zerlina, Masetto)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. Recitativo “Masetto: senti un po’!” (Zerlina, Masetto) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:01
2Don Giovanni, K. 527: Atto I, Scena IV. Aria "Batti, batti, o bel Masetto" (Zerlina)
producer:
Walter Legge (British classical producer)
soprano vocals [Zerlina]:
Graziella Sciutti (soprano) (from 1959-10-07 until 1959-11-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:47
3Don Giovanni, K. 527: Atto I, Scena IV. Recitativo "Guarda un po'" (Masetto, Don Giovanni, Zerlina)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. Recitativo “Guarda un po’ come seppe” (Masetto, Don Giovanni, Zerlina) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:34
4Don Giovanni, K. 527: Atto I, Scena IV. Finale "Presto, presto, pria ch'ei venga" (Masetto, Zerlina, Don Giovanni, Coro)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:49
5Don Giovanni, K. 527: Atto I, Scena IV. Finale "Tra quest'arbori celata" (Zerlina, Don Giovanni, Masetto)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. “Tra quest’ arbori celata” (Zerlina, Don Giovanni, Masetto, Coro) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:31
6Don Giovanni, K. 527: Atto I, Scena IV. Finale "Bisogna aver coraggio" (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:08
7Don Giovanni, K. 527: Atto I, Scena IV. Finale "Protegga il giusto cielo" - "Vendichi il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. “Protegga il giusto cielo” (Donna Anna, Donna Elvira, Don Ottavio) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:19
8Don Giovanni, K. 527: Atto I, Scena V. Finale "Riposate, vezzose ragazze" (Don Giovanni, Leporello, Masetto, Zerlina)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:20
9Don Giovanni, K. 527: Atto I, Scena V. Finale "Venite pure avanti" (Leporello, Don Giovanni, Donna Anna, Donna Elvira, Don Ottavio)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. “Venite, pur avanti” … “Ricominciate il suono” … Minuetto (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:24
10Don Giovanni, K. 527: Atto I, Scena V. Finale "Ricominciate il suono!" (Don Giovanni, Leporello, Donna Elvira, Donna Anna, Don Ottavio, Masetto, Zerlina)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. “Venite, pur avanti” … “Ricominciate il suono” … Minuetto (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:49
11Don Giovanni, K. 527: Atto I, Scena V. Finale "Ecco il birbo che t'ha offesa!" (Don Giovanni, Leporello, Don Ottavio, Donna Elvira, Donna Anna)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. “Ecco il birbo che t'ha offesa!” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:33
12Don Giovanni, K. 527: Atto I, Scena V. Finale "Trema, trema, o scellerato!" (Don Giovanni, Leporello, Don Ottavio, Donna Elvira, Donna Anna, Zerlina, Masetto)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. “Trema, trema, o scellerato!” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:12
13Don Giovanni, K. 527: Atto II, Scena I. Duetto "Eh via, buffone, non mi seccar!" (Don Giovanni, Leporello)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 14 Duetto “Eh via buffone, non mi seccar” (Don Giovanni, Leporello) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:07
14Don Giovanni, K. 527: Atto II, Scena I. Recitativo "Leporello!... Signore?" (Don Giovanni, Leporello)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “Leporello! Signore?” (Don Giovanni, Leporello) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:35
15Don Giovanni, K. 527: Atto II, Scena I. Terzetto "Ah taci, ingiusto core!" (Donna Elvira, Leporello, Don Giovanni)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 15 Terzetto “Ah taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:50
16Don Giovanni, K. 527: Atto II, Scena I. Recitativo "Amico, che ti par?" (Don Giovanni, Leporello)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “Amico che ti par?” (Don Giovanni, Leporello, Donna Elvira) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:25
17Don Giovanni, K. 527: Atto II, Scena I. Recitativo "Eccomi a voi" (Donna Elvira, Don Giovanni, Leporello)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “Eccomi a voi!” (Donna Elvira, Don Giovanni, Leporello) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:21
18Don Giovanni, K. 527: Atto II, Scena I. Canzonetta "Deh vieni alla finestra" (Don Giovanni)
producer:
Walter Legge (British classical producer)
baritone vocals [Don Giovanni]:
