| # | Title | Rating | Length |
|---|
| A1 | Lonesome Road- producer:
- Voyle Gilmore
- alto saxophone:
- Harry Klee and Willie Schwartz
- baritone saxophone:
- Joe Koch
- bass trombone:
- George Roberts
- cello:
- Ennio Bolognini , Edgar Lustgarten and Eleanor Slatkin
- double bass:
- Joe Comfort
- drums (drum set):
- Irv Cottler
- guitar:
- Nick Bonney
- harp:
- Kathryn Julye
- piano:
- Bill Miller
- tenor saxophone:
- Jules Kinsler and James Williamson
- trombone:
- Murray McEachern, Dick Noel and Juan Tizol
- trumpet:
- Harry “Sweets” Edison, Ray Linn, Mickey Mangano and Shorty Sherock
- viola:
- Alvin Dinkin, Stanley Harris and Maxine Johnson
- violin:
- Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray , Erno Neufeld, Lou Raderman, Eudice Shapiro and Joseph Stepansky
- vocals:
- Frank Sinatra
- orchestra:
- The Nelson Riddle Orchestra
- conductor:
- Nelson Riddle
- orchestrator:
- Nelson Riddle
- recorded at:
- Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-26)
- recording of:
- Lonesome Road (on 1956-11-26)
- lyricist:
- Gene Austin
- composer:
- Nathaniel Shilkret
- publisher:
- Campbell Connelly & Co. Ltd., Chappell’s • Sydney, Nathaniel Shilkret Music Corp., Paramount Music Corporation and Spier & Coslow Inc.
| | 3:50 |
| A2 | From This Moment On- producer:
- Voyle Gilmore
- alto saxophone:
- Skeets Herfurt and Harry Klee
- baritone saxophone:
- Joe Koch
- bass trombone:
- George Roberts
- cello:
- Cy Bernard, Ennio Bolognini and Eleanor Slatkin
- double bass:
- Joe Comfort
- drums (drum set):
- Alvin Stoller
- guitar:
- Nick Bonney
- harp:
- Kathryn Julye
- piano:
- Bill Miller
- tenor saxophone:
- Ted Nash and James Williamson
- trombone:
- Dick Nash and Pullman “Tommy” Pederson
- trumpet:
- Pete Candoli, Harry “Sweets” Edison, Ray Linn and Shorty Sherock
- valve trombone:
- Juan Tizol
- viola:
- Alvin Dinkin, Maxine Johnson and Dave Sterkin
- violin:
- Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro , Paul Shure, Felix Slatkin and Marshall Sosson
- vocals:
- Frank Sinatra
- orchestra:
- The Nelson Riddle Orchestra
- conductor:
- Nelson Riddle
- orchestrator:
- Nelson Riddle
- recorded at:
- Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, on 1956-11-26)
- cover recording of:
- From This Moment On (on 1956-11-28)
- lyricist and composer:
- Cole Porter (in 1950)
- part of:
- Kiss Me, Kate
| | 3:50 |
| A3 | If I Had You- producer:
- Voyle Gilmore
- alto saxophone:
- Harry Klee and Willie Schwartz
- baritone saxophone:
- Joe Koch
- bass trombone:
- George Roberts
- cello:
- Ennio Bolognini , Edgar Lustgarten and Eleanor Slatkin
- double bass:
- Joe Comfort
- drums (drum set):
- Irv Cottler
- guitar:
- Nick Bonney
- harp:
- Kathryn Julye
- piano:
- Bill Miller
- tenor saxophone:
- Jules Kinsler and James Williamson
- trombone:
- Murray McEachern, Dick Noel and Juan Tizol
- trumpet:
- Harry “Sweets” Edison, Ray Linn, Mickey Mangano and Shorty Sherock
- viola:
- Alvin Dinkin, Stanley Harris and Maxine Johnson
- violin:
- Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray , Erno Neufeld, Lou Raderman, Eudice Shapiro and Joseph Stepansky
- vocals:
- Frank Sinatra
- orchestra:
- The Nelson Riddle Orchestra
- conductor:
- Nelson Riddle
- orchestrator:
- Nelson Riddle
- recorded at:
- Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-26)
- cover recording of:
- If I Had You (on 1956-11-26)
- writer:
- James Campbell , Reginald Connelly and Ted Shapiro
- publisher:
- Campbell Connelly & Co. Ltd., Campbell Connelly Inc. , EMI Robbins Catalog Inc. and Robbins Music Corp.
