Hits of the 50s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Nr.TitelKünstlerBewertungLänge
1Blueberry Hill
recording of:
Blueberry Hill
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
Fats Domino2:38
2Peggy Sue
recording of:
Peggy Sue
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH, Peermusic (UK) Limited, Southern Music (publisher) und Wren Music Co.
Buddy Holly2:33
3Heartbreak Hotel
Techniker(in):
Bob Ferris (engineer)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-10)
Gitarre:
Chet Atkins (am 1956-01-10), Scotty Moore (American guitarist and recording engineer) (am 1956-01-10) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
Klavier:
Floyd Cramer (am 1956-01-10)
Schlagzeug:
D.J. Fontana (am 1956-01-10)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
vocals:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (am 1956-01-10), Lena Brock "Mom" Speer (am 1956-01-10) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-01-10)
Herausgeber:
Sony/ATV Songs LLC
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-01-10)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 45) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 347)
recording of:
Heartbreak Hotel (am 1956-01-10)
Verfasser(in):
Mae Boren Axton, Tommy Durden und Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing und Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Elvis Presley3.72:10
4Whole Lotta Shakin’ Goin’ OnJerry Lee Lewis4:27
5Rockin’ Robin
phonographisches Urheberrecht (℗) von:
Class (1950s-1960s US) (in 1958)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 29)
recording of:
Rockin’ Robin
Texter und Komponist(in):
Jimmie Thomas
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), J. Albert & Son und Recordo Music Pub.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Bobby Day3.152:36
6Claudette
recording of:
Claudette (am 1958-03-06)
Texter und Komponist(in):
Roy Orbison
publisher:
Acuff-Rose (BMI)
The Everly Brothers2:15
7Singing the Blues
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 37)
cover recording of:
Singing the Blues
Texter und Komponist(in):
Melvin Endsley (in 1956)
publisher:
Acuff Rose Opryland Ltd. (UK) und Acuff-Rose Music Limited (UK)
Guy Mitchell2:29
8Ooby Dooby
Produzent(in):
Sam Phillips (founder of Sun Records)
Gitarre:
Roy Orbison (in 1956) und Johnny 'Guitar' Wilson (in 1956)
Kontrabass:
Jack Kennelly (in 1956)
Mandoline:
James Morrow (in 1956)
Schlagzeug:
Billy Pat Ellis (in 1956)
vocals:
Roy Orbison (in 1956)
recording of:
Ooby Dooby (in 1956)
Texter und Komponist(in):
Wade Moore und Dick Penner
publisher:
Hi Lo Music, Peer International Corporation (BMI) und Southern Music Publishing Company Limited
Roy Orbison52:14
9Oh Marie
recording of:
Oh Marie
Texter und Komponist(in):
Eduardo Di Capua
arranger:
Louis Prima
Dean Martin2:25
10High Noon
cover recording of:
High Noon (Do Not Forsake Me) (am 1952-05-15)
Texter:
Ned Washington
Komponist(in):
Dimitri Tiomkin
publisher:
Leo Feist, Inc.
