Las 50 mejores canciones de cine

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

© & ℗ «2015 Universal Music Spain, S.L.»

Anmerkung zuletzt geändert am 2019-08-29 03:56 UTC.

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Now We Are Free (from “Gladiator”)
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Produzent(in):
Klaus Badelt (German score composer) und Hans Zimmer (German score composer)
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000), Dreamworks Productions LLC (in 2000) und Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Now We Are Free (Gladiator)
Texter:
Lisa Gerrard
Komponist(in):
Klaus Badelt (German score composer), Lisa Gerrard und Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs und Universal‐MCA Music Publishing (US)
Teil von:
Gladiator
medley including a cover recording of:
Now We Are Free (Gladiator)
Texter:
Niloofar Rafiei
basiert auf:
Now We Are Free (Gladiator)
Medley von:
Now We Are Free (Gladiator)
Lisa Gerrard, Gavin Greenaway, The Lyndhurst Orchestra, Hans Zimmer54:14
2Main Title (I Had a Farm in Africa) (from “Out of Africa”)
Techniker(in):
Nicholas Basich und Mike Novitch
Produzent(in):
John Barry (English score composer)
Mix:
Dan Wallin
conductor und Interpret(in):
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1985)
aufgenommen bei:
The Record Plant, Studio M in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I Had a Farm in Africa (Out of Africa, main title)
Komponist(in):
John Barry (English score composer)
publisher:
MCA Music Ltd.
Teil von:
Out of Africa (soundtrack of the 1985 film)
John Barry43:11
3Back to the Future (from “Back to the Future”)
Produzent(in):
Alan Silvestri (US score composer)
Geige / Violine:
Jeanne E. Aiken (Session Musician) (von 1985-05-16 bis 1985-06-11), Patricia Aiken (von 1985-05-16 bis 1985-06-11), Judith Aller (von 1985-05-16 bis 1985-06-11), Mark Baranov (Session Musician) (von 1985-05-16 bis 1985-06-11) und Jackie Brand (von 1985-05-16 bis 1985-06-11)
Orchester:
The Outatime Orchestra (von 1985-05-16 bis 1985-06-11)
conductor:
Alan Silvestri (US score composer) (von 1985-05-16 bis 1985-06-11)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1985)
aufgenommen bei:
Eastwood Scoring Stage in Burbank, California (Kalifornien), Vereinigte Staaten (von 1985-05-16 bis 1985-06-11)
recording of:
Back to the Future (Theme) (title theme from the 1985 film of the same name) (von 1985-05-16 bis 1985-06-11)
Komponist(in):
Alan Silvestri (US score composer)
Teil von:
Back to the Future (original score and soundtrack of the 1985 film of the same name)
The Outatime Orchestra3:17
4The Promise (from “The Piano”)
Michael Nyman4:16
5Dead Already (from “American Beauty”)
recording of:
Dead Already (American Beauty)
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Teil von:
American Beauty (1999)
Thomas Newman3:17
6Mission: Impossible (from “Mission: Impossible ”)
recording of:
Mission: Impossible
Komponist(in):
Lalo Schifrin (pianist & composer)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
Mission: Impossible III (2006 film soundtrack)
Lalo Schifrin2:31
7The Wings (from “Brockeback Mountain”)
recording engineer, Programmierung und Mix:
Anibal Kerpel
Partner-Produzent(in):
Anibal Kerpel
Produzent(in):
Gustavo Santaolalla (Argentine score composer)
Bassgitarre [bass], Gitarre [guitars] und Harmonium [pump organ]:
Gustavo Santaolalla (Argentine score composer)
Pedal-Steel-Gitarre:
Bob Bernstein (pedal steel guitarist)
Saiteninstrumente arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
aufgenommen bei und mixed at:
La Casa (Los Angeles) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Wings
Komponist(in):
Gustavo Santaolalla (Argentine score composer)
Gustavo Santaolalla21:49
8Solace (from “The Sting”)
Produzent(in):
Marvin Hamlisch
conductor:
Marvin Hamlisch
arranger:
Marvin Hamlisch
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1974)
recording of:
Solace
Komponist(in):
Scott Joplin (composer and pianist) (in 1909)
publisher:
Chappell und Leeds Music Corp.
