Die größten Hits – Die besten Oldies: Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Baby I Love Your Way
cover recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Big Mountain4:23
2Can’t Take My Hands off You Baby
Soultans3:57
3Summer in the City
zusätzlich Hybrid-Piano:
Artie Schroeck
Sologesang:
John Sebastian
conductor:
Michael Kamen (American score composer)
phonographisches Urheberrecht (℗) von:
Buddah Records (revived/renamed in 1998 as Buddha Records) (in 1966), Kama Sutra (in 1966), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1966) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 393)
recording of:
Summer in the City
Verfasser(in):
Steve Boone, John Sebastian und Mark Sebastian
publisher:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., Trio Music (publisher) und Trio Music Co., Inc.
Lovin’ Spoonful4.82:32
4Break My Stride
cover recording of:
Break My Stride (in 1996)
Verfasser(in):
Greg Prestopino und Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) und Streetwise Music (US publisher) (in 1983)
Unique II3:16
5Piu bella cosa
Assistent recording engineer und assistierende(r) Mix:
Marco Borsatti
recording engineer:
Alberto Bonardi, Luca Bignardi und Tommy Vicari (Chorgesang [cori])
sonstige Unterstützung:
Celso Valli (Aufgabe: realizzato)
Programmierung und Mix:
Luca Bignardi
Produzent(in):
Eros Ramazzotti
Akustikgitarre [chitarre acoustiche] und E-Gitarre [chitarre elettriche]:
Michael Landau
Bass [basso]:
Paolo Gianolio
Hammerklavier [pianoforte acoustico], Hammond-Orgel [organo hammond] und Keyboard [tastiere]:
Celso Valli
Perkussion [percussioni]:
Lenny Castro
Schlagzeug [batteria]:
Vinnie Colaiuta (drummer)
Chorgesang [cori]:
Alex Brown (US soul vocalist, member of Raelets), Ljnn Davis, Jim Gilstrap und Phil Ingram
vocals:
Eros
arranger:
Celso Valli
phonographisches Urheberrecht (℗) von:
DDD S.R.L. (company credits only; not for release label use!) (in 1996)
aufgenommen bei:
LCD Studio in Inverigo, Como (Provinz Como), Lombardia, Italien, Studi Fonoprint in Bologna, Bologna (Provinz Bologna), Emilia-Romagna, Italien und Studio A&M in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Studi Fonoprint in Bologna, Bologna (Provinz Bologna), Emilia-Romagna, Italien
recording of:
Più bella cosa
Texter:
A. Gogliati und E. Ramazzotti
Komponist(in):
C. Guidetti und Eros Ramazzotti
publisher:
EMI (EMI Records, or EMI Music only if there is no other imprint) und Pelago
Eros Ramazzotti4:23
6Let Em In
cover recording of:
Let ’Em In
Texter und Komponist(in):
Paul McCartney (The Beatles)
Billy Paul3:31
7The Real Thing
Koproduzent(in):
Peter Mokran
Produzent(in):
Ian Devaney
vocals:
Lisa Stansfield (in 1997)
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Ltd. (in 1997) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1997)
recording of:
The Real Thing (in 1997)
Verfasser(in):
Ian Devaney und Lisa Stansfield
Lisa Stansfield4.54:20
8When I Die
phonographisches Urheberrecht (℗) von:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 1996) und MCI (in 1996)
recording of:
When I Die
Verfasser(in):
Peter Bischof‐Fallenstein, Frank Farian, Dietmar Kawohl und Diane Warren (US songwriter)
publisher:
FMP Songs und Realsongs
No Mercy4:29
9So Close
Koproduzent(in):
Peter Legat
Produzent(in):
Oisin Little und Ernie McKone
Mix:
Dietz Tinhof
phonographisches Urheberrecht (℗) von:
Spray Records (Austrian record label)
aufgenommen bei:
Attic Sound Studio in London (Greater London), England, Vereinigtes Königreich
recording of:
So Close
Texter und Komponist(in):
Peter Legat
Count Basic3:50
10Un‐Break My Heart
Assistent recording engineer:
Brandon Harris (US engineer) (in 1995)
recording engineer:
Felipe Elgueta (in 1995)
Keyboard-Programmierung:
David Foster (Canadian music producer, arranger and composer) (in 1995)
Synclavier-Programmierung:
Simon Franglen (English score composer) (in 1995)
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Marnie Riley
Mix:
Mick Guzauski
Akustikgitarre:
Dean Parks (American session guitarist) (in 1995)
E-Gitarre:
Michael Thompson (session guitarist) (in 1995)
Hintergrundgesang:
Toni Braxton (in 1995) und Shanice (in 1995)
Sologesang:
Toni Braxton (in 1995) und Shanice Wilson (in 1995)
arranger:
David Foster (Canadian music producer, arranger and composer), L.A. Reid und Tim Thomas (from Tim & Ted)
phonographisches Urheberrecht (℗) von:
LaFace Records, Inc. (in 1996)
arranged for und produced for:
Chartmaker, Inc.
aufgenommen bei:
Chartmaker Studios in Malibu, California (Kalifornien), Vereinigte Staaten (in 1995) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1995)
mixed at:
Barking Doctor in Mount Kisco, New York, Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 16)
recording of:
Un-Break My Heart (in 1995)
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Realsongs
Toni Braxton3.954:30
11It Never Rains in Southern California
recording of:
It Never Rains in Southern California (in 1972)
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc. (beendet), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI April Music Inc.
