| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Now We Are Free (from “Gladiator”) | Lisa Gerrard, Gavin Greenaway, The Lyndhurst Orchestra, Hans Zimmer | 5 | 4:14 |
| 2 | Main Title (I Had a Farm in Africa) (from “Out of Africa”) | John Barry | 4 | 3:11 |
| 3 | Back to the Future (from “Back to the Future”) | The Outatime Orchestra | | 3:17 |
| 4 | The Promise (from “The Piano”) | Michael Nyman | | 4:16 |
| 5 | Dead Already (from “American Beauty”) | Thomas Newman | | 3:17 |
| 6 | Mission: Impossible (from “Mission: Impossible ”) | Lalo Schifrin | | 2:31 |
| 7 | The Wings (from “Brockeback Mountain”) | Gustavo Santaolalla | 2 | 1:49 |
| 8 | Solace (from “The Sting”) | Marvin Hamlisch | | 3:36 |
| 9 | Gortoz a Ran | Denez Prigent | | 5:49 |
| 10 | Love Theme From Bladerunner (from “Blade Runner”) | Vangelis | 3.6 | 4:54 |
| 11 | The Last Emperor (Theme) (from “The Last Emperor”) | Ryuichi Sakamoto | | 5:52 |
| 12 | The King's Speech | Alexandre Desplat | | 3:54 |
| 13 | Dawn (from “Pride & Prejudice”) | Jean‐Yves Thibaudet | 5 | 2:35 |
| 14 | Chariots of Fire (from “Chariots of Fire”) | Vangelis | 3.6 | 3:28 |
| 15 | Hymn to Red October (main Title) (from “The Hunt for Red October”) | Basil Poledouris | 5 | 5:06 |
| 16 | Midnight Cowboy (from “Midnight Cowboy”) | John Barry | | 3:44 |
| 17 | A Kaleidoscope of Mathematics (from “A Beautiful Mind”) | James Horner | 3 | 4:54 |
| 18 | Pelagia's Song (from “Captain Corelli's Mandolin”) | Orchestra & Nick Ingman | | 4:03 |
| 19 | Reunited (from “Van Helsing”) | Alan Silvestri | | 4:24 |
| 20 | Love Is All Around (from “Four Weddings and a Funeral”) | Wet Wet Wet | 3.85 | 3:59 |
| 21 | Out of Reach (from “Bridget Jones's Diary”) | Gabrielle | 3.75 | 3:18 |
| 22 | Hallelujah | Rufus Wainwright | 4.05 | 4:09 |
| 23 | Calling You (from “Bagdad Cafe”) | Jevetta Steele | 3 | 5:21 |
| 24 | Unchained Melody (from “Ghost”)- Techniker(in):
- Larry Levine
- Produzent(in):
- Phil Spector
- Solo Sologesang:
- Bobby Hatfield (in 1965-03)
- arranger:
- Jack Nitzsche
- phonographisches Urheberrecht (℗) von:
- Spectrum Music , PolyGram Records, Inc. (in 1965, in 1968) und Universal Records (in 1966)
- aufgenommen bei:
- Radio Recorders Studios in West Hollywood, California , Vereinigte Staaten (in 1965-03)
- Teil von:
- The Co-Op: Top 10 British Funeral Songs (Nummer: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 269) und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 366)
- cover recording of:
- Unchained Melody (in 1965-03)
- publisher:
- Hy Zaret
- Texter:
- Hy Zaret
- Komponist(in):
- Alex North
- publisher:
- Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. , MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing und Unchained Melody Publishing, LLC
- sub-publisher:
- 日音 Synch事業部
- Teil von:
- The 28th Academy Award for Best Original Song (Nummer: 2)
| The Righteous Brothers | 3 | 3:36 |
| 25 | Show Me Heaven (from “Days of Thunder”) | Maria McKee | 3 | 3:48 |
| 26 | Slave to Love- assistierende(r) Techniker(in):
- Benji Armbrister, Steve Churchyard, Randy Ezratty , Dave Greenberg , Julian Wheatley , Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs und Nigel Walker
- Techniker(in):
- Rhett Davies
- zusätzliche(r) Techniker(in):
- Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita und Bryan McGee