Teil von:
BioShock Infinite (video game soundtrack)
Marvin Hamlisch3:36
9Gortoz a Ran
recording engineer und Mix:
Emmanuel Casals
Gast vocals:
Lisa Gerrard
Interpret(in):
Lisa Gerrard
Musikvideos:
Gortoz a ran von Lisa Gerrard & Denez Prigent
recording of:
Gortoz a ran
Texter und Komponist(in):
Denez Prigent
Denez Prigent5:49
10Love Theme From Bladerunner (from “Blade Runner”)
Techniker(in):
Philippe Colonna, Frédérick Rousseau und Raine Shine
Produzent(in):
Vangelis (Greek composer of electronic, new age and classical)
Saxophon:
Dick Morrissey
Synthesizer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1989) und Warner Music UK Ltd. (not for release label use!) (in 1994)
aufgenommen bei:
Nemo Studios (Vangelis’ Studio) in London (Greater London), England, Vereinigtes Königreich (in 1982)
recording of:
Love Theme (Blade Runner)
Komponist(in):
Vangelis (Greek composer of electronic, new age and classical)
publisher:
Warner-Barham Music LLC
sub-publisher:
Universal Music Publishing France (not for release label use!)
Teil von:
Blade Runner
Vangelis3.64:54
11The Last Emperor (Theme) (from “The Last Emperor”)
Ryuichi Sakamoto5:52
12The King's Speech
Assistent recording engineer und assistierende(r) Mix:
John Barrett (engineer)
recording engineer und Mix:
Peter Cobbin (recording engineer at Abbey Road Studios)
Produzent(in):
Alexandre Desplat (French score composer) und Maggie Rodford
conductor:
Alexandre Desplat (French score composer)
phonographisches Urheberrecht (℗) von:
Cutting Edge Music (Holdings) Limited
recording of:
The King’s Speech
Orchestrator(in):
Jean-Pascal Beintus (composer) und Alexandre Desplat (French score composer)
Komponist(in):
Alexandre Desplat (French score composer)
Medley von:
Opening Title (Part 1) (The King's Speech)
Medley von:
Opening Title (Part 2) (The King's Speech)
Medley von:
Opening Title (Part 3) (The King's Speech)
Alexandre Desplat3:54
13Dawn (from “Pride & Prejudice”)
assistierende(r) Techniker(in):
Olga FitzRoy, Jake Jackson (recording engineer) und Nick Taylor (UK recording engineer)
Techniker(in):
Nick Wollage
Produzent(in):
Dario Marianelli (Italian score composer)
Editing:
James Bellamy (editor)
Klavier:
Jean‐Yves Thibaudet (pianist)
Orchester:
English Chamber Orchestra
conductor:
Benjamin Wallfisch (English score composer)
Orchestrator(in):
Benjamin Wallfisch (English score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics & Jazz (Japanese label division - read the annotation before using!)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Air-Edel Recording Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Dawn (Pride and Prejudice, 2005)
Komponist(in):
Dario Marianelli (Italian score composer)
Teil von:
Pride and Prejudice
Jean‐Yves Thibaudet52:35
14Chariots of Fire (from “Chariots of Fire”)
Techniker(in):
Raphael Preston, Raine Shine und John Walker (technical)
Produzent(in):
Vangelis (Greek composer of electronic, new age and classical)
Interpret(in):
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1981), Spheric B.V. (in 1981), Warner Bros., Inc. (not for release label use!) (in 1981) und PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1982)
aufgenommen bei:
Nemo Studios (Vangelis’ Studio) in London (Greater London), England, Vereinigtes Königreich
recording of:
Chariots of Fire (title theme of the 1981 film)
Komponist(in):
Vangelis (Greek composer of electronic, new age and classical)
publisher:
EMI Music Publishing (do not use as a release label!) und WB Music Corp. (1929–2019)
Vangelis3.63:28
15Hymn to Red October (main Title) (from “The Hunt for Red October”)
recording engineer und Mix:
Tim Boyle (recording and mixing engineer)
Produzent(in):
Basil Poledouris (American score composer)
Editing:
