Now That’s What I Call the 80s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Angel Eyes (Home and Away)
registrazione di:
Angel Eyes (Home & Away)
autore:
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell e Marti Pellow
Wet Wet Wet34:32
2Alone
assistente tecnico:
Mike Christopher (engineer), Stan Katayama, Jeffrey Poe, Julian Stoll (Music engineer) e Toby Wright (producer & engineer)
tecnico e produttore:
Ron Nevison
batteria :
Denny Carmassi
chitarra :
Howard Leese
chitarra basso :
Mark Andes
voce di accompagnamento:
Howard Leese e Nancy Wilson (guitarist/singer of “Heart”)
voce principale:
Ann Wilson (lead singer of Heart)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1987)
video musicali:
Alone di Heart (rock band, Ann and Nancy Wilson)
registrazione cover di:
Alone (I hear the ticking of the clock… I’m lying here the room’s pitch dark…)
autore:
Tom Kelly (songwriter) e Billy Steinberg
editore:
Sony/ATV Tunes LLC (ASCAP), Billy Steinberg Music (dal 1983 a oggi) e Denise Barry Music (dal 1983 a oggi)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Heart3.553:39
3Everybody Wants to Rule the World
tecnico:
David Bascombe
produttore:
Chris Hughes (producer, aka “Merrick”)
tecnico di missaggio:
Steven Wilson (founder of Porcupine Tree)
batteria :
Manny Elias (nel 1984)
chitarra e chitarra solista :
Neil Taylor (guitarist) (nel 1984)
chitarra basso :
Curt Smith (nel 1984)
tastiera :
Ian Stanley (nel 1984)
voce di accompagnamento:
Roland Orzabal (UK musician, songwriter and producer) (nel 1984)
voce principale:
Curt Smith
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1985, nel 2014) e Phonogram Ltd. (not for release label use!) (nel 1985)
video musicali:
Everybody Wants to Rule the World di Tears for Fears
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 28) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 319)
registrazione di:
Everybody Wants to Rule the World (nel 1984)
autore:
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Virgin Music (Publishers) Ltd.
sub-editore:
フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Tears for Fears3.94:07
4The Power of Love
tecnico di registrazione:
Jim Gaines e Robert Missbach
assistente tecnico:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) e Jim “Watts” Vereecke
tecnico aggiunto:
Michael Christopher (engineer), Phil Kaffel e Malcolm Pollack
produttore:
Bob Clearmountain, Jellybean (US producer John Benitez) e Huey Lewis and the News (American pop rock band)
tecnico di missaggio:
Robert Missbach
armonica (a bocca) :
Huey Lewis
batteria e percussione :
Bill Gibson (US drummer for Huey Lews & the News)
chitarra :
Johnny Colla (US sax & guitarist for Huey Lewis & the News) e Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
chitarra basso :
Mario Cipollina
sassofono :
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
tastiera :
Sean Hopper (US Keyboardist for Huey Lewis & the News)
voce:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) e Huey Lewis
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1984, nel 1985, nel 1986) e Chrysalis (nel 1985)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Studio D Recording in Sausalito, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
video musicali:
The Power of Love (full length) di Huey Lewis and the News (American pop rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 108)
registrazione di:
The Power of Love (Back to the Future)
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) e Huey Lewis
editore:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) e WB Music Corp. (1929–2019)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
The 58th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1985 nominee)
parte di:
Back to the Future: the Musical
Huey Lewis & the News43:53
5Crazy Crazy Nights
produttore:
Ron Nevison
tecnico di missaggio:
Ron Nevison (dal 1987-06 al 1987-07)
voce principale:
Paul Stanley (KISS frontman)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1987), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
mixata presso:
Can‐Am Recorders in Tarzana, Los Angeles, California, Stati Uniti (dal 1987-06 al 1987-07)
registrazione di:
Crazy Crazy Nights
autore:
Adam Mitchell (Scottish-Canadian songwriter) e Paul Stanley (KISS frontman)
editore:
Downtown DMP Songs, Hori Productions America Inc., Largo Cargo Music, Piccadilly Music Corporation e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e 大洋音楽 (Taiyō Music)
KISS4.153:44
6Here I Go Again ’87
basso-tastiera e tastiera :
Bill Cuomo
batteria :
Denny Carmassi
chitarra :
Dann Huff
voce:
David Coverdale
voce di accompagnamento:
Tommy Funderburk
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1994)
è stato produttore per:
Pogologo Productions
registrazione di:
Here I Go Again
autore:
David Coverdale e Bernie Marsden
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (conclusa), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Whitesnake4.253:53
7The Best
tecnico:
Chris Lord‐Alge
produttore:
Dan Hartman e Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989)
edit di:
The Best di Tina Turner
video musicali:
The Best di Tina Turner
registrazione cover di:
The Best
autore:
Holly Knight e Michael Chapman (Australian producer and songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.94:08
8Addicted to Love
registrazione di:
Addicted to Love
paroliere e compositore:
Robert Palmer (English singer‐songwriter)
editore:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) e WC Music Corp.
Robert Palmer44:16
9Modern Love
assistente tecnico:
Dave Greenberg (US engineer Sonopod/Boomtown)
tecnico e tecnico di missaggio:
Bob Clearmountain
produttore:
David Bowie (English singer‐songwriter) e Nile Rodgers
assistente tecnico di missaggio:
David Bowie (English singer‐songwriter) e Nile Rodgers
basso :
Carmine Rojas (dal 1983-01-03 al 1983-01-20)
batteria :
Omar Hakim (dal 1983-01-03 al 1983-01-20)
chitarra :
Nile Rodgers (dal 1983-01-03 al 1983-01-20)
pianoforte :
Rob Sabino (dal 1983-01-03 al 1983-01-20)
sassofono baritono :
Steve Elson (American saxophonist, clarinetist, flutist & duduk player) (dal 1983-01-03 al 1983-01-20)
sassofono tenore :
Robert Aaron (dal 1983-01-03 al 1983-01-20) e Stan Harrison (American saxophonist) (dal 1983-01-03 al 1983-01-20)
tromba :
Mac Gollehon (dal 1983-01-03 al 1983-01-20)
voce di accompagnamento:
Frank Simms (dal 1983-01-03 al 1983-01-20), George Simms (dal 1983-01-03 al 1983-01-20) e David Spinner (dal 1983-01-03 al 1983-01-20)
voce principale:
David Bowie (English singer‐songwriter) (dal 1983-01-03 al 1983-01-20)
arrangiatore corno :
David Bowie (English singer‐songwriter) e Nile Rodgers
registrata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1983-01-03 al 1983-01-20)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 251)
registrazione di:
Modern Love (dal 1983-01-03 al 1983-01-20)
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
Jones Music America, RZO Music Ltd e Universal/MCA Music Publishing Pty Ltd
David Bowie4.44:47
10The Whole of the Moon
produttore:
Mike Scott (The Waterboys)
tecnico di missaggio:
Mick Glossop (producer & engineer)
batteria :
Chris Whitten (nel 1985-05)
chitarra e pianoforte :
Mike Scott (The Waterboys) (nel 1985-05)
percussione :
Martin Ditcham (nel 1985-05)
sassofono :
Anthony Thistlethwaite (nel 1985-05)
sintetizzatore e sintetizzatore basso :
Karl Wallinger (nel 1985-05)
tromba :
Roddy Lorimer (nel 1985-05)
voce:
Mike Scott (The Waterboys) (nel 1985-05)
voce di accompagnamento:
Max Edie (nel 1985-05) e Karl Wallinger (nel 1985-05)
diritti fonografici (℗) detenuti da:
Ensign Records Ltd. (company; do NOT use as release label) (nel 1985), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1985) e Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 2020)
registrazione di:
The Whole of the Moon (nel 1985-05)
paroliere e compositore:
Mike Scott (The Waterboys)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Waterboys4.455:01
11Mary’s Prayer
produttore:
Dave Bascombe
esecutore:
Danny Wilson (Scottish pop group) (nel 1987)
prodotta presso:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, Regno Unito e Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
registrazione di:
Mary’s Prayer (nel 1987)
paroliere e compositore:
Gary Clark (Scottish singer/producer; ex‐Danny Wilson, ex‐Transister, ex‐King L)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (, nel 1988)
Danny Wilson33:45
12Kiss Me
registrazione di:
Kiss Me
paroliere e compositore:
Stephen Duffy
editore:
EMI Music Ltd. (nel 1985)
Stephen Duffy23:31
13Waiting for a Train
registrazione di:
Waiting for a Train
paroliere e compositore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
