The All Time Greatest Duets of the Millennium

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Emotion
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
synthesizer [synthesizers]:
James Newton Howard (American score composer)
background vocals:
Barry Gibb and Robin Gibb
vocals:
Samantha Sang
phonographic copyright (℗) by:
Private Stock Records (not for release label use, for copyrights relationships only; “Private Stock Records™ a division of 43 North Broadway, LLC”) (in 1977) and Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1978)
produced for:
CAM Productions (US)
recorded at and remixed at:
Criteria Sound in Miami, Florida, United States
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 14)
cover recording of:
Emotion
writer:
Barry Gibb and Robin Gibb
publisher:
Barry Gibb Music, Gibb Brothers Music, Stigwood Music, Unichappell Music, Universal Music Publishing MGB Australia and Warner/Chappell Music Australia Pty. Ltd.
Samantha Sang & Barry Gibb3.53:50
2I Will Always Love You
cover recording of:
I Will Always Love You
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. and Velvet Apple Music
Dolly Parton & Vince Gill5:04
3Almost Paradise
recording of:
Almost Paradise
lyricist:
Dean Pitchford
composer:
Eric Carmen
publisher:
Ensign Music Corporation
Mike Reno & Ann Wilson3:17
4Ebony & Ivory
assistant recording engineer:
Mike Stavrou (producer/engineer) (from 1981-02-28 until 1981-10)
recording engineer:
Geoff Emerick (British recording engineer) (from 1981-02-28 until 1981-10)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
assistant mixer:
Jon Jacobs (UK producer/engineer) (on 1982-01-19)
mixer:
Geoff Emerick (British recording engineer) (on 1982-01-19)
drums (drum set) and electric piano:
Stevie Wonder (from 1981-02-28 until 1981-10)
electric bass guitar, guitar, piano and vocoder:
Paul McCartney (The Beatles) (from 1981-02-28 until 1981-10)
percussion, synthesizer and background vocals and lead vocals:
Paul McCartney (The Beatles) (from 1981-02-28 until 1981-10) and Stevie Wonder (from 1981-02-28 until 1981-10)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Paul McCartney (The Beatles)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1982)
recorded at:
AIR Studios Montserrat in Saint Peter, Montserrat (on 1981-02-28), Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1981-03-30) and Strawberry Studios South in Dorking, Surrey, England, United Kingdom (in 1981-10)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1982-01-19)
recording of:
Ebony and Ivory (from 1981-02-28 until 1981-10)
lyricist and composer:
Paul McCartney (The Beatles)
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
parody version of:
Curdled Milk and Boot Polish
Paul McCartney & Stevie Wonder3.23:39
5Seperate Lives
producer:
Arif Mardin
drums (drum set):
Phil Collins (of Genesis)
guitar:
Daryl Stuermer
keyboard:
Nick Glennie‐Smith
lead vocals:
Phil Collins (of Genesis) and Marilyn Martin
cover recording of:
Separate Lives (White Nights)
lyricist and composer:
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Kingstreet Media Publishing Limited, エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1985), Gold Horizon Music Corp. (in 1985), Hit & Run Music (Publishing) Ltd (in 1985), Intersong Music Ltd. (in 1985), Stephen Bishop Music Publishing (in 1985) and Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1985)
part of:
The 58th Academy Award for Best Original Song (number: 2)
recording of:
Separate Lives (White Nights)
lyricist and composer:
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Kingstreet Media Publishing Limited, エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1985), Gold Horizon Music Corp. (in 1985), Hit & Run Music (Publishing) Ltd (in 1985), Intersong Music Ltd. (in 1985), Stephen Bishop Music Publishing (in 1985) and Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1985)
part of:
The 58th Academy Award for Best Original Song (number: 2)
Phil Collins & Marilyn Martin3.54:05
6Can't We Try
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1987)
recording of:
Can't We Try
lyricist and composer:
Beverly Chapin-Hill and Dan Hill (Canadian singer/songwriter)
publisher:
A Question of Material Music, EMI April Music Inc., If Dreams Had Wings Music Ltd. and Scoop Music Ltd.