Thomas Milano (soundtrack composer, editor) und Tom Villano
conductor:
Basil Poledouris (American score composer)
Orchestrator(in):
Greig McRitchie
phonographisches Urheberrecht (℗) von:
Geffen Records (in 2013)
aufgenommen bei:
Evergreen Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
Hymn to Red October (The Hunt for Red October)
Komponist(in):
Basil Poledouris (American score composer)
Basil Poledouris55:06
16Midnight Cowboy (from “Midnight Cowboy”)
Techniker(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
Orchester:
Royal Philharmonic Orchestra
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1972-09-18)
recording of:
Midnight Cowboy
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
John Barry3:44
17A Kaleidoscope of Mathematics (from “A Beautiful Mind”)
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
David Marquette
Produzent(in):
James Horner (American score composer) und Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierendes Editing:
Barbara McDermott
Editing:
Jim Henrikson
conductor:
James Horner (American score composer)
Orchestrator(in):
James Horner (American score composer) und Randy Kerber
aufgenommen bei und mixed at:
Todd Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
A Kaleidoscope of Mathematics
Komponist(in):
James Horner (American score composer)
James Horner34:54
18Pelagia's Song (from “Captain Corelli's Mandolin”)
recording engineer und Mix:
Chris Dibble (engineer)
Produzent(in):
Stephen Warbeck
Editing:
Andy Glen
Solo-Gitarre:
Dario Rossetti-Bonell
Solo-Mandoline:
Giovanni Parricelli
conductor:
Nick Ingman
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
instrumental recording of:
Ricordo ancor (Il mandolino del capitano Corelli - “Pelagia’s Song”)
Orchestrator(in) und Komponist(in):
Stephen Warbeck
Texter:
Paco Reconti
Orchestra & Nick Ingman4:03
19Reunited (from “Van Helsing”)
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) und Alan Silvestri (US score composer)
assistierendes Editing:
Jacqueline Tager (editor)
Editing:
Kenneth Karman
conductor:
Alan Silvestri (US score composer)
Orchestrator(in):
Mark McKenzie (US film composer/orchestrator)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
aufgenommen bei:
Sony Pictures Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
recording of:
Reunited
Komponist(in):
Alan Silvestri (US score composer)
Alan Silvestri4:24
20Love Is All Around (from “Four Weddings and a Funeral”)
Koproduzent(in):
Graeme Duffin
conductor:
Fiachra Trench
Saiteninstrumente arranger:
Fiachra Trench
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1994) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
Musikvideos:
Love Is All Around von Wet Wet Wet
cover recording of:
Love Is All Around
Texter und Komponist(in):
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.853:59
21Out of Reach (from “Bridget Jones's Diary”)
Sologesang:
Gabrielle (British singer-songwriter)
Orchester:
The London Session Orchestra
phonographisches Urheberrecht (℗) von:
Go! Beat (subsidiary of Go! Discs; folded into UMG) (in 2001)
Musikvideos:
Out of Reach von Gabrielle (British singer-songwriter)
recording of:
Out of Reach (in 2001)
Verfasser(in):
Louise Gabrielle Bobb (British singer-songwriter) und Jonathan Shorten
publisher:
Perfect Songs (UK publisher, affiliated with BMI)
Gabrielle3.753:18
22Hallelujah
Produzent(in):
Patrick Leonard (producer, songwriter and pianist)
cover recording of:
Hallelujah
Texter und Komponist(in):
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-publisher:
Sony/ATV Music Publishing (Hong Kong)
Rufus Wainwright4.054:09
23Calling You (from “Bagdad Cafe”)
Produzent(in):
Levi Seacer, Jr.
Mundharmonika:
Bruce Kurnow
vocals:
Jevetta Steele
arranger:
Levi Seacer, Jr.
