California Concerts, Volume 2

~ Veröffentlichung von Gerry Mulligan (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Recorded live at Hoover High School, San Diego, CA.

Anmerkung zuletzt geändert am 2018-02-11 03:15 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Makin' Whoopee
recorded in:
San Diego, California (Kalifornien), Vereinigte Staaten (am 1954-12-14)
recording engineer:
Richard Bock (record producer) und Phil Turetsky
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (am 1954-12-14)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1954-12-14)
Schlagzeug:
Chico Hamilton (am 1954-12-14)
Trompete:
Jon Eardley (US 1950-80s jazz trumpeter) (am 1954-12-14)
live instrumental recording of:
Makin’ Whoopee! (am 1954-12-14)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
3:15
2Nights at the Turntable
recorded in:
San Diego, California (Kalifornien), Vereinigte Staaten (am 1954-12-14)
recording engineer:
Richard Bock (record producer) und Phil Turetsky
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (am 1954-12-14)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1954-12-14)
Schlagzeug:
Chico Hamilton (am 1954-12-14)
Trompete:
Jon Eardley (US 1950-80s jazz trumpeter) (am 1954-12-14)
live recording of:
Nights at the Turntable (am 1954-12-14)
Komponist(in):
Gerry Mulligan
3:06
3Blues for Tiny
recorded in:
San Diego, California (Kalifornien), Vereinigte Staaten (am 1954-12-14)
recording engineer:
Richard Bock (record producer) und Phil Turetsky
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (am 1954-12-14)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1954-12-14)
Schlagzeug:
Chico Hamilton (am 1954-12-14)
Trompete:
Jon Eardley (US 1950-80s jazz trumpeter) (am 1954-12-14)
live recording of:
Blues For Tiny (am 1954-12-14)
Komponist(in):
Red Mitchell (jazz double-bassist, composer and lyricist)
5:20
4Frenesi
recorded in:
San Diego, California (Kalifornien), Vereinigte Staaten (am 1954-12-14)
recording engineer:
Richard Bock (record producer) und Phil Turetsky
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (am 1954-12-14)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1954-12-14)
Schlagzeug:
Chico Hamilton (am 1954-12-14)
Trompete:
Jon Eardley (US 1950-80s jazz trumpeter) (am 1954-12-14)
live instrumental recording of:
Frenesí (am 1954-12-14)
Texter und Komponist(in):
Alberto Domínguez
3:16
5Limelite
recorded in:
San Diego, California (Kalifornien), Vereinigte Staaten (am 1954-12-14)
recording engineer:
Richard Bock (record producer) und Phil Turetsky
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (am 1954-12-14)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1954-12-14)
Schlagzeug:
Chico Hamilton (am 1954-12-14)
Trompete:
Jon Eardley (US 1950-80s jazz trumpeter) (am 1954-12-14)
live recording of:
Limelight (am 1954-12-14)
Verfasser(in) und Komponist(in):
Gerry Mulligan
3:45
6People Will Say We're in Love
recorded in:
San Diego, California (Kalifornien), Vereinigte Staaten (am 1954-12-14)
recording engineer:
Richard Bock (record producer) und Phil Turetsky
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (am 1954-12-14)
Klavier und Ventilposaune:
Bob Brookmeyer (am 1954-12-14)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1954-12-14)
Schlagzeug:
Larry Bunker (am 1954-12-14)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1954-12-14)
Trompete:
Jon Eardley (US 1950-80s jazz trumpeter) (am 1954-12-14)
live instrumental recording of:
People Will Say We’re in Love (am 1954-12-14)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company und Williamson Music, Inc.
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
4:04
7Western Union
recorded in:
San Diego, California (Kalifornien), Vereinigte Staaten (am 1954-12-14)
recording engineer:
Richard Bock (record producer) und Phil Turetsky
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (am 1954-12-14)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1954-12-14)
Schlagzeug:
Larry Bunker (am 1954-12-14)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1954-12-14)
Trompete:
Jon Eardley (US 1950-80s jazz trumpeter) (am 1954-12-14)
Ventilposaune:
Bob Brookmeyer (am 1954-12-14)
live recording of:
Western Reunion (am 1954-12-14)
Komponist(in):
Gerry Mulligan
7:16
8I Know, Don't Know Why
recorded in:
San Diego, California (Kalifornien), Vereinigte Staaten (am 1954-12-14)
recording engineer:
Richard Bock (record producer) und Phil Turetsky
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (am 1954-12-14)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1954-12-14)
Schlagzeug:
Larry Bunker (am 1954-12-14)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1954-12-14)
Trompete:
