| # | Title | Artist | Rating | Length |
|---|
| 1 | Lost | Linkin Park | 4 | 3:19 |
| 2 | House of Memories | Panic! At The Disco | 4.15 | 3:29 |
| 3 | Iris | The Goo Goo Dolls | 4.25 | 4:50 |
| 4 | This Is Why- assistant recording engineer:
- Harriet Tam
- recording engineer:
- Carlos de la Garza and Paramore
- miscellaneous support:
- Anne Declemente (task: A&R administration)
- programming:
- Phil Danyew , Zac Farro and Taylor York
- artist & repertoire support:
- Anne Declemente and Steve Robertson
- assistant engineer:
- Patrick Kehrier, Kyle McAulay and Scott Moore
- engineer:
- Harriet Tam
- producer:
- Carlos de la Garza
- assistant mixer:
- Zach Pereyra, Trey Station and Anthony Vilchis
- mixer:
- Manny Marroquin
- bass clarinet and flute:
- Henry Solomon
- bass guitar:
- Brian Robert Jones
- drums (drum set) [drums]:
- Zac Farro
- glockenspiel and keyboard [keyboards]:
- Phil Danyew , Zac Farro and Taylor York
- guitar:
- Taylor York
- percussion:
- Zac Farro and Hayley Williams
- piano and lead vocals:
- Hayley Williams
- vibraphone:
- Zac Farro and Taylor York
- background vocals:
- Carlos de la Garza , Zac Farro, Hayley Williams and Taylor York
- performer:
- Paramore
- drums (drum set) [drum] technician:
- Joey Mullen
- guitar technician:
- Joanne Almeida and Erik Bailey
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 2023)
- mixed at:
- Larrabee Studios in North Hollywood, Los Angeles, California, United States
- music videos:
- This Is Why by Paramore
- part of:
- Grammy Award: Best Alternative Music Performance nominees (number: 2024 winner) and TheNeedleDrop: Top 50 Songs of 2022 (number: 42)
- recording of:
- This Is Why
- writer:
- Zac Farro, Hayley Williams and Taylor York
- publisher:
- But Father, I Just Want to Sing Music , Hunterboro Music, WC Music Corp. and Zac the Wolf Music
| Paramore | 3.85 | 3:28 |
| 5 | SPIT IN MY FACE! | ThxSoMch | | 2:28 |
| 6 | Teenage Dirtbag | Cavetown feat. chloe moriondo | | 3:20 |
| 7 | Yellow | Coldplay | 3.35 | 4:27 |
| 8 | I Love You So | The Walters | 3.9 | 2:40 |
| 9 | Abcdefu (Angrier) | GAYLE | | 2:40 |
| 10 | Teenagers | My Chemical Romance | 3.75 | 2:42 |
| 11 | Rock and a Hard Place | Bailey Zimmerman | 1 | 3:28 |
| 12 | Cool Kids | Echosmith | 4.25 | 3:58 |
| 13 | Psycho Killer - 2005 (remaster)- additional engineer:
- Matt Cohen
- engineer:
- Ed Stasium
- executive producer:
- Karen Ahmed and Robin Hurley
- producer:
- Tony Bongiovi, Lance Quinn and Talking Heads
- bass guitar:
- Tina Weymouth (from 1976 until 1977)
- drums (drum set):
- Chris Frantz (from 1976 until 1977)
- guitar:
- David Byrne (from 1976 until 1977) and Jerry Harrison (from 1976 until 1977)
- guitar and keyboard and keyboard:
- Jerry Harrison (from 1976 until 1977)
- lead vocals:
- David Byrne (from 1976 until 1977)
- vocals:
- Jerry Harrison (from 1976 until 1977)
- phonographic copyright (℗) by:
- Sire Records Inc. (in 1977)
- recorded at:
- Sundragon Studios in Flatiron District, New York, New York, United States (from 1976 until 1977)
- mixed at:
- Mediasound Studios in New York, New York, United States (in 2005)
- samples from:
- Lexicon Valley #190, "Beyond the Five Ws" by John McWhorter
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 108)
- recording of:
- Psycho Killer (from 1976 until 1977)
- lyricist:
- David Byrne , Chris Frantz and Tina Weymouth
- composer:
- David Byrne
- publisher:
- Bleu Disque Music Co., Inc. , Index Music, Inc., Warner Bros. Music Ltd. and Warner Chappell Music
| Talking Heads | 4.05 | 4:21 |
| 14 | Die First | Nessa Barrett | 4 | 2:57 |
| 15 | Tek It | Cafuné | 4.25 | 3:12 |
| 16 | Wake Me Up When September Ends | Green Day | 4.2 | 4:46 |
| 17 | Loser | Sueco | | 2:14 |
| 18 | Stressed Out | Twenty One Pilots | 4.4 | 3:22 |
| 19 | Out of My League | Fitz and The Tantrums | 4.5 | 3:29 |
| 20 | Notion | The Rare Occasions | 5 | 3:15 |
| 21 | I Hope You're Happy | Games We Play | | 3:00 |
| 22 | Dani California | Red Hot Chili Peppers | 4.05 | 4:42 |
| 23 | Running Up That Hill- programming, producer and mixer:
- Christian ‘Leggy’ Langdon
- engineer:
- Christian ‘Leggy’ Langdon and Carl Stoodt
