The Baroque

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1▼CD
#	Title	Artist	Rating	Length
1	Fanfare ("Masterpiece Theatre" Theme) orchestra: Collegium Aureum recording of: Suite de Symphonies no. 1: I. Rondeau composer: Jean‐Joseph Mouret (composer) part of: Suite de Symphonies no. 1	Jean‐Joseph Mouret		1:45
2	Air for the "G" String orchestra: Royal Philharmonic Orchestra recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)	Johann Sebastian Bach		3:18
3	The Spring from "The Four Seasons", Op. 8: Allegro orchestra: Camerata Salzburg (Austrian chamber orchestra) recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)	Antonio Vivaldi		3:27
4	The Spring from "The Four Seasons", Op. 8: Largo e pianissimo sempre orchestra: Camerata Salzburg (Austrian chamber orchestra) recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)	Antonio Vivaldi		2:15
5	The Spring from "The Four Seasons", Op. 8: Allegro: Rustic Dance orchestra: Camerata Salzburg (Austrian chamber orchestra) recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)	Antonio Vivaldi		4:02
6	Largo from "Xerxes" orchestra: London Festival Orchestra (Alfred Scholz pseudonym) recording of: Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) composer: George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09) librettist: [anonymous] (special purpose artist) part of: Serse, HWV 40: Atto I recording of: Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) composer: George Frideric Handel (German‐British baroque composer) arrangement of: Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)	George Frideric Handel		3:09
7	"Brandenburg" Concerto No. 2 in F major, BWV 1047: Allegro orchestra: Camerata Romana (an Alfred Scholz pseudonym) recording of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)	Johann Sebastian Bach		5:35
8	"Brandenburg" Concerto No. 2 in F major, BWV 1047: Andante orchestra: Camerata Romana (an Alfred Scholz pseudonym) recording of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)	Johann Sebastian Bach		4:27
9	"Brandenburg" Concerto No. 2 in F major, BWV 1047: Allegro assai orchestra: Camerata Romana (an Alfred Scholz pseudonym) recording of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)	Johann Sebastian Bach		3:27
10	"Water Music" Suite: Overture orchestra: Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker) recording of: Water Music, Suite no. 1 in F major, HWV 348: I. Overture. Largo - Allegro composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	George Frideric Handel		3:14
11	"Water Music" Suite: Adagio orchestra: Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker) recording of: Water Music, Suite no. 1 in F major, HWV 348: II. Adagio e staccato composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	George Frideric Handel		2:25
12	"Water Music" Suite: Allegro; Andante; Allegro orchestra: Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker) recording of: Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo composer: George Frideric Handel (German‐British baroque composer) part of: Water Music Suite no. 1 in F major, HWV 348	George Frideric Handel		7:31
13	"Water Music" Suite: Minuet orchestra: Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker) recording of: Water Music, Suite no. 1 in F major, HWV 348: IV. Minuet (no tempo marking) composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	George Frideric Handel		4:07
14	"Water Music" Suite: Air orchestra: Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker) recording of: Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	George Frideric Handel		4:15
15	"Water Music" Suite: Minuet orchestra: Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker) recording of: Water Music, Suite no. 1 in F major, HWV 348: VI. Minuet composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	George Frideric Handel		2:08
16	"Water Music" Suite: Bourrée orchestra: Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker) recording of: Water Music, Suite no. 1 in F major, HWV 348: VII. Bourrée. Presto composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	George Frideric Handel		2:20
17	"Water Music" Suite: Hornpipe orchestra: Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker) recording of: Water Music, Suite no. 1 in F major, HWV 348: VIII. Hornpipe composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	George Frideric Handel		2:07
18	"Water Music" Suite: Allegro moderato orchestra: Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker) recording of: Water Music, Suite no. 1 in F major, HWV 348: IX. [Allegro moderato] (no tempo marking, sometimes marked Andante) composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	George Frideric Handel		4:24
19	Jesu, Joy of Man's Desiring orchestra: St. Louis Brass Quintet recording of: Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) composer: Johann Sebastian Bach (German Baroque period composer & musician) arrangement of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)	Johann Sebastian Bach		3:56
20	Sleepers, Wake organ: Philip Brunelle (organist and conductor) recording of: Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” premiered in: Leipzig, Sachsen (Saxony), Germany (on 1731-11-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”	Johann Sebastian Bach		4:16

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The Baroque

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