Jon Eardley (US 1950-80s jazz trumpeter) (am 1954-12-14)
Ventilposaune:
Bob Brookmeyer (am 1954-12-14)
recording of:
I Know, Don't Know How (am 1954-12-14)
Komponist(in):
Gerry Mulligan
5:29
9The Red Door
recorded in:
San Diego, California (Kalifornien), Vereinigte Staaten (am 1954-12-14)
recording engineer:
Richard Bock (record producer) und Phil Turetsky
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (am 1954-12-14)
Klavier:
Bob Brookmeyer (am 1954-12-14)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1954-12-14)
Schlagzeug:
Larry Bunker (am 1954-12-14)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1954-12-14)
live recording of:
Red Door (am 1954-12-14)
Komponist(in):
Gerry Mulligan und Zoot Sims (US jazz saxophonist)
7:14
10Polka Dots and Moon Beams
recorded in:
San Diego, California (Kalifornien), Vereinigte Staaten (am 1954-12-14)
recording engineer:
Richard Bock (record producer) und Phil Turetsky
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (am 1954-12-14)
Klavier:
Bob Brookmeyer (am 1954-12-14)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1954-12-14)
Schlagzeug:
Larry Bunker (am 1954-12-14)
live instrumental recording of:
Polka Dots and Moonbeams (am 1954-12-14)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher und Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
6:59
11I'll Remember April
recorded in:
San Diego, California (Kalifornien), Vereinigte Staaten (am 1954-12-14)
recording engineer:
Richard Bock (record producer) und Phil Turetsky
Produzent(in):
Richard Bock (record producer)
Klavier:
Bob Brookmeyer (am 1954-12-14)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1954-12-14)
Schlagzeug:
Larry Bunker (am 1954-12-14)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1954-12-14)
live instrumental recording of:
I’ll Remember April (am 1954-12-14)
Texter:
Patricia Johnston und Don Raye
Komponist(in):
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) und Universal Music Corp. (USA, affiliated with ASCAP)
4:21
12There Will Never Be Another You
recorded in:
San Diego, California (Kalifornien), Vereinigte Staaten (am 1954-12-14)
recording engineer:
Richard Bock (record producer) und Phil Turetsky
Produzent(in):
Richard Bock (record producer)
Klavier:
Gerry Mulligan (am 1954-12-14)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1954-12-14)
Schlagzeug:
Larry Bunker (am 1954-12-14)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1954-12-14)
Ventilposaune:
Bob Brookmeyer (am 1954-12-14)
live instrumental recording of:
There Will Never Be Another You (am 1954-12-14)
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
Teil von:
The Real Book (compilation of jazz standards, volume I)
5:37
13It Don't Mean a Thing (If It Ain't Got That Swing)
recorded in:
San Diego, California (Kalifornien), Vereinigte Staaten (am 1954-12-14)
recording engineer:
Richard Bock (record producer) und Phil Turetsky
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (am 1954-12-14)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1954-12-14)
Schlagzeug:
Larry Bunker (am 1954-12-14)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1954-12-14)
Trompete:
Jon Eardley (US 1950-80s jazz trumpeter) (am 1954-12-14)
Ventilposaune:
Bob Brookmeyer (am 1954-12-14)
live instrumental recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (am 1954-12-14)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:51
14In a Sentimental Mood / Flamingo / Moon Mist
recorded in:
San Diego, California (Kalifornien), Vereinigte Staaten (am 1954-12-14)
recording engineer:
Richard Bock (record producer) und Phil Turetsky
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (am 1954-12-14)
Klavier und Ventilposaune:
Bob Brookmeyer (am 1954-12-14)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1954-12-14)
Schlagzeug:
Larry Bunker (am 1954-12-14)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1954-12-14)
Trompete:
Jon Eardley (US 1950-80s jazz trumpeter) (am 1954-12-14)
live medley including a instrumental recording of:
Flamingo (am 1954-12-14)
Texter:
Edmund Anderson
Komponist(in):
Ted Grouya
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) und Grouya Publishing Int.
live medley including a instrumental recording of:
In a Sentimental Mood (am 1954-12-14)
Texter:
Manny Kurtz und Irving Mills
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music und Sony/ATV Harmony
live medley including a recording of:
Moon Mist (am 1954-12-14)
Komponist(in):
Mercer Ellington
5:50

Nennungen

Veröffentlichung

Produzent(in):Michael Cuscuna (Aufgabe: Produced for release)
transferrer:Ron McMaster (US mastering & cutting engineer)
Discogs:https://www.discogs.com/release/4127202 [Info]
ASIN:US: B000005H5V [Info]