Requiem / Krönungsmesse / Coronation Mass / Exsultate, jubilate / Litany K. 195

~ Release by Wolfgang Amadeus Mozart; Cotrubaş, Watts, Tear, Shirley‐Quirk, Academy of St Martin in the Fields, Sir Neville Marriner (see all versions of this release, 3 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Requiem, K. 626 (Beyer edition): I. Introitus
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: I. Introitus: “Requiem aeternam” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart5:28
2Requiem, K. 626 (Beyer edition): II. Kyrie
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: II. “Kyrie eleison” (Beyer/Kunzelmann Edition) (in 1977-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart2:52
3Requiem, K. 626 (Beyer edition): III. Sequenz: Dies irae
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IIIa. Sequenz: “Dies irae” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart1:55
4Requiem, K. 626 (Beyer edition): III. Sequenz: Tuba mirum
producer:
Chris Hazell
baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1977-05)
contralto vocals:
Helen Watts (contralto) (in 1977-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1977-05)
tenor vocals:
Robert Tear (tenor) (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IIIb. Sequenz: “Tuba mirum” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart3:40
5Requiem, K. 626 (Beyer edition): III. Sequenz: Rex tremendae
producer:
Chris Hazell and Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05, in 1990-02)
orchestra:
Academy of St Martin in the Fields (in 1990-02)
conductor:
Sir Neville Marriner (conductor) (in 1990-02)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1990-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1990)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-02) and Kingsway Hall in London (Greater London), England, United Kingdom (in 1990-02)
recording of:
Requiem in D minor, K. 626: IIIc. Sequenz: “Rex tremendae” (Beyer/Kunzelmann Edition) (in 1990-02)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart2:18
6Requiem, K. 626 (Beyer edition): III. Sequenz: Recordare
producer:
Chris Hazell
baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1977-05)
contralto vocals:
Helen Watts (contralto) (in 1977-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1977-05)
tenor vocals:
Robert Tear (tenor) (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IIId. Sequenz: “Recordare” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart6:13
7Requiem, K. 626 (Beyer edition): III. Sequenz: Confutatis
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IIIe. Sequenz: “Confutatis” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart2:32
8Requiem, K. 626 (Beyer edition): III. Sequenz: Lacrimosa
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IIIf. Sequenz: “Lacrimosa” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart4:11
9Requiem, K. 626 (Beyer edition): IV. Offertorium: Domine Jesu
producer:
Chris Hazell
baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1977-05)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
contralto vocals:
Helen Watts (contralto) (in 1977-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1977-05)
tenor vocals:
Robert Tear (tenor) (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IVa. Offertorium: “Domine Jesu” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: IV. Offertorium
Wolfgang Amadeus Mozart3:55
10Requiem, K. 626 (Beyer edition): IV. Offertorium: Hostias
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IVb. Offertorium: “Hostias” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: IV. Offertorium
Wolfgang Amadeus Mozart4:30
11Requiem, K. 626 (Beyer edition): V. Sanctus
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: V. “Sanctus” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart1:27
12Requiem, K. 626 (Beyer edition): VI. Benedictus
producer:
Chris Hazell
baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1977-05)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
contralto vocals:
Helen Watts (contralto) (in 1977-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1977-05)
tenor vocals:
Robert Tear (tenor) (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: VI. “Benedictus” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart5:58
13Requiem, K. 626 (Beyer edition): VII. Agnus Dei
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: VII. “Agnus Dei” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart3:42
14Requiem, K. 626 (Beyer edition): VIII. Communio
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: VIII. Communio: “Lux aeterna” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart6:09

Credits

Release

manufactured in:Germany
printed in:Germany
art direction:Jeremy Tilston (art director and designer)
liner notes:Marcel Marnat (musicologist, journalist, radio producer)
liner notes translator:Giorgio Giandomenici
Decca (in 1994)
producer:Michael Bremner (producer/engineer) (task: CD 1)
Chris Hazell (task: CD 2)
rights society:BIEM (international rights organization representing member societies from 58 countries)
STEMRA (Netherlands rights society for composers and music publishers)
manufactured by:PMDC (Germany)
copyrighted (©) by:The Decca Record Company Limited (not a release label; for copyrights use only) (in 1994)
part of:Double Decca (order: 11)
Discogs:https://www.discogs.com/release/14343686 [info]
ASIN:UK: B000004236 [info]