- bass guitar, guitar, percussion, piano and synthesizer:
- Christian ‘Leggy’ Langdon
- vocals:
- Meg Myers
- phonographic copyright (℗) by:
- 300 Entertainment (in 2019)
- cover recording of:
- Running Up That Hill
- lyricist and composer:
- Kate Bush
- publisher:
- EMI Music Publishing Germany GmbH , EMI Music Publishing Ltd. , Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. , Sony/ATV Music Publishing LLC and ソニー・ミュージックパブリッシング EMI外国事業部
| MEG MYERS | 4 | 4:24 |
| 24 | Tongue Tied- recording engineer, engineer and producer:
- Ryan Rabin
- assistant engineer:
- Ryan McMahon
- assistant mixer:
- Ryan Gilligan
- performer:
- Sean Gadd, Hannah Hooper, Ryan Rabin, Andrew Wessen and Christian Zucconi
- phonographic copyright (℗) by:
- Atlantic Recording Corporation
- recorded at:
- Captain Cuts Studios in Los Angeles, California, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 412)
- recording of:
- Tongue Tied
- writer:
- Sean Gadd, Hannah Hooper, Ryan Rabin, Andrew Wessen and Christian Zucconi
| GROUPLOVE | 4.25 | 3:38 |
| 25 | The Only Exception | Paramore | 3.45 | 4:28 |
| 26 | Bubblegum Bitch- recorded in:
- Hackney, London , England, United Kingdom
- recording engineer and engineer:
- Kieron Menzies and Dean Reid
- additional engineer:
- John Ingoldsby and Nigel Lundemo
- assistant engineer:
- Trevor Yasuda
- co-producer:
- Dean Reid
- producer:
- Rick Nowels
- assistant mixer:
- Matty Green
- mixer:
- Mark “Spike” Stent
- bass and drums (drum set):
- Dean Reid
- electric guitar:
- Rusty Anderson, Tim Pierce and Dean Reid
- keyboard:
- Dan Chase , Rick Nowels and Dean Reid
- lead vocals:
- Marina Diamandis
- phonographic copyright (℗) by:
- 679 Recordings Ltd. (in 2012) and Warner Music UK Ltd. (in 2012)
- recorded at:
- The Green Building in Santa Monica, California, United States
- mixed at:
- The Mix Suite LA in Los Angeles, California, United States
- recording of:
- Bubblegum Bitch
- writer:
- Marina Diamandis and Rick Nowels
- publisher:
- EMI April Music Inc., R‐Rated Music and Warner/Chappell Music Ltd.
| MARINA | 5 | 2:35 |
| 27 | Monster | Skillet | 4.25 | 2:58 |
| 28 | Way Down We Go- assistant recording engineer:
- Caleb Contreras, Chandler Harrod , Jonathan Lackey, Peter Mack and Robert Sewell
- recording engineer:
- Jonathan Gilmore
- additional engineer:
- Arnar Guðjónsson, Joseph Holguin, Nate Pittsburgh Dickinson, Jacob Sciba, Dana Sorey, Joshua Thomas and Austin Thompson
- producer:
- Mike Crossey, Arnar Guðjónsson and Kaleo
- mixer:
- Andrew Scheps
- bass:
- Daníel Ægir Kristjánsson
- cello:
- Hallgrímur Jónas Jensson
- guitar:
- Rubin Pollock
- percussion:
- Davíð Antonsson
- viola:
- Karl James Pestka
- violin:
- Björk Óskarsdóttir and Siun Milne
- additional lead vocals:
- Traci Harris and AnG White
- choir vocals:
- Gernard Carter, Mia Coleman, Tinnea Davis, Monet Guthrie Shelton, Mason Guthrie, Mason Guthrie Jr., James Johnson Jr., Jeremy Lloyd , Kristle Ransom, Ariel Stokes, Iyana Wakefield and AnG White
- strings arranger:
- Karl James Pestka
- choir vocals arranger:
- Monet Guthrie Shelton and Dana Sorey
- phonographic copyright (℗) by:
- Atlantic (in 2016), Elektra Records (in 2016) and WEA International Inc. (in 2016)
- recorded at:
- Aeronaut Studios in Reykjavík, Höfuðborgarsvæðið , Iceland, Arlyn Studios in Austin, Texas, United States, C Blake Studios in Newark, Delaware, United States, Capitol Studios in Hollywood, Los Angeles, California, United States, Chicago Recording Company in Chicago, Illinois, United States, Henson Recording Studios in Hollywood, Los Angeles, California, United States, Livingston Studios in Wood Green, Haringey, London , England, United Kingdom, Orb Recording Studios in Austin, Texas, United States and Wright Way Studios in Baltimore, Maryland, United States
- mixed at:
- Punkerpad UK in Worcestershire, England, United Kingdom and Punkerpad West in Van Nuys, California, United States
- part of:
- BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 392)
- recording of:
- Way Down We Go
- writer and composer:
- Jökull Júlíusson
- publisher:
- Vegasalt and W.B.M. Music Corp.
