| Nr. | Titel | Bewertung | Länge |
|---|
| C1 | The Flying Sequence / Can You Read My Mind- recording engineer:
- Eric Tomlinson (am 1978-07-06, am 1978-07-10, am 1978-09-09, am 1978-10-06, am 1978-11-04)
- assistierende(r) Techniker(in):
- Alan Snelling (am 1978-07-06, am 1978-07-10, am 1978-09-09, am 1978-10-06, am 1978-11-04)
- Sprecher:
- Margot Kidder
- Orchester:
- London Symphony Orchestra (am 1978-07-06, am 1978-07-10, am 1978-09-09, am 1978-10-06, am 1978-11-04)
- conductor:
- John Williams (am 1978-07-06, am 1978-07-10, am 1978-09-09, am 1978-10-06, am 1978-11-04)
- concertmaster:
- John Georgiadis (am 1978-07-06, am 1978-07-10, am 1978-09-09, am 1978-11-04) und Irvine Arditti (am 1978-10-06)
- aufgenommen bei:
- Anvil Studios in Denham, Buckinghamshire, England, Vereinigtes Königreich (am 1978-07-06, am 1978-07-10, am 1978-09-09, am 1978-10-06, am 1978-11-04)
- recording of:
- I Like Pink (von 1978-07-06 bis 1978-07-10)
- Orchestrator(in):
- Herbert W. Spencer
- Komponist(in):
- John Williams
- publisher:
- Warner-Barham Music LLC
- recording of:
- To the Moon (am 1978-09-09)
- Orchestrator(in):
- Herbert W. Spencer
- Komponist(in):
- John Williams
- publisher:
- Warner-Barham Music LLC
- recording of:
- I Can Fly (Flying Sequence) (am 1978-10-06)
- Orchestrator(in):
- Herbert W. Spencer
- Komponist(in):
- John Williams
- publisher:
- Warner-Barham Music LLC
- recording of:
- Can You Read My Mind (am 1978-11-04)
- Texter:
- Leslie Bricusse
- Komponist(in):
- John Williams
- publisher:
- Warner-Barham Music LLC und Warner–Tamerlane Publishing Corp.
- Version von:
- Flying Part III
- Teil von:
- Superman: The Movie
| | 8:08 |
| C2 | Super Rescues- recording engineer:
- Eric Tomlinson (am 1978-09-09, am 1978-09-10)
- assistierende(r) Techniker(in):
- Alan Snelling (am 1978-09-09, am 1978-09-10)
- Orchester:
- London Symphony Orchestra (am 1978-09-09, am 1978-09-10)
- conductor:
- John Williams (am 1978-09-09, am 1978-09-10)
- concertmaster:
- John Georgiadis (am 1978-09-09, am 1978-09-10)
- aufgenommen bei:
- Anvil Studios in Denham, Buckinghamshire, England, Vereinigtes Königreich (am 1978-09-09, am 1978-09-10)
- Bearbeitung von:
- Super Crime Fighter von London Symphony Orchestra, John Williams und Super Rescues von London Symphony Orchestra, John Williams
- teilweise recording of:
- The Cat Rescue (am 1978-09-09)
- Orchestrator(in):
- Herbert W. Spencer
- Komponist(in):
- John Williams
- publisher:
- Warner-Barham Music LLC
- recording of:
- Air Force One (am 1978-09-10)
- Orchestrator(in):
- Herbert W. Spencer
- Komponist(in):
- John Williams
- publisher:
- Warner-Barham Music LLC
- teilweise recording of:
- The Burglar Sequence (am 1978-09-10)
- Orchestrator(in):
- Herbert W. Spencer
- Komponist(in):
- John Williams
- publisher:
- Warner-Barham Music LLC
| | 3:24 |
| C3 | Lex Luthor’s Lair | | 2:33 |
| C4 | Superfeats | | 5:00 |
| D1 | The March of the Villains | | 3:33 |
| D2 | Chasing Rockets- recording engineer:
- Eric Tomlinson (am 1978-10-15, am 1978-10-24)
- assistierende(r) Techniker(in):
- Alan Snelling (am 1978-10-15, am 1978-10-24)
- Orchester:
- London Symphony Orchestra (am 1978-10-15, am 1978-10-24)
- conductor:
- John Williams (am 1978-10-15, am 1978-10-24)
- concertmaster:
- John Georgiadis (am 1978-10-15, am 1978-10-24)
- aufgenommen bei:
- Anvil Studios in Denham, Buckinghamshire, England, Vereinigtes Königreich (am 1978-10-15, am 1978-10-24)
- Kompilation von:
- Chasing Rockets von London Symphony Orchestra, John Williams und Super Dam and Finding Lois von London Symphony Orchestra, John Williams
- recording of:
- Chasing Rockets (am 1978-10-15)
- Orchestrator(in):
- Arthur Morton
- Komponist(in):
- John Williams
- publisher:
- Warner-Barham Music LLC
- recording of:
- Miss T. Rescue (am 1978-10-15)
- Orchestrator(in):
- Arthur Morton
- Komponist(in):
- John Williams
- publisher:
- Warner-Barham Music LLC
- recording of:
- Flying to Lois (am 1978-10-24)
- Orchestrator(in):
- Arthur Morton
- Komponist(in):
- John Williams
- publisher:
- Warner-Barham Music LLC
| | 7:33 |
| D3 | Turning Back the World | | 2:01 |
| D4 | End Title | | 6:24 |