Flash and the Pan3:43
14Running Up That Hill
assistente tecnico:
Pearse Dunne
tecnico:
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench e Nigel Walker (UK producer/engineer/guitarist)
produttore:
Kate Bush
tecnico di missaggio:
Brian Tench
balalaika :
Paddy Bush
basso :
Del Palmer
batteria :
Stuart Elliott (session drummer, member of Cockney Rebel)
chitarra :
Alan Murphy (UK session guitarist)
voce:
Kate Bush
diritti fonografici (℗) detenuti da:
EMI America Records (holding – file NO releases here!) (nel 1985), EMI Korea (nel 1985), EMI Records (not for release label use!) (nel 1985), EMI Records Group N.A. (nel 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985), Noble & Brite Ltd. (nel 1985), Novercia Ltd. (nel 1985), Oasis (nel 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (nel 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (nel 2006), Noble and Brite (nel 2011) e Noble & Brite Ltd (nel 2018)
registrata presso:
Wickham Farm Home Studio in Welling, Bexley, London (Greater London), England, Regno Unito
lavorazione tecnica effettuata presso:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irlanda
video musicali:
Running Up That Hill (music video) di Kate Bush
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 7), Billboard Year-End Hot 100 singles of 2022 (numero: 23), Billboard Hot 100: 2026-01-17 (numero: 46), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 60), BILLIONS CLUB e Indie 88: Top 500 Indie Rock Songs (numero: 279)
registrazione di:
Running Up That Hill
paroliere e compositore:
Kate Bush
editore:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Kate Bush3.954:57
15Alive and Kicking
edit di:
Alive and Kicking di Simple Minds (Scottish rock band)
registrazione di:
Alive and Kicking
autore:
Charlie Burchill, Jim Kerr (of Simple Minds) e Michael MacNeil
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. e Simple Minds Ltd
Simple Minds44:32
16Higher Love
registrazione di:
Higher Love
autore:
Will Jennings e Steve Winwood
editore:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), CBS Songs Ltd., F.S. Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell North America e Willin' David Music
Steve Winwood54:05
17Breakout
produttore:
Paul Staveley O’Duffy
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1986) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 72)
registrazione di:
Breakout (nel 1986)
autore:
Andy Connell (nel 1986), Corinne Drewery (nel 1986) e Martin Jackson (nel 1986)
editore:
10 Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishers, Sony Music Publishing (worldwide except Japan, ended 1995) e Virgin 10 Music Ltd.
Swing Out Sister3.83:37
18You Keep It All In
programmazione degli strumenti aggiuntiva:
Mel Wesson
tecnico:
Ian Grimble e Dave Meegan (producer)
produttore:
Mike Hedges (UK producer/recording engineer)
batteria :
David Stead
chitarra :
Dave Rotheray
chitarra basso :
Sean Welch
flauto e sassofono :
Gary Barnacle
flicorno soprano e tromba :
John Thirkell (British trumpet and flugelhorn player)
percussione :
Martin Ditcham
tastiera :
Mel Wesson
tastiera e pianoforte :
Pete Wingfield (keyboardist, singer, producer, songwriter)
trombone :
Peter Thoms (trombone)
diritti fonografici (℗) detenuti da:
Go! Discs Ltd. (company credits only; do NOT use as release label) (nel 1989)
registrazione di:
You Keep It All In
paroliere:
Paul Heaton
compositore:
Paul Heaton e Dave Rotheray
editore:
Island Music Ltd.
The Beautiful South3.352:53
19Hourglass
produttore:
Eric Thorngren e Glenn Tilbrook
basso :
Keith Wilkinson (bassist, member of Squeeze)
batteria :
Gilson Lavis
chitarra :
Chris Difford e Glenn Tilbrook
organo :
Jools Holland
strumenti a fiato [horns] e voce principale:
Glenn Tilbrook
voce di accompagnamento:
Chris Difford
registrazione di:
Hourglass
paroliere:
Chris Difford
compositore:
Glenn Tilbrook
Squeeze3.653:12
20Axel F
produttore:
Harold Faltermeyer
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) e Geffen Records (nel 1984)
mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 70)
registrazione di:
Axel F (Beverly Hills Cop)
compositore:
Harold Faltermeyer
Harold Faltermeyer4.153:01

Accreditamenti

Pubblicazione

ASIN:UK: B000VQQYKI [info]

Gruppo di pubblicazioni

parte di:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (ordine: 10)
Wikidata:Q7065817 [info]