Teil von:
The 25th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1952 winner)
Frankie Laine2:40
11Whole Lotta Loving
Sound-Engineering:
Ron McMaster (US mastering & cutting engineer)
Audio-Engineering:
Dieter Dirks (German audio engineer) (am 1977-03-20), Martin Rushent (am 1977-03-20) und Peter Wolsey (German audio engineer) (am 1977-03-20)
Produzent(in):
Tim Read (producer) (in 1977-03) und Martin Rushent (in 1977-03)
baritone saxophone:
Roger Lewis (Sax Player - Dirty Dozen Brass Band) (am 1977-03-20)
Bassgitarre:
Carlton McWilliams (guitar player) (am 1977-03-20)
Gitarre:
David Douglas (guitar) (am 1977-03-20) und Roy Montrell (am 1977-03-20)
Klavier und Sologesang:
Fats Domino (am 1977-03-20)
Schlagzeug:
Smokey Johnson (am 1977-03-20)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1977-03-20), Fred Kemp (am 1977-03-20) und Walter Kimble (sax player) (am 1977-03-20)
Trompete:
Dave Bartholomew (am 1977-03-20) und Thomas Johnson (trumpet player) (am 1977-03-20)
conductor:
Dave Bartholomew (am 1977-03-20)
phonographisches Urheberrecht (℗) von:
United Artists Records Ltd. (vom 1977 bis heute)
aufgenommen bei:
Deutsches Museum in München, Bayern, Deutschland (am 1977-03-20)
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich (in 1977)
engineered at:
EMI Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1977)
Bearbeitung von:
Whole Lotta Loving (live, 1977-03-20: Deutsches Museum, Munich, West Germany; with speech) von Fats Domino
live recording of:
Whole Lotta Loving (am 1977-03-20)
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Fats Domino1:03
12Walking After Midnight
cover recording of:
Walkin’ After Midnight
Texter:
Don Hecht
Komponist(in):
Alan Block und Don Hecht
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
Patsy Cline2:32
13Maybellene
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1955-05-21)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1955-05-21)
Kontrabass:
Willie Dixon (am 1955-05-21)
Maracas / Rumba-Rasseln [possibly]:
Leonard Chess (am 1955-05-21) und Jerome Green (am 1955-05-21)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 2003)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1955-05-21)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 102)
recording of:
Maybellene (am 1955-05-21)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und Salee Music Company
Chuck Berry3.92:23
14Here I Am Broken Hearted
recording of:
Here Am I Broken Hearted (1927 song)
Verfasser(in):
Lew Brown, Buddy DeSylva und Ray Henderson
Johnnie Ray2:53
15Red Sails in the Sunset
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-13)
Gitarre:
Lee Blair (am 1935-12-13)
Klavier:
Luis Russell (am 1935-12-13)
Kontrabass:
George "Pops" Foster (am 1935-12-13)
Posaune:
Jimmy Archey (am 1935-12-13) und Harry White (jazz trombonist) (am 1935-12-13)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-13), Henry “Moon” Jones (swing era reeds) (am 1935-12-13) und Bingie Madison (am 1935-12-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-13)
Tenorsaxophon:
Greely Walton (am 1935-12-13)
Trompete:
Gus Aiken (am 1935-12-13), Louis Armstrong (am 1935-12-13), Louis Bacon (am 1935-12-13) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-13)
vocals:
Louis Armstrong (am 1935-12-13)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-13)
recording of:
Red Sails in the Sunset (am 1935-12-13)
Texter:
James B. Kennedy (Irish songwriter)
Komponist(in):
Hugh Williams (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) und Shapiro, Bernstein & Co., Inc.
