Hair: The American Tribal Love‐Rock Musical (Broadway Deluxe Collector’s Edition)

~ Release by Gerome Ragni, James Rado & Galt MacDermot (see all versions of this release, 2 available)

Tracklist

1▶Digital Media
2▼Digital Media
#TitleArtistRatingLength
1Ain’t Got No
phonographic copyright (℗) by:
BMG Music (in 2003)
recording of:
Ain’t Got No (from “Hair”) (in 1967)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
part of:
Hair (1967 musical)
Walker Daniels, Gerome Ragni, Steve Dean, Arnold Wilkerson1:22
2I Got Life
phonographic copyright (℗) by:
BMG Music (in 2003)
recording of:
I Got Life (from “Hair”) (in 1967)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
part of:
Hair (1967 musical)
Marijane Maricle, Walker Daniels2:49
3Air
phonographic copyright (℗) by:
BMG Music (in 2003)
recording of:
Air (from “Hair”) (in 1967)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
part of:
Hair (1967 musical)
Jonelle Allen, Shelley Plimpton, Sally Eaton1:31
4Going Down
phonographic copyright (℗) by:
BMG Music (in 2003)
recording of:
Going Down (in 1967)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
part of:
Hair (1967 musical)
Gerome Ragni, Hair Ensemble2:39
5Hair
phonographic copyright (℗) by:
BMG Music (in 2003)
recording of:
Hair (from “Hair”) (in 1967)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
part of:
Hair (1967 musical)
Walker Daniels, Gerome Ragni, Hair Ensemble3:09
6Dead End
phonographic copyright (℗) by:
BMG Music (in 2003)
recording of:
Dead End (in 1967)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
part of:
Hair (1967 musical)
Jill O’Hara, Hair Ensemble2:38
7Frank Mills
phonographic copyright (℗) by:
BMG Music (in 2003)
recording of:
Frank Mills (in 1967)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
part of:
Hair (1967 musical)
Shelley Plimpton1:53
8Hare Krishna
phonographic copyright (℗) by:
BMG Music (in 2003)
recording of:
Be-In 'Hare Krishna' (from “Hair”) (in 1967)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
part of:
Hair (1967 musical)
Hair Ensemble3:22
9Where Do I Go?
phonographic copyright (℗) by:
BMG Music (in 2003)
recording of:
Where Do I Go? (in 1967)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
part of:
Hair (1967 musical)
Walker Daniels, Hair Ensemble3:01
10Electric Blues
phonographic copyright (℗) by:
BMG Music (in 2003)
recording of:
Electric Blues (in 1967)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
part of:
Hair (1967 musical)
Suzannah Evans, Linda Compton, Paul Jabara2:32
11Easy to Be Hard
phonographic copyright (℗) by:
BMG Music (in 2003)
recording of:
Easy to Be Hard (in 1967)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
part of:
Hair (1967 musical)
Suzannah Evans, Linda Compton, Paul Jabara2:08
12Manchester
phonographic copyright (℗) by:
BMG Music (in 2003)
recording of:
Manchester, England (from “Hair”, English version) (in 1967)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
part of:
Hair (1967 musical)
Walker Daniels1:14
13White Boys
phonographic copyright (℗) by:
BMG Music (in 2003)
recording of:
White Boys (in 1967)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
part of:
Hair (1967 musical)
Alma Robinson, Jonelle Allen, Susan Batson2:37
14Black Boys
phonographic copyright (℗) by:
BMG Music (in 2003)
recording of:
Black Boys (from “Hair”) (in 1967)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
part of:
Hair (1967 musical)
Linda Compton, Suzannah Evans, Shelley Plimpton1:05
15Walking in Space
phonographic copyright (℗) by:
BMG Music (in 2003)
recording of:
Walking in Space (in 1967)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