- Produzent(in):
- Rhett Davies und Bryan Ferry
- Mix:
- Bob Clearmountain
- Sologesang:
- Bryan Ferry
- phonographisches Urheberrecht (℗) von:
- E.G. Records Ltd. (in 1985) und Virgin Records Ltd. (in 1985, in 1999, in 2004)
- aufgenommen bei:
- AIR Studios in Hampstead, Camden , London , England, Vereinigtes Königreich, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, Vereinigte Staaten, RPM Studios in New York, New York, Vereinigte Staaten, Sarm West Studios in Notting Hill, Kensington and Chelsea, London , England, Vereinigtes Königreich und The White House in Nashville, Tennessee, Vereinigte Staaten
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, Vereinigte Staaten
- recording of:
- Slave to Love
- Texter und Komponist(in):
- Bryan Ferry
- publisher:
- BMG Rights Management (UK) Ltd. , EMI Virgin Music Ltd. , EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (in 1985), E.G. Records Ltd. (in 1985) und Virgin EG Records Ltd. (in 1985)
| Bryan Ferry | 3.85 | 4:24 |
| 27 | Turn Back Time | Aqua | 3.55 | 4:05 |
| 28 | California Dreamin' (from “Forrest Gump”)- Techniker(in):
- Bones Howe
- Produzent(in):
- Lou Adler
- Gitarre:
- P.F. Sloan (in 1965)
- Solo-Altflöte:
- Bud Shank (in 1965)
- phonographisches Urheberrecht (℗) von:
- Geffen Records und Dunhill Records (in 1966)
- aufgenommen bei:
- Western Recorders in Los Angeles, California , Vereinigte Staaten (in 1965)
- Teil von:
- Billboard: The 500 Best Pop Songs (Nummer: 52), Rolling Stone: 500 Greatest Songs of All Time (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 420)
- recording of:
- California Dreamin’ (in 1965)
- Verfasser(in):
- John Phillips und Michelle Phillips
- publisher:
- American Broadcasting Music, Inc., MCA Music Publishing , Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. und Universal/MCA Music Publishing GmbH
- sub-publisher:
- シンコーミュージック・エンタテイメント und ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Mamas & the Papas | 4.35 | 2:39 |
| 29 | Little Green Bag (from “Reservoir Dogs”) | George Baker Selection | 3.9 | 3:15 |
| 30 | Nowhere to Run (from “Good Morning Vietnam”) | Martha Reeves & the Vandellas | 4.65 | 2:51 |
| 31 | Do You Love Me (from “Dirty Dancing”) | The Contours | | 2:36 |
| 32 | Got to Give It Up, Pt. 1 | Marvin Gaye | 4.15 | 4:08 |
| 33 | Heaven Must Be Missing an Angel, Pt. 1 | Tavares | 4 | 3:31 |
| 34 | If I Can't Have You (from “Saturday Night Fever”)- Produzent(in):
- Freddie Perren
- Bass:
- Scott Edwards
- Gitarre:
- Bob Bowles
- Keyboard und Synthesizer:
- Freddie Perren
- Klavier:
- Sonny Burke
- Perkussion:
- Bob Zimmitti, Paulinho da Costa und Freddie Perren
- Schlagzeug:
- James Gadson
- Hintergrundgesang [additional background vocals] und Sologesang:
- Yvonne Elliman
- Hintergrundgesang [girl-group background vocals]:
- Marti McCall , Julia Waters und Maxine Waters
- phonographisches Urheberrecht (℗) von:
- PolyGram Records, Inc. (in 1977) und Universal International Music B.V. (in 1977)
- Teil von:
- Billboard Year-End Hot 100 singles of 1978 (Nummer: 19) und Billboard: The 500 Best Pop Songs (Nummer: 343)
- recording of:
- If I Can’t Have You
- geschrieben in:
- Frankreich
- Verfasser(in):
- Barry Gibb, Maurice Gibb und Robin Gibb
- publisher:
- BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (in 1978) und Unichappell Music (in 1978)