recording of:
Calling You (in 1988)
Texter und Komponist(in):
Bob Telson (composer, songwriter and pianist)
publisher:
Boodle Music (in 1987)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 61st Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1988 nominee)
Jevetta Steele35:21
24Unchained Melody (from “Ghost”)
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
Solo Sologesang:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographisches Urheberrecht (℗) von:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1965-03)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 269) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing und Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
The Righteous Brothers33:36
25Show Me Heaven (from “Days of Thunder”)
phonographisches Urheberrecht (℗) von:
MCA (1967–2003; name as in imprint during 1972–1990) (in 1990) und The David Geffen Company (legal rights relating to Geffen Records) (in 1990)
recording of:
Show Me Heaven
Verfasser(in):
Eric Rackin (Production music composer), Maria McKee und Jay Rifkin
publisher:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Maria McKee33:48
26Slave to Love
assistierende(r) Techniker(in):
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs und Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Rhett Davies
zusätzliche(r) Techniker(in):
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita und Bryan McGee (sound engineer)
Produzent(in):
Rhett Davies und Bryan Ferry
Mix:
Bob Clearmountain
Sologesang:
Bryan Ferry
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985, in 1999, in 2004)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, Vereinigte Staaten, RPM Studios in New York, New York, Vereinigte Staaten, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und The White House in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
Slave to Love
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) und Virgin EG Records Ltd. (in 1985)
Bryan Ferry3.854:24
27Turn Back Time
Produzent(in) und Mix:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen und Søren Rasted
arranger:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen und Søren Rasted
phonographisches Urheberrecht (℗) von:
Universal Music A/S (not for release label use! Danish subsidiary of Universal Music Group)
recording of:
Turn Back Time
Verfasser(in):
Claus Norreen und Søren Rasted
publisher:
MCA Music Scandinavia AB und Warner/Chappell Music Denmark, A/S (KODA)
Aqua3.554:05
28California Dreamin' (from “Forrest Gump”)
Techniker(in):
Bones Howe
Produzent(in):
Lou Adler
Gitarre:
P.F. Sloan (in 1965)
Solo-Altflöte:
Bud Shank (in 1965)
phonographisches Urheberrecht (℗) von:
Geffen Records und Dunhill Records (in 1966)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 420)
recording of:
California Dreamin’ (in 1965)
Verfasser(in):
John Phillips (The Mamas & The Papas) und Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) und Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:39
29Little Green Bag (from “Reservoir Dogs”)
Produzent(in):
George Baker (Dutch singer/songwriter)
phonographisches Urheberrecht (℗) von:
EMI Records Holland Ltd. (in 1962)
recording of:
Little Green Bag
Verfasser(in):
Hans Bouwens und Jan Visser (Dutch Gospel singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
George Baker Selection3.93:15
30Nowhere to Run (from “Good Morning Vietnam”)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 359)
recording of:
Nowhere to Run
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Verfasser(in):
Holland–Dozier–Holland
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Martha Reeves & the Vandellas4.652:51
31Do You Love Me (from “Dirty Dancing”)
recording of:
Do You Love Me
Texter und Komponist(in):
Berry Gordy
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
The Contours2:36
32Got to Give It Up, Pt. 1
Produzent(in):
Art Stewart
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967)
recording of:
Got to Give It Up
Texter und Komponist(in):
Marvin Gaye
publisher:
Jobete Music (UK) Ltd. und Jobete Music Publishing
Marvin Gaye4.154:08
33Heaven Must Be Missing an Angel, Pt. 1
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1976)
Bearbeitung von:
Heaven Must Be Missing an Angel von Tavares (US R&B, funk and soul music)
recording of:
Heaven Must Be Missing an Angel
Verfasser(in):
Freddie Perren und Keni St. Lewis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tavares43:31
34If I Can't Have You (from “Saturday Night Fever”)
Produzent(in):
Freddie Perren
Bass:
Scott Edwards (bassist)
Gitarre:
Bob Bowles
Keyboard und Synthesizer:
Freddie Perren
Klavier:
Sonny Burke (soul/jazz/funk keyboardist)
Perkussion:
Bob Zimmitti, Paulinho da Costa (Brazilian percussionist) und Freddie Perren
Schlagzeug:
James Gadson (American drummer)
Hintergrundgesang [additional background vocals] und Sologesang:
Yvonne Elliman
Hintergrundgesang [girl-group background vocals]:
Marti McCall (session vocalist), Julia Waters und Maxine Waters
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 19) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 343)
recording of:
If I Can’t Have You
geschrieben in:
Frankreich
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (in 1978) und Unichappell Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Yvonne Elliman4.252:58
35Hot Stuff
Produzent(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
vocals:
Donna Summer (soul/disco diva)
phonographisches Urheberrecht (℗) von:
UMG Recordings Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 2003, in 2013) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2003)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 103)
recording of:
Hot Stuff
Verfasser(in):
Pete Bellotte (English lyricist and producer), Harold Faltermeyer und Keith Forsey (drummer, producer and songwriter)
publisher:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer4.55:16
36Shout to the Top
Produzent(in):
Paul Weller (English singer‐songwriter and musician) und Peter Wilson (UK Producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1984)
recording of:
Shout to the Top
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council34:14
37You Never Can Tell (from “Pulp Fiction”)
Sprecher [Ed Sullivan]:
Jerome Patrick Hoban
Sprecher [Mia Wallace]:
Uma Thurman (actress)
medley including a recording of:
Jack Rabbit Slims Twist Contest
Verfasser(in):
Quentin Tarantino
publisher:
Horny Guy Music
medley including a recording of:
You Never Can Tell
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. und Isalee Music (in 1994)
Chuck Berry33:13
38Tubular Bells (from “The Exorcist”)
recording of:
Tubular Bells
Komponist(in):
Mike Oldfield
quotes music from:
Dies Irae (plainchant)
Teil von:
Tubular Bells, Part One
Mike Oldfield4.254:17
39Symphony No.5 in C Sharp Minor: 4. Adagietto (Sehr Langsam) (from “Morte a Venezia”)
Techniker(in):
Gordon Parry (engineer)
Produzent(in):
David Harvey (producer)
Orchester:
Chicago Symphony Orchestra (in 1970-04)
conductor:
Sir Georg Solti (conductor) (in 1970-04)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
aufgenommen bei:
Medinah Temple in Chicago, Illinois, Vereinigte Staaten (in 1970-04)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1970-04)
Komponist(in):
Gustav Mahler (composer) (von 1901 bis 1902)
Teil von:
Symphony no. 5 (5. Sinfonie)
Chicago Symphony Orchestra, Sir Georg Solti9:52
40Cavalleria Rusticana: Intermezzo Sinfonico (from “The Godfather III”)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor) (in 1990)
recording of:
Cavalleria rusticana: Intermezzo (in 1990)
Komponist(in):
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
Teil von:
Cavalleria rusticana
Teil von:
Cavalleria rusticana (German lyrics)
Philharmonia Orchestra, Giuseppe Sinopoli4:17
41Adagio for Strings, Op.11 (from “Platoon”)
Techniker(in):
Simon Eadon (classical music engineer) und Stanley Goodall (engineer)
Produzent(in):
Chris Hazell
Orchester:
Academy of St Martin in the Fields (in 1976-10)
conductor:
Sir Neville Marriner (conductor) (in 1976-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1976-10)
recording of:
Adagio for Strings (in 1976-10)
Orchestrator(in):
Samuel Barber (American composer) (in 1938)
Komponist(in):
Samuel Barber (American composer) (in 1936)
uraufgeführt von:
NBC Symphony Orchestra (am 1938-11-05) und Arturo Toscanini (conductor) (am 1938-11-05)
Premiere bei:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) und G. Schirmer Inc.
Arrangement von:
String Quartet, op. 11: II. Molto adagio
Academy of St Martin in the Fields, Sir Neville Marriner8:40
42Aria Mit 30 Veränderungen, BWV 988 "Goldberg Variations": Aria (from “The Silence of the Lambs”)
Techniker(in):
Simon Eadon (classical music engineer)
Produzent(in):
Michael Haas (classical music producer)
Klavier:
András Schiff (pianist) (von 1982-04-13 bis 1982-04-15)
phonographisches Urheberrecht (℗) von:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1983)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1982-04-13 bis 1982-04-15)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (von 1982-04-13 bis 1982-04-15)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 26)
Teil von:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
András Schiff3:47
43Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2 "Moonlight": 1. Adagio Sostenuto (from “Immortal Beloved”)
Produzent(in):
Wolfgang Lohse (in 1965-01)
Klavier:
Wilhelm Kempff (pianist) (in 1965-01)
Tonmeister(in):
Klaus Scheibe (editor/engineer) (in 1965-01)
aufgenommen bei:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Deutschland (in 1965-01)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Sonate für Klavier Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondscheinsonate": I. Adagio sostenuto) (in 1965-01)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1801)
Teil von:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight” (Klaviersonate No. 14 in cis-Moll, Op. 27 No. 2 "Mondschein")
Wilhelm Kempff46:00
44Lakmé / Act 1: "Viens, Mallika,... Dôme Épais" (from “The Hunger”)
Techniker(in):
Michael Mailes (engineer) (am 1967-10-12) und Kenneth Wilkinson (engineer) (am 1967-10-12)
Produzent(in):
John Mordler (producer)
Mezzosoprangesang [Mallika]:
Jane Berbié (mezzo-soprano) (am 1967-10-12)
Soprangesang [Lakmé]:
Joan Sutherland (soprano) (am 1967-10-12)
Orchester:
Orchestre National de lʼOpéra de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra) (am 1967-10-12)
conductor:
Richard Bonynge (conductor and pianist) (am 1967-10-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
aufgenommen bei:
Salle Alcazar in Monte-Carlo (Monte Carlo), Monaco (am 1967-10-12)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (am 1967-10-12)
Komponist(in):
Léo Delibes (French composer)
Librettist:
Philippe Gille und Edmond Gondinet
publisher:
Jenkinsongs Ltd.
