The Other Sides: Worldwide Gold Award Hits, Volume 2

~ Release by Elvis Presley (see all versions of this release, 2 available)

Tracklist

1Medium
#TitleRatingLength
1My Baby Left Me
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
drums (drum set):
D.J. Fontana (on 1956-01-30, from 1956-01-30 until 1956-02-03)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10, from 1956-01-30 until 1956-02-03) and Scotty Moore (American guitarist and recording engineer) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1956) and BMG Music (in 1956)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-30, from 1956-01-30 until 1956-01-31, on 1956-02-03)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 29)
cover recording of:
My Baby Left Me (from 1956-01-30 until 1956-02-03)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. and Williamson Music Company
recording of:
My Baby Left Me
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. and Williamson Music Company
3.652:14
2We’re Gonna Move
cover recording of:
We’re Gonna Move (on 1956-08-24)
writer:
Vera Matson and Elvis Presley (“The King of Rock and Roll”)
publisher:
Elvis Presley Music Inc., R&H Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1973)
42:31
3Poor Boy
recording of:
Poor Boy (for copyright reasons, originally credited to Vera Matson and Elvis Presley) (on 1956-08-24)
lyricist and composer:
Ken Darby
publisher:
Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
recording of:
Poor Boy (for copyright reasons, originally credited to Vera Matson and Elvis Presley) (from 1956-08-24 until 1956-09-05)
lyricist and composer:
Ken Darby
publisher:
Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
52:16
4Let Me
accordion:
Carl Fortina (from 1956-08-24 until 1956-09-04) and Dominic Frontiere (from 1956-08-24 until 1956-09-04)
banjo:
Luther "Red" Roundtree (from 1956-08-24 until 1956-09-04)
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (from 1956-08-24 until 1956-09-04)
drums (drum set):
Richard Cornell (Percussion) (from 1956-08-24 until 1956-09-04)
guitar:
Vito Mumolo (Session Musician (Guitar)) (from 1956-08-24 until 1956-09-04)
vocals:
Jon Dodson (from 1956-08-24 until 1956-09-04), Charles Prescott (from 1956-08-24 until 1956-09-04) and Rad Robinson (from 1956-08-24 until 1956-09-04)
recorded at:
20th Century Fox Music Stage 1 in Los Angeles, California, United States (on 1956-08-24, on 1956-09-04)
recording of:
Let Me (from 1956-08-24 until 1956-09-04)
writer:
Vera Matson and Elvis Presley (“The King of Rock and Roll”)
publisher:
Elvis Presley Music Inc. and R&H Music
42:11
5Love Me
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-09-01, from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (on 1956-09-01, from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-09-01, from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01, from 1956-09-01 until 1956-09-03)
piano:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1956-09-01, from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03)
additional vocals:
The Jordanaires (southern gospel group) (on 1956-09-01)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01)
vocals:
The Jordanaires (southern gospel group) (from 1956-09-01 until 1956-09-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-01, from 1956-09-01 until 1956-09-03)
cover recording of:
Love Me (from 1956-09-01 until 1956-09-03)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) and Sony/ATV Songs LLC
recording of:
Love Me, Love Me
writer:
George Richey and Glenn Sutton (US songwriter and producer)
42:45
6Paralyzed
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-09-02)
drums (drum set):
D.J. Fontana (on 1956-09-02)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-09-02) and Elvis Presley (“The King of Rock and Roll”) (on 1956-09-02)
piano:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1956-09-02)
additional performer:
The Jordanaires (southern gospel group) (on 1956-09-02)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-02)
recording of:
Paralyzed (on 1956-09-02)
composer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music and Williamson Music Company
3.52:26
7When My Blue Moon Turns to Gold Again
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-02)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 21)
cover recording of:
When My Blue Moon Turns to Gold Again (on 1956-09-02)
writer:
Gene Sullivan (in 1940) and Wiley Walker (in 1940)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) and Peer International Corporation (BMI) (on 1941-12-03)
4.52:23
8Rip It Up
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-09-03)
drums (drum set):
D.J. Fontana (on 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (on 1956-09-03)
piano:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1956-09-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-03)
cover recording of:
Rip It Up (on 1956-09-03)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC and Venice Music
4.51:55
9Tell Me Why
cover recording of:
Tell Me Why (on 1957-01-12)
lyricist and composer:
Titus Turner
publisher:
Cheerio Corp.