Eberhard Wächter (baritone) (from 1959-10-07 until 1959-11-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:51
19Don Giovanni, K. 527: Atto II, Scena I. Recitativo "V'è gente alla finestra" (Don Giovanni, Masetto)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “V’è gente alla finestra!” (Don Giovanni) / “Non ci stanchiamo” (Masetto, Don Giovanni) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:06
20Don Giovanni, K. 527: Atto II, Scena I. Aria "Metà di voi qua vadano" (Don Giovanni)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 17 Aria “Metà di voi qua vadano” (Don Giovanni) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:12
21Don Giovanni, K. 527: Atto II, Scena I. Recitativo "Zitto, lascia ch'io senta!" (Don Giovanni, Masetto, Zerlina)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “Zitto! Lascia ch’io senta” (Don Giovanni, Masetto, Zerlina) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:38
22Don Giovanni, K. 527: Atto II, Scena I. Aria "Vedrai, carino, se sei buonino" (Zerlina)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:14
23Don Giovanni, K. 527: Atto II, Scena II. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “Di molte faci il lume” (Leporello, Donna Elvira) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:21
24Don Giovanni, K. 527: Atto II, Scena II. Sestetto "Sola, sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 19 Sestetto “Sola sola in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:02
25Don Giovanni, K. 527: Atto II, Scena II. Sestetto "Ferma, briccone, dove ten vai!" (Zerlina, Masetto, Donna Anna, Don Ottavio, Donna Elvira, Leporello)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “Ferma, briccone” … “Mille torbidi pensieri” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:22
26Don Giovanni, K. 527: Atto II, Scena II. Sestetto "Mille torbidi pensieri" (Zerlina, Masetto, Donna Anna, Don Ottavio, Donna Elvira, Leporello)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
partial recording of:
Don Giovanni: Atto II. Recitativo “Ferma, briccone” … “Mille torbidi pensieri” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:23
27Don Giovanni, K. 527: Atto II, Scena II. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:19
28Don Giovanni, K. 527: Atto II, Scena II. Aria "Ah, pietà, signori miei!" (Leporello)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 20 Aria “Ah pietà, signori miei” (Leporello) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:52
29Don Giovanni, K. 527: Atto II, Scena II. Recitativo "Ferma, perfido, ferma!" (Donna Elvira, Masetto, Zerlina, Don Ottavio)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:30
30Don Giovanni, K. 527: Atto II, Scena II. Aria "Il mio tesoro" (Don Ottavio)
producer:
Walter Legge (British classical producer)
tenor vocals [Don Ottavio]:
Luigi Alva (tenor) (from 1959-10-07 until 1959-11-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:38
31Don Giovanni, K. 527: Atto II, Scena II. Recitativo "In quali eccessi, o Numi" (Donna Elvira)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1] (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart1:48
32Don Giovanni, K. 527: Atto II, Scena II. Aria "Mi tradì, quell'alma ingrata" (Donna Elvira)
producer:
Walter Legge (British classical producer)
soprano vocals [Donna Elvira]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart3:48
3▶CD

Credits

Release

manufactured in:EU (Europe)
printed in:EU (Europe)
remastering:Andrew Walter (engineer) (in 2002)
harpsichord:Heinrich Schmidt (harpsichordist) (from 1959-10-07 until 1959-11-24)
chorus master:Roberto Benaglio (conductor) (from 1959-10-07 until 1959-11-24)
choir vocals:Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-10-07 until 1959-11-24)
design:Georgina Curtis (design, graphics, usu. for WLP Ltd.)
booklet editor:Peter Quantrill (liner notes author)
copyrighted (©) by:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2009)
phonographic copyright (℗) by:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2002)
remastered at:Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2002)
remaster of:Don Giovanni by Mozart (Wolfgang Amadeus Mozart, classical composer); Eberhard Wächter (baritone), Joan Sutherland (soprano), Luigi Alva (tenor), Gottlob Frick (operatic bass), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Giuseppe Taddei (baritone), Piero Cappuccilli (baritone), Graziella Sciutti (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Carlo Maria Giulini (conductor) (in 2002)
Discogs:https://www.discogs.com/release/15910807 [info]
ASIN:UK: B002N4DZ2G [info]