The Sea Hawk: The Classic Film Scores of Erich Wolfgang Korngold

~ Parution par Erich Wolfgang Korngold (afficher toutes les versions de cette parution, 8 proposées)

Liste de pistes

1▼CD
noTitreÉvaluationDurée
1The Sea Hawk (Main Title; Reunion; Finale)
ingénieur du son :
Kenneth Wilkinson (engineer)
producteur :
George Korngold (producer)
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Charles Gerhardt (conductor, producer, arranger)
droits phonographiques (℗) par :
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (le 1972)
enregistré à :
Kingsway Hall dans London (Londres, Greater London), England, Royaume-Uni
recording of :
Finale (The Sea Hawk)
compositeur :
Erich Wolfgang Korngold (Austrian composer and conductor)
partie de :
The Sea Hawk
recording of :
Main Title (The Sea Hawk)
compositeur :
Erich Wolfgang Korngold (Austrian composer and conductor)
partie de :
The Sea Hawk
recording of :
Reunion (The Sea Hawk)
compositeur :
Erich Wolfgang Korngold (Austrian composer and conductor)
partie de :
The Sea Hawk
?:??
2Of Human Bondage (Nora's Theme)
ingénieur du son :
Kenneth Wilkinson (engineer)
producteur :
George Korngold (producer)
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Charles Gerhardt (conductor, producer, arranger)
droits phonographiques (℗) par :
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (le 1972)
enregistré à :
Kingsway Hall dans London (Londres, Greater London), England, Royaume-Uni
recording of :
Nora’s Theme (Of Human Bondage)
compositeur :
Erich Wolfgang Korngold (Austrian composer and conductor)
partie de :
Of Human Bondage (film score)
?:??
3Between Two Worlds (Main Title; Mother and Son)
ingénieur du son :
Kenneth Wilkinson (engineer)
producteur :
George Korngold (producer)
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Charles Gerhardt (conductor, producer, arranger)
droits phonographiques (℗) par :
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (le 1972)
enregistré à :
Kingsway Hall dans London (Londres, Greater London), England, Royaume-Uni
recording of :
Main Title (Between Two Worlds)
compositeur :
Erich Wolfgang Korngold (Austrian composer and conductor)
partie de :
Between Two Worlds
partiel recording of :
Mother and Son: A Piano Rhapsody
compositeur :
Erich Wolfgang Korngold (Austrian composer and conductor) (le 1944)
partie de :
Between Two Worlds
?:??
4The Sea Wolf
ingénieur du son :
Kenneth Wilkinson (engineer)
producteur :
George Korngold (producer)
harmonica :
Harry Pitch (English harmonica player)
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Charles Gerhardt (conductor, producer, arranger)
partiel recording of :
The Sea Wolf: Escape And Storm / Fog / Cooky / Asleep / Johnson Is Gone
compositeur :
Erich Wolfgang Korngold (Austrian composer and conductor) (le 1941)
partie de :
The Sea Wolf
partiel recording of :
The Sea Wolf: Finale / End Cast
compositeur :
Erich Wolfgang Korngold (Austrian composer and conductor) (le 1941)
partie de :
The Sea Wolf
recording of :
The Sea Wolf: Love Scene
compositeur :
Erich Wolfgang Korngold (Austrian composer and conductor) (le 1941)
partie de :
The Sea Wolf
partiel recording of :
The Sea Wolf: Main Title / Street
compositeur :
Erich Wolfgang Korngold (Austrian composer and conductor) (le 1941)
partie de :
The Sea Wolf
?:??
5The Constant Nymph (Tomorrow)
ingénieur du son :
Kenneth Wilkinson (engineer)
producteur :
George Korngold (producer)
chœurs :
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
voix de contralto :
Norma Procter (contralto)
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Charles Gerhardt (conductor, producer, arranger)
droits phonographiques (℗) par :
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (le 1972)
enregistré à :
Kingsway Hall dans London (Londres, Greater London), England, Royaume-Uni
recording of :
Tomorrow: Tone Poem For Contralto, Women's Chorus And Orchestra, op. 33
parolier :
Margaret Kennedy
compositeur :
Erich Wolfgang Korngold (Austrian composer and conductor) (le 1942)
dédié à :
Bruno Walter (conductor)
partie de :
Works of Erich Wolfgang Korngold by opus number (numéro : op. 33)
?:??
6Kings Row (Main Title)
ingénieur du son :
Kenneth Wilkinson (engineer)
producteur :
George Korngold (producer)
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Charles Gerhardt (conductor, producer, arranger)
droits phonographiques (℗) par :
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (le 1972)
enregistré à :
Kingsway Hall dans London (Londres, Greater London), England, Royaume-Uni
recording of :
Main Title (Kings Row)
compositeur :
Erich Wolfgang Korngold (Austrian composer and conductor)
?:??
7Anthony Adverse (No Father, No Mother, No Name)
ingénieur du son :
Kenneth Wilkinson (engineer)
producteur :
George Korngold (producer)
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Charles Gerhardt (conductor, producer, arranger)
droits phonographiques (℗) par :
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (le 1972)
enregistré à :
Kingsway Hall dans London (Londres, Greater London), England, Royaume-Uni
recording of :
No Father, No Mother, No Name (Anthony Adverse)
compositeur :
Erich Wolfgang Korngold (Austrian composer and conductor)
?:??
8Deception (Main Title)
ingénieur du son :
Kenneth Wilkinson (engineer)
producteur :
George Korngold (producer)
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Charles Gerhardt (conductor, producer, arranger)
droits phonographiques (℗) par :
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (le 1972)
enregistré à :
Kingsway Hall dans London (Londres, Greater London), England, Royaume-Uni
recording of :
Main Title (Deception)
compositeur :
Erich Wolfgang Korngold (Austrian composer and conductor)
?:??
9Devotion (The Death of Emily Bronte)
ingénieur du son :
Kenneth Wilkinson (engineer)
producteur :
George Korngold (producer)
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Charles Gerhardt (conductor, producer, arranger)
droits phonographiques (℗) par :
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (le 1972)
enregistré à :
Kingsway Hall dans London (Londres, Greater London), England, Royaume-Uni
recording of :
The Death of Emily Bronte (Devotion)
compositeur :
Erich Wolfgang Korngold (Austrian composer and conductor)
?:??
10Escape Me Never (Main Title; Venice; March; Lover Scene; Finale)
ingénieur du son :
Kenneth Wilkinson (engineer)
producteur :
George Korngold (producer)
violon et violon solo :
Sidney Sax (violinist and concertmaster)
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Charles Gerhardt (conductor, producer, arranger)
droits phonographiques (℗) par :
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (le 1972)
enregistré à :
Kingsway Hall dans London (Londres, Greater London), England, Royaume-Uni
recording of :
Main Title / Venice / March / Love Scene / Finale (Escape Me Never)
compositeur :
Erich Wolfgang Korngold (Austrian composer and conductor)
?:??

Crédits

Groupe de parution

partie de :Norman Lebrecht's 100 Best Recordings of Classical Music (numéro : 63) (ordre : 63)
autres bases de données :http://soundtrackcollector.com/title/6426/ [info]