Rescue Me: 100 Nº 1 Hits From the 50’s to 70’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Theme From “Shaft”
edit di:
Theme From ‘Shaft’ di Isaac Hayes
registrazione di:
Theme From Shaft (Shaft, 1971)
paroliere e compositore:
Isaac Hayes
editore:
Irving Music, Inc.
parte di:
The 44th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1971 winner)
parte di:
Shaft (1971 film soundtrack)
Isaac Hayes4.53:17
2Let’s Stay Together
registrazione di:
Let’s Stay Together
autore:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) e Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
editore:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. e Irving Music, Inc.
Al Green3:14
3Fallin’ in Love
registrazione di:
Fallin' in Love
compositore:
Anne Marie Hamilton e Dan Hamilton (US pop musician and songwriter, 1946–1994)
Hamilton, Joe Frank & Reynolds2:59
4The Duke of Earl
Gene Chandler2:19
5Something Gotten Hold of My Heart
registrazione cover di:
Something’s Gotten Hold of My Heart
paroliere e compositore:
Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
editore:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e PolyGram Music Publishing
Gene Pitney3:33
6My Boyfriend’s Back
registrazione di:
My Boyfriend’s Back
autore:
Bob Feldman (of The Strangeloves), Jerry Goldstein (producer, record label owner and publisher) e Richard Gottehrer (American songwriter and music executive)
editore:
EMI Blackwood Music Inc. e EMI Music (do not use as release label! this is a music publisher)
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The Angels2:37
7Make It With You
archi , chitarra , chitarra basso , voce di accompagnamento e voce principale:
David Gates (singer/songwriter, lead singer of Bread)
batteria :
Michael Botts
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1970) e Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 13)
registrazione di:
Make It With You
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:11
8Our Day Will Come
registrazione di:
Our Day Will Come
paroliere:
Bob Hilliard
compositore:
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Francis, Day & Hunter (publisher), Leeds Music Corp., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Ruby & the Romantics2:32
9Take Good Care of My Baby
registrazione di:
Take Good Care of My Baby
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Warner/Chappell Music Ltd. (1996–2019)
Bobby Vee2:36
10Love Train
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Love Train (nel 1972)
paroliere e compositore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Mijac Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:56
11Stagger Lee
registrazione di:
Stagger Lee (Lloyd Price version)
autore:
Harold Logan e Lloyd Price (US R&B/soul singer)
editore:
EMI Catalogue Partnership, Irving Music (BMI) e Travis Music Co.
versione di:
Stagger Lee (“Stackolee” etc., traditional)
Lloyd Price2:22
12You’re No Good
tecnico di registrazione:
Val Garay (dal 1974-06 al 1974-09) e David Hassinger (dal 1974-06 al 1974-09)
tecnico:
Val Garay
produttore:
Peter Asher, Jay Faires e Tricia Holloway
basso :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (dal 1974-06 al 1974-09)
batteria, pianoforte elettrico e percussione :
Andrew Gold (dal 1974-06 al 1974-09)
chitarra elettrica :
Ed Black (dal 1974-06 al 1974-09)
chitarra elettrica solista :
Andrew Gold (dal 1974-04 al 1974-09)
voce di accompagnamento:
Clydie King (dal 1974-06 al 1974-09) e Shirley Matthews (Canadian pop singer) (dal 1974-06 al 1974-09)
arrangiatore archi :
Gregory Rose
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1974, nel 2006) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1974, nel 2013)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (dal 1974-06 al 1974-09)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 38)
registrazione cover di:
You’re No Good (dal 1974-06 al 1974-09)
paroliere e compositore:
Clint Ballard, Jr.
editore:
Beardog Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Edwin H. Morris & Co. (a division of MPL Communications Inc.)
Linda Ronstadt4.753:44
13Midnight Train to Georgia
registrazione di:
Midnight Train to Georgia
paroliere e compositore:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4:33
14Alley Oop
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 36)
registrazione di:
Alley Oop
paroliere e compositore:
Dallas Frazier (American songwriter and musician)
The Hollywood Argyles52:43
15When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:47
16I Got You Babe
voce:
Sonny Bono (nel 1965) e Cher (nel 1965)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 331) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 444)
registrazione di:
I Got You Babe (nel 1965)
paroliere e compositore:
Sonny Bono
editore:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) e Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:12
17Harper Valley P.T.A.
produttore:
Shelby Singleton
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 78)
registrazione di:
Harper Valley PTA (il 1968-07-26)
paroliere e compositore:
Tom T. Hall
editore:
Unichappell Music, Inc.
Jeannie C. Riley3.753:20
18Kiss You All Over
diritti fonografici (℗) detenuti da:
Curb Records (nel 1978), RAK Records (copyrights holder) (nel 1978), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1993)
edit di:
Kiss You All Over di Exile (American country band)
registrazione di:
Kiss You All Over
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation), BMG Songs, Inc., Downtown DLJ Songs, Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Exile53:30
19Lean on Me
produttore:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) e Bill Withers
basso elettrico :
Melvin Dunlap (nel 1972)
batteria e percussione :
James Gadson (American drummer) (nel 1972)
chitarra elettrica :
Benorce Blackmon (guitarist, producer, writer) (nel 1972)
piano elettrico Wurlitzer :
Ray Jackson (trombonist, pianist and arranger) (nel 1972)
pianoforte e voce principale:
Bill Withers (nel 1972)
arrangiatore archi :
Ray Jackson (trombonist, pianist and arranger)
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1972), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1972), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1972) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 236)
registrazione di:
Lean on Me (nel 1972)
paroliere e compositore:
Bill Withers
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Withers4.34:18
20The Letter
produttore:
Dan Penn (songwriter, soul singer)
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1967) e Atoll Music (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 357) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 364)
registrazione di:
The Letter (nel 1967)
paroliere e compositore:
Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.151:58