Sweet Soul Music: The Best of Stax

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Sweet Soul Music
tecnico:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
produttore:
Otis Redding
chitarra :
Moses Dillard (il 1967-01-20)
voce:
Arthur Conley (il 1967-01-20)
registrata presso:
FAME Studios in Muscle Shoals, Alabama, Stati Uniti (il 1967-01-20)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 351)
registrazione di:
Sweet Soul Music (il 1967-01-20)
autore:
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) e Otis Redding
editore:
ABKCO Music e Rondor
si basa su:
Yeah Man
Arthur Conley42:22
2Soul Man
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-08-10)
produttore:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) e Jim Stewart (US producer, founder for Stax & Volt Records)
strumenti:
Booker T. & the MG’s (nel 1967) e The Mar‐Keys Horns (nel 1967)
voce principale:
Sam Moore (singer, ex "Sam and Dave") (nel 1967) e David Prater (soul artist) (nel 1967)
diritti fonografici (℗) detenuti da:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 458)
registrazione di:
Soul Man (il 1967-08-10)
autore:
Isaac Hayes (nel 1967) e David Porter (US soul musician, producer & songwriter) (nel 1967)
editore:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (nel 1986) e Walden Music Corp. (publisher) (nel 1986)
Sam & Dave4.52:40
3Respect
registrata a:
Memphis, Tennessee, Stati Uniti (il 1965-07-09)
tecnico di registrazione:
Tom Dowd
produttore:
Steve Cropper e Jim Stewart (US producer, founder for Stax & Volt Records)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (il 1965-07-09)
chitarra :
Steve Cropper (il 1965-07-09)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1965-07-09)
sassofono baritono :
Floyd Newman (il 1965-07-09)
sassofono tenore :
Andrew Love (il 1965-07-09)
tastiera :
Booker T. Jones (nel 1965-07) e Isaac Hayes (il 1965-07-09)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (nel 1965-07) e Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1965-07-09)
voce di accompagnamento:
Earl Sims (il 1965-07-09)
registrata presso:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Stati Uniti (dal 1965-07-09 al 1965-07-10)
registrazione di:
Respect (nel 1965-07)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Otis Redding4.22:09
4Knock on Wood
registrata a:
Memphis, Tennessee, Stati Uniti (il 1966-07-13)
produttore:
Steve Cropper
batteria [drums] :
Al Jackson (Booker T & The MGs drummer) (il 1966-07-13)
chitarra :
Steve Cropper (il 1966-07-13)
chitarra basso [bass] :
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1966-07-13)
organo :
Booker T. Jones (il 1966-07-13)
pianoforte :
Isaac Hayes (il 1966-07-13) e Booker T. Jones (il 1966-07-13)
sassofono baritono :
probably Floyd Newman
sassofono tenore :
probably Andrew Love (il 1966-07-13)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1966-07-13)
voce:
Eddie Floyd (il 1966-07-13)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrazione di:
Knock on Wood (il 1966-07-13)
autore:
Steve Cropper e Eddie Floyd
editore:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
adattamento di:
Potkraj na les
Eddie Floyd43:04
5Shaft
edit di:
Theme From ‘Shaft’ di Isaac Hayes
registrazione di:
Theme From Shaft (Shaft, 1971)
paroliere e compositore:
Isaac Hayes
editore:
Irving Music, Inc.