Dan Hill & Vonda Shepard23:53
7Reunited
producer:
Freddie Perren
recording of:
Reunited
writer:
Dino Fekaris and Freddie Perren
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb5:42
8A Whole New World (Aladdin's Theme)
additional programming:
Dan Shea
programming and producer:
Walter Afanasieff
synclavier programming:
Gary Cirimelli and Ren Klyce
engineer:
Dana Jon Chappelle
executive producer:
Brenda Dash and Jay Landers (Executive producer, A&R, producer, songwriter and music publisher)
mixer:
Bruce Botnick
editor:
Kathleen Fogarty-Bennett
bass synthesizer, keyboard and synclavier [synclavier acoustic guitar]:
Walter Afanasieff
guitar:
Michael Landau
synthesizer [Akai]:
Ren Klyce
vocals:
Regina Belle and Peabo Bryson
additional arranger:
Robbie Buchanan (Canadian producer)
arranger:
Walter Afanasieff
phonographic copyright (℗) by:
Buena Vista Pictures Distribution, Inc. (briefly as Buena Vista Pictures Distribution (1987/03/06–1987/07/24), rights holders and distribution) (in 1992) and Walt Disney Records (in 1992)
recording of:
A Whole New World (Aladdin)
lyricist:
Tim Rice
composer:
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) (in 1992) and Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1992)
part of:
The 65th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1992 winner)
part of:
Aladdin (1992 film soundtrack)
part of:
Aladdin (stage musical based on the 1992 Disney animated film)
Peabo Bryson & Regina Belle54:02
9Something's Gotten Hold of My Heart
producer:
Bob Kraushaar
performer:
Gene Pitney
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
music videos:
Something’s Gotten Hold of My Heart by Marc Almond (English pop singer and songwriter) feat. Gene Pitney
cover recording of:
Something’s Gotten Hold of My Heart
lyricist and composer:
Roger Cook (US‐based British singer, songwriter and producer) and Roger Greenaway
publisher:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and PolyGram Music Publishing
Marc Almond & Gene Pitney2.54:38
10Je t’aime… moi non plus
producer:
Jean-Claude Desmarty
vocals:
Jane Birkin (in 1968-11) and Serge Gainsbourg (in 1968-11)
orchestra:
Arthur Greenslade & His Orchestra (in 1968-11)
conductor:
Arthur Greenslade (in 1968-11)
arranger:
Arthur Greenslade
recording of:
Je t’aime… Moi non plus (in 1968-11)
lyricist and composer:
Serge Gainsbourg
publisher:
Heath Levy Music Co. Ltd. and Shapiro Bernstein & Co. Ltd.
Serge Gainsbourg & Jane Birkin44:20
11With You I'm Born Again
assistant engineer:
James Warmack
engineer and mixer:
F. Byron Clark
producer:
James di Pasquale and David Shire (American score composer)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) and Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1979)
recording of:
With You I’m Born Again
lyricist:
Carol Connors
composer:
David Shire (American score composer)
publisher:
Check Out Music, EMI Music Publishing (do not use as a release label!) and Jobete Music (UK) Ltd.
Syreeta & Billy Preston3:36
12Wherever Would I Be
recording of:
Wherever Would I Be?
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Realsongs
Dusty Springfield & Daryl Hall3:49
13Save Your Love
recording of:
Save Your Love
writer:
John Edward (British musician, writer and record producer) and Sue Edward
publisher:
Hollywood Music (song publisher)
Renée and Renato3:07
14Someone Loves You Honey
instruments:
Joe Gibbs & The Professionals
background vocals:
J.C. Lodge (Jamaican reggae singer, aka June Lodge)
performer:
J.C. Lodge (Jamaican reggae singer, aka June Lodge)
recording of:
Someone Loves You Honey (1978 song)
lyricist and composer:
Don DeVaney (songwriter)
June Lodge & Prince Mohammed3:50
15Don't Look Any Further
recording of:
Don’t Look Any Further
writer:
Franne Golde, Duane Hitchings and Dennis Lambert
publisher:
BMG Platinum Songs US, Universal Music Careers and VMG Worldwide
Siedah Garrett & Dennis Edwards4:03
16Yes, I'm Ready
performer:
KC (Harry Wayne Casey of the Sunshine Band)
cover recording of:
Yes, I’m Ready
lyricist and composer:
Barbara Mason
publisher:
Embassy Music Corporation and Jamie Music Publishing Co.
Teri DeSario & K.C.3:15
17Too Much, Too Little, Too Late
producer:
Jack Gold
performer:
Johnny Mathis (US pop/soul singer) and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1978)
recording of:
Too Much, Too Little, Too Late
writer:
Nat Kipner (Australian producer, songwriter, label owner & publisher) and John McIntyre Vallins
publisher:
Homewood House Music and MCA Music Ltd.
Johnny Mathis & Deniece Williams42:56
18Sisters Are Doin' It for Themselves
additional recording engineer:
Shelly Yakus
recording engineer:
Shelley Yakes
assistant engineer:
Jay Willis
engineer:
Dr. Dave Frazer, Don Smith (producer, engineer and mixer) and Adam Williams
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive)
producer:
Dave Stewart (UK guitarist/singer for Eurythmics)
mixer:
Don Smith (producer, engineer and mixer) and Dave Stewart (UK guitarist/singer for Eurythmics)
bass and bass guitar:
Nathan East
drums (drum set):
Stan Lynch
guitar:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) and Dave Stewart (UK guitarist/singer for Eurythmics)
guitar and keyboard:
Dave Stewart (UK guitarist/singer for Eurythmics)
keyboard:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
organ:
Benmont Tench
choir vocals:
The Charles Williams Singers
lead vocals:
Aretha Franklin and Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
vocals:
Aretha Franklin and Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
phonographic copyright (℗) by:
RCA Ltd. (UK arm of RCA) (in 1985), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1985) and BMG Records (UK) Limited (1987–1996) (in 1991)
remasters:
Sisters Are Doin’ It for Themselves by Eurythmics
recording of:
Sisters Are Doin’ It for Themselves
writer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
Blue Network Music Inc., BMG Music Publishing Ltd., BMG Songs, Inc., D’n’A Ltd., RCA Music, Universal Music Publishing MGB France and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Eurythmics & Aretha Franklin3.655:49