The Complete Warner Recordings I

~ Release by Itzhak Perlman (see all versions of this release, 6 available)

Tracklist

1▶CD: Paganini: Violin Concerto no. 1 / Sarasate: Carmen Fantasy
2▶CD: J.S. Bach: Double Violin Concerto, BWV 1043 / Violin Concertos, BWV 1042 & 1056
3▶CD: J.S. Bach: Concerto for Violin & Oboe, BWV 1060 / Violin Concertos, BWV 1041 & 1052
4▶CD: Paganini: 24 Caprices
5▶CD: Wieniawski: Violin Concertos 1 & 2
6▶CD: Mendelssohn: Violin Concerto / Bruch: Violin Concerto no. 1
7▶CD: Bartók: Violin Concerto no. 2
8▼CD: Encores I
#TitleArtistRatingLength
1Prelude & Allegro in the style of Pugnani
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Prélude et Allegro dans le style de Pugnani (from 1972-11-05 until 1972-11-07)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
Fritz Kreisler5:28
2Romanza andaluza, op. 22 no. 1
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-11-05 until 1972-11-07)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Spanish Dances, op. 22, no. 1: Romanza andaluza (for violin (or mandolin) and piano) (from 1972-11-05 until 1972-11-07)
composer:
Pablo de Sarasate (violinist and composer)
part of:
Spanish Dances, op. 22 (for violin (or mandolin) and piano)
Pablo de Sarasate4:52
3Perpetuum mobile, op. 5 no. 4
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-11-05 until 1972-11-07)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Perpetuum mobile, op. 5 no. 4 (for violin and piano) (from 1972-11-05 until 1972-11-07)
composer:
Ottokar Nováček (Violinist, composer)
part of:
8 Concert Caprices, op. 5
Ottokar Nováček2:47
4Berceuse sfaradite
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-11-05 until 1972-11-07)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Berceuse sfaradite (for violin and piano) (from 1972-11-05 until 1972-11-07)
composer:
Paul Ben-Haim (Israeli composer)
Paul Ben-Haim3:45
5Polonaise de concert, op. 4
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Polonaise de concert no. 1 in D major, op. 4 (for violin and piano) (from 1972-11-05 until 1972-11-07)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1852)
dedicated to:
Karol Lipiński (Polish composer)
publisher:
Litolff (in 1853)
part of:
Works of Henryk Wieniawski by opus number (number: op. 4)
arrangement of:
Polonaise de concert no. 1 in D major, op. 4 (for violin and orchestra)
Henryk Wieniawski4:42
6La Fille aux cheveux de lin
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-11-05 until 1972-11-07)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
La fille aux cheveux de lin (for violin and piano, Hartmann) (from 1972-11-05 until 1972-11-07)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
piano and violin arranger:
Arthur Hartmann (classical composer, violinist, USA 1881-1956)
arrangement of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair)
Claude Debussy2:39
7Variations on a Theme of Corelli
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Variations on a Theme of Corelli (for violin and piano) (from 1972-11-05 until 1972-11-07)
arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
Giuseppe Tartini3:18
8Ao pé da fogueira (Prelude XV)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Ao pé da fogueira (for violin and piano, arr. Heifetz) (from 1972-11-05 until 1972-11-07)
composer:
Flausino Vale (Brazilian violinist and composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Ao pé da fogueira
Edgar Daniel del Valle1:22
9Vocalise, op. 34 no. 14
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
arranger:
Михаил Пресс (Michael Press, Russian-American violinist, conductor and music educator)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Vocalise, op. 34 no. 14 (for violin and piano, Press/Gingold) (from 1972-11-05 until 1972-11-07)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1912)
arranger:
Josef Gingold (violinist) and Michel Press (Michael Press, Russian-American violinist, conductor and music educator)
arrangement of:
Vocalise, op. 34 no. 14 (for violin and piano, Press)
Сергей Васильевич Рахманинов4:57
10Scherzo tarantelle, op. 16
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Scherzo-tarantelle, op. 16 (from 1972-11-05 until 1972-11-07)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1855)
part of:
Works of Henryk Wieniawski by opus number (number: op. 16)
Henryk Wieniawski4:33
11Romance, op. 94 no. 2
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-11-05 until 1972-11-07)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Romance in A, op. 94 no. 2 (for violin and piano, arr. Kreisler) (from 1972-11-05 until 1972-11-07)
composer:
Robert Schumann (German classical composer) (from 1849-12-07 until 1849-12-12)
piano and violin arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
arrangement of:
3 Romanzen, op. 94: No. 2. Einfach, innig (for oboe and piano)
Robert Schumann4:13
12Sonata no. 12 in E minor, op. 3 no. 6
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Sonata in E minor, op. 3 no. 6 (catch-all for arrangements) (from 1972-11-05 until 1972-11-07)
composer:
Niccolò Paganini (Italian composer and violinist)
arrangement of:
Sonata per violino e chitarra in E minor, op. 3 no. 6, MS 27 (for violin and guitar)
Niccolò Paganini3:49
13Zapateado, op. 23 no. 2
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Samuel Sanders (pianist) (from 1972-11-05 until 1972-11-07)
violin:
Itzhak Perlman (violinist and conductor) (from 1972-11-05 until 1972-11-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-11-05 until 1972-11-07)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11-05 until 1972-11-07)
recording of:
Spanish Dances, op. 23, no. 2: Zapateado (from 1972-11-05 until 1972-11-07)
composer:
Pablo de Sarasate (violinist and composer)
part of:
Spanish Dances, op. 23 (for violin and piano)
Pablo de Sarasate3:21
9▶CD: Encores II
10▶CD: Dvořák: Violin Concerto / Romance
11▶CD: Saint-Saëns / Chausson / Ravel
12▶CD: Joplin: The Easy Winners & Other Rags
13▶CD: Stravinsky: Divertimento / Suite Italienne / Duo Concertant
14▶CD: Itzhak Perlman Plays Fritz Kreisler (1)
15▶CD: Itzhak Perlman Plays Fritz Kreisler (2)
16▶CD: Itzhak Perlman Plays Fritz Kreisler (3)
17▶CD: Vivaldi: Le quattro stagioni (The Four Seasons)
18▶CD: Bruch: Scottish Fantasy / Violin Concerto no. 2
19▶CD: Brahms: Violin Concerto
20▶CD: Duets for Two Violins
21▶CD: Goldmark: Violin Concerto no. 1 / Sarasate: Zigeunerweisen
22▶CD: Vieuxtemps: Violin Concertos 4 & 5
23▶CD: Tchaikovsky: Violin Concerto / Sérénade mélancolique
24▶CD: Moszkowski / Shostakovich / Prokofiev: Duets for Two Violins
25▶CD: Bartók: 44 Duos for Two Violins