parte di:
The 44th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1971 winner)
parte di:
Shaft (1971 film soundtrack)
Isaac Hayes4.53:19
6Green Onions
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1962-06)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
batteria [drums] :
Al Jackson (Booker T & The MGs drummer) (nel 1962-06)
chitarra :
Steve Cropper (nel 1962-06)
chitarra basso [bass] :
Lewie Steinberg (nel 1962-06)
organo Hammond :
Booker T. Jones (nel 1962-06)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 181) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 418)
registrazione di:
Green Onions (nel 1962-06)
compositore:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones e Lewie Steinberg
editore:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. e Irving Music (BMI)
Booker T. & the MG’s4.152:55
7Mr Big Stuff
registrazione di:
Mr. Big Stuff
autore:
Joseph Broussard, Carrol Washington e Ralph Williams (US soul composer)
editore:
Caraljo Music Inc., Malaco Music Company e Peermusic III, Ltd. (BMI)
Jean Knight2:35
8Hold on I'm Coming
registrata a:
Memphis, Tennessee, Stati Uniti (il 1966-03-08)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
voce:
Sam & Dave (il 1966-03-08)
registrazione di:
Hold On, I’m Comin’ (il 1966-03-08)
autore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave52:29
9Soul Finger
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1967)
produttore:
The Stax Staff
basso elettrico [electric bass] :
James Alexander (US soul bassist, singer and songwriter) (nel 1967)
batteria :
Carl Cunningham (drummer for The Bar‐Kays) (nel 1967)
chitarra :
Jimmy King (US guitarist for The Bar‐Kays) (nel 1967)
organo :
Ronnie Caldwell (nel 1967)
sassofono tenore :
Phalon Jones (nel 1967)
tromba :
Ben Cauley (nel 1967)
registrazione di:
Soul Finger (nel 1967)
autore:
Ronnie Caldwell, Ben Cauley, Carl Cunningham (drummer for The Bar‐Kays), James Alexander (US soul bassist, singer and songwriter), Phalon Jones e Jimmy King (US guitarist for The Bar‐Kays)
The Bar‐Kays4.52:20
10What a Man
produttore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
registrazione di:
What a Man
paroliere e compositore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Linda Lyndell2:40
11BABY
registrazione di:
B-A-B-Y
autore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner/Chappell North America
Carla Thomas4.252:55
12Born Under a Bad Sign
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1967)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (nel 1967)
chitarra :
Steve Cropper (nel 1967) e Albert King (well‐known US blues guitarist & singer) (nel 1967)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1967)
corno :
Joe Arnold (nel 1967), Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (nel 1967) e Andrew Love (nel 1967)
pianoforte :
Isaac Hayes (nel 1967) e Booker T. Jones (nel 1967)
voce principale:
Albert King (well‐known US blues guitarist & singer) (nel 1967)
esecutore:
Booker T. & the MG’s (nel 1967) e The Memphis Horns (nel 1967)
parte di:
Blues Hall of Fame: Classic of Blues Recording Single (numero: 1988)
registrazione di:
Born Under a Bad Sign (nel 1967)
paroliere:
William Bell
compositore:
Booker T. Jones
editore:
Cotillion Music Inc. (BMI), Irving Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Chappell Music, Inc.
Albert King32:48
13Let Me Be Good to You
registrazione di:
Let Me Be Good to You
autore:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) e Carl Wells
Carla Thomas2:43
14Tramp
registrata a:
Memphis, Tennessee, Stati Uniti (dal 1967-01 al 1967-02)
produttore:
Steve Cropper e Jim Stewart (US producer, founder for Stax & Volt Records)
basso elettrico [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-01 al 1967-02)
batteria :
Al Jackson (Booker T & The MGs drummer) (dal 1967-01 al 1967-02)
chitarra :
Steve Cropper (dal 1967-01 al 1967-02)
pianoforte :
Booker T. Jones (dal 1967-01 al 1967-02)
sassofono tenore :
Joe Arnold (dal 1967-01 al 1967-02) e Andrew Love (dal 1967-01 al 1967-02)
