Best Classics 100, Volume 2

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

catalog# 0946 3 70872 2 0 (set) / 0946 3 70873 2 9 (CD1) / 0946 3 70874 2 8 (CD2) / 0946 3 70875 2 7 (CD3) / 0946 3 70876 2 6 (CD4) / 0946 3 70877 2 5 (CD5) / 0946 3 70878 2 4 (CD6)

Annotation last modified on 2020-09-25 04:09 UTC.

Tracklist

1▶CD: Spectacular Classics
2▶CD: Eternal Classics
3▶CD: Romantic Classics
4▼CD: Instrumental Classics
#TitleArtistRatingLength
1Te Deum (opening)
trumpet:
Maurice André (French trumpeter)
recording of:
Te Deum, H. 146: Prélude
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier (arr. Defaye)2:04
2Brandenburg Concerto no. 5 in D, BWV1050: III. Allegro
producer:
John Fraser (UK producer)
flute:
William Bennett (flautist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
harpsichord:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:17
3Italian Concerto, BWV971: I. Allegro
harpsichord:
Richard Egarr (conductor)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro])
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach4:17
4Guitar Concerto in D: II. Largo (Arr. Pujol)
classical guitar and guitar:
Sharon Isbin (classical guitarist)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra)
conductor:
Lawrence Foster (conductor)
recording of:
Concerto for Lute in D major, RV 93: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Lute in D major, RV 93
recording of:
Concerto for Lute in D major, RV 93: II. Largo (catch-all for arrangements)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
arrangement of:
Concerto for Lute in D major, RV 93: II. Largo
part of:
Concerto for Lute in D major, RV 93 (catch-all for arrangements)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (for guitar and strings, arr. Emilio Pujol)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Emilio Pujol (composer)
arrangement of:
Concerto for Lute in D major, RV 93: II. Largo
part of:
Concerto for Lute in D major, RV 93 (arr. for guitar and strings Emilio Pujol)
Antonio Vivaldi (arr. Pujol) (ed. Isbin)6:09
5Cello Suite no. 1 in G, BWV1007: I. Prélude
producer:
René Challan (French composer)
cello:
Paul Tortelier (cellist) (from 1960-12-05 until 1960-12-08)
balance engineer:
Walther Ruhlmann (from 1960-12-05 until 1960-12-08)
phonographic copyright (℗) by:
La Voix de son maître (French impression of “His Master’s Voice”) (in 1961)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1960-12-05 until 1960-12-08)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (from 1960-12-05 until 1960-12-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:35
6Flute Concerto no. 2 in D, K. 314: III. Rondeau. Allegro
recording engineer:
Henk Jansen (from 1988-05-03 until 1988-05-04) and Robert Norberg (recording engineer) (from 1988-05-03 until 1988-05-04)
producer:
Patti Laursen
flute:
Ransom Wilson (flutist and conductor) (from 1988-05-03 until 1988-05-04)
orchestra:
London Symphony Orchestra (from 1988-05-03 until 1988-05-04)
conductor:
Raymond Leppard (conductor and harpsichordist) (from 1988-05-03 until 1988-05-04)
phonographic copyright (℗) by:
Angel Records (please read annotations before use! primarily classical genre imprint, EMI subsidiary) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1988-05-03 until 1988-05-04)
recording of:
Concerto for Flute no. 2 in D major, K. 285d/314: III. Rondo. Allegretto (from 1988-05-03 until 1988-05-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1777 until 1778)
part of:
Concerto for Flute no. 2 in D major, K. 285d/314
revision of:
Oboe Concerto in C major, K. 314 / 271k: III. Rondo. Allegretto
Wolfgang Amadeus Mozart5:35
7Carnival of the Animals (Le Carnaval des animaux): The Swan (Ly Cygne)
cello:
Paul Tortelier (cellist)
piano:
Shuku Iwasaki (pianist)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns2:40
8Sevilla (Arr. Byzantine)
classical guitar:
Julian Byzantine
recording of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (for solo piano)
