Cantatas BWV 140, 61 & 29

~ Release by Johann Sebastian Bach; Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt (see all versions of this release, 1 available)

Tracklist

1▶CD: 2007 recording
2▼CD: 1976 recording
#TitleArtistRatingLength
1Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1981-11-06 until 1983-01-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach7:10
2Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenore) "Er kommt, er kommt, der Bräutgam kommt!"
tenor vocals:
Kurt Equiluz (tenor) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Recitativo (Tenor) “Er kommt, er kommt, der Bräutgam kommt!” (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach0:58
3Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Duetto: Soprano, basso) "Wann kömmst du, mein Heil?" (Seele, Jesus)
bass vocals:
Thomas Hampson (baritone) (from 1981-11-06 until 1983-01-22)
treble vocals:
Allan Bergius (boy soprano, classical cellist and conductor) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:32
4Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenore) "Zion hört die Wächter singen"
choir vocals:
Kinderchor Bad Tölz
tenor vocals:
Kurt Equiluz (tenor) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach3:59
5Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Basso) "So geh herein zu mir"
bass vocals:
Thomas Hampson (baritone) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Recitativo (Bass) “So geh herein zu mir” (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:37
6Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Duetto: Soprano, basso) "Mein Freund ist mein" (Seele, Jesus)
bass vocals:
Thomas Hampson (baritone) (from 1981-11-06 until 1983-01-22)
treble vocals:
Allan Bergius (boy soprano, classical cellist and conductor) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein” (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:23
7Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1981-11-06 until 1983-01-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:56
8Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1975-11) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: I. Coro “Nun komm, der Heiden Heiland” (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach3:41
9Kantate, BWV 61 "Nun komm, der Heiden Heiland": II. Recitativo (Tenore): "Der Heiland ist gekommen"
tenor vocals:
Kurt Equiluz (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: II. Recitativo (Tenore): “Der Heiland ist gekommen” (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach1:34
10Kantate, BWV 61 "Nun komm, der Heiden Heiland": II. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche"
tenor vocals:
Kurt Equiluz (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: III. Aria (Tenore) “Komm, Jesu, komm zu deiner Kirche” (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach3:59
11Kantate, BWV 61 "Nun komm, der Heiden Heiland": III. Recitative (Basso) "Siehe, ich stehe vor der Tür"
bass vocals:
Ruud van der Meer (operatic bass) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: IV. Recitativo (Basso) “Siehe, ich stehe vor der Tür und klopfe an” (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach1:04
12Kantate, BWV 61 "Nun komm, der Heiden Heiland": IV. Aria (Soprano) "Öffne dich, mein ganzes Herze"
treble vocals:
Seppi Kronwitter (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: V. Aria (Soprano) “Öffne dich, mein ganzes Herze” (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach3:23
13Kantate, BWV 61 "Nun komm, der Heiden Heiland": V. Choral "Amen"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1975-11) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: VI. Choral “Amen, Amen” (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach1:04
14Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": I. Sinfonia
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach3:38
15Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
choir vocals:
Chorus Viennensis, Tölzer Knabenchor (Tölz Boys’ Choir) (from 1972-06 until 1973-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach3:03
16Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": III. Aria (Tenore) "Halleluja, Stärk und Macht"
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo tenor vocals:
Kurt Equiluz (tenor)
tenor vocals:
Kurt Equiluz (tenor) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": III. Aria (Tenore) "Halleluja, Stärk und Macht" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach6:31
17Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": IV. Recitativo (Basso) "Gottlob! es geht uns wohl!"
bass vocals:
Max van Egmond (bass-baritone) (from 1972-06 until 1973-04)
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": IV. Recitativo (Basso) "Gottlob! es geht uns wohl!" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach0:49
18Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": V. Aria (Soprano) "Gedenk an uns mit deiner Liebe"
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo treble vocals [Sopran]:
Solist der Wiener Sängerknaben
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": V. Aria (Soprano) "Gedenk an uns mit deiner Liebe" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach5:49
19Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VI. Recitativo (Alto) e Coro "Vergiß es ferner nicht, mit deiner Hand"
choir vocals:
Chorus Viennensis, Tölzer Knabenchor (Tölz Boys’ Choir) (from 1972-06 until 1973-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1973-04)
countertenor vocals:
Paul Esswood (countertenor) (from 1972-06 until 1973-04)
solo countertenor vocals [Alt]:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VI. Recitativo (Alto) e Coro "Vergiß es ferner nicht, mit deiner Hand" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach0:26
20Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VII. Aria (Alto) "Halleluja, Stärk und Macht"
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
countertenor vocals:
Paul Esswood (countertenor) (from 1972-06 until 1973-04)
solo countertenor vocals [Alt]:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VII. Aria (Alto) "Halleluja, Stärk und Macht" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach1:53
21Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VIII. Choral "Sei Lob und Preis mit Ehren"
choir vocals:
Chorus Viennensis, Tölzer Knabenchor (Tölz Boys’ Choir) (from 1972-06 until 1973-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VIII. Choral "Sei Lob und Preis mit Ehren" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 272)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach1:25

Credits

Release

ASIN:DE: B002K9C0RK [info]