- recording of:
- If I Had You (on 1956-11-26)
- writer:
- James Campbell , Reginald Connelly and Ted Shapiro
- publisher:
- Campbell Connelly & Co. Ltd., Campbell Connelly Inc. , EMI Robbins Catalog Inc. and Robbins Music Corp.
| | 2:36 |
| A4 | You’d Be So Nice to Come Home To- producer:
- Voyle Gilmore
- alto saxophone:
- Skeets Herfurt and Harry Klee
- baritone saxophone:
- Joe Koch
- bass trombone:
- George Roberts
- cello:
- Cy Bernard, Ennio Bolognini and Eleanor Slatkin
- double bass:
- Joe Comfort
- drums (drum set):
- Alvin Stoller
- guitar:
- Nick Bonney
- harp:
- Kathryn Julye
- piano:
- Bill Miller
- tenor saxophone:
- Ted Nash and James Williamson
- trombone:
- Dick Nash and Pullman “Tommy” Pederson
- trumpet:
- Pete Candoli, Harry “Sweets” Edison, Ray Linn and Shorty Sherock
- valve trombone:
- Juan Tizol
- viola:
- Alvin Dinkin, Maxine Johnson and Dave Sterkin
- violin:
- Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro , Paul Shure, Felix Slatkin and Marshall Sosson
- vocals:
- Frank Sinatra
- orchestra:
- The Nelson Riddle Orchestra
- conductor:
- Nelson Riddle
- orchestrator:
- Nelson Riddle
- recorded at:
- Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, on 1956-11-26)
- cover recording of:
- You’d Be So Nice to Come Home To (on 1956-11-28)
- lyricist and composer:
- Cole Porter (in 1943)
- publisher:
- Chappell & Co., Chappell & Co., Inc. , Warner Chappell Music Ltd. and Warner/Chappell North America Limited
- part of:
- The 16th Academy Award for Best Original Song (number: 2)
| | 2:04 |
| A5 | Oh! Look at Me Now- producer:
- Voyle Gilmore
- alto saxophone:
- Skeets Herfurt and Harry Klee
- baritone saxophone:
- Joe Koch
- bass trombone:
- George Roberts
- cello:
- Cy Bernard, Ennio Bolognini and Eleanor Slatkin
- double bass:
- Joe Comfort
- drums (drum set):
- Alvin Stoller
- guitar:
- Nick Bonney
- harp:
- Kathryn Julye
- piano:
- Bill Miller
- tenor saxophone:
- Ted Nash and James Williamson
- trombone:
- Dick Nash and Pullman “Tommy” Pederson
- trumpet:
- Pete Candoli, Harry “Sweets” Edison, Ray Linn and Shorty Sherock
- valve trombone:
- Juan Tizol
- viola:
- Alvin Dinkin, Maxine Johnson and Dave Sterkin
- violin:
- Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro , Paul Shure, Felix Slatkin and Marshall Sosson
- vocals:
- Frank Sinatra
- orchestra:
- The Nelson Riddle Orchestra
- conductor:
- Nelson Riddle
- orchestrator:
- Nelson Riddle
- recorded at:
- Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, on 1956-11-26)
- cover recording of:
- Oh! Look at Me Now (on 1956-11-28)
- lyricist:
- John DeVries (in 1941)
- composer:
- Joe Bushkin (in 1941)
- publisher:
- Campbell Connelly, Embassy Music Corporation and Hampshire House Publishing Corp.
- recording of:
- Oh! Look at Me Now
- lyricist:
- John DeVries (in 1941)
- composer:
- Joe Bushkin (in 1941)
- publisher:
- Campbell Connelly, Embassy Music Corporation and Hampshire House Publishing Corp.
| | 2:48 |
| A6 | I Won’t Dance- producer:
- Voyle Gilmore
- alto saxophone:
- Jack Dumont and Dominic Mumolo
- baritone saxophone:
- Robert Lawson
- bass trombone:
- George Roberts
- cello:
- James Arkatov , Ennio Bolognini and Eleanor Slatkin
- double bass:
- Joe Comfort
- drums (drum set):
- Alvin Stoller
- guitar:
- Nick Bonney
- harp:
- Kathryn Julye
- piano:
- Bill Miller
- tenor saxophone:
- Don Raffell and Buck Skalak
- trombone:
- George Arus, Ed Kusby and Dick Noel
- trumpet:
- Conrad Gozzo, Mickey Mangano, Shorty Sherock and Harry “Sweets” Edison (on 1956-11-15)
- viola:
- Alvin Dinkin, Maxine Johnson and Lou Kievman
- violin:
- Victor Arno, Alex Beller, Kurt Dieterle, Walter Edelstein, Henry Hill , Alex Murray , Erno Neufeld, Lou Raderman, Nathan Ross and Eudice Shapiro
- vocals:
- Frank Sinatra (on 1956-11-15)
- orchestra:
- The Nelson Riddle Orchestra (on 1956-11-15)
- conductor:
- Nelson Riddle (on 1956-11-15)
- arranger and orchestrator:
- Nelson Riddle
- recorded at:
- Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-15)
- cover recording of:
- I Won’t Dance (on 1956-11-15)
- lyricist:
- Jimmy McHugh and Dorothy Fields (in 1935)
- composer:
- Jerome Kern
- publisher:
- Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. , Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd.