Isaac Albéniz (arr. Byzantine)5:22
9Liebsefreud
piano:
Michael Isador (pianist)
violin:
Rodney Friend (violinist)
recording of:
Liebesfreud (for violin and piano)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
publisher:
Schott Music International (publisher; do not use as label) and ショット・ミュージック 株式会社 Dept. 3 (Schott Music Corporation Dept. 3)
part of:
Alt-Wiener Tanzweisen (for violin and piano)
Fritz Kreisler3:31
10Trumpet Concerto in E flat: III. Rondo. Allegro molto
producer:
Michel Glotz
trumpet:
Maurice André (French trumpeter) (from 1974-05-28 until 1974-05-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-05-28 until 1974-05-29)
conductor:
Herbert von Karajan (conductor) (from 1974-05-28 until 1974-05-29)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-05-28 until 1974-05-29)
recording of:
Trompetenkonzert Es-dur: III. Rondo. Allegro (Trumpet Concerto in E flat major: III. Rondo. Allegro) (from 1974-05-28 until 1974-05-29)
composer:
Johann Nepomuk Hummel (Austrian composer)
version of:
Trompetenkonzert in E-Dur, S. 49: III. Rondo (Trumpet Concerto in E major, S. 49: Rondo)
part of:
Trompetenkonzert Es-dur (Trumpet Concerto in E-flat major)
Johann Nepomuk Hummel (ed. Oubradous)3:41
11The Four Seasons: No. .2 Summer: III. Presto
producer:
Peter Alward (EMI producer)
violin:
Anne‐Sophie Mutter (violinist) (from 1984-06-18 until 1984-06-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-06-18 until 1984-06-19)
conductor:
Herbert von Karajan (conductor) (from 1984-06-18 until 1984-06-19)
balance engineer:
Wolfgang Gülich (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recorded at:
Zeremoniensaal (Hofburg Palace) in Innere Stadt, Wien (Vienna), Austria (from 1984-06-18 until 1984-06-19)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (from 1984-06-18 until 1984-06-19)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:47
12Cello Concerto in E minor, op. 85: I. Adagio - Moderato
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar8:05
13Arabesque no. 1
harp:
Markus Klinko (photographer, harpist)
phonographic copyright (℗) by:
EMI France (in 1992)
recording of:
1ère Arabesque (arrangement for harp)
composer:
Claude Debussy (French composer)
harp arranger:
Henriette Renié
arrangement of:
Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (for piano)
Claude Debussy (transcr. Renié)4:05
14Zigeunerweisen, op. 20
violin:
Anne‐Sophie Mutter (violinist) (in 1985)
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Seiji Ozawa (conductor and composer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1984-05-29 until 1984-05-30)
recording of:
Zigeunerweisen, op. 20 (Gypsy Airs, op. 20, for violin and orchestra)
composer:
Pablo de Sarasate (violinist and composer) (in 1878)
part of:
Works of Pablo de Sarasate by opus number (number: op. 20)
arrangement of:
Zigeunerweisen, op. 20 (for violin and piano)
Pablo de Sarasate7:50
15Horn Concerto no. 4 in E-flat, K. 495: II. Romanze. Andante cantabile
producer:
David Groves (classical music producer at EMI)
horn:
Radovan Vlatković (hornist) (from 1985-11-07 until 1985-11-09)
orchestra:
English Chamber Orchestra (from 1985-11-07 until 1985-11-09)
conductor:
Jeffrey Tate (conductor) (from 1985-11-07 until 1985-11-09)
balance engineer:
Mark Vigars (engineer) (from 1985-11-07 until 1985-11-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-07 until 1985-11-09)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile (from 1985-11-07 until 1985-11-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
Wolfgang Amadeus Mozart4:46
16Violin Concerto in D, op. 35: I. Allegro moderato (conclusion)
violin:
Ulf Hoelscher (violinist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Okko Kamu (conductor)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Pyotr Ilyich Tchaikovsky5:55
5▶CD: Nostalgic Classics
6▶CD: Favorite Encores

Credits

Release group

part of:100 Best (EMI Classics) (order: 6)
Allmusic:https://www.allmusic.com/album/mw0001858164 [info]