part of:
Hair (1967 musical)
Hair Ensemble4:22
16Aquarius
choir vocals:
[theatre] (Special Purpose Artist - Do not add releases here, if possible.)
conductor:
John Morris (film and TV composer, piano, arranger, orchestrator, music director)
phonographic copyright (℗) by:
BMG Music (in 2003)
recording of:
Aquarius (from “Hair”) (on 1967-10-30)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI United Partnership Ltd. and United Artist Music Publishing
part of:
Hair (1967 musical)
Hair Ensemble2:17
17Good Morning Starshine
phonographic copyright (℗) by:
BMG Music (in 2003)
recording of:
Good Morning Starshine (from “Hair”) (in 1967)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Catalogue Partnership
part of:
Hair (1967 musical)
Jill O’Hara, Hair Ensemble3:52
18Exanaplanetooch
phonographic copyright (℗) by:
BMG Music (in 2003)
recording of:
Exanaplanetooch (in 1967)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
Walker Daniels2:38
19The Climax
phonographic copyright (℗) by:
BMG Music (in 2003)
recording of:
The Climax (in 1967)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
Jill O’Hara1:52
20Opening
phonographic copyright (℗) by:
BMG Music (in 2003)
Galt MacDermot, Hair Band2:28
21Red Blue and White
phonographic copyright (℗) by:
BMG Music (in 2003)
Marijane Maricle, Arnold Soboloff1:45
22Sentimental Ending
phonographic copyright (℗) by:
BMG Music (in 2003)
Hair Ensemble1:29
23Galt MacDermot Interview: How did you become involved with “Hair”?
phonographic copyright (℗) by:
BMG Music (in 2003)
Galt MacDermot1:07
24Galt MacDermot Interview: What do you remember about the off‐Broadway cast recording?
phonographic copyright (℗) by:
BMG Music (in 2003)
Galt MacDermot0:33
25Galt MacDermot Interview: And the Broadway cast recording?
phonographic copyright (℗) by:
BMG Music (in 2003)
Galt MacDermot0:31
26Galt MacDermot Interview: In the recording session photos, you were the only person wearing a jacket and tie.
phonographic copyright (℗) by:
BMG Music (in 2003)
Galt MacDermot0:14
27Galt MacDermot Interview: How did the two productions differ?
phonographic copyright (℗) by:
BMG Music (in 2003)
Galt MacDermot1:14
28Galt MacDermot Interview: You were not a traditional theater composer. Did you have any models or influences?
phonographic copyright (℗) by:
BMG Music (in 2003)
Galt MacDermot0:52
29Galt MacDermot Interview: Did “Hair” influence your later work, like “Two Gentlemen of Verona”?
phonographic copyright (℗) by:
BMG Music (in 2003)
Galt MacDermot0:42
30Galt MacDermot Interview: “Hair” was controversial with critics and the public. Did this affect you at all?
phonographic copyright (℗) by:
BMG Music (in 2003)
Galt MacDermot0:39
31Galt MacDermot Interview: On writing for the theater, and what makes a popular song?
phonographic copyright (℗) by:
BMG Music (in 2003)
Galt MacDermot0:57
32Galt MacDermot Interview: Did you ever rewrite any of the “Hair” songs?
phonographic copyright (℗) by:
BMG Music (in 2003)
Galt MacDermot0:23
33Galt MacDermot Interview: What sort of music do you write now?
phonographic copyright (℗) by:
BMG Music (in 2003)
Galt MacDermot0:23
34Galt MacDermot Interview: Do you use synthesizers?
phonographic copyright (℗) by:
BMG Music (in 2003)
Galt MacDermot0:20
35Galt MacDermot Interview: Have you got any advice for people who want to write for musical theater?
phonographic copyright (℗) by:
BMG Music (in 2003)
Galt MacDermot0:30
36Galt MacDermot Interview: Does any one songs in “Hair” express your philosophy?
phonographic copyright (℗) by:
BMG Music (in 2003)
Galt MacDermot0:22