Teil von:
Lakmé : Acte I
Dame Joan Sutherland, Jane Berbié, Orchestre National de l’Opéra de Monte‐Carlo, Richard Bonynge6:01
45Les Contes d’Hoffmann : Acte II. « Belle Nuit, ô nuit d’amour » (La vita è bella)
Produzent(in):
John Mordler (producer) und Michael Woolcock (producer)
Chorgesang:
Chœur de la Radio Suisse Romande, Chœur Pro Arte de Lausanne (in 1972-06) und Chorale du Brassus (in 1972-06)
Mezzosoprangesang:
Huguette Tourangeau (mezzo-soprano) (in 1972-06)
Soprangesang:
Joan Sutherland (soprano) (in 1972-06)
Orchester:
Orchestre de la Suisse Romande (OSR) (in 1972-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-06)
Tonmeister(in):
James Lock (James Locke, engineer)
aufgenommen bei:
Victoria Hall (Geneva) in Genève (Genf), Genève (Kanton Genf), Schweiz (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 1972-06)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Teil von:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Teil von:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Librettist:
Jules Barbier
Teil von:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Dame Joan Sutherland4:10
46Requiem in D Minor, K.626: 3. Sequentia: VI. Lacrimosa (from “Amadeus”)
recording engineer:
Günter Hermanns (producer/engineer)
leitende(r) Produzent(in):
Dr. Ellen Hickmann (producer for Deutsche Grammophon) und Dr. Hans Hirsch (producer at Deutsche Grammophon)
Produzent(in):
Wolfgang Lohse
Orgel:
Hans Haselböck (organist) (in 1971-04)
Chorgesang:
Konzertvereinigung Wiener Staatsopernchor (Chor der Wiener Staatsoper) (in 1971-04)
Orchester:
Wiener Philharmoniker (in 1971-04)
conductor:
Karl Böhm (Austrian conductor) (in 1971-04)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1971-04)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1971)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (in 1971-04)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1971-04)
Orchestrator(in):
Franz Xaver Süßmayr
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
zusätzliche(r) Komponist(in):
Joseph Leopold Eybler (Austrian composer) und Franz Xaver Süßmayr (von 1791 bis 1792)
Teil von:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Teil von:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wiener Philharmoniker, Karl Böhm, Vienna State Opera Chorus54:13
47Zadok the Priest (Coronation Anthem No.1, HWV 258) (from “The Madness of King George”)
leitende(r) Produzent(in):
Dr. Andreas Holschneider
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Orgel:
Simon Preston (organist, conductor, composer) und Trevor Pinnock (conductor / harpsichord) (in 1981-10)
Chorgesang:
Choir of Westminster Abbey (in 1981-10)
Soprangesang:
Lynne Dawson (soprano)
Orchester:
The English Concert Orchestra (in 1981-10)
conductor:
Simon Preston (organist, conductor, composer) (in 1981-10)
Interpret(in):
Choir of Westminster Abbey
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1982)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1981-10)
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258 (in 1981-10)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1727)
Premiere bei:
Westminster Abbey in London (Greater London), England, Vereinigtes Königreich (am 1727-10-11)
Teil von:
Händel-Werke-Verzeichnis (Nummer: HWV 258)
Teil von:
The Four Coronation Anthems
Trevor Pinnock, The English Concert, Simon Preston, The Choir of Westminster Abbey5:16
48Die Walküre / Act 3: Ride of the Valkyries (from “Apocalypse Now”)
Birgit Nilsson, Berit Lindholm, Brigitte Fassbaender, Claudia Hellmann, Helen Watts, Helga Dernesch, Marilyn Tyler, Vera Schlosser, Wiener Philharmoniker, Sir Georg Solti6:21
49Götterdämmerung (concert version) / Dritter Aufzug: Siegfried's Funeral March (from “Excalibur”)
Wiener Philharmoniker, Hans Knappertsbusch7:27
50Serenade in G Major, K. 525 "Eine Kleine Nachtmusik": 1. Allegro (from “Alien”)
Produzent(in):
Werner Mayer (classical producer)
Orchester:
Wiener Philharmoniker (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
Tonmeister(in):
Günter Hermanns (producer/engineer) (in 1974-10)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1976)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (in 1974-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade Nr. 13 für Streicher G-Dur, KV 525 "Eine kleine Nachtmusik": I. Allegro) (in 1974-10)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wiener Philharmoniker, Karl Böhm6:11