- is based on:
- I Won’t Dance
| | 3:20 |
| B1 | Nice Work If You Can Get It- producer:
- Voyle Gilmore
- alto saxophone:
- Harry Klee and Wilbur Schwartz
- baritone saxophone:
- Joe Koch
- cello:
- Cy Bernard, Edgar Lustgarten and Eleanor Slatkin
- double bass:
- Joe Comfort
- drums (drum set):
- Alvin Stoller
- guitar:
- Nick Bonney
- harp:
- Kathryn Julye
- piano:
- Bill Miller
- tenor saxophone:
- Ted Nash
- trombone:
- George Arus, Ed Kusby and Dick Noel
- trumpet:
- Conrad Gozzo, Mickey Mangano, Shorty Sherock and Harry “Sweets” Edison (on 1956-11-20)
- viola:
- Alvin Dinkin, Maxine Johnson and Dave Sterkin
- violin:
- Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell , Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci
- vocals:
- Frank Sinatra (on 1956-11-20)
- orchestra:
- The Nelson Riddle Orchestra (on 1956-11-20)
- conductor:
- Nelson Riddle (on 1956-11-20)
- arranger and orchestrator:
- Nelson Riddle
- recorded at:
- Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-20)
- cover recording of:
- Nice Work If You Can Get It (on 1956-11-20)
- lyricist:
- Ira Gershwin (in 1937)
- composer:
- George Gershwin (in 1937)
- publisher:
- Chappell & Co., Inc. and Gershwin Publishing Corp (in 1937)
- part of:
- A Damsel in Distress
- part of:
- Crazy for You
- part of:
- My One and Only
| | 3:20 |
| B2 | No One Ever Tells You- producer:
- Voyle Gilmore
- alto saxophone:
- Harry Klee and Wilbur Schwartz
- baritone saxophone:
- Chuck Gentry
- bass trombone:
- George Roberts
- cello:
- Cy Bernard, Ennio Bolognini and Eleanor Slatkin
- double bass:
- Joe Comfort
- drums (drum set):
- Alvin Stoller
- guitar:
- George van Eps
- harp:
- Helen Hutchinson
- piano:
- Bill Miller
- tenor saxophone:
- Irving “Babe” Russin and Champ Webb
- trombone:
- Milt Bernhart, Ed Kusby and Jimmy Priddy
- trumpet:
- Harry “Sweets” Edison, Manny Klein, Ray Linn and Shorty Sherock
- viola:
- Alvin Dinkin and Maxine Johnson
- violin:
- Victor Bay, Alex Beller, Arnold Belnick, Harry Bluestone, Henry Hill , Mischa Russell , Paul Shure, Felix Slatkin and Marshall Sosson
- vocals:
- Frank Sinatra
- orchestra:
- The Nelson Riddle Orchestra
- conductor:
- Nelson Riddle
- arranger and orchestrator:
- Nelson Riddle
- recorded at:
- Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-09)
- recording of:
- No One Ever Tells You (on 1956-04-09)
- writer:
- Hub Atwood and Carroll Coates
| | 3:20 |
| B3 | I Wish I Were in Love Again- producer:
- Voyle Gilmore
- alto saxophone:
- Harry Klee and Wilbur Schwartz
- baritone saxophone:
- Joe Koch
- cello:
- Cy Bernard, Edgar Lustgarten and Eleanor Slatkin
- double bass:
- Joe Comfort
- drums (drum set):
- Alvin Stoller
- guitar:
- Nick Bonney
- harp:
- Kathryn Julye
- piano:
- Bill Miller
- tenor saxophone:
- Ted Nash
- trombone:
- George Arus, Ed Kusby and Dick Noel
- trumpet:
- Harry “Sweets” Edison, Conrad Gozzo, Mickey Mangano and Shorty Sherock
- viola:
- Alvin Dinkin, Maxine Johnson and Dave Sterkin
- violin:
- Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell , Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci
- vocals:
- Frank Sinatra
- orchestra:
- The Nelson Riddle Orchestra
- conductor:
- Nelson Riddle
- orchestrator:
- Nelson Riddle
- recorded at:
- Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-20)
- cover recording of:
- I Wish I Were in Love Again (on 1956-11-20)
- lyricist:
- Lorenz Hart (in 1937)
- composer:
- Richard Rodgers (in 1937)
- publisher:
- Chappell Music
- part of:
- Babes in Arms
- recording of:
- I Wish I Were in Love Again (on 1956-11-20)
- lyricist:
- Lorenz Hart (in 1937)
- composer:
- Richard Rodgers (in 1937)
- publisher:
- Chappell Music
- part of:
- Babes in Arms
| | 2:27 |
| B4 | I Got Plenty o’ Nuttin’- producer:
- Voyle Gilmore
- alto saxophone:
- Jack Dumont and Dominic Mumolo
- baritone saxophone:
- Robert Lawson
- bass trombone:
- George Roberts
- cello:
- James Arkatov , Ennio Bolognini and Eleanor Slatkin
- double bass:
- Joe Comfort
- drums (drum set):
- Alvin Stoller
- guitar:
- Nick Bonney
- harp:
- Kathryn Julye
- piano:
- Bill Miller
- tenor saxophone:
- Don Raffell and Buck Skalak
- trombone:
- George Arus, Ed Kusby and Dick Noel
- trumpet:
- Harry “Sweets” Edison, Conrad Gozzo, Mickey Mangano and Shorty Sherock
- viola:
- Alvin Dinkin, Maxine Johnson and Lou Kievman
- violin:
- Victor Arno, Alex Beller, Kurt Dieterle, Walter Edelstein, Henry Hill , Alex Murray , Erno Neufeld, Lou Raderman, Nathan Ross and Eudice Shapiro
- vocals:
- Frank Sinatra
- orchestra:
- The Nelson Riddle Orchestra
- conductor:
- Nelson Riddle
- orchestrator:
- Nelson Riddle
- recorded at:
- Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, in 1956-11)
- cover recording of:
- I Got Plenty o’ Nuttin’ (on 1956-11-15)
- lyricist:
- Ira Gershwin and DuBose Heyward
- composer:
- George Gershwin
- publisher:
- Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music and Gershwin Publishing Corp (in 1935)
- is based on:
- Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”
| | 3:14 |
| B5 | Stars Fell on Alabama- producer:
- Voyle Gilmore
- alto saxophone:
- Jack Dumont and Dominic Mumolo
- baritone saxophone:
- Robert Lawson
- bass trombone:
- George Roberts
- cello:
- James Arkatov , Ennio Bolognini and Eleanor Slatkin
- double bass:
- Joe Comfort
- drums (drum set):
- Alvin Stoller
- guitar:
- Nick Bonney
- harp:
- Kathryn Julye
- piano:
- Bill Miller
- tenor saxophone:
- Don Raffell and Buck Skalak
- trombone:
- George Arus, Ed Kusby and Dick Noel
- trumpet:
- Conrad Gozzo, Mickey Mangano, Shorty Sherock and Harry “Sweets” Edison (on 1956-11-15)
- viola:
- Alvin Dinkin, Maxine Johnson and Lou Kievman
- violin:
- Victor Arno, Alex Beller, Kurt Dieterle, Walter Edelstein, Henry Hill , Alex Murray , Erno Neufeld, Lou Raderman, Nathan Ross and Eudice Shapiro
- vocals:
- Frank Sinatra (on 1956-11-15)
- orchestra:
- The Nelson Riddle Orchestra (on 1956-11-15)
- conductor:
- Nelson Riddle
- orchestrator:
- Nelson Riddle
- recorded at:
- Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-15)
- cover recording of:
- Stars Fell on Alabama (on 1956-11-15)
- lyricist:
- Mitchell Parish
- composer:
- Frank S. Perkins
- publisher:
- Copyright Control , EMI Mills Music Inc. and Mills Music
| | 2:35 |
| B6 | At Long Last Love- producer:
- Voyle Gilmore
- alto saxophone:
- Harry Klee and Wilbur Schwartz
- baritone saxophone:
- Joe Koch
- cello:
- Cy Bernard, Edgar Lustgarten and Eleanor Slatkin
- double bass:
- Joe Comfort
- drums (drum set):
- Alvin Stoller
- guitar:
- Nick Bonney
- harp:
- Kathryn Julye
- piano:
- Bill Miller
- tenor saxophone:
- Ted Nash
- trombone:
- George Arus, Ed Kusby and Dick Noel
- trumpet:
- Harry “Sweets” Edison, Conrad Gozzo, Mickey Mangano and Shorty Sherock
- viola:
- Alvin Dinkin, Maxine Johnson and Dave Sterkin
- violin:
- Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell , Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci
- vocals:
- Frank Sinatra
- orchestra:
- The Nelson Riddle Orchestra
- conductor:
- Nelson Riddle
- orchestrator:
- Nelson Riddle
- recorded at:
- Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-20)
- cover recording of:
- At Long Last Love (on 1956-11-20)
- lyricist and composer:
- Cole Porter (in 1938)
- publisher:
- Chappell & Co., Inc.
- part of:
- You Never Know
- recording of:
- At Long Last Love
- lyricist and composer:
- Cole Porter (in 1938)
- publisher:
- Chappell & Co., Inc.
- part of:
- You Never Know
| 4 | 2:22 |
Play on ListenBrainz