| # | Title | Artist | Rating | Length |
|---|
| 1 | To Love Somebody- co-producer:
- Ossie Byrne
- producer:
- Barry Gibb, Maurice Gibb, Robin Gibb and Robert Stigwood
- conductor:
- Bill Shepherd
- arranger:
- Bill Shepherd
- phonographic copyright (℗) by:
- Barry Gibb (in 1967), Maurice Gibb (in 1967) and Robin Gibb (in 1967)
- phonographic copyright (℗) by:
- PolyGram International Ltd. (in 1967), PolyGram International Music B.V. (in 1967), Robert Stigwood Organisation Ltd. (in 1967), RSO Records, Inc. (in 1967) and RSO Records, Ltd. (in 1969)
- recorded at:
- IBC Studios in London , England, United Kingdom (in 1967-04)
- recording of:
- To Love Somebody (in 1967-04)
- written in:
- New York, New York, United States (in 1967)
- writer:
- Barry Gibb (in 1967) and Robin Gibb (in 1967)
- publisher:
- Abigail Music, BMG Music, BMG Music Publishing , BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. and Universal Music Careers
- part of:
- 50/50
| Bee Gees | 4.25 | 3:02 |
| 2 | Hold Me While You Wait | Lewis Capaldi | | 3:26 |
| 3 | Turn Me On- assistant engineer:
- Mark Birkey
- engineer:
- Jay Newland
- additional producer:
- Arif Mardin
- producer:
- Norah Jones and Jay Newland
- mixer:
- Arif Mardin and Jay Newland
- bass guitar:
- Lee Alexander
- drums (drum set):
- Dan Rieser
- guitar:
- Adam Rogers
- Hammond organ [Hammond B-3]:
- Sam Yahel
- piano and lead vocals:
- Norah Jones
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 2002)
- recorded at:
- Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
- mixed at:
- Sear Sound in New York, New York, United States
- cover recording of:
- Turn Me On
- lyricist and composer:
- John D. Loudermilk
- publisher:
- Loudermilk Music, Sony/ATV Acuff Rose Music , ソニー・ミュージックパブリッシング A事業部 and Acuff-Rose Publications, Inc. (on 1961-08-09)
| Norah Jones | 4.2 | 2:35 |
| 4 | Peer Pressure | James Bay | 3 | 2:57 |
| 5 | Read All About It, Pt. III | Emeli Sandé | 3 | 4:44 |
| 6 | Better Together | Jack Johnson | 3.4 | 3:28 |
| 7 | The Way You Look Tonight- recorded in:
- Los Angeles, California, United States (on 1964-01-27)
- vocals:
- Frank Sinatra (on 1964-01-27)
- conductor:
- Nelson Riddle (on 1964-01-27)
- arranger:
- Nelson Riddle
- cover recording of:
- The Way You Look Tonight (on 1964-01-27)
- publisher:
- Jerome Kern (on 1936-07-24)
- lyricist:
- Dorothy Fields (in 1936)
- composer:
- Jerome Kern (in 1936)
- publisher:
- Aldi Music Company, Chappell & Co., Inc. , Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (in 1936)
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
- part of:
- Swing Time
| Frank Sinatra | 3.15 | 3:21 |
| 8 | You Can’t Hurry Love | The Supremes | | 3:02 |
| 9 | Jessie | Joshua Kadison | 3 | 5:19 |
| 10 | Ruby Tuesday | The Rolling Stones | 4.35 | 3:13 |
| 11 | Lay It Down | Al Green | | 4:30 |
| 12 | Stuck on You | Lionel Richie | 4 | 3:11 |
| 13 | When You’re in Love With a Beautiful Woman | Dr. Hook | | 5:15 |
| 14 | For Once in My Life | Stevie Wonder | 4.1 | 2:47 |
| 15 | Dream a Little Dream of Me (single version)- lead vocals:
- Louis Armstrong
- vocals:
- Louis Armstrong (on 1950-08-25) and Ella Fitzgerald (on 1950-08-25)
- orchestra:
- Sy Oliver and His Orchestra (on 1950-08-25)
- conductor:
- Sy Oliver (on 1950-08-25)
- cover recording of:
- Dream a Little Dream of Me (on 1950-08-25)
- lyricist:
- Gus Kahn (in 1931)
- composer:
- Fabian André (in 1931) and Wilbur Schwandt (in 1931)
- publisher:
- EMI Music Publishing Ltd. , Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. and ティー・アール・オー・エセックス・ジャパン A事業部