| KALEO | 4.95 | 3:34 |
| 29 | Viva La Vida- producer:
- Markus Dravs, Brian Eno, Jon Hopkins and Rik Simpson
- mixer:
- Michael Brauer , Markus Dravs, Rik Simpson and Andy Wallace
- bass:
- Guy Berryman
- drums (drum set) and percussion:
- Will Champion
- guitar:
- Jonny Buckland
- piano and lead vocals:
- Chris Martin
- strings:
- Davide Rossi
- synthesizer:
- Brian Eno
- background vocals:
- Guy Berryman, Jonny Buckland, Will Champion and Brian Eno
- music videos:
- Viva la Vida by Coldplay and Viva la Vida by Coldplay
- part of:
- Billboard Year-End Hot 100 singles of 2008 (number: 13), Billboard Year-End Hot 100 singles of 2009 (number: 55), Indie 88: Top 500 Indie Rock Songs (number: 71), Billboard: The 500 Best Pop Songs (number: 144) and BILLIONS CLUB
- recording of:
- Viva la Vida
- writer:
- Guy Berryman, Jonny Buckland, Will Champion and Chris Martin
- publisher:
- Universal Music Publishing MGB Ltd.
| Coldplay | 4.05 | 4:02 |
| 30 | Custer | Slipknot | 4 | 4:14 |
| 31 | Mind Over Matter | Young the Giant | | 3:51 |
| 32 | Blood // Water | grandson | 4 | 3:35 |
| 33 | In the End- recording engineer and producer:
- Don Gilmore
- additional engineer:
- John Ewing, Jr.
- assistant engineer:
- Matt Griffin
- engineer:
- Steve Sisco
- mixer:
- Andy Wallace
- drums (drum set):
- Rob Bourdon
- guitar:
- Brad Delson
- vocals:
- Chester Bennington and Mike Shinoda
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 2000)
- recorded at:
- NRG Recordings in North Hollywood, Los Angeles, California, United States
- mixed at:
- Soundtrack in New York, New York, United States
- music videos:
- In the End by Linkin Park
- part of:
- Billboard Year-End Hot 100 singles of 2002 (number: 7), Offizielle deutsche Charts – Single-Jahrescharts 2025 (number: 27), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 173)
- recording of:
- In the End (from 2000-03-07 until 2000-05-15)
- writer:
- Chester Bennington, Rob Bourdon, Bradford Phillip Delson, Joseph “Joe” Hahn and Mike Shinoda
- publisher:
- Big Bad Mr. Hahn Music, Chesterchaz Publishing, Kenji Kobayashi Music, Nondisclosure Agreement Music, Rob Bourdon Music, Universal Music–Z Songs, Zomba Enterprises Inc. and Zomba Songs Inc.
| Linkin Park | 4.25 | 3:37 |
| 34 | Right Down the Line- recording engineer:
- Barry Hammond
- producer:
- Hugh Murphy and Gerry Rafferty
- mixer:
- Declan O’Doherty
- bass:
- Gary Taylor
- drums (drum set):
- Henry Spinetti
- guitar family:
- Hugh Burns
- organ and piano:
- Tommy Eyre
- percussion:
- Glen LeFleur
- steel guitar:
- Brian Cole
- lead vocals:
- Gerry Rafferty
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1977), Parlophone Records Ltd. (in 1978) and United Artists Music and Records Group, Inc. (in 1978)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
- mixed at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 1)
- recording of:
- Right Down the Line
- lyricist and composer:
- Gerry Rafferty
- publisher:
- Stage Three Music Publishing Limited, Universal–Songs of PolyGram International, Inc. and Music of Stage Three (in 1978)
| Gerry Rafferty | 3.5 | 4:28 |
| 35 | Freaks | Surf Curse | | 2:27 |
| 36 | Overwhelmed | Royal & the Serpent | 4 | 2:39 |
| 37 | Still Into You | Paramore | 3.65 | 3:36 |
| 38 | Life Goes On | Oliver Tree | 5 | 2:42 |
| 39 | Line Without a Hook | Ricky Montgomery | | 4:10 |
| 40 | Tear in My Heart | Twenty One Pilots | 4.5 | 3:08 |
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