Louis Armstrong3:03
16Baby Lover
recording of:
Baby Lover
Texter und Komponist(in):
Wandra Merrell
Petula Clark2:27
17A Wonderful Time Up TherePat Boone2:02
18The Magic TouchThe Platters2:28
19Hard Headed Women
Techniker(in):
Thorne Nogar (von 1958-01 bis 1958-02) und Phil Wisdom (von 1958-01 bis 1958-02)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1958-01-15 bis 1958-01-23), Neal Matthews (von 1958-01-15 bis 1958-01-23) und Ray Siegel (von 1958-01-15 bis 1958-01-23)
Becken:
Hoyt Hawkins (von 1958-01-15 bis 1958-01-23)
Bongos:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1958-01-15 bis 1958-01-23)
Gitarre:
Neal Matthews (von 1958-01-15 bis 1958-01-23), Scotty Moore (American guitarist and recording engineer) (von 1958-01-15 bis 1958-01-23) und Elvis Presley (“The King of Rock and Roll”) (von 1958-01-15 bis 1958-01-23)
Klarinette:
Mahlon Clark (von 1958-01-15 bis 1958-01-23)
Klavier:
Dudley Brooks (von 1958-01-15 bis 1958-01-23)
Posaune:
Elmer Schneider (von 1958-01-15 bis 1958-01-23) und Warren Smith (jazz trombonist) (von 1958-01-15 bis 1958-01-23)
Saxophon:
Justin Gordon (von 1958-01-15 bis 1958-01-23)
Schlagzeug:
D.J. Fontana (von 1958-01-15 bis 1958-01-23) und Bernie Mattinson (von 1958-01-15 bis 1958-01-23)
Trompete:
John Ed Buckner (von 1958-01-15 bis 1958-01-23)
Tuba:
Ray Siegel (von 1958-01-15 bis 1958-01-23)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (von 1958-01-15 bis 1958-01-23)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1958), BMG Music (in 1958) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1958-01-15 bis 1958-01-16, am 1958-01-23)
cover recording of:
Hard Headed Woman (am 1958-01-15)
Texter und Komponist(in):
Claude Demetrius
publisher:
Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated) und Williamson Music Company
recording of:
Hard Headed Woman
Texter und Komponist(in):
Claude Demetrius
publisher:
Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated) und Williamson Music Company
Elvis Presley3.651:58
20It Wasn’t God Who Made Honky Tonk Angels
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1952-05-03)
Bass:
Johnnie Wright (US country music singer-songwriter) (am 1952-05-03)
Fiddle:
Paul Warren (US fiddler) (am 1952-05-03)
Gitarre:
Jack Anglin (am 1952-05-03)
Steel-Gitarre:
Harold "Shot" Jackson (US country music guitar and dobro player) (am 1952-05-03)
vocals:
Kitty Wells (am 1952-05-03)
recording of:
It Wasn’t God Who Made Honky Tonk Angels (am 1952-05-03)
Texter und Komponist(in):
J.D. Miller (Louisiana songwriter and producer Joseph Denton Miller)
publisher:
Peer International Corporation (BMI)
quotes lyrics from:
The Wild Side of Life
cover recording of:
It Wasn’t God Who Made Honky Tonk Angels (in 1952)
Texter und Komponist(in):
J.D. Miller (Louisiana songwriter and producer Joseph Denton Miller)
publisher:
Peer International Corporation (BMI)
quotes lyrics from:
The Wild Side of Life
cover recording of:
It Wasn’t God Who Made Honky Tonk Angels (in 1979)
Texter und Komponist(in):
J.D. Miller (Louisiana songwriter and producer Joseph Denton Miller)
publisher:
Peer International Corporation (BMI)
quotes lyrics from:
The Wild Side of Life
Kitty Wells52:33
21Roly Poly
recording of:
Roly Poly
Texter und Komponist(in):
Fred Rose (songwriter)
publisher:
Milene Music. Inc (ASCAP) (am 1946-04-11)
Jim Reeves2:33
22Bali Hai
recording of:
Bali Ha’i (South Pacific)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Williamson Music Company
Teil von:
South Pacific (Rodgers & Hammerstein musical)
Perry Como3:37
23Butterfly
vocals:
Andy Williams (US pop/jazz vocalist)
conductor:
Archie Bleyer
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
cover recording of:
Butterfly
Verfasser(in):
Bernie Lowe und Kal Mann
publisher:
Mayland‐Presley
Andy Williams2:21
24Sweet Violets
recording of:
Sweet Violets
Verfasser(in):
Cy Coben (songwriter) und Charles R. Grean
Dinah Shore2:52
25You Are My Destiny
Paul Anka2:45
10CD

Nennungen

Veröffentlichung

Verwertungsgesellschaft:MCPS (UK rights society; do not use this as a label or work publisher!)
Teil von:Cheap’O’Lata (Nummer: 10003) (Reihenfolge: 54)
ASIN:JP: B002YCGKTW [Info]