- sub-publisher:
- シンコーミュージック・エンタテイメント und ユニバーサル・ミュージック・パブリッシング Synch事業部
| Yvonne Elliman | 4.25 | 2:58 |
| 35 | Hot Stuff | Donna Summer | 4.5 | 5:16 |
| 36 | Shout to the Top | The Style Council | 3 | 4:14 |
| 37 | You Never Can Tell (from “Pulp Fiction”) | Chuck Berry | 3 | 3:13 |
| 38 | Tubular Bells (from “The Exorcist”) | Mike Oldfield | 4.25 | 4:17 |
| 39 | Symphony No.5 in C Sharp Minor: 4. Adagietto (Sehr Langsam) (from “Morte a Venezia”) | Chicago Symphony Orchestra, Sir Georg Solti | | 9:52 |
| 40 | Cavalleria Rusticana: Intermezzo Sinfonico (from “The Godfather III”) | Philharmonia Orchestra, Giuseppe Sinopoli | | 4:17 |
| 41 | Adagio for Strings, Op.11 (from “Platoon”) | Academy of St Martin in the Fields, Sir Neville Marriner | | 8:40 |
| 42 | Aria Mit 30 Veränderungen, BWV 988 "Goldberg Variations": Aria (from “The Silence of the Lambs”) | András Schiff | | 3:47 |
| 43 | Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2 "Moonlight": 1. Adagio Sostenuto (from “Immortal Beloved”) | Wilhelm Kempff | 4 | 6:00 |
| 44 | Lakmé / Act 1: "Viens, Mallika,... Dôme Épais" (from “The Hunger”) | Dame Joan Sutherland, Jane Berbié, Orchestre National de l’Opéra de Monte‐Carlo, Richard Bonynge | | 6:01 |
| 45 | Les Contes d’Hoffmann : Acte II. « Belle Nuit, ô nuit d’amour » (La vita è bella)- Produzent(in):
- John Mordler und Michael Woolcock
- Chorgesang:
- Chœur de la Radio Suisse Romande, Chœur Pro Arte de Lausanne (in 1972-06) und Chorale du Brassus (in 1972-06)
- Mezzosoprangesang:
- Huguette Tourangeau (in 1972-06)
- Soprangesang:
- Joan Sutherland (in 1972-06)
- Orchester:
- Orchestre de la Suisse Romande (in 1972-06)
- conductor:
- Richard Bonynge (in 1972-06)
- Tonmeister(in):
- James Lock
- aufgenommen bei:
- Victoria Hall in Genève , Genève , Schweiz (in 1972-06)
- recording of:
- Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 1972-06)
- Komponist(in):
- Jacques Offenbach
- Teil von:
- Les Contes d'Hoffmann: Acte IV (Giulietta)
- recording of:
- Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur)
- Komponist(in):
- Jacques Offenbach
- Teil von:
- Les Contes d’Hoffmann: Acte III (Giulietta)
- recording of:
- Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
- Komponist(in):
- Jacques Offenbach
- Librettist:
- Jules Barbier
- Teil von:
- Les Contes d’Hoffmann: Acte III (Giulietta)
| Dame Joan Sutherland | | 4:10 |
| 46 | Requiem in D Minor, K.626: 3. Sequentia: VI. Lacrimosa (from “Amadeus”) | Wiener Philharmoniker, Karl Böhm, Vienna State Opera Chorus | 5 | 4:13 |
| 47 | Zadok the Priest (Coronation Anthem No.1, HWV 258) (from “The Madness of King George”) | Trevor Pinnock, The English Concert, Simon Preston, The Choir of Westminster Abbey | | 5:16 |
| 48 | Die Walküre / Act 3: Ride of the Valkyries (from “Apocalypse Now”) | Birgit Nilsson, Berit Lindholm, Brigitte Fassbaender, Claudia Hellmann, Helen Watts, Helga Dernesch, Marilyn Tyler, Vera Schlosser, Wiener Philharmoniker, Sir Georg Solti | | 6:21 |
| 49 | Götterdämmerung (concert version) / Dritter Aufzug: Siegfried's Funeral March (from “Excalibur”) | Wiener Philharmoniker, Hans Knappertsbusch | | 7:27 |
| 50 | Serenade in G Major, K. 525 "Eine Kleine Nachtmusik": 1. Allegro (from “Alien”) | Wiener Philharmoniker, Karl Böhm | | 6:11 |