Il barbiere di Siviglia

~ Release by Rossini; Maria Callas, Tito Gobbi, Alva, Carturan, Ollendorff, Zaccaria, Philharmonia Orchestra & Chorus, Alceo Galliera (see all versions of this release, 7 available)

Tracklist

1▼CD
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1Il barbiere di Siviglia: Overture (Orchestra)
recorded in:
London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Sinfonia (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini6:43
2Il barbiere di Siviglia: Atto I, scena 1. “Piano, pianissimo, senza parlar” (Fiorello, Coro, Conte)
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1957-02-07 until 1957-02-14)
tenor vocals [Fiorella]:
Mario Carlin (tenor) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
chorus master:
Roberto Benaglio (conductor) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°1a. Introduzione “Piano, pianissimo” (Fiorello, Coro, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:55
3Il barbiere di Siviglia: Atto I, scena 1. “Ecco ridente in cielo” (Conte)
recorded in:
London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge (British classical producer)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°1b. Cavatina “Ecco ridente in cielo” (Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:10
4Il barbiere di Siviglia: Atto I, scena 1. “Ehi, Fiorelli? … Mio signore” (Conte, Fiorello, Coro)
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1957-02-07 until 1957-02-14)
tenor vocals [Fiorella]:
Mario Carlin (tenor) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
chorus master:
Roberto Benaglio (conductor) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°1c. Recitativo “Ehi, Fiorello” (Coro, Fiorello, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:06
5Il barbiere di Siviglia: Atto I, scena 1. “Mille grazie, mio signore“ (Conte, Fiorello, Coro)
recorded in:
London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1957-02-07 until 1957-02-14)
tenor vocals [Fiorella] and tenor vocals [Fiorello]:
Mario Carlin (tenor) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
chorus master:
Roberto Benaglio (conductor) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°1d. “Mille grazie, mio signore” (Coro, Conte, Fiorello) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:57
6Il barbiere di Siviglia: Atto I, scena 1. Recitativo “Gente indiscreta!“ (Conte, Fiorello, Figaro)
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
tenor vocals [Fiorella]:
Mario Carlin (tenor) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°1e. “Gente indiscreta!” (Conte, Fiorello, Figaro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini0:33
7Il barbiere di Siviglia: Atto I, scena 1. “La ran la le ra… Largo al factotum“ (Figaro)
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:41
8Il barbiere di Siviglia: Atto I, scena 1. Recitativo “Ah, che bella vita!“ (Figaro, Conte)
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°2b. “Ah che bella vita!” (Figaro, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:45
9Il barbiere di Siviglia: Atto I, scena 1. “Se il mio nome saper voi bramate“ (Conte, Rosina, Figaro)
recorded in:
London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°3a. Canzone “Se il mio nome saper voi bramate” (Conte, Rosina, Figaro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:55
10Il barbiere di Siviglia: Atto I, scena 1. Recitativo “Oh, cielo! … Nella stanza convien“ (Conte, Figaro)
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°3b. “Oh cielo!” (Conte, Figaro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:00
11Il barbiere di Siviglia: Atto I, scena 1. “All’idea di quel metallo“ (Conte, Figaro)
recorded in:
London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
tenor vocals [Conte]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
partial recording of:
Il barbiere di Siviglia: Atto I, N°4. Duetto “All’idea di quel metallo” (Figaro, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:07
12Il barbiere di Siviglia: Atto I, scena 1. “Piano, piano… Un’altra idea!“ (Conte, Figaro)
baritone vocals:
Tito Gobbi (baritone)
tenor vocals:
Luigi Alva (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
partial recording of:
Il barbiere di Siviglia: Atto I, N°4. Duetto “All’idea di quel metallo” (Figaro, Conte)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:59
13Il barbiere di Siviglia: Atto I, scena 1. “Oh, il meglio mi scordavo“ (Conte, Figaro)
baritone vocals:
Tito Gobbi (baritone)
tenor vocals:
Luigi Alva (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
partial recording of:
Il barbiere di Siviglia: Atto I, N°4. Duetto “All’idea di quel metallo” (Figaro, Conte)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:38
14Il barbiere di Siviglia: Atto I, scena 1. “Ah, che d’amore la fiamma io sento“ (Conte, Figaro)
baritone vocals:
Tito Gobbi (baritone)
tenor vocals:
Luigi Alva (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
partial recording of:
Il barbiere di Siviglia: Atto I, N°4. Duetto “All’idea di quel metallo” (Figaro, Conte)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:23
15Il barbiere di Siviglia: Atto I, scena 2. “Una voce poco fa“ (Rosina)
producer:
Walter Legge (British classical producer)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1957-02-07 until 1957-02-14) and Douglas Larter (from 1957-02-07 until 1957-02-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini6:17
16Il barbiere di Siviglia: Atto I, scena 2. Recitativo “Sì, sì, la vincerò“ (Rosina, Figaro)
recorded in:
London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°5b. “Sì, sì, la vincerò” (Rosina, Figaro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:19
17Il barbiere di Siviglia: Atto I, scena 2. Recitativo “Ah, disgraziato Figaro!” (Bartolo, Rosina, Berta, Ambrogio)
producer:
Walter Legge (British classical producer)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°5c. “Ah, disgraziato Figaro!” (Bartolo, Rosina, Berta, Ambrogio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini0:55
18Il barbiere di Siviglia: Atto I, scena 2. Recitativo “Ah, barbiere d’inferno!“ (Bartolo, Basilio)
producer:
Walter Legge (British classical producer)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (operatic bass) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°5d. “Ah! Barbiere d’inferno” (Bartolo, Basilio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:52
19Il barbiere di Siviglia: Atto I, scena 2. “La calunnia è un venticello“ (Basilio)
recorded in:
London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge (British classical producer)
bass vocals [Basilio]:
Nicola Zaccaria (operatic bass) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°6a. “La calunnia è un venticello” (Basilio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:38
20Il barbiere di Siviglia: Atto I, scena 2. Recitativo “Ah! Che ne dite?” (Basilio, Bartolo)
producer:
Walter Legge (British classical producer)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (operatic bass) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°6b. “Ah che ne dite?” (Basilio, Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini0:33
21Il barbiere di Siviglia: Atto I, scena 2. Recitativo “Ma bravi! Ma benone!” (Figaro, Rosina)
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°6c. “Ma bravi! Ma benone!” (Figaro, Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:19
22Il barbiere di Siviglia: Atto I, scena 2. “Dunque io son?” (Figaro, Rosina)
recorded in:
London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
partial recording of:
Il barbiere di Siviglia: Atto I, N°7a. Duetto “Dunque io son” (Rosina, Figaro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:54
23Il barbiere di Siviglia: Atto I, scena 2. “Fortunati affetti miei” (Figaro, Rosina)
baritone vocals:
Tito Gobbi (baritone)
soprano vocals:
Maria Callas (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
partial recording of:
Il barbiere di Siviglia: Atto I, N°7a. Duetto “Dunque io son” (Rosina, Figaro)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:13
24Il barbiere di Siviglia: Atto I, scena 2. Recitativo “Ora mi sento meglio” (Rosina, Bartolo)
recorded in:
London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge (British classical producer)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°7b. “Ora mi sento meglio” (Rosina, Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:23
25Il barbiere di Siviglia: Atto I, scena 2. “A un dottor della mia sorte” (Bartolo)
producer:
Walter Legge (British classical producer)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°8a. Aria “A un dottor della mia sorte” (Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:00
2▶CD