- part of:
- The Real Book
- recording of:
- Dream a Little Dream of Me
- lyricist:
- Gus Kahn (in 1931)
- composer:
- Fabian André (in 1931) and Wilbur Schwandt (in 1931)
- publisher:
- EMI Music Publishing Ltd. , Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. and ティー・アール・オー・エセックス・ジャパン A事業部
- part of:
- The Real Book
| Ella Fitzgerald | 5 | 3:08 |
| 16 | She | Elvis Costello | 2.5 | 3:06 |
| 17 | God Only Knows (mono)- engineer:
- Chuck Britz (on 1966-03-10) and Ralph Valentin (from 1966-03 until 1966-04)
- producer:
- Brian Wilson
- accordion:
- Carl Fortina (on 1966-03-10) and Frank Marocco (on 1966-03-10)
- bass clarinet:
- Leonard Hartman (on 1966-03-10)
- bell and drums (drum set):
- Hal Blaine (on 1966-03-10)
- cello:
- Jesse Erlich (on 1966-03-10)
- clarinet:
- Leonard Hartman (on 1966-03-10) and Jay Migliori (on 1966-03-10)
- double bass:
- Lyle Ritz (on 1966-03-10)
- electric bass guitar:
- Ray Pohlman (on 1966-03-10)
- flute:
- Bill Green (on 1966-03-10) and Jim Horn (on 1966-03-10)
- French horn:
- Alan Robinson (on 1966-03-10)
- guitar:
- Carol Kaye (on 1966-03-10)
- harpsichord:
- Larry Knechtel (on 1966-03-10)
- percussion:
- Jim Gordon (on 1966-03-10)
- tack piano:
- Don Randi (on 1966-03-10)
- tambourine:
- Terry Melcher (on 1966-03-10)
- viola:
- Darrel Terwilliger (on 1966-03-10)
- violin:
- Leonard Malarsky (on 1966-03-10) and Sid Sharp (on 1966-03-10)
- lead vocals:
- Carl Wilson (from 1966-03 until 1966-04)
- vocals:
- Bruce Johnston (from 1966-03 until 1966-04) and Brian Wilson (from 1966-03 until 1966-04)
- arranger:
- Brian Wilson
- recorded at:
- Western Recorders in Los Angeles, California, United States (on 1966-03-10) and Columbia Studios in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 11), Helsingin Sanomat: 100 maailman parasta laulua (number: 17), Rolling Stone: 500 Greatest Songs of All Time (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (number: 130)
- recording of:
- God Only Knows (from 1966-03 until 1966-04)
- lyricist:
- Tony Asher
- composer:
- Brian Wilson
- publisher:
- Irving Music , Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. , Universal Music Publishing Ltd. , Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
| The Beach Boys | 4.15 | 2:53 |
| 18 | 2 Become 1 | Spice Girls | 4.5 | 4:01 |
| 19 | These Arms of Mine | Otis Redding | 3.8 | 2:34 |
| 20 | Before You Go | Lewis Capaldi | 3.15 | 3:35 |
| 21 | Alone | Heart | 3.55 | 3:39 |
| 22 | Do That to Me One More Time- recording engineer and mixer:
- Roger Young
- assistant engineer:
- David Cole , Ira Leslie and Wayne Neuendorf
- producer:
- Daryl Dragon
- acoustic guitar:
- Lee Ritenour
- bass guitar:
- Scott Edwards
- drums (drum set) [drums]:
- Ralph Humphrey
- percussion:
- Ken Watson
- Rhodes piano [Fender Rhodes electric piano], background vocals and lead vocals:
- Toni Tennille
- synthesizer [Oberheim Four Voice]:
- Daryl Dragon
- wind synthesizer [flute synthesizer]:
- Tom Scott
- assistant remixer:
- Wayne Neuendorf
- phonographic copyright (℗) by:
- Casablanca Record & FilmWorks, Inc. and UMG Recordings, Inc. (in 1979)
- recorded at:
- Capitol Records Studio in Hollywood, Los Angeles, California, United States and Rumbo Recorders in Canoga Park, Los Angeles, California, United States
- mixed at:
- The Village Recorders in Los Angeles, California, United States
- recording of:
- Do That to Me One More Time
- lyricist and composer:
- Toni Tennille
- publisher:
- Fujipacific Music, Inc. and Moonlight & Magnolias Music Publ. Co.