tastiera :
Isaac Hayes (dal 1967-01 al 1967-02) e Booker T. Jones (dal 1967-01 al 1967-02)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-01 al 1967-02)
voce:
Otis Redding (dal 1967-01 al 1967-02) e Carla Thomas (dal 1967-01 al 1967-02)
voce di accompagnamento:
Carla Thomas (dal 1967-01 al 1967-02)
esecutore:
Carla Thomas (dal 1967-01 al 1967-02)
registrazione cover di:
Tramp (dal 1967-01 al 1967-02)
autore:
Lowell Fulson e Jimmy McCracklin (blues singer, songwriter)
editore:
Budget Music, Careers–BMG Music Publishing, Inc. e Powerforce Music
Otis Redding & Carla Thomas4.43:01
15Respect Yourself
edit di:
Respect Yourself di The Staple Singers
registrazione di:
Respect Yourself
paroliere e compositore:
Luther Ingram e Sir Mack Rice
editore:
Irving Music (BMI) (nel 1988) e Klondike Enterprises (publisher) (nel 1988)
The Staple Singers53:32
16I Like What You're Doing (To Me)
Carla Thomas2:55
17That's What Love Will Make You Do
Little Milton3:55
18Candy
The Astors3:02
19Jody's Got Your Girl and Gone
registrazione di:
Jody’s Got Your Girl and Gone
autore:
Kent Barker, Don Davis (American record producer) e James Skeet Wilson
Johnnie Taylor2:58
20I'll Take You There
edit di:
I’ll Take You There di The Staple Singers
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 186) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 276)
registrazione di:
I’ll Take You There
paroliere e compositore:
Alvertis Isbell
editore:
Music for Africa (South Africa)
The Staple Singers53:14
21Walking the Dog
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
voce:
Rufus Thomas (US blues & funk singer & songwriter)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 24)
registrazione di:
Walking the Dog (nel 1963)
paroliere e compositore:
Rufus Thomas (US blues & funk singer & songwriter)
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e East/Memphis Music
Rufus Thomas32:34
22Son of Shaft
The Bar‐Kays3:11
23Last Night
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1961-09)
produttore:
Chips Moman e Jim Stewart (US producer, founder for Stax & Volt Records)
basso [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1961-09)
batteria :
Terry Johnson (drums) (nel 1961-09)
chitarra :
Steve Cropper (nel 1961-09)
organo :
Booker T. Jones (nel 1961-09)
sassofono baritono :
Don Nix (nel 1961-09)
sassofono tenore :
Charles Axton (nel 1961-09)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (nel 1961-09)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 28)
registrazione di:
Last Night (nel 1961-09)
autore:
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith e Floyd Newman
compositore:
The Mar‐Keys
The Mar‐Keys42:40
24Hearsay
registrazione di:
Hearsay
autore:
John Colbert e Norman West
The Soul Children3:30
25Who's Making Love
produttore:
Donald Davis (American record producer) e Al Jackson, Jr. (Booker T & The MGs drummer)
basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1968)
chitarra :
Steve Cropper (nel 1968)
membranofono :
Al Jackson, Jr. (Booker T & The MGs drummer) (nel 1968)
organo e voce di accompagnamento:
Booker T. Jones (nel 1968)
pianoforte :
Isaac Hayes (nel 1968) e Allen Jones (producer/songwriter/musician/engineer) (nel 1968)
voce principale:
Johnnie Taylor (nel 1968)
registrazione di:
Who’s Making Love? (nel 1968)
autore:
Homer Banks (soul singer and songwriter), Bettye Crutcher, Don Davis (American record producer) e Raymond Jackson (songwriter, guitarist and producer)
Johnnie Taylor2:49
26Do the Funky Chicken
registrazione di:
Do the Funky Chicken
paroliere e compositore:
Rufus Thomas (US blues & funk singer & songwriter)
editore:
Almo Music Corp. (USA, affiliated with ASCAP)
Rufus Thomas3:17
27Soul Limbo
produttore:
Booker T. Jones
registrazione di:
Soul Limbo
autore:
Steve Cropper, Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter), Al Jackson, Jr. (Booker T & The MGs drummer) e Booker T. Jones
editore:
Al Jackson Jr. Music e Irving Music (BMI)
Booker T. & the MG’s4.52:25
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