52:08
10Got a Lot o’ Livin’ to Do!
recording of:
Got a Lot o’ Livin’ to Do (on 1957-01-12)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
Gladys Music Inc., Minder Music Ltd. and Rachel’s Own Music
cover recording of:
Got a Lot o’ Livin’ to Do
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
Gladys Music Inc., Minder Music Ltd. and Rachel’s Own Music
42:34
11Mean Woman Blues
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-01-13)
additional performer:
The Jordanaires (southern gospel group) (on 1957-01-13)
phonographic copyright (℗) by:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1957) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-01-13)
recording of:
Mean Woman Blues (on 1957-01-13)
lyricist and composer:
Claude Demetrius
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. and Williamson Music Company
cover recording of:
Mean Woman Blues
lyricist and composer:
Claude Demetrius
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. and Williamson Music Company
42:18
12Hot Dog3.51:14
13Lonesome Cowboy
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (from 1957-01-15 until 1957-01-18)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18)
recording of:
Lonesome Cowboy (from 1957-01-15 until 1957-01-18)
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc. and Williamson Music Company
cover recording of:
Lonesome Cowboy
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc. and Williamson Music Company
43:03
14One Night
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-02-23)
vocals:
The Jordanaires (southern gospel group) (from 1957-01-15 until 1957-01-18)
phonographic copyright (℗) by:
BMG Entertainment (in 1957), BMG Music (in 1957, in 1959) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18), Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-02-23) and Metropolitan Sports Center in Bloomington, Minnesota, United States (on 1976-10-17)
cover recording of:
One Night (from 1957-01-15 until 1957-02-23)
writer:
Dave Bartholomew, Pearl King and Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) and Travis Music, Inc.
version of:
One Night (of Sin)
live cover recording of:
One Night (on 1976-10-17)
writer:
Dave Bartholomew, Pearl King and Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) and Travis Music, Inc.
version of:
One Night (of Sin)
2.552:31
15Young and Beautiful
cover recording of:
Young and Beautiful (on 1957-04-30)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Abner Silver
publisher:
Blen Music, Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated) and Rachel’s Own Music
42:04
16I Want to Be Free42:14
17(You’re So Square) Baby I Don’t Care41:54
18My Wish Came True
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-09-06)
cover recording of:
My Wish Came True (on 1957-09-06)
lyricist and composer:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
publisher:
EMI Unart Catalog Inc. and Unichappell Music Co.
3.52:36
19Dixieland Rock
cover recording of:
Dixieland Rock (on 1958-01-16)
writer:
Rachel Frank and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Rachel’s Own Music and Williamson Music Company
41:48
20Lover Doll
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1958-01-15 until 1958-01-23), Neal Matthews (from 1958-01-15 until 1958-01-23) and Ray Siegel (from 1958-01-15 until 1958-01-23)
bongos:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1958-01-15 until 1958-01-23)
clarinet:
Mahlon Clark (from 1958-01-15 until 1958-01-23)
cymbal:
Hoyt Hawkins (from 1958-01-15 until 1958-01-23)
drums (drum set):
D.J. Fontana (from 1958-01-15 until 1958-01-23) and Bernie Mattinson (from 1958-01-15 until 1958-01-23)
guitar:
Neal Matthews (from 1958-01-15 until 1958-01-23), Scotty Moore (American guitarist and recording engineer) (from 1958-01-15 until 1958-01-23) and Elvis Presley (“The King of Rock and Roll”) (from 1958-01-15 until 1958-01-23)
piano:
Dudley Brooks (from 1958-01-15 until 1958-01-23)
saxophone:
Justin Gordon (from 1958-01-15 until 1958-01-23)
trombone:
Elmer Schneider (from 1958-01-15 until 1958-01-23) and Warren Smith (jazz trombonist) (from 1958-01-15 until 1958-01-23)
trumpet:
John Ed Buckner (from 1958-01-15 until 1958-01-23)
tuba:
Ray Siegel (from 1958-01-15 until 1958-01-23)
vocals:
The Jordanaires (southern gospel group) (from 1958-01-15 until 1958-01-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-16, on 1958-01-23)
recording of:
Lover Doll (from 1958-01-15 until 1958-01-23)
writer:
Abner Silver and Sid Wayne
42:11
21New Orleans
engineer:
Thorne Nogar (from 1958-01 until 1958-02) and Phil Wisdom (from 1958-01 until 1958-02)
cover recording of:
New Orleans (on 1958-01-15)
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Gladys Music Elvis Presley Enterprises LLC and Williamson Music Company
42:01
22Don’t Ask Me Why
cover recording of:
Don’t Ask Me Why (on 1958-01-16)
writer:
Ben Weisman and Fred Wise
publisher:
Chappell & Co. and Erika Publishing
32:07
23Crawfish
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-01-15)
cover recording of:
Crawfish (on 1958-01-15)
lyricist:
Fred Wise
composer:
Ben Weisman
publisher:
Chappell & Co. and Erika Publishing
51:51
24King Creole
engineer:
Thorne Nogar (from 1958-01 until 1958-02) and Phil Wisdom (from 1958-01 until 1958-02)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1958-01-15 until 1958-01-23), Neal Matthews (from 1958-01-15 until 1958-01-23) and Ray Siegel (from 1958-01-15 until 1958-01-23)
bongos:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1958-01-15 until 1958-01-23)
clarinet:
Mahlon Clark (from 1958-01-15 until 1958-01-23)
cymbal:
Hoyt Hawkins (from 1958-01-15 until 1958-01-23)
drums (drum set):
D.J. Fontana (from 1958-01-15 until 1958-01-23) and Bernie Mattinson (from 1958-01-15 until 1958-01-23)
guitar:
Neal Matthews (from 1958-01-15 until 1958-01-23), Scotty Moore (American guitarist and recording engineer) (from 1958-01-15 until 1958-01-23) and Elvis Presley (“The King of Rock and Roll”) (from 1958-01-15 until 1958-01-23)
piano:
Dudley Brooks (from 1958-01-15 until 1958-01-23)
saxophone:
Justin Gordon (from 1958-01-15 until 1958-01-23)
trombone:
Elmer Schneider (from 1958-01-15 until 1958-01-23) and Warren Smith (jazz trombonist) (from 1958-01-15 until 1958-01-23)
trumpet:
John Ed Buckner (from 1958-01-15 until 1958-01-23)
tuba:
Ray Siegel (from 1958-01-15 until 1958-01-23)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1958-01-23)
vocals:
The Jordanaires (southern gospel group) (from 1958-01-15 until 1958-01-23)
additional performer:
The Jordanaires (southern gospel group) (on 1958-01-23)
phonographic copyright (℗) by:
BMG Entertainment (in 1958), BMG Music (in 1958) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-16, on 1958-01-23)
cover recording of:
King Creole (from 1958-01-15 until 1958-01-23)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Cherry Lane Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
4.72:10
25As Long as I Have You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1958-01-15 until 1958-01-23), Neal Matthews (from 1958-01-15 until 1958-01-23) and Ray Siegel (from 1958-01-15 until 1958-01-23)
bongos:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1958-01-15 until 1958-01-23)
clarinet:
Mahlon Clark (from 1958-01-15 until 1958-01-23)
cymbal:
Hoyt Hawkins (from 1958-01-15 until 1958-01-23)
drums (drum set):
D.J. Fontana (from 1958-01-15 until 1958-01-23) and Bernie Mattinson (from 1958-01-15 until 1958-01-23)
guitar:
Neal Matthews (from 1958-01-15 until 1958-01-23), Scotty Moore (American guitarist and recording engineer) (from 1958-01-15 until 1958-01-23) and Elvis Presley (“The King of Rock and Roll”) (from 1958-01-15 until 1958-01-23)
piano:
Dudley Brooks (from 1958-01-15 until 1958-01-23)
saxophone:
Justin Gordon (from 1958-01-15 until 1958-01-23)
trombone:
Elmer Schneider (from 1958-01-15 until 1958-01-23) and Warren Smith (jazz trombonist) (from 1958-01-15 until 1958-01-23)
trumpet:
John Ed Buckner (from 1958-01-15 until 1958-01-23)
tuba:
Ray Siegel (from 1958-01-15 until 1958-01-23)
vocals:
The Jordanaires (southern gospel group) (from 1958-01-15 until 1958-01-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-16, on 1958-01-23)
cover recording of:
As Long as I Have You (from 1958-01-15 until 1958-01-23)
writer:
Ben Weisman and Fred Wise
publisher:
Chappell & Co., Erika Publishing and Gladys Music Inc.
2.751:50
2Medium

Credits