| Captain & Tennille | 3.85 | 4:17 |
| 23 | Now and Forever | Richard Marx | 3 | 3:34 |
| 24 | Smile | Nat King Cole | | 2:55 |
| 25 | My Cherie Amour | Stevie Wonder | 4.35 | 2:54 |
| 26 | (They Long to Be) Close to You- engineer:
- Dick Bogert and Ray Gerhardt
- producer:
- Jack Daugherty
- bass:
- Joe Osborn and Danny Woodhams
- drums (drum set) [Ludwig drums]:
- Hal Blaine and Karen Carpenter
- woodwind [woodwinds]:
- Doug Strawn , Jim Horn and Bob Messenger
- Wurlitzer electric piano [Wurlizer pianos]:
- Richard Carpenter
- lead vocals [all vocals]:
- Karen Carpenter and Richard Carpenter
- arranger and orchestrator:
- Richard Carpenter
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1970)
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 2) and Billboard: The 500 Best Pop Songs (number: 171)
- cover recording of:
- (They Long to Be) Close to You (on 1970-03-24)
- lyricist:
- Hal David
- composer:
- Burt Bacharach
- publisher:
- Albert Music Publishing, Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) , Carlin Music Corporation, Casa David LP, J. Albert & Son Pty. Ltd., Jac Music, Inc., New Hidden Valley Music Co., U.S. Songs, Inc., Universal/MCA Music Ltd. , Windswept Music (London) Ltd. and フジパシフィックミュージック BMG事業部
| Carpenters | 4 | 4:31 |
| 27 | Sharing the Night Together | Dr. Hook | 4 | 2:52 |
| 28 | Cherish | Kool & the Gang | | 4:21 |
| 29 | Have You Ever Really Loved a Woman? (from “Don Juan Demarco” soundtrack)- recorded in:
- Jamaica (in 1995-02) and Wisconsin, United States (from 1995-02-23 until 1995-03-04)
- mixed in:
- France (in 1996-03)
- miscellaneous support:
- Bryan Adams (task: vocal harmony), Mickey Curry (task: brushes) and Olle "Sven" Romo (task: pads)
- programming:
- Olle "Sven" Romo
- engineer:
- Olle "Sven" Romo and Ron Vermeulen
- producer:
- Bryan Adams and Robert John “Mutt” Lange
- mixer:
- Bob Clearmountain (on 1995-03-08)
- acoustic guitar and handclaps:
- BA (from 1995-02-23 until 1995-03-04)
- bass:
- Mutt Lange (from 1995-02-23 until 1995-03-04)
- brushes and drums (drum set):
- Mickey Curry (from 1995-02-23 until 1995-03-04)
- castanets:
- Olle Romo (from 1995-02-23 until 1995-03-04)
- classical guitar [Spanish guitar]:
- Paco de Lucía (from 1995-02-23 until 1995-03-04)
- guitar [spanish]:
- Paco de Lucía
- vocals:
- BA (from 1995-02-23 until 1995-03-04)
- phonographic copyright (℗) by:
- A&M Records (in 1995), A&M Records, Inc. (in 1995, in 1999) and Badman Ltd. (in 1995, in 1999)
- recorded at:
- The Warehouse Studio Mobile Unit (from 1995-02-23 until 1995-03-04)
- mixed at:
- The Warehouse Studio in Vancouver, British Columbia, Canada (on 1995-03-08)
- part of:
- The Downloader’s Music Source Book (number: 163)
- recording of:
- Have You Ever Really Loved a Woman? (from 1995-02-23 until 1995-03-04)
- writer:
- Bryan Adams , Michael Kamen and Robert John “Mutt” Lange
- publisher:
- Out-of-Pocket Productions Ltd., Sony Songs Inc., Zomba Enterprises Inc., Badams Music Limited (in 1995), K‐Man Corp. (in 1995), New Line Music Co. (in 1995), Sony/ATV Songs LLC (in 1995) and Zomba Music Publishing Ltd. (in 1995)
- part of:
- The 68th Academy Award for Best Original Song (number: 2)
| Bryan Adams | 3.55 | 4:54 |
| 30 | From This Moment On (Pop On‐Tour version) | Shania Twain | | 3:55 |
| 31 | Through the Years | Kenny Rogers | | 4:46 |
| 32 | After All (Love Theme From Chances Are)- recording engineer and mixer:
- Frank Wolf
- assistant engineer:
- Stacy Baird, Charlie Brocco, Charley Pollard, Clark Germaine, Jeff DeMorris, Ryan Dorn, Paula “Max” Garcia, Debbie Johnson , Robin Laine, Richard McKernan, Craig Porteils , Rob Hart and Duane Seykora
- associate producer:
- Frank Wolf
- producer:
- Peter Asher
- bass guitar:
- Leland Sklar
- drums (drum set):
- Carlos Vega
- guitar:
- Michael Landau and Waddy Wachtel
- keyboard:
- Robbie Buchanan and Jon Gilutin
- lead vocals:
- Peter Cetera and Cher
- conductor:
- David Campbell
- performer:
- Peter Cetera and Cher
- strings arranger:
- David Campbell
- phonographic copyright (℗) by:
- The David Geffen Company (in 1989)
- recorded at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States, Hop Recording in Los Angeles, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, Summa Studios in Los Angeles, California, United States, The Complex Studios in Los Angeles, California, United States and The Village in Los Angeles, California, United States
- mixed at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States
- recording of:
- After All (Love Theme From “Chances Are”)
- writer:
- Dean Pitchford and Tom Snow
- publisher:
- EMI Intertrax Music Inc. , Pitchford Music (from 1988 to present), Snow Music (from 1988 to present) and Triple Star Music, Inc. (from 1988 to present)
- part of:
- The 62nd Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1989 nominee)
| Cher | | 4:04 |
| 33 | Tonight I Celebrate My Love- recording engineer:
- Alan R. Hirshberg (in 1983)
- engineer:
- Howard Wolin and Jeremy Smith
- producer:
- Michael Masser
- mixer:
- Dick Bogart and Russ Terrano
- bass guitar [bass]:
- Nathan East (in 1983)
- drums (drum set):
- Carlos Vega (in 1983)
- guitar:
- Paul Jackson (in 1983)
- piano:
- Randy Kerber (in 1983)
- vocals:
- Peabo Bryson (in 1983) and Roberta Flack (in 1983)
- arranger:
- Michael Masser and Gene Page
- orchestrator:
- Gene Page
- phonographic copyright (℗) by:
- EMI USA and Capitol Records, Inc. (in 1983)
- recorded at:
- A&M Records Studios in Hollywood, Los Angeles, California, United States (in 1983) and Studio Sound in North Hollywood, Los Angeles, California, United States (in 1983)
- mixed at:
- Motown Hitsville in West Hollywood, California, United States
- recording of:
- Tonight, I Celebrate My Love (in 1983)
- lyricist:
- Gerry Goffin
- composer:
- Michael Masser
- publisher:
- Almo Music Corp. , Chelsea Music Publishing Co., Ltd., Lauren Wesley Music , Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. , Universal Music Corp. and Warner Chappell Music Publishing
- sub-publisher:
- Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント , ソニー・ミュージックパブリッシング フジパシフィック事業部 , ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Peabo Bryson | 3.75 | 3:31 |
| 34 | All My Life | America | | 3:04 |
| 35 | Angel | Aerosmith | 3.6 | 5:09 |
| 36 | On Bended Knee | Boyz II Men | 3.5 | 5:30 |
| 37 | Straight From the Heart- recording engineer:
- Bob Clearmountain (from 1982-08-13 until 1982-08-23)
- assistant engineer:
- Mike Fraser , Jeff Hendrickson , Paul Northfield and Robbie Whelan
- engineer:
- Bob Clearmountain
- producer:
- Bryan Adams and Bob Clearmountain
- mixer:
- Bob Clearmountain (from 1982-10-14 until 1982-10-20)
- drums (drum set):
- Mickey Curry (from 1982-08-13 until 1982-08-23)
- electric bass guitar [bass]:
- Dave Taylor (from 1982-08-13 until 1982-08-23)
- guitar:
- Keith Scott (from 1982-08-13 until 1982-08-23)
- keyboard and organ:
- Tommy Mandel (from 1982-08-13 until 1982-08-23)
- percussion:
- Jim Vallance (from 1982-08-13 until 1982-08-23)
- piano and lead vocals:
- Bryan Adams (from 1982-08-13 until 1982-08-23)
- background vocals:
- Bryan Adams (from 1982-08-13 until 1982-08-23), Mark Doyle (from 1982-08-13 until 1982-08-23) and Keith Scott (from 1982-08-13 until 1982-08-23)
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1983) and UMG Recordings, Inc. (in 1983)
- additionally recorded at:
- Power Station in Hell's Kitchen, New York, New York, United States (from 1982-08-13 until 1982-08-23)
- recorded at:
- Little Mountain Sound in Vancouver, British Columbia, Canada (from 1982-08-13 until 1982-08-23)
- additionally mixed at:
- Power Station in Hell's Kitchen, New York, New York, United States (from 1982-10-14 until 1982-10-20)
- mixed at:
- Le Studio in Morin‐Heights, Québec , Canada (from 1982-10-14 until 1982-10-20)
- part of:
- The Downloader’s Music Source Book (number: 178)
- cover recording of:
- Straight From the Heart (from 1982-08-13 until 1982-08-23)
- writer:
- Eric Kagna and Bryan Adams (in 1978)
- publisher:
- Adams Communications Inc., Calypso Toonz, Irving Music of Canada, Rondor Music (London) Ltd. and Irving Music, Inc. (in 1980)
| Bryan Adams | 5 | 3:32 |
| 38 | On and On- sound engineer:
- Henry Lewy
- assistant engineer:
- Leslie Jones and Helen Silvani
- producer:
- Stephen Bishop and Henry Lewy
- acoustic guitar, background vocals and lead vocals:
- Stephen Bishop
- bass guitar:
- Mac Cridlin
- drums (drum set):
- Larry Brown
- electric guitar:
- Andrew Gold
- electric piano:
- Barlow Jarvis
- marimba, percussion and vibraphone:
- Victor Feldman
- steel guitar:
- Michael Staton
- phonographic copyright (℗) by:
- ABC Records, Inc (in 1976), Geffen Records (in 1976) and UMG Recordings, Inc. (in 1976)
- recorded at:
- A&M Studios in Hollywood, Los Angeles, California, United States and ABC Recording Studios in Los Angeles, California, United States
- recording of:
- On and On
- lyricist and composer:
- Stephen Bishop
- publisher:
- Downtown DLJ Songs, Downtown Music Publishing International Inc., Stephen Bishop Music Publishing and エイベックス・ミュージック・パブリッシング
| Stephen Bishop | | 3:02 |
| 39 | You Decorated My Life | Kenny Rogers | 5 | 3:39 |
| 40 | Just Another Woman in Love | Anne Murray | | 2:56 |
| 41 | Let’s Get It On- engineer:
- William McMeekin and Art Stewart
- producer:
- Marvin Gaye and Ed Townsend
- mixer:
- Cal Harris
- bass guitar:
- Wilton Felder (on 1973-03-22)
- bongos and congas:
- Eddie “Bongo” Brown (on 1973-03-22) and Bobbye Hall (on 1973-03-22)
- drums (drum set):
- Paul Humphrey (on 1973-03-22)
- guitar family:
- Don Peake (on 1973-03-22), Louie Shelton (on 1973-03-22), David T. Walker (on 1973-03-22) and Melvin “Wah Wah” Watson (on 1973-03-22)
- percussion:
- Emil Richards (on 1973-03-22)
- piano:
- Marvin Gaye (on 1973-03-22), Marvin Jenkins (on 1973-03-22) and Joe Sample (on 1973-03-22)
- saxophone:
- Plas Johnson (on 1973-03-22) and Ernie Watts (on 1973-03-22)
- vibraphone:
- Victor Feldman (on 1973-03-22) and Emil Richards (on 1973-03-22)
- background vocals and lead vocals:
- Marvin Gaye (on 1973-03-22)
- conductor:
- René Hall (on 1973-03-22)
- recorded at:
- Motown Studios - Hitsville West in West Hollywood, California, United States (on 1973-03-22)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 167) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 264)
- recording of:
- Let’s Get It On (on 1973-03-22)
- writer:
- Marvin Gaye and Ed Townsend
- publisher:
- Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd and Stone Diamond Music Corporation
| Marvin Gaye | 4.1 | 4:51 |
| 42 | You | Carpenters | 3 | 3:53 |
| 43 | Beautiful in My Eyes- engineer:
- Simon Smart
- producer:
- Rod Argent and Peter Van Hooke
- mixer:
- David Kershenbaum and Kevin Smith
- acoustic guitar:
- Mark Cresswell
- cello:
- Paul Kegg , Ben Kennard and Roger Smith
- double bass:
- Chris Laurence
- drums (drum set) and percussion:
- Peter Van Hooke
- instruments:
- Helen Liebmann
- keyboard:
- Rod Argent
- piano:
- Joshua Kadison
- viola:
- Bob Smissen , Andy Parker , George Robertson and Steve Tees
- violin:
- Mark Berrow , Ben Cruft , Roger Garland , Roy Gillard , Tim Good, Rita Manning , Peter Oxer, Bill Penham, Barry Wilde, Wilf Gibson , Dave Woodcock and Gavyn Wright
- choir vocals:
- Rod Argent, Adele Bertei, Lance Ellington , Carol Kenyan, David Lasley, Ian Shaw , Helen Terry and Ruby Turner
- vocals:
- Joshua Kadison
- strings arranger:
- Rod Argent
- recording of:
- Beautiful in My Eyes
- lyricist and composer:
- Joshua Kadison
- publisher:
- EMI Blackwood Music Inc., Joshuasongs and Seymour Glass Songs
| Joshua Kadison | 3 | 4:09 |
| 44 | Just Once | Quincy Jones | | 4:34 |
| 45 | How Do You Keep the Music Playing | James Ingram | | 4:17 |
| 46 | I’d Still Say Yes | Klymaxx | | 4:44 |
| 47 | Runaround Sue | Dion | 3 | 2:42 |
| 48 | Got to Be There (single version) | Michael Jackson | 3 | 3:23 |
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