Albert Hammond3.83:51
12Jump (for My Love)
Techniker(in):
Gary Skardina
Partner-Produzent(in):
Stephen Mitchell (US musician, composer, songwriter, producer et al.) und Gary Skardina
Produzent(in):
Richard Perry (producer)
Mix:
Michael Brooks (mixer) und James C. Tract
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982)
recording of:
Jump (for My Love)
Verfasser(in):
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron und Gary Skardina
publisher:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Songs LLC
Pointer Sisters43:58
13Se a vida é
recording engineer:
Chris Porter (engineer and producer) und Chris Porter (UK trance DJ & producer)
zusätzlich recording engineer:
Bob Kraushaar
Programmierung:
Pete Gleadall
Produzent(in):
Pet Shop Boys, Chris Porter (engineer and producer) und Chris Porter (UK trance DJ & producer)
Mix:
Chris Porter (engineer and producer)
Blechblasinstrumente:
Andy Hamilton (British saxophonist, composer and producer), Mike Innes, Noel Langley und Richard Sidwell
zusätzlich Gitarre:
J.J. Belle
zusätzlich membranophone und zusätzlich Perkussion:
SheBoom
phonographisches Urheberrecht (℗) von:
Pet Shop Boys Partnership Ltd. (in 1996)
recording of:
Se a vida é (That’s the Way Life Is)
Texter:
Neil Tennant
Komponist(in):
Ademario, Nego Do Barbalho, Chris Lowe (1/2 of Pet Shop Boys), Wellington Epiderme Negra und Neil Tennant
Pet Shop Boys3.54:02
14Sugar Sugar
Musikvideos:
Sugar, Sugar von The Archies
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 6), Rolling Stone: The 50 Best Tunes by Made-Up Musicians (Nummer: 18), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 90) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 155)
recording of:
Sugar, Sugar (in 1969)
Verfasser(in):
Jeff Barry und Andy Kim (pop singer & songwriter)
publisher:
Don Kirshner Music Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell Music Ltd. (1996–2019)
The Archies3.52:48
15Baila Me
recording engineer:
François Delabrière (von 1991-02 bis 1991-03)
Produzent(in):
Nick Patrick
Mix:
François Delabrière (in 1991-04) und Nick Patrick (in 1991-04)
accordion:
Walter De Auraujo (von 1991-02 bis 1991-03)
Bass:
Gérard Prévost (von 1991-02 bis 1991-03)
Blechblasinstrumente:
Christian Martinez (von 1991-02 bis 1991-03) und Philippe Slominski (von 1991-02 bis 1991-03)
Gitarre:
Jacques "Paco" Baliardo (von 1991-02 bis 1991-03), Maurice "Diego" Baliardo (von 1991-02 bis 1991-03), André Reyes (von 1991-02 bis 1991-03), Canut Reyes (von 1991-02 bis 1991-03) und Nicolas Reyes (von 1991-02 bis 1991-03)
Gitarre [lead guitar]:
Tonino Baliardo (von 1991-02 bis 1991-03)
membranophone:
Jorge "Negrito" Trasante (von 1991-02 bis 1991-03)
Perkussion:
Charles Benarroch (von 1991-02 bis 1991-03) und Jorge "Negrito" Trasante (von 1991-02 bis 1991-03)
Sologesang:
Nicolas Reyes (von 1991-02 bis 1991-03)
vocals:
André Reyes (von 1991-02 bis 1991-03) und Canut Reyes (von 1991-02 bis 1991-03)
arranger:
Gérard Prévost
recording of:
Baila me (von 1991-02 bis 1991-03)
Verfasser(in):
André Jean Reyes, François Marie Reyes, Jacques Joseph Baliardo, Maurice Victor Baliardo, Nicolas Reyes und Tonino Antoine Baliardo
publisher:
Éditions Productions Claude Martinez und Sony Music Publishing (UK) Limited (2003–2008, 2021–present)
Gipsy Kings4.653:45
16Verwahrlost aber frei
recording of:
Verwahrlost aber frei (in 1996)
Texter und Komponist(in):
Wolfgang Ambros
Wolfgang Ambros3:31
17I Believe I Can Fly
recording of:
I Believe I Can Fly
Texter und Komponist(in):
R. Kelly
publisher:
Imagem Music (beendet), R. Kelly Publishing Inc., Zomba Music Publ. Ltd. und Zomba Songs Inc.
sub-publisher:
BMG Music Publishing Hong Kong Ltd
R. Kelly44:42
18What Becomes of the Broken Hearted
assistierende(r) Techniker(in):
Dean Murphy (engineer) und Barrie Steele
Techniker(in):
Peter Day
Produzent(in):
Matt Aitken und Mike Stock (of Stock Aitken Waterman)
Mix:
Dave Ford (remixer, producer & technician known for work with SAW)
vocals:
Jerome Flynn und Robson Green
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland (for © & ℗ copyright use only; file no releases here!) (in 1996)
cover recording of:
What Becomes of the Brokenhearted
Verfasser(in):
James Dean (US soul songwriter), Paul Riser und William Weatherspoon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music (UK)
Robson & Jerome3:21
19Dizzy
recording of:
Dizzy
Texter und Komponist(in):
Tommy Roe und Freddy Weller
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Tommy Roe2:49
20Lovely Day
Produzent(in):
Clarence McDonald und Bill Withers
Bassgitarre:
Jerry Knight (in 1977)
Gitarre:
Ray Parker (in 1977)
Keyboard:
Clarence McDonald (in 1977)
Perkussion:
Ralph MacDonald (in 1977)
Schlagzeug und shakers:
Russell Kunkel (session drummer) (in 1977)
Sologesang:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographisches Urheberrecht (℗) von:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 402)
recording of:
Lovely Day (in 1977)
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.64:08

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Veröffentlichungsgruppe

Teil von:Die größten Hits - Die besten Oldies (Nummer: